*Clap*
*Clap*
fine
you
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G-XSS - " หมดแล้ว...(Last Time) " Ft.ShadyB [ Music Video ] - Duration: 4:12.
For more infomation >> G-XSS - " หมดแล้ว...(Last Time) " Ft.ShadyB [ Music Video ] - Duration: 4:12. -------------------------------------------
Heart Afire Lizbeth Cover - Missing Claire... The Pink Rabbits Club! | Music Video/Lyric Video - Duration: 5:14.
~Lyrics on screen~
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Chinese New Year 2019 | Royalty Free Background Music - Duration: 2:02.
Chinese New Year 2019
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Available to license from Audiojungle (Envato)
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Mürsel Nergiz - Çok Dost Düştü (Official Music Video) #Efecan - Duration: 3:37.
For more infomation >> Mürsel Nergiz - Çok Dost Düştü (Official Music Video) #Efecan - Duration: 3:37. -------------------------------------------
[LYRIC] Sẽ Chiến Thắng - Nhiều Ca Sĩ | ST Music | - Duration: 3:32.
For more infomation >> [LYRIC] Sẽ Chiến Thắng - Nhiều Ca Sĩ | ST Music | - Duration: 3:32. -------------------------------------------
Rare Sheet Music Celebrates Frederick Douglass - Duration: 2:28.
[Autumn Haag] The piece is titled "Farewell Song to Frederick Douglass." The music was written
by Julia Griffiths and lyrics by her brother.
[vocalist] "Farewell to the land of the free."
[Haag] As far as we know, this sheet
music is the only complete copy in the United States and only one of two
complete copies in the world.
[vocalist] "America, land of the slave."
[Haag] So, the music was written in 1847. Frederick Douglass had just spent 18
months in Scotland Ireland and England. At this point in 1847 he's getting ready
to return to the United States. He's homesick. He's looking forward to seeing
his wife and children, but there's also a little bit of trepidation because of how
well-known he is and because he was still technically a slave. He returns to
the United States and then just a few months later he is in Rochester starting the North Star.
[vocalist] "Give me then friends the weapon that's wielded, best in the cause I am sworn to uphold."
[Haag] The song compares the United States with England and the United States does not
come out looking better than England in the song so there's definitely some
concern for the environment that Douglass would be returning home to and there's
also a lot of warlike imagery and words used in the music. 14 years before the
Civil War here in the United States, but there's definitely a lot of violent
imagery in the lyrics to the song. Then in 1850, the Fugitive Slave Act is passed
and so now you have a situation where people who are for example running
underground railroad stops out of their homes are in more danger.
[vocalist] "America, land of the slave!"
[Haag] We don't know how involved Frederick Douglass was with the creation of the
song. I would love to know whether he had a say in the image of him used on the
cover of the music. It's very striking. I think this is a piece of music that he
probably was aware of, had heard performed, whether it was publicly or in
someone's home. We know that he loved music. As an archivist just, I love it as a
physical object, but just also thinking about it for the questions that it raises.
[vocalist] "What if I've drunk of the cup that awaits me, one bitter foretaste already..."
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Music venues in 'danger of closure' over seismic upgrades - Duration: 2:46.
For more infomation >> Music venues in 'danger of closure' over seismic upgrades - Duration: 2:46. -------------------------------------------
Live in the D: 50th Anniversary of iconic Beatles music with Toppermost - Duration: 5:11.
For more infomation >> Live in the D: 50th Anniversary of iconic Beatles music with Toppermost - Duration: 5:11. -------------------------------------------
Tunga - Loyal (Official Music Video) [English subtitles] - Duration: 5:03.
For more infomation >> Tunga - Loyal (Official Music Video) [English subtitles] - Duration: 5:03. -------------------------------------------
Music venues in 'danger of closure' over seismic upgrades - Duration: 2:20.
For more infomation >> Music venues in 'danger of closure' over seismic upgrades - Duration: 2:20. -------------------------------------------
Norfolk inventor is trying to change the string music industry - Duration: 2:21.
For more infomation >> Norfolk inventor is trying to change the string music industry - Duration: 2:21. -------------------------------------------
[NightCore] 24h Remix - Lyly x Magazine (SUB Music) - Duration: 3:17.
For more infomation >> [NightCore] 24h Remix - Lyly x Magazine (SUB Music) - Duration: 3:17. -------------------------------------------
Dr Koul - Stranger At Home (Official Music Video) - Duration: 3:09.
I'm a one-man army all on my own I stand out in the crowd as if I'm always
alone people looking at me strange like I'm a stranger at home you know
what's strange? I'm considered even stranger at home I'm a one-man army all
on my own I stand out in a crowd as if I'm always alone people looking at me
strange like I'm a stranger at home you know what's strange? I'm considered even
stranger at home Yo I'm trying to get so much further but
it's hard when there's so much murder so much death poverty and so much debt
simultaneously distracted by gossip and stress buy this sell that we're distracted
and divided we want to do good but don't know how to decide if this is good and
that's bad or that's okay overstimulated anaesthetised we waste our days is the
president bad because he's different or more of the same? our morals are f*****
we don't know our roles in the game matter of fact we don't even know who
invented the game who's playing the game who made the rules and which rules you
can break who's got the loopholes who's got the
breaks who's the sumo wrestling with BJJ and who's the cultural appropriator and
who's the serenader? who is genuine and honest and who is just a hater? I'm a one-man army
all on my own I stand out
in the crowd as if I'm always alone
people looking at me strange because I'm a stranger at home
you know what's strange? I'm considered even stranger at home I'm a one-man army all
on my own, I stand out in a crowd as if I'm always alone people looking
at me strange because I'm a stranger at home, you know what's strange? I'm
considered even stranger at home
waste of my privilege, dirty feet stomping on silk sheets escaping my
innocence on some ill beats anti-authority half a minority still
street happy but worrying my mother her cell beeps
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Bangla New Music Video 2018 by Hridoy Khan ft Sa Abir valobasi tomay off 2 - Duration: 4:50.
For more infomation >> Bangla New Music Video 2018 by Hridoy Khan ft Sa Abir valobasi tomay off 2 - Duration: 4:50. -------------------------------------------
Aloha Friday music with Tim Rose - Duration: 4:54.
For more infomation >> Aloha Friday music with Tim Rose - Duration: 4:54. -------------------------------------------
Thế Giới Anh Và Em khác Nhau - NVC Channel [Lyrics Music ] - Duration: 4:53.
For more infomation >> Thế Giới Anh Và Em khác Nhau - NVC Channel [Lyrics Music ] - Duration: 4:53. -------------------------------------------
Through music, Vijay Gupta brings healing community to LA's Skid Row - Duration: 7:53.
JUDY WOODRUFF: Now: taking it to the streets.
Jeffrey Brown visits a violinist and MacArthur Genius Award winner who's creating a new musical
life to help others.
JEFFREY BROWN: Thirty-one-year-old violinist Vijay Gupta rehearsing on stage at Walt Disney
Concert Hall as a member of the Los Angeles Philharmonic, world-class orchestra, top-level
musician.
But, not far away, Gupta also makes a life as a musician here, an area that many in his
usual audience rarely if ever see, Skid Row, a downtown neighborhood home to thousands
of the homeless, the battered, the struggling, living in shelters or on the streets, often
ignored, even forgotten.
VIJAY GUPTA, Founder and Artistic Director, Street Symphony: The fact that Skid Row is
two miles away from Walt Disney Concert hall is not, in my mind, a matter of two different
worlds, but a master class in the way structural violence plays out, right?
That is a predominantly poor community of color, right?
That has been historically and presently oppressed for a long time.
Engaging these two worlds and being a bridge is exactly the role of the artist today.
JEFFREY BROWN: Gupta grew up in New York state, the child of Indian immigrants.
Pushed almost to a breaking point, he complied.
He entered a pre-college program at Juilliard at age 7 and performed with an orchestra at
11.
By 17, he had an undergraduate degree in biology, then worked in a Harvard neurological lab.
VIJAY GUPTA: Those were incredible opportunities, but they weren't my choices.
JEFFREY BROWN: You have used the words, I think, dysfunction.
You have used the word abuse.
What does abuse mean?
VIJAY GUPTA: It was physical abuse often.
It was psychological and emotional.
And it was sort of compounded into this feeling that I would never be enough, and that everything
would always be my fault.
JEFFREY BROWN: Music was his choice in the end.
He was just 19 when accepted into the L.A. Philharmonic as its youngest member.
Two years later came a life-changing event, meeting and then giving lessons to Nathaniel
Ayers, a Juilliard-trained musician who suffered from schizophrenia and fell into homelessness,
the subject of a book and 2009 film "The Soloist."
VIJAY GUPTA: So the question became, well, how many more Nathaniels are out here in a
community of over 58,000 people who are unhoused or at risk of homelessness in downtown Los
Angeles?
JEFFREY BROWN: Gupta began to learn more about Skid Row's residents with the help of people
like Christopher Mack, who once lived on these streets and now works for a community improvement
group.
CHRISTOPHER MACK, Outreach Worker: Helping people out of love, you know, not out of despair,
is the key, because now you don't make something of their condition.
JEFFREY BROWN: Gupta gave his first Skid Row concert, with a group of professional friends,
at this shelter in 2010.
VIJAY GUPTA: The thing that sort of blew us away was the fact that these audiences were
some of the most engaged, empathic, wise people we had ever met and we had ever played for.
JEFFREY BROWN: At that point, were you thinking you're coming in to do something, and then
leaving, and that was...
VIJAY GUPTA: We thought it was one-off.
JEFFREY BROWN: You did?
VIJAY GUPTA: Totally.
Totally.
And we were functioning from a place of outreach, were you just thought, OK, well, we're not
here to change.
We're here to give you something.
And then...
JEFFREY BROWN: Well, what happened?
VIJAY GUPTA: Well, what happened is that when people in the audiences started to ask, who
are you, my colleagues started to share really vulnerable stories about their own histories
of abuse or their own histories of mental illness in their families or in their lives.
And I started to look at the entire situation differently, because we were actually receiving
something back from our audience.
JEFFREY BROWN: In the years since, Gupta's Street Symphony has performed a variety of
music monthly in shelters, clinics, transitional housing and, more recently, in all five Los
Angeles County jails.
An annual performance of Handel's "Messiah" features both professional musicians, students
and people from the community.
And Street Symphony has changed lives, like that of Malek Vossough, whom we met in a space
run by a nonprofit community arts group called LAPD, in this case, the Los Angeles Poverty
Department.
The 46-year-old Vossough is a longtime musician who fell into addiction and homelessness and
has lived in Skid Row shelters and housing for four years.
He's now back in school and back to taking lessons and playing music, all after hearing
Gupta perform.
MALEK VOSSOUGH, Musician: I was trying to reconnect with my inspiration, the hope I
have and that childlike quality of wanting to be happy.
JEFFREY BROWN: At a time when you were not?
MALEK VOSSOUGH: When -- at a time when I was, like, really struggling with accepting a lot
of dreary truths, and wondering if I would ever be able to kind of get back to that,
and also not knowing if anyone really appreciated that I had that in me.
JEFFREY BROWN: Also affiliated with Street Symphony, a deejay who goes by the name Sir
Oliver.
He puts on music shows, including an annual reggae festival.
SIR OLIVER, Street Symphony: I just wanted to enlighten the community and say, hey, man,
I'm not just a deejay.
I'm here to, like, make you feel good.
JEFFREY BROWN: In a rehearsal room in Disney Hall, Gupta said that, for him, an artist
is also an advocate for social justice.
VIJAY GUPTA: We think about art as something to be added to the plate.
We also think about community engagement within the art world, so-called outreach, working
with disenfranchised communities who don't have access to our spaces, as something that
we kind of add to the mix of the great art.
Again, I want to turn that narrative on its head.
JEFFREY BROWN: The MacArthur prize comes with a large financial award.
And, for Gupta, it also signals a trust and belief in his Street Symphony work.
And, for you personally, are you healed, yourself?
VIJAY GUPTA: There's a point at which I can never get used to seeing Skid Row.
There's a part of my stomach that always turns, and I have acknowledged that feeling as grief,
right?
There's fear and sadness there.
So, for me, art has become my lifeline.
JEFFREY BROWN: And now Vijay Gupta's life has taken a new term.
As the year came to an end, he performed his final concert with the L.A. Philharmonic to
work full-time on his Street Symphony and other activism.
For the "PBS NewsHour," I'm Jeffrey Brown in Los Angeles.
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