Youtube daily can't pay Jan 26 2018

the question above comes from a Liverpool fan himself which does not

necessarily mean the arguments provided below would make it a biased

presentation right anyhow with Liverpool's busy January transfer market

likely to be continued following the 142 pounds sale of Philippe Coutinho

and the 75 million pounds arrival of Virgil bandaged gets back to the heating

rumor of Thomas lemur link we tackle here terms agreed as Monica Wenger

Thomas lemur is once again being heavily linked with a move to the Reds after

infamously coming close to joining Arsenal on the transfer deadline day

last year with a 90 million pound deal falling through at the last moment it

was subsequently being suggested Lehrer was hoping another club would come

calling yes it's Liverpool Hyde as a direct

replacement for Philippe Coutinho at the center of the park and in numerous

position in the final third for that matter

Thomas lemur is currently founded for one betting odds to join Liverpool until

the end of the winter transfer market the likes of Liverpool echo in various

other reports habit that Reds have already agreed terms with the French

sensation over a January move to Anfield the French Giants are said to be holding

out for the last summer's 90 million pound valuation and a deal is not any

closer than being a mere speculation at this point in time Liverpool are

reportedly willing to go up to 75 million pounds for the French

international as Jurgen Klopp does not intend to rush by if something jumps in

my face we will think about it clock said when asked about re-entering the

market this month after the Virgil vandagriff eye with their war chest

filled courtesy of the Catalan giants however Liverpool can afford to be picky

and with Thomas lemur having the potential to upgrade the squad

significantly clop is unlikely to miss the chance to explore the

ability of landing him a proper cat in her replacement with Killian bap

stealing all headlines in as Monaco's title winning season in France last year

it was Thomas lemur and his impressive exploits that had been left somewhat

under the radar the 22 year old was mostly used on the left of Leonardo

Jardim ch4 - - - system last year performing the similar role Philippe

Coutinho was instructed with at Liverpool lemur has a license to roam

and drift inward towards the centre of the park where he would link up with

Falcao in vApp last season and Stephen jevetta Kerr kita this term having

established himself as a skilled set peace taker and a Pacey creator boasting

great vision in turn of step with the ball in his feet

Thomas lemur has been given a more direct role in a central part of the

pitch straight behind the attackers cue the similarities

Thomas lemur is an ambidextrous traveler who boasts impressive agility and the

ability to beat opponents with remarkable ease lemur is fantastic at

creating space for himself while at the same time getting out of tight spaces on

the ball as a player capable to solve locked situations with a single moment

of brilliance thomas lemur is exactly the player Liverpool need when they run

out of ideas which was the case in their last match against Swansea City on top

of his incredible skill set and talent there lies Thomas lemurs footballing

intelligence which is set to allow him to develop and maximize his potential

under the guidance of a visionary who has a particular knack for getting the

best out of his players ain't that right Alex oxlade-chamberlain

Thomas lemur could indeed become a copy-paste version of Philippe Coutinho

at Anfield in the end let's address the question from the title by simply

stating yes he can

For more infomation >> LIVERPOOL NEWS !! CAN THOMAS LEMAR MAKE LIVERPOOL FANS FORGET ABOUT PHILIPPE COUTINHO?? - Duration: 4:31.

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Your Eyes Can Fix Shoulder Pain - Duration: 5:54.

Do you have shoulder pain?

Would you believe that your eyes may be playing a role in what you're experiencing?

If you've been following us for any period of time, you know that we talk a lot about

modern pain science.

One of the most critical ideas in modern pain science is that inputs coming into your brain

matter in terms of the output it is creating.

Kind of like your computer system.

A lot of people have used that analogy before.

It is completely inaccurate when it comes to the brain but it's close enough and it's

useful to think, garbage in, garbage out.

All right?

Imagine that you have shoulder pain.

Right now I'm going to talk about shoulders because I'm getting a lot of questions about

shoulders.

But as we discuss stuff about pain, one of the things I want you to understand is that

whenever we discuss pain and the way that we deal with it, it's about the entire body.

It could be your shoulder, it could be your neck, it could be your back, your hip, your

foot, it doesn't matter because pain ultimately is a protective output that your brain produces

based off the sum total of inputs it is taking in.

So how you're seeing the world, how you're inner ear is function, how you're hearing

the environment around you, all the signals coming in from your muscles, tendons, joints,

ligaments, et cetera, all of those are creating this pattern within your brain.

When your brain feels stressed out or threatened because you didn't sleep and you're having

a hard time at work and you also sprained your ankle six months ago and it never healed

correctly, all of that can equal back pain.

It can equal a lot of different things.

One of the real challenges when it comes to pain is sequentially and very systematically

eliminating or looking at different inputs to see how they affect you.

Now, I said this was about shoulder pain so let's get started talking about shoulders

and eyes.

Let's imagine that I'm having problems with my right shoulder.

The first thing I need you to do is test your shoulder and if you're not having shoulder

pain you can still do this just to see what it does.

You can check your ranges of motion.

In general, let's say I have shoulder pain.

A lot of people when they have shoulder pain are going to have pain when they flex the

shoulder or what's called abduct the shoulder and also when they internally rotate it.

Those are the most common things that you see.

There can be other things, reaching behind your back, et cetera.

What I want you to do is first thing, slowly I want you to test the ranges of motion that

are problematic for you.

If you're not in pain you can always go, what's my most difficult motion?

Now, once you've done that we're going to do something really super simple.

All right?

We're going to do two different things with your eyes.

The first thing that I want you to do rather than looking at your arm or letting your eyes

wander around as you're moving your shoulder, I want you to choose a spot on the wall in

front of you.

If you need to, take a Post-it note, put a dot on it, stick it up there.

It should be basically at eye level to begin with.

I want you to just focus your eyes on that dot.

I'm looking at the camera lens now.

I'm going to look at the camera lens and I'm going to repeat all those different shoulder

ranges of motion that I just tested and I'm going to see if they feel any different.

This is called gaze stabilization.

It's a really, really simple idea but in general if our eyes are potentially problematic to

the rest of our body, very often we'll have a difficult time stabilizing them.

We'll look at something but instead of looking right at it, they'll flicker and they'll move

around and that radically fast shift in focus can actually be disruptive to the brain and

actually can cause pain.

All right?

The first thing you're going to test is if I give myself a clear visual target to look

at while I'm practicing my movements, does it change either the amount of motion that

I have?

Do I go from here to here?

Or, does it decrease my pain?

If I was at a 7 and now it's a 5, that's a good sign.

All right?

First thing you're going to test is gaze stabilization.

The second thing I want you to do is I now want you to try the same motions that you

just performed and by wanting to do it with your eyes closed.

All right?

This is a very simple super screening test.

So go okay, hurts here eyes open.

Close my eyes, oh, it doesn't hurt until I get to here.

Now if you find that by closing your eyes and repeating the same ranges of motion you

actually have better ranges and decreased pain by reducing visual input, you just learned

something.

You just learned that your eyes are potentially contributing to some of the issues that you're

having maybe in other areas of your body.

There's a lot, again, neurophysiologic reasons we can go into as to why that may occur but

right now it doesn't matter.

What you need to know is what to do about it.

So, if gaze stabilization actually improved your shoulder pain, then one of the things

that you want to do is go through basic mobility drills or other exercises that you know are

potentially good for your shoulder throughout the day but add to it gaze stabilization.

If, on the other hand, you actually had better range of motion and decreased pain by simply

reducing visual input, closing your eyes, then as a part of your rehab, particularly

for the first two weeks, you can focus on doing a lot of other shoulder exercises.

We have hundreds of them on our blogs and there's lots of different ones that you can

look at or see a Z Health professional or other professional, but you may want to consider

for the first couple of weeks doing a lot of your rehab work with your eyes closed in

order to decrease that visual stress.

Now, that may sound weird but again, this is all taken out of emergent pain science.

We now know that your eyes matter.

Your inner ear matters.

How you hear matters.

Like I said, everything within the body can potentially increase your threat levels.

If your threat levels go up, that can eventually result in a protective output that most of

us call pain.

Like I said, I want you to first of all explore these two things.

Gaze stabilization and eyes open/eyes closed.

Choose the one that works best for you and try to apply that over the next couple of

weeks to see if it can get you over that next pain hurdle.

If you have any questions about this let us know.

Otherwise, good luck.

Thanks.

For more infomation >> Your Eyes Can Fix Shoulder Pain - Duration: 5:54.

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5 World's Biggest Marine Monsters You Will Not Can See in Your Life ! - Duration: 2:26.

Some of the largest creature's this world has ever seen lived millions of years ago here are ten of the largest

Most fearsome sea monsters ever too proud the oceans v Valeo, Arkansas Aegis only recently discovered T

Seraph Aegis was the size of a school bus

Reaching nearly 30 feet long. It is an early species of ichthyosaur that lived during the Triassic period

244 million years ago

Because they were alive shortly after the Permian extinction earth's largest mass extinction

When 95 percent of marine life has thought to have been wiped out its

discovery is giving scientists new insights into the quick recovery of the ecosystem for

Danis Trophy us while tannaz Trophy us was not strictly marine its diet was mainly fish and

Scientists think it spent most of its time in the water

Tannis trophy us was a reptile that could reach 20 feet long, and it is thought to have been alive during the Triassic period nearly

215 million years ago

3 Lea plura Don Lea plura Don was a marine reptile

measuring in at more than 20 feet in length it mostly lived in the Seas that

Covered Europe during the Jurassic period and it was one of the top predators around

Its jaws alone are believed to have been over 10 feet long roughly the distance from the floor to the ceiling to

Mosasaurus if the Lea plura down was huge then Mosasaurus was colossal fossil evidence

suggests that Mosasaurus could reach as much as 50 feet in length making it one of the largest marine predators of the Cretaceous period

Mosasaurus head was like that of a crocodile lined with hundreds of razor-sharp

teeth which could kill even the most well armored enemies 1

Megalodon one of the largest predators in marine history and one of the largest sharks ever recorded

Megalodons were as terrifying as they came

Megalodons prowled the depths during the Cenozoic era 28 to 1.5 million years ago and were a much bigger

version of the great white shark an apex predator of today's oceans

But while our great whites only reach a maximum length of 20 feet

megalodons could grow to 65 feet in length longer than a school bus

For more infomation >> 5 World's Biggest Marine Monsters You Will Not Can See in Your Life ! - Duration: 2:26.

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Video Game Maker: 7 Game Engines You Can Use (Right Now) to Start Making Games - Duration: 9:11.

when we were younger all we wanted to do was become video game makers we'd

illustrate characters write epic stories and design gameplay mechanics but the

next step was to code an actual game and we never really knew where to start and

we figured that since we didn't know how to write code we could never truly

become video game makers fast-forward to today and you can almost say that there

are too many ways to start making an actual game in this video we're gonna

look at seven different game engines some that require coding knowledge some

that don't and some in between breech engine we'll be going over what types of

games it is best suited for what makes it unique how much it costs to use and

also showcase some great titles that use it .

We are Ask GameDev,

And here's how to become a game maker with seven game engines you can use in 2018.

First up is Unreal Engine by Epic Games. Unreal Engine is the cream of the crop when it

comes to performance teams use unreal to make high-end triple-A 3d titles.

While it's definitely not a beginner's engine it's the engine you want to use if you

have your sights set on creating a triple-A experience. Unreal supports an

impressive array of functionality right out of the box and is particularly

strong and developing high quality visuals. Unreal also has a huge developer

community and an extensive plugin and content marketplace to help you along

the way. In terms of pricing Unreal Engine is free to download and use epic

does charge our royalty for all commercial games released that generate

a revenue of over three thousand dollars you can find details about the agreement

on their websites FAQ some titles made using Unreal Engine included "Absolver"

PlayerUnknown's Battlegrounds

Snake-Pass

and Street Fighter 5

Number two GameMaker by Yo-Yo games if you're making a 2d title one great

option is game maker studio 2 game maker has been around for years and has

developed a great community a simple search on YouTube will yield a ton of

game maker tutorials it also has a great drag-and-drop interface that's perfect

for beginners starting out. Once you get the hang of things though you can do

much more complex things using their libraries and scripting language game

maker studio 2 starts at $39 for a basic license and goes all the way up to

$1,500 for its Ultimate Edition a free trial is also available. Some great game

maker titles include "Hyper Light Drifter"

"Hotline Miami"

"DownWell"

and the original "Spelunky"

Number three "Corona" by Corona labs. Corona is a good engine

to use if you're looking to make 2D games for mobile. In terms of ease of use

Crona uses a simple scripting language called Lua and also has a great

community with a lot of tutorials. Corona is very intuitive interface and is great

for beginners who want to start learning about game development one other great

thing about Corona is that it has its own market place where you can buy

assets and plugins that help you with things like analytics and monetization.

pricing is a highlight for Corona as it is completely free Corona does not

charge any fees or royalties for using its core engine it does however sell

licenses for its plugins. Corona titles include Gunman Taco Truck

HoPiKo

and Zip--Zap

Number four Construct3 by Scirra. Another easy-to-use 2d engine

is Construct3 with a drag-and-drop interface and a library of built-in

behaviors you can quickly develop your game ideas it's ideal for game makers

who don't have deep programming skills given its intuitive drag-and-drop

interface it has an active plugin marketplace and getting support from

other developers is relatively easy one cool thing about Construct3 is that you

can export in html5 meaning once you've created your game you can throw it up on

the web and have your friends play it using their browser. Construct3 has a

free trial available and licenses start at $99 a year for a personal license

some construct 3 games include "The Next Penelope".

"Airscape"

"Cosmochoria"

and "CoinOp Story"

Number five Fusion 2.5 by Clickteam. Five Nights at Freddy's is

one of the most culturally popular games made in the last five years and that

game was made with fusion. Similar to the previous 2d engines mentioned Fusion has

an easy-to-use drag-and-drop interface that allows for level event and

animation creation without needing to write code this engine has been around

for decades and has a robust selection of plugins from the dedicated user

community. Fusion is also good for non gaming development including tools and

multimedia projects. Fusion 2.5 licenses start and $99.99 with optional add-ons

like their Android exporter. One interesting thing about Fusion is that

you can buy it on Steam they also have a free Edition on their website.

some titles made using Fusion include "Plantera"

"The Escapists"

"Fort Meow"

And as we mentioned Five Nights at Freddy's

Number 6 "RPG Maker" if you're looking to make a 2d top-down RPG then look no further

RPG Maker is the engine for you this engine has been around since the mid 90s

and has a large online community of developers looking to help you with

development. The latest iteration of the engine is RPG Maker MV and

out-of-the-box it features a drag-and-drop interface, a character

generator, built-in battle systems, inventory systems, and more.

More experienced developers can create more complex functions using JavaScript RPG

RPG Maker MV is available on Steam for $80. some RPG maker hits include - "The moon"

Lisa

and Final Fantasy Legend of Balance

And finally we get to number seven "Unity". Unity might be the most flexible of the

bunch with unity you can create 2D and 3D games you can release games on PC, Mac,

mobile, and console including the beloved Nintendo switch. In terms of ease of use

unity does have a very user-friendly drag-and-drop interface but it would be

wise to learn C sharp to get the most out of the engine. Another great thing is

that Unity has its own asset store filled with 3D models, animations, tools,

plugins and more we love Unity because it's quick to prototype with and you can

get set up very quickly in terms of pricing the best part about unity is

that it's personal license is free. Some of the best games of the last few years

were made with unity like "Cuphead"

"Monument Valley"

"Superhot"

and "Night in The Woods"

and before we leave you here are some honorable mentions for thoselooking to use minimal code or no code

at all three options are "Stencyl" "Build Box" and "GameSalad"

Well there you have it 10 game engines to get you started on becoming a video game maker we've

included links to each one in the description now that you know all of the

engines take a look at this game can you guess what engine it was made

with let us know what engine you think it was made with in the comments.

thanks for watching we are Ask GameDev and we make videos on games the

Game industry and more if you'd like to see more videos please subscribe!

For more infomation >> Video Game Maker: 7 Game Engines You Can Use (Right Now) to Start Making Games - Duration: 9:11.

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Sell smarter: How data insights can help your team meet sales targets | European CEO - Duration: 5:01.

European CEO: The science of selling has become more important than the art.

That's the thesis of my next guest, Byron Matthews from Miller Heiman Group.

Miller Heiman takes global research into sales techniques and performance, and develops the

best practices to make sales teams more effective and efficient.

Byron, you've identified four key trends that are making selling harder for business.

Byron Matthews: Yeah, number one: digital disruption.

We understand that, we all feel that, but in the world of selling, the amount of technology

and tools and data that buyers have is really causing a lot of problems and issues for sellers.

Number two: urbanisation.

Specifically in emerging economies.

There are 65 million more people every single year living in cities.

And that might seem great, you know: a bunch of people in the same place, let's sell!

But the problem is, that brings in new competition, tonnes of price pressures, and a lot of difficulties

in trying to figure out how to break through to some of these markets.

Number three: the productivity in the ageing workforce.

GDP by math is productivity plus labour growth.

So if you have lower labour growth, that puts more pressure on productivity, which puts

more pressure on selling organisations.

And then finally, we think about this idea of, you just kinda compete in your sector?

That's all going to get blurred.

Primarily through technology; platforms will integrate industries together, into sort of

an interconnected ecosystem, which will provide a tonne of challenges for sellers.

It's not as simple anymore.

European CEO: What evidence of there of the impact of these trends?

Byron Matthews: So we do a lot of research around the world of sales and performance.

And by the numbers, across the board: they're down.

Let me give you a good example.

The percent of reps that make quota; 2017, we studied this in all industries, all regions,

and it's at a five year low: 53 percent of reps make quota.

Now you might say, 'that's horrible!'

Well, you want about two thirds of your reps to make quota.

But, 53 percent?

That gap is huge.

European CEO: How can sales organisations adapt to overcome these challenges?

Byron Matthews: Yeah, we actually think there's a few things that all selling organisations

need to be investing in.

Number one: selling models have changed.

So, historically it started with product selling, then it moved to solution selling.

That means you show up, you ask really good questions, you understand their needs, and

then you provide them a solution.

That's been the predominant model for decades.

That's actually not good enough anymore.

Buyers are well informed – go back to digital disruption, they've got tonnes of information.

Now you have to change the game; you have to add value in the sales process.

You've got to provide insight, you've got to provide data.

That shift in selling model is very difficult to do, but the ones that are doing it are succeeding.

Number two: sales enablement as a function.

Organisations are starting up sales enablement to create value engineers, to power change

in the organisation.

Number three: talent.

Really foward-thinking selling organisations are thinking about their talent.

What does that next generation talent look like?

Big difference between EQ and IQ.

With more science in selling, the IQ part of a professional's traits are becoming more important.

And finally, and probably the most important is process maturity.

It used to be the differentiator if you had a methodology.

Your way of selling had everyone operating together.

Now that's a circuit-breaker.

You have to have that.

And then from there you can invest in capabilities.

European CEO: Miller Heiman Group is also having to deal with these challenges; how

are you adapting?

Byron Matthews: Our legacy was all based on training and methodology and skill programmes.

That's only part of the equation now.

So we've had to invest in capabilities around services and consulting.

Capabilities around talent management, and really helping organisations think about their people.

Capabilities around technology, CRM tool.

Selling organisations are embracing data-rich, insight-rich environments.

Imagine if you captured all of the data every time they went to win more deals.

And then, that data was smart enough to provide insights to that individual, and said, 'Hey,

the last two times you won, these were the things that you did.'

And then it would tell your supervisor, your front-line sales leader, 'Hey, in your forecast,

when you're working with Byron, think about this: he wins more when he develops a coach.'

That type of competitive advantage is necessary going forward, and that's exactly what we're delivering.

European CEO: So in this environment and with these new tools, what is the talent profile

of a successful salesperson today?

Byron Matthews: We're absolutely seeing a shift.

We actually bought a company from IBM called Talent Analytics, and it came with all this

massive amounts of assessment data.

And what we're seeing is a shift from, if just at the highest level you think about

EQ and IQ – which are both important in a seller – but the predominant trait was

more on the EQ, the persuasive traits.

We see that shifting more into analytical traits, in the IQ part.

Doesn't mean the EQ's not important.

And think about that comment I made earlier around digital disruption, and data everywhere,

and the science of selling.

To become a value engineer, to show up and not just ask good questions, but to provide

insights and data and analytics; those types of traits are going to be really important in the future.

European CEO: Byron, thank you very much.

Byron Matthews: Thanks.

Thanks for watching.

You can read the research that informed this video at csoinsights.com, and learn even more

at millerheimangroup.com.

And please subscribe for the latest business, finance, and strategic insights

that are transforming Europe from europeanceo.com

For more infomation >> Sell smarter: How data insights can help your team meet sales targets | European CEO - Duration: 5:01.

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How You Can Help Your Child Read at Home - Duration: 13:26.

I have a little boy here today that's gonna help us with what you can do at

home they help you down with the admin struggling with okay and I'm gonna let

your buddy join you over here why you demonstrate for the parents so before

reading can you tell me the type of that book okay so right now after you read

their tablet is there something that you're thinking about about the whales

okay can you tell me that okay why okay so one of the questions that you're

asking yourself is why are they calling it a blue whale because there could be

other whales that have different colors good job so as you asking yourself some

questions okay are there any predictions that you can make based off of this from

the title and the cover

is there anything that you already know about whales okay tell me some things

you already know about whales okay this woman's in with the whales for you

okay so you already know that this was on the okay I'll be there any others in

your course okay so what you already know is that whales are beep okay and a

question that you want to know is how big how big a wheel okay not just blue

whales but I'll maybe some other types of whales are big they are okay all

right so let's start meeting okay that was some good reading now what I want to

do is go back and let's look at that word that you write you in the first

sentence and let's say please okay so now read the entire page from his book

themselves good good okay now is there anything that new knowledge that you now

know about the wheels is the that you know based on four digits brain

so okay so now you know that maybe whales different whales they have

different what by different body parts and those different body parts do

different okay now are there any new predictions that you can make about blue

whales at this time based off of what you've read? They are not the biggest animal in the world. Okay alright so

what are you thinking about now since you already know that the blue whale is

not the biggest thing there is on earth are there any new questions you have

in your head, are you asking yourself?

Okay so when you read this last part read this last part for Mrs. Boulware again.

But of course a blue whale is not the biggest in the world. Okay so based off of that sentence you say anything else that

you asking yourself at this time about blue whales?

If they're bigger than sharks. Okay so now in comparison to other creatures that

live in the ocean is the blue whale bigger than sharks. Okay that's a great

question. Okay I mean have you read another story similar to this maybe

about whales have you read anything else about whales? Okay what what else do you know

about whales? Well yes I read it on Epic. On Epic? Okay, what's Epic? If you read like epic is. Is it a book that you can check out from the media center?

No you can do it's on the ipad. Oh okay so you telling me that you can. Can you read Epic

at home is this something that you to read at home to? So you like reading

on Epic better than you like reading a physical book like this? I like both of them. Okay all right so

now so you already made let me see you made a connection to another text that

you read about whales okay so now based out for everything that we've talked

about whlaes at this point what what can you put in two sentences that

you learned about whales? What I learned about whales is they are not the biggest thing on Earth. And they I'm trying to figure out how big are they. And they said they can grow to be 100 ft.

Very nice okay so what we have done is we've done what we've done before

reading what we do during reading asking questions and at the end summarizing

what we just read in up in about two sentences so when you're at home with

your child parents just make sure to not wait until they finish reading the

entire book stop at critical points in the book ask them questions like we just

did today to help further the understanding of the text.

So Mrs. Boulware you know one of the things that you know we struggling here

at Preston dargon is reading reading has always been very difficult for our

student population and it's interesting because you know we talk about helping

children and getting parents at home on board is that things have changed so

with reading and parents really don't understand what we talk about or mean

when we say reading you know I think I think they think reading means being

able to pronounce the word reading fluently or smoothly without stakes or

areas but there's so much more to reading than just calling words and

reading fluently you've been the reading coach with us

this year I wanted to come to you how would you define freedom

well this map will be in you're absolutely right I think a lot of

misconceptions that parents have about reading is that when they listen to

their children reading and their reading without any errors or without having

liking pronounce thee for the enunciations excuse me of words they

think that my child can race I won't understand what it is that the teachers

top things are concerned about but the problem with reading is when you have

children that are excellent or fluent readers read without any errors or

can read expressively and with accuracy the thing with that is that when you are

done with a piece of reading whether it's a full court article if at in

type of really the child cannot answer any questions or tell you anything about

what it is that they have just read that is the life of what we call

comprehension and comprehension what I mean by car engine is understanding what

it is that you have MS Rand okay so you you say so then really accepts me like

really the heart of reading is understanding what you're working that's

absolutely right miss mcaveeney and I think when the when parents

realize that that point when they listen to the teacher that the child has a

problem with comprehension then lies the thing like okay what is it that I can do

now to be the I'm right now understand a lot of things that you what parents need

to know about reading dispensed is that if your child is a if they are fluent

reader if they read the information and expression that is the basis for

learning to read because anytime you have a child that is struggling to read

that means they have an issue with decoding so when you don't if you're

reading and you're reading struggling like pronouncing every word

or every letter that also can be a hindrance in comprehension because

you're focusing on your decoding rather than understanding what it is that

you're reading so what parents need to know about reading is reading has three

different stages miss McElveen when you try to help somebody read the doing

reads before reading you which is really good time like you get a book you look

at the cover of that book you look at the title what are these or walks right

yeah what it is what is it that I would know

right what questions do I have based on my pictures

what questions do I have based on the title

what predictions can I make even before I read this book all those things some

good readers they ask themselves questions all the time to ask they ask

you out there anything when they also have to get after reading so doing

reading there's nothing for a time because children get to make connections

they get to make to have visualization and visualize what it is that's going on

in the story while they're reading they also make connections whether it's text

the text and when I say takes the things that means maybe read another book that

that was similar maybe it can be text itself that means they make a connection

with themselves as a reader maybe it's something that's in the book that they

can identify with then it's text to world that means that they can identify

with what's going on in the world at the time for me particular piece of text so

all these things come together what happens before reading the reading and

after reading to help build a strong reader

For more infomation >> How You Can Help Your Child Read at Home - Duration: 13:26.

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The Gatlin Brothers - I Can Build Another House (Live) - Duration: 4:02.

For more infomation >> The Gatlin Brothers - I Can Build Another House (Live) - Duration: 4:02.

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ROYALTY FREE MUSIC | FILM | CATCH ME IF YOU CAN | Music Factory - Duration: 2:29.

For more infomation >> ROYALTY FREE MUSIC | FILM | CATCH ME IF YOU CAN | Music Factory - Duration: 2:29.

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One-Third Of Americans Can't Eat Without Their Cellphones, Study Finds - Duration: 0:19.

For more infomation >> One-Third Of Americans Can't Eat Without Their Cellphones, Study Finds - Duration: 0:19.

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Can you make muddy water crystal clear? - Duration: 2:30.

<March music>

We love science, yes we do.

Kids: We love science, yes we do.

We love science, Science-U

Kids: We love science, Science-U

When I say Science

you say U

Science!

Kids: U!

Science!

Kids: U!

<Music - jazz drums and bass>

In some places of the world people don't have much choice

about where they get their drinking water.

I mean, would you want to drink this?

Today we're going to be making our own water filters

to clean this dirty water.

Hard to believe but campers made water this dirty clean enough

to drink by pouring it through different layers of materials.

All of the gross water comes in the top

and all the clean water goes out the bottom.

You start with a clear, one liter soda bottle.

We're going to fill it with a sand gravel mix

a layer of clay

a layer of sand

and a layer of activated charcoal or carbon.

You poke holes in the bottom of the bottle to drain the water -

lay down cotton balls to keep the sand in the bottle -

then start building your layers.

Each layer tackles a different part of the job!

The sand layer is good at taking out the muddy particles.

The fired clay layer will attract heavy metals.

And the activated carbon is especially good

at removing nasty chemicals.

So, in my hand is activated carbon or charcoal.

And if you zoom in on one of these tiny particles,

you're going to see pores and tunnels

that have a high surface area.

That's going to collect all the gunk and particles

in the dirty water and help make it clean.

The campers ran the muddy water through the filter six times!

So how clean is it now?

With this machine we're measuring transmittance -

how easy the light moves through the water.

The muddy water is so cloudy it barely moves the needle -

but their filtered sample tested almost as clear as tap water!

Still... would you drink it?

I ran this through the filter - and it looks cleaner -

but I still wouldn't drink it because of bacteria and viruses

that could still be in here.

So I'd have my parents boil it first.

<boiling water>

You filter it

you boil it

you cool it down

and it's safe to drink.

For more infomation >> Can you make muddy water crystal clear? - Duration: 2:30.

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The Sopranos: Can Tony Soprano Be Cured? | Video Essay - Duration: 12:53.

The initial idea of The Sopranos is "What if a mob boss went to therapy?"

We open with Tony Soprano meeting with Dr. Melfi for the first time,

"Melfi.

What part of the boot you from, hon?"

"Doctor Melfi."

and David Chase's show sets us a simple question: can Tony be cured?

With Dr. Melfi, this outsider with a special window into Tony's psyche,

we then spend six seasons trying to figure out if this patient can be helped.

"Let's talk about that."

"What?"

"Rage."

"Why?"

"Depression is rage turned inward."

Ten years after The Sopranos ended and nearly 20 after its premiere,

Tony remains one of the most iconic TV characters ever.

He ushered in the age of the antihero in a show

that's given credit for ushering in the Golden Era of TV.

We don't want to be Tony, but we can't stop watching him.

The show hooks us with a back and forth

between humanizing him and making us feel for him,

and then reminding us again that his violence is inexcusable

and he might be a textbook sociopath.

"You're not a truthful person.

You're not respectful of women.

You're not really respectful of people."

"I don't love people."

"Maybe you love them, I don't know.

You take what you want from them by force or the threat of force."

We want to know if he can reconcile his two faces and his two families,

and if digging deeper into root causes from childhood really leads to anything.

"This psychiatry shit.

Apparently what you're feeling is not what you're feeling,

and what you're not feeling is your real agenda."

So is there hope for someone like Tony Soprano,

or is there such as thing as a lost cause?

"Do you feel like Frankenstein?

A thing, lacking humanity, lacking human feelings?"

Before we go on, be sure to hit subscribe

and click the bell to get notifications on all of our new videos.

Tony and his crew idolize the version of the mob they see

in classic films like The Godfather and Goodfellas.

"I've been gone a long time.

Let me hear it."

"'Just when I thought I was out, they pull me back in.'"

These films are grand, sweeping epics where even murder

and betrayal look beautiful.

And Tony's New Jersey life looks common and ugly in comparison.

When the crew tries to watch The Godfather II, the disc doesn't work.

This symbolizes the disconnect between their mob nostalgia and their reality.

"You know what scene I love most?

'It was you, Fredo.'"

Paulie refers to Fredo Corleone betraying his brother in The Godfather II,

"I know it was you, Fredo."

not knowing that Big Pussy is working for the FBI at that point.

And the scene where Tony's shot at holding a bottle of orange juice

echoes the scene in The Godfather when Don Corleone is shot buying oranges.

So The Sopranos gives us self-aware nods to these iconic films,

but the show intentionally de-glamorizes them.

"He made me an offer I couldn't refuse."

And the point is not just that the glory days are long gone --

it's that they never existed to begin with.

They are just a fiction given to us by some very beautiful movies.

"You know the hey-dey, the golden age or whatever of the mob?

That's gone.

And that's never coming back."

The show also undermines our expectations of who a Mafia Boss is.

"What do we mean when we say leadership?

Huh?"

Tony's no Michael Corleone --

he's more of a George Costanza,

"I was at the pool!"

often seen in his bathrobe,

unable to escape the senseless irritations and maddening minutiae of suburban boredom.

"Come on, I'm a fat [bleep] crook from New Jersey."

Tony doesn't even meet his own criteria of an aspirational male hero.

"Whatever happened to Gary Cooper?

The strong, silent type."

He's sensitive, temperamental, and prone to tantrums.

He feels emotionally weak.

"I got the world by the balls, and I can't stop feeling like I'm a [bleep] loser."

And his crew members are inept.

Christopher is a wild card.

"I got home too late last night.

I didn't want to wake the man up."

"Did you get up early this morning and call?

He's always in his office by six."

"I was nauseous this morning.

My mother told me I shouldn't even come in today."

He doubts that his son AJ has what it takes.

"In my business, forget it.

He'd never make it."

And Paulie and Silvio can be bumbling and reckless.

"I can feel it itching me already!"

Tony's life may lack the glamour of the Corleones',

but his arc does echo Michael's in The Godfather Part II.

"You've got no idea what it's like to be number one.

Every decision you make affects every facet of every other [bleep] thing.

It's too much to deal with, almost.

And in the end, you're completely alone with it all."

Michael claims all along he's doing everything for his family.

"Don't ever take sides with anyone against the family again.

Ever."

Yet he ends up alone, having killed or driven away all of the members of his family.

Over time, Tony also shocks us by killing off ever-closer members

of both his mob family and his extended blood family.

In season two, he's physically sick before he kills Big Pussy.

Killing his best friend turned informant on a boat suggests that

Tony's emotionally at sea.

It also recalls the setting of Fredo's murder.

Tony goes on to order Adriana's death, shoots his cousin Tony Blundetto,

and even kills Christopher, who's been arguably closer than a son to him.

Like Michael, Tony justifies his line of work with the idea

that he's doing all this for his family.

"Everything this family has comes from the work I do."

"Alright, Tony.

That's enough."

But as much as he does love Carmela and the kids,

he rarely puts their emotional needs first.

And obviously he puts them at risk with this business.

Godfather II ends with the melancholy image of Michael in tragic isolation,

having sacrificed his family for his successful business.

Tony likewise moves more and more toward this cold emptiness.

He shows no remorse for killing Christopher.

When he dreams about confessing his crimes to Dr. Melfi,

at first he performs fake grief.

"This is pain like I'm not used to."

But then he tells her how he really feels.

"The biggest blunder of my career is now gone."

Michael Corleone's pain is filtered through cinematic beauty.

But with Tony, an ugly emotional truth is presented in

mundane, unflattering images that refuse to give us nostalgia, glamour or romance

we expected from mob stories before The Sopranos.

The central paradox of Tony Soprano is that this big, bad mafia boss has a sensitive psyche.

"Like [bleep] King Midas in reverse here.

Everything I touch turns to shit.

I'm not a husband to my wife.

I'm not a father to my kids.

I'm not a friend to my friends.

I'm nothin.'"

In his profession, Tony is expected to bury his feelings,

or have no feelings at all.

And he's embarrassed about seeing a therapist, taking medication,

and having panic attacks.

But for the viewer, Tony's mental health struggles humanize him.

We realize he's grappling with deep feelings he can't always explain.

And he's plagued by self-loathing.

"I wished it was me in there."

"Giving the beating or taking it?"

Tony resents happy-go-lucky people who don't bear his psychic burden.

"I see some guy walking down the street with a clear head.

You know the type, he's always [bleep] whistling like the happy [bleep] wanderer.

And I just want to go up to him and I just want to rip his throat open.

I want to [bleep] grab them and pummel them right there,

for no reason."

His complicated dreams show us an active subconscious,

a side of him that even he can't access most of the time.

Crucially, Tony's family history to some extent explains away his violence in our eyes.

Tony's mother, Livia, is an devious, nihilistic person.

"I say what your mother has at the very least is

what we call borderline personality disorder."

She's almost like the devil on Tony's shoulder,

pressing him to give into his unhappiness and dissatisfaction.

"Oh, poor you!"

She manipulates Tony's uncle Junior into ordering a hit on her own son.

"You try to get me whacked?"

"She doesn't understand you."

"She smiled!

Look at the look on her face!"

After seeing just how dysfunctional this relationship is,

we want to give Tony a pass sometimes.

"What kinda person can I be, where his own mother wants him dead?"

And then there's the history of mental illness in Tony's family line.

"I remember hearing about my great-great-great-grandfather.

he drove a mule cart over a mountain road.

Probably was a panic attack."

This is pretty much confirmed when AJ starts having panic attacks just like Tony,

and Tony's father before him.

Tony's guilt for passing on these genes represents a deeper self-hatred.

He's afraid that his children will inherit the worst parts of him.

"When you blame your genes, you're really blaming yourself."

We don't see AJ and Meadow become killers,

but we do see both of them suffer from depression and a sense of hopelessness.

"My rotten [bleep] putrid genes have infected my kid's soul.

That's my gift to my son."

So with all of this throughout the show we make a lot of excuses for Tony.

If he can't fully change for the better,

maybe he's just inherited too heavy of a burden.

And he can't get himself out from under it.

The first time we get to see Tony for the unapologetic killer he is

is in the season one episode "College."

Tony takes Meadow to visit colleges and happens to recognize

a former mafia soldier turned informant,

who's since joined the Witness Protection Program.

We're kind of shocked when Tony kills the guy,

because we've been watching him play the doting father for most of the episode.

The shift from good dad to coldblooded killer is jarring.

"Are you in the mafia?"

"Am I in the what?"

David Chase actually had to convince HBO executives that this plot point was necessary.

"Chris Albrecht said, 'you have four episodes there,

you've created one of the most compelling protagonists in American television,

and you're just gonna flush him down the toilet by having him kill that guy.'"

This episode caused a sea change in TV.

We're used to seeing stuff like this all the time now, but in that moment

The Sopranos made murderous antiheroes fair game.

And we have to wonder if we'd ever have gotten Breaking Bad

without this episode of The Sopranos.

"A guy opens his door and gets shot and you think that of me?

No.

I am the one who knocks!"

As the show goes on, Tony's ruthlessness and his love for his family duke it out all.

"In the end your friends are gonna let you down.

Family: they're the only ones you can depend on."

Early on, we get fewer killings with more time between them.

So we have the space to wonder if he's feeling doubt or regret .

But it becomes increasingly clear that violence isn't the exception for Tony.

It's the rule.

But by the end, ruthless Tony is the one who wins that battle for his soul.

The show started with that question of whether therapy

would do anything for Tony,

and we get a clear answer -- it's no.

"Apparently, the talking cure actually helps them become better criminals."

In season six, Melfi realizes that if anything,

her therapy sessions are enabling Tony.

She's allowing him to perform the right moral emotions,

so he can go on behaving exactly the same without

having to worry about any guilt.

"Yochelson says they sharpen their skills as conmen on their therapists.

Crocodile tears, what have you."

Melfi's conclusion makes us think back to all the times

Tony tried to manipulate or seduce her and then stormed out.

But we also can't forget how he opened his mind and his past to her --

"A coward's way out, you know what they call it."

""I think whoever said that didn't understand depression.

But you do."

And at least at times, he really did want to heal.

So if Melfi's had it with him, where does that leave us?

Tony does have breakthroughs, and he develops deeper self-knowledge,

but in the end, not much comes of it.

"All this [bleep] self-knowledge, what the [bleep] has it gotten me?"

The abrupt cut to black in the series finale denies us

the moment we've been waiting for for Tony --

the peace, the realization, the catharsis pulling it all together.

But instead of becoming a new, better person, Tony is just the deeply confused,

contradictory patient we met in season one --

only now he has the vocabulary to describe what's wrong with him.

"Obviously I'm prone to depression -- a certain bleak attitude about the world."

Thanks for watching.

If you like our videos, please consider supporting us on Patreon.

Just click this link here.

We spend a lot of time making these videos, and every little bit helps.

And of course, the very best thing you can do is subscribe to our channel to get access

to all of our latest videos.

For more infomation >> The Sopranos: Can Tony Soprano Be Cured? | Video Essay - Duration: 12:53.

-------------------------------------------

Why Can't I Make Eye Contact with my Therapist? - Duration: 5:22.

For more infomation >> Why Can't I Make Eye Contact with my Therapist? - Duration: 5:22.

-------------------------------------------

Why danger symbols can't last forever - Duration: 7:04.

You probably know how this symbol is supposed to make you feel.

And this one.

This one too, even if you're not sure exactly what it means.

But what about this?

This symbol — The Jolly Roger — was once one of the most feared symbols in the world.

It represented death, pirates, and poison.

But today,

it's associated more with treasure, blockbuster movies, or Halloween than actual danger.

We are surrounded by icons that warn us: what to stay away from, what not to do, what to

be afraid of.

But how do you design a symbol in a way that will last across generations and languages?

It turns out that is an incredibly hard thing to do.

Back in the early 20th century, there was an urgent need for a new kind of warning symbol.

At the time, there was no universal standard for communicating the presence of dangerous

biological materials.

Laboratories at the US Army used an inverted blue triangle.

Those at the Navy used a pink rectangle.

The Universal Postal Convention used a white staff-and-snake on a violet background.

There was no consistency in the visual language used to communicate risk.

That was dangerous, and could lead to accidental infections.

So in 1966, a group of engineers and designers at Dow Chemical set out to create the best

possible icon for biohazardous materials.

They laid out six design criteria.

First, it needed to be visually striking, so that it would draw immediate attention.

That ruled out simple shapes like those from the Navy and Army.

It also had to be unique and unambiguous, in order not to be confused with symbols used

for other purposes.

That ruled out the snake-and-staff, which has multiple versions and has a pretty vague

meaning as a general symbol for medicine.

On top of that, it had to be quickly recognizable and easily recalled.

Had to be easy to stencil.

And rotationally symmetrical, in order to appear identical from all angles.

And lastly, it had to be acceptable to groups of all backgrounds.

So the Dow Chemical team designed an experiment.

Charles Baldwin, an environmental health engineer behind the experiment, said that the team

"wanted something that was memorable but meaningless … so we could educate people

as to what it means."

They showed a set of 24 symbols to 300 people from 25 American cities.

There were 6 newly-designed biohazard markers, and 18 common symbols — things like Mr.

Peanut, the Texaco star, the Shell Oil symbol, the Red Cross, and a swastika.

Participants were asked to guess the meaning of each one, which was used to assign each

one a "meaningfulness score."

A week later, the same participants were shown those original 24 symbols, plus 36 more.

They were asked to identify which symbols they remembered seeing in the previous round

of the study.

Among the six competing biohazard designs, this one stood out.

It scored the highest in memorability, but the lowest in meaningfulness.

So it was unforgettable, but also a totally blank slate for designers who wanted to give

it meaning.

And with that, it became a national standard.

It's easy to overlook how much visual communication work these symbols are doing.

They're simple — you only need a straightedge and a compass to recreate them.

And unlike most other hazard symbols, they don't reference an existing physical object

or idea.

But they've remained iconic for decades, helping people recognize serious dangers that

may remain a threat for thousands of years to come.

And that raises the question: could the meaning of those symbols stand the test of time?

Few people have pondered that question quite like Gregory Benford.

He's a physicist and science fiction author.

In the 1990s, he was invited to work on the Waste Isolation Pilot Project, or WIPP.

The WIPP is a massive storage site for radioactive waste in the southeastern plains of New Mexico,

organized by the US Department of Energy.

Benford was brought in to help calculate the probability that someone or something would

intrude on the site for as long as it remains dangerous — approximately the next 10,000

years.

"Well, name anything that has persisted for 10,000 years.

Any institution.

There isn't any.

The record is probably something like the Catholic Church or the core of the Jewish

religion, which tells us something about what really lasts."

The meaning of a symbol can change over time.

Like the Jolly Roger, which wouldn't work for the radioactive threat at the WIPP.

"If you're approaching the WIPP facility and you see a skull and crossbones you might think,

'Hey this is where the pirates buried their treasure.'"

So how do you indicate a long lasting danger across any language?

Since the 1970s, engineers, anthropologists, physicists, and behavioral scientists have

proposed different solutions to that problem.

One strategy was to add context to the symbol.

By illustrating cause and effect in a three-part cartoon like this, designers could communicate

the idea even if the symbol lost its meaning.

But this kind of visual communication still made a lot of assumptions about the user:

that they would read left to right, that they would understand causality between frames

— and, of course, that the drawing itself would last millennia of wear and tear.

So other designers started to focus on creating a warning without inscribed communication,

by altering the shape of the location itself.

And that yielded designs like this.

Spike fields, forbidding blocks, giant pyramids: these designs capitalized on natural instincts

of fear and discomfort to keep people away.

But even then, they weren't foolproof.

Designers couldn't be sure whether they would be perceived as terrifying or fascinating.

"Conflict between these two urges: you want people to notice it but you don't want people

to go there.

Those are always going to fight each other."

So without symbols, without basic illustrations, or physical structures, how can you effectively

communicate a warning?

That's where the more philosophical design solutions come in.

In 1984, the German Journal of Semiotics published a series of solutions from various scholars.

Linguist Thomas Sebeok proposed creating an atomic priesthood, where an exclusive political

group would use its own rituals and myths to preserve information about the radioactive

areas.

And philosophers François Bastide and Paolo Fabbri proposed to genetically engineer bioluminescent

cats that would glow in the presence of radioactivity.

By creating songs and traditions about the danger of glowing cats, the warning could

last as long as the oldest relics of civilization we have: culture.

There's no definitive solution for warning people far into the future.

But designing clear, inclusive symbols will continue to be a fundamental part of how we

keep people safe.

We will change, and so will the ways we communicate visually.

Our warning symbols will have to change along with us.

For more infomation >> Why danger symbols can't last forever - Duration: 7:04.

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The Girl Who Can't Let Things Go - Duration: 3:14.

(laughs)

- Yes!

- What happened?

- Sorry, it's just,

this book is really funny, Cooking Without Looking,

it's a Shane Crown book it's really good.

- Oh, nice.

I'll have to check it out sometime.

- Wow.

Look who's recommending books to who.

- Not this again.

- Because I seem to recall a day--

- You just can't get over this can you?

- When you asked if anybody had a bookmark.

- It was six months ago.

- I didn't happen to hear you so I asked,

what was that?

To which you replied--

- Have you never read a book before?

(laughs)

- Stop!

I'm just an innocent little baby angel, please.

- I wasn't wearing a tuxedo

and it was a dumb joke from six months ago.

- I'm sorry six months?

Wow, I wish I could read a calendar.

It must be nice to always know what day it is.

- Katie, you've brought up this dumb joke every day since

you're reading too much into it.

- Reading?

But how could that be true?

I thought I couldn't read at all.

- You know what I mean,

I was being sarcastic.

- Sorry, I guess it's hard for me to read

between the lines.

- Okay.

- Because I'm an illiterate little dumb fuck.

- Alright, everyone knows you can read.

- Really because that's not what you said six months ago.

- I know, you're right.

I was wrong

and I'm sorry.

- That's what you think.

- Katie!

That's my lunch.

- No, how can you tell?

- I know you can read, Katie.

It clearly has my name written on it.

- You mean these squiggly little lines mean something?

- If you're gonna eat that

you owe me at least five dollars.

- Here.

- There's like three thousand dollars.

- Oh.

Thank you so much for being so honest

because when you can't read

all money looks the same.

- No it doesn't.

That doesn't look anything like five dollars.

And what's that on your wrist?

- Oh this?

They said it was Japanese for good vibes.

- A tattoo?

How does that get back at me, it only hurts you.

- What can I do Raph?

I don't know how to read.

Your words, not mine.

- Just drop it.

- I guess I never learned how to read a room.

- You know what?

I'm glad I said you can't read.

- I'll beat your ass.

- Hey guys. - Frankie!

- Did you guys forget what today is?

- Oh yeah,

I was wearing a tux.

I made that joke on Tuxedo Tuesday.

- Which nobody told me about.

I need, I need a personal day.

Okay, I just need one.

I shouldn't,

I know these outbursts aren't,

they're wacky, they shouldn't be happening at work.

I know that.

I know that!

(sighs)

I have so much money and no friends.

- Hi, I'm Raphael from CollegeHumor.

Click here to subscribe.

Click here for more fun stuff

and click here to leave a detailed message.

Uh-huh.

You what?

You didn't.

I'da did the same thing.

For more infomation >> The Girl Who Can't Let Things Go - Duration: 3:14.

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BREAKING: Comey JUST Caught RED-HANDED, And Even A LAWYER CAN'T SAVE HIM - Duration: 3:51.

For more infomation >> BREAKING: Comey JUST Caught RED-HANDED, And Even A LAWYER CAN'T SAVE HIM - Duration: 3:51.

-------------------------------------------

JUDGE LAUREN "GOES OFF",CAN'T TAKE ANOTHER DUMB WORD OUT THIS IDIOTS MOUTH...2 STD,s AT ONE TIME!!! - Duration: 16:20.

For more infomation >> JUDGE LAUREN "GOES OFF",CAN'T TAKE ANOTHER DUMB WORD OUT THIS IDIOTS MOUTH...2 STD,s AT ONE TIME!!! - Duration: 16:20.

-------------------------------------------

With this medicinal juice you can recover from bronchitis forever in a few days - Duration: 2:09.

Bronchitis, which is characterized by inflammation of the airways caused by a virus,

produces symptoms such as wheezing, coughing and difficulty breathing, is a condition that can be

acute or chronic and although it can be solved naturally in a few days,

today in todo en salud, we will teach you a juice that will help you accelerate this process.

The necessary ingredients are: - 1 and a half cup of peeled and chopped pineapple

- Bee pollen Before we start we must peel, chop and wash the

pineapple, then in the juice processor we pass the pineapple until obtaining its juice, if you

do not have juice extractor you can do it in a blender, just make sure to

add water and strain the content at the end .

When we get the juice, add a spoonful of bee pollen and leave until it dissolves,

after about 5 minutes stir and we can consume.

This juice should be taken twice a day, one in the morning and one in the evening,

so that you can receive its benefits against bronchitis.

Pineapple juice contains vitamin C and antioxidants that help fight the viruses

that are causing bronchitis, bee pollen contains phenols and flavonoids that may be

useful to reduce inflammation of the airways.

This juice is not recommended if you suffer from allergy to bee pollen, if you are not sure

use it with caution.

So if you want to improve bronchitis do not hesitate to try this medicinal juice and tell us

what you think.

We hope this video has been useful for you, remember that your opinion is very important,

so rate, comment and share and if you have not yet subscribed, subscribe every

day upload new videos.

For more infomation >> With this medicinal juice you can recover from bronchitis forever in a few days - Duration: 2:09.

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BREAKING: Comey JUST Caught RED-HANDED, And Even A LAWYER CAN'T SAVE HIM - Duration: 4:16.

BREAKING: Comey JUST Caught RED-HANDED, And Even A LAWYER CAN'T SAVE HIM

We've learned a lot about how the FBI worked to thwart the candidacy of President Trump

during the election, and the latest bit of information might be the worst yet.

As many are aware, demoted FBI Agent Peter Strzok and his mistress Lisa Page discussed

through text messages plans to make sure President Trump never won the election.

Well, he ended up winning, as we all now know, and now we're learning a lot more about

what happened behind the scenes as America thought our government remained impartial.

One of the most influential aspects of the election was the investigation into Hillary

Clinton's illegal use of a private email server.

Clinton, who has a history of corruption, claimed ignorance over the fact she had broken

numerous federal laws by even having a private server.

Of course, her lies were reaffirmed by disgraced FBI Director James Comey, who created a new

statute to let Clinton off the hook – requiring intent to violate national security laws.

During a congressional testimony in which Comey was under oath, he testified that he

hadn't been pressured to wrap up the investigation by a certain time or otherwise do anything

to help Clinton.

According to Breitbart News, their exchange is below:

GRASSLEY: Was the Clinton investigation named Operation Midyear because it needed to be

finished before the Democratic National Convention.

If so, why the artificial deadline?

If not, why was that the name?

COMEY: Certainly not because it had to be finished by a particular date.

There's an art and a science to how we come up with codenames for cases.

They — they assure me it's done randomly.

Sometimes I see ones that make me smile and so I'm not sure.

But I can assure you that — that it was called Midyear Exam, was the name of the case.

I can assure you the name was not selected for any nefarious purpose or because of any

timing on the investigation.

Well now there's a major issue with his testimony – it appears as if Comey perjured

himself.

Text messages between Strzok and Page reveal that once it was determined Hillary would

face Trump in the election, the investigation into her needed to end as soon as possible.

More from Breitbart:

One particular exchange focused on the FBI's need to "finish" its investigation into

Clinton's email server after Sen. Ted Cruz dropped out of the 2016 presidential race,

making a Clinton-Trump match up most likely.

One message references "MYE," apparently an acronym for "Midyear Exam," the FBI's

case name for the Clinton email probe.

The exchange took place on May 4, 2016, which Johnson wrote was "after then-Director Comey

began drafting his July 5 statement clearing Secretary Clinton."

The date was one day after Cruz dropped out of the presidential race.

Here is the text of the relevant messages, according to Johnson's letter:

Ms. Page: And holy shit Cruz just dropped out of the race.

It's going to be Clinton Trump race.

Unbelievable.

Mr. Strzok: What??

Ms. Page: You heard it right my friend.

Mr. Strzok: I saw trump [sic] won, figured it would be a bit…

Mr. Strzok: Now the pressure really starts to finish MYE…

Ms. Page: It sure does.

We need to talk about follow up call tomorrow.

We still never have.

Strzok clearly discusses "pressure" to conclude the Clinton email probe, linking

the timing to the ascension of Trump as the Republican candidate most capable of securing

the GOP nomination at the time.

Yikes.

Now that doesn't seem to me as if Comey was being honest, does it you?

Once again, we've been lied to by a man who's said to have honesty and integrity.

The question now is, by whose standards does he possess them?

For more infomation >> BREAKING: Comey JUST Caught RED-HANDED, And Even A LAWYER CAN'T SAVE HIM - Duration: 4:16.

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What Can Algae Do For Us? - Duration: 9:06.

When I say the word algae, the first thing that may come to mind for you is something like the swamp monster.

I mean, algae is just plain old pond scum, right?

Well, recently Lawrence Livermore National Lab was given a 3.5 million dollar grant

to keep working on scientific projects about algae.

But..why? What about algae is so important?

Today, we're going to talk to three scientists and learn what algae is,

why it's important (hint it can be used as a biofuel and to capture carbon),

and how we're collaborating with other labs to bring algae technology to reality.

Now, let's go learn about some green squishy stuff.

Rhona, what is this lovely flask of greenness?

So. these are called microalgae.

Microalgae are single-celled organisms,

They're aquatic, usually they grow on water. Algae is a big group, its a bunch of

different organisms that are included in it and they're all sort of single-celled

organisms and the thing they all have in common is that they photosynthesize.

Actually these green algae here, these are green algae, this is nannochloropsis,

this is a direct, sort of, plants--all land plants came from green algae.

Oh my gosh, wow so we're talking to someone very important here. Ok, so why do we

care about algae? What's important about them?

So, first of all we care about them because they're very important to our planet, right,

they're the base of the food chain in lot of ecosystems in the world, in the oceans,

everywhere they're the base of the food chain.

But we can also use them for cool things. So, for example, we can use them to make fuel.

They naturally make lipids which we can make into biodiesel and put directly in our cars--

Whoa like my car that I have outside?

--Yes, your car, it's just like normal.

So, in theory you could have this wonderful sort of cyclical loop of feeding algae CO2 and

then having the algae be a fuel--yes--and you could even use recycled water--right,

right--so this would be part of like a very sustainable cycle.

Yes, that's the whole idea,

is that they can be sort of a sustainable biofuel product, that they're not

bringing more CO2 into the atmosphere, they're taking it out then you burn it

and put the same back in. But unlike fossil fuels that have been buried for

millions of years--right-- this isn't extra CO2, so carbon neutral is what it's called.

It's all being sort of encapsulated in this one loop. Ok, so you take out the biofuel but

you can also take the rest of that biomass that isn't the lipids and the diesel that we want,

and you can use that for animal feed let's say, you can

use it as fertilizer so some people are experimenting with that, it can also be

used for human consumption so that's already...spirulina, which people may have heard of...

--That's algae?! I had no idea! And the other thing is you could--because algae are

these tractable organisms that we can genetically engineer, you can also

have them make really whatever you want. End bioproducts, we can make insulin or

something like that, that's a compound that we usually have E. coli make,

--Right, right. But here you could have an algae make it so that you can be a little more

Yeah, algae might be a little bit more manageable, yeah.

Ok, Rhona explained what algae is, and gave us some examples of

how it can be used like breeding genetically modified algae to produce

compounds we can use in medicine, like insulin. She also mentioned that her team is working with

another group at the Lab to use algae for carbon capture. But how does that work?

So, Jenny, tell us a little bit about what you do here in this lab.

Today we're working with some microcapsules. They're actually a polymer, or a type of

plastic, that encapsulates the liquid solvent and the solvent's purpose is to

absorb carbon dioxide and for these particular capsules the solvent that

they contain a sodium carbonate, so it's a really pretty benign substance that

you might find around your household especially after it absorbs CO2, it

converts into the bicarbonate form which you would know as baking soda. I was just

talking to Rhona about her work with the algae...how is this related to the algae?

so we've been working for several years on designing these microcapsules with

different solvents to absorb CO2 and the idea is that they'll be used in a

coal-fired power plant to absorb the CO2 from the emissions from the plant.

But then we started wondering--So we're getting really good at capturing the CO2,

what do we do with it once we have it? And one idea that we had is

maybe we can take the CO2 and we can feed it to algae, because algae needs CO2 to grow.

OK, that's amazing, yeah, because Rhona was just telling me that when they're growing the

algae one of the limiting factors is the amount of CO2, because the algae always

need more, it's what they eat and sometimes you don't have enough of it so

if you can give them a material that's producing this CO2, then that's a perfect solution.

So, where does the collaboration with Sandia come into this? We're going

to be testing our materials in some of their pilot-scale tanks, so this is like

rather than a bench scale here we're gonna be moving it to something that's

like the size of the bathtub--and full of green goop. --Yep! Tell me a little bit about

the different kinds that you have here so I see you have capsules, what else

have you guys playing with? Yeah, we're looking at a few different

geometries. So, one other thing that we have the technology to do here is to 3D

print the same kind of material. So, this is also polymer with carbonate, and

then we can put these little meshes into the tanks to release the CO2 .

I really liked what you said about the transport problem because of course

if you have this coal-fired power plant you don't want to have to have an

algae pond right next to it and so in this form, whether it's a mesh or some

capsules, they're really easy to transport to wherever you want them to

go feed the algae. Yeah, we'll have it probably in a somewhat dry form

absorbing the CO2. It could be that the gases bubble through a bunch of the

capsules, so they might look something like this, and then once

it's filled with CO2 then it will be transported to the pond and then when we

put it in the pond it will probably swell a little bit,

it'll absorb some water as the CO2 is being released.

Man, Jenny's work is SO cool. I mean, 3D printable portable carbon capture technology?

That really makes me geek out. But she does all of her work on a small scale right now. How are we going

bring that to a larger scale like it would need to be in real life when used

at a real power plant? Lawrence Livermore is working on algae projects in

collaboration with a California site of Sandia National Labs where they have

something called an algae raceway...what the heck is that? And how are they using it?

These are our open algae raceway ponds. So, we're growing a bunch of algae to try to understand how we could

translate this to outdoor culture. OK, so this is the scaling up of like the

little flasks that I saw in Rhona's lab, OK. So why do we need to do it on

a bigger scale here? That's a great question, I think it's the million-dollar

question for algae cultivation is how do we take those really exciting results oh

we see in a lab and translate them to a large scale cultivation facility?

And so there are all kinds of problems that arise when you're trying to scale

up as we say --Exactly, yeah, so just changes in the conditions, in the

growth conditions, extreme weather events, predators, pathogens, things that can be

unintentionally introduced to the pond, so those are all things were looking at.

So, I want to take a closer look at these because these are really cool --Yeah, come on!

what's the big wheel doing, why is it moving this way? Well, we call this a race

way because the algae are essentially racing around in one direction, kind

of like a race car, so to speak, in water. We do this to mix the algae so they get

all the nutrients they need and the light is distributed in a way that

helps them grow as fast as possible and as dense as they possibly can.

And so is this one using any of like, the micro capsules that we saw in Jenny's

lab? No, this is a control where we're just using air, so carbon

dioxide from the air to provide to the algae and so we expect that when the

when the CO2 capsules are provided we'll actually see an additional boost to the

productivity and density that we see here. And so what's the next step in this

project, where are you guys gonna go from here?

Well, so the next step would be to introduce the capsules and see how they

perform it seems that the technology you guys deliver is very well-suited because

the carbon dioxide is released from the capital is exactly the pH that these

are at and so it's a really nice synergy between our two technologies.

Well, it's been really fun to see them, they're quite glorious in their emerald beauty,

so thank you for showing me, Ryan. --Thank you.

Today we talked to three really cool scientists who are committed to using one of the most

ancient organisms on earth to solve some of our modern world's most pressing

problems, like providing sustainable fuel for transport, producing important

biomolecules, capturing carbon emissions from power plants, and lots more

applications that are related to our everyday well-being and to our nation's safety and security.

I'm really excited to see where this technology goes and

we'll keep you updated on any exciting developments, so subscribe to this

channel to stay up to date with the science coming out of the Lab.

Let us know if you have any questions about algae in the comments below,

thanks for watching and we'll catch you next time.

Stay cool! (and green, and slimey...oh wait, that's just algae)