Thứ Sáu, 2 tháng 3, 2018

Youtube daily Music Mar 2 2018

Hi, everyone.

Let's quickly go over seven business tips for composers.

Tip # 1, Identify your target client.

This is a service business.

We're providing a service for a client who is our customer.

If we are a film composer, that means we're

providing a service for a film producer and a director.

If we are writing music for orchestral concerts,

then our client is the orchestra and the conductor,

but those are two very different situations and two very different

clients.

We want to start out by making sure we know who our target client is.

Tip # 2, Identify your product and service.

All composers are in the business of creating musical compositions.

If I'm writing a piece of music for a concert, I'm writing a composition,

creating composition, then making the parts for the players

and the score for the conductor.

In other situations, I'm also making a recording.

If I'm working on a television show or a film,

I need to also make a recording of that composition.

So those are two different situations.

In one situation my product is just the composition, in another situation,

I need to create a composition and also a recording.

It is beneficial to think about what other services

you are really providing for your client.

One such service might be simply staying within the recording

budget and the music budget that your client has for their given project.

Tip # 3, circulate.

It's important to spend time with your target client.

In general, we're composers, we like writing music,

we like being in our studio, we like being on our computer

and working on music.

However, it's important to also go to conferences, go to festivals,

go to industry events where you can meet people who are prospective clients.

Tip # 4.

Ask the magical question, what music do you need for your next project?

This question really accomplishes two things.

First, it helps you identify who a prospective client is.

If you ask that question and they don't really have an answer,

they're probably not going to be hiring a composer soon.

If they have a very specific answer for that question,

then they are a potential client.

Second, it shifts the conversation towards the most useful information

for you as the composer.

It helps you identify what music they need for their project,

and then how you can provide a service to them that has value.

Tip # 5, get credit.

It's important to get credit for the work that you are doing.

There are different opportunities in the industry.

Some will give you credit for the work you do and others will not,

but credibility starts with credit.

So if you get credit for work, you have more credibility

in the future when you're negotiating your fee on a future project.

Tip # 6, make it once, sell it multiple times.

Music and other forms of intellectual property

are unique in that they can be sold and licensed to multiple clients

and used in multiple products.

This is one of the most advantageous elements of music

and the one of the ways that it can make the most money.

It is a little bit different than other products.

Most products you make the product, and then you sell it.

To have a second sale, you have to make a second product.

Music is not necessarily like that.

We can make one piece of music, and then license it multiple times

and sell it to multiple clients.

We should try to take advantage of this, because its one of the ways

that music can make the most money.

Tip # 7, keep your costs low.

The way the economics are structured for composers is that on many projects

they get paid well, it's just paid in the future.

So with royalty payments, those usually show up a year

after the project is done or two years or three years or four years

or even 10 years after the project is done.

Also, there is a certain amount of unpredictability in the industry.

Even a very busy working composer may have

a month where they don't have a project they are working on.

Its important to keep your costs low in both of those situations,

while you're waiting for royalty payments that will come in the future,

and also as you're going through a month where you don't have a project.

Composers who do keep their costs low or in the best position economically.

Thank you for watching these seven business tips for composers.

I hope you're all very successful both economically and creatively.

For more infomation >> 7 Business Tips for Composers | Music Career Strategy | Ben Newhouse - Duration: 5:16.

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【100%無廣告 ,放鬆音樂】Music Library 純音樂 安靜,深度睡眠 ,放鬆音樂, 治療音樂,舒壓按摩音樂, 睡眠音樂, Relaxing Relax Music,Babies 2018 - Duration: 2:18:53.

abc

For more infomation >> 【100%無廣告 ,放鬆音樂】Music Library 純音樂 安靜,深度睡眠 ,放鬆音樂, 治療音樂,舒壓按摩音樂, 睡眠音樂, Relaxing Relax Music,Babies 2018 - Duration: 2:18:53.

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The Music of Malila The Farewell Flower - Duration: 4:47.

Hi, I'm Phil or Chapavich Temnitikul,

the composer of Malila The Farewell Flower

Malila was a project that I started in early 2016

when it was in pre-production

and the screenplay almost finished.

Then Nuchy (the director) sent me the screenplay

The thing that makes this screenplay special is

Nuchy wrote about which scene will has the music in it.

After I had read it,

I wrote 2 main themes.

Before the theme that we hear in score,

I had done many different version of themes.

Luckily, this production gave me plenty of time to work out.

So I was able to look into more detail.

The difference between my work on Malila and my work on other films is that

I composed the score without looking into any scene of this film.

I composed by understanding the script

and Nuchy also described how was it like in that scenes

and how cinematography it is

by her imagination in her head.

Then I analyzed all info I got

and composed a sound

and theme

without looking at any scene

Since Malila is about making Baisri,

making beautiful flowers,

and also related to death, sadness

and about farewell.

I created the music and sound

that sounds like classic romantic film score

like, John Barry or Ennio Morricone

But, it's not a total old school style.

I did mix them with modern film score texture

and add more loneliness sound into music.

It does not only give you a beautiful feeling,

but also let you feel the sadness

Now I'll talk about the musical instruments in Malila.

The main instruments are Strings and Pin Pia (Thai instrument.)

The strings include orchestra strings

and solo strings which are violin, viola, and cello

In the soundtrack album of this film

I gave every instrument to have a chance to play main theme.

And they could be featured in each song they play.

Another important instrument is

Pin Pia (Thai instrument.)

Pin Pia is a traditional instrument in the north of Thailand

How to play this is to pluck the string

and move the instrument body on the chest.

This instrument has a soundhole like guitar.

When the player moves soundhole, it produces wob wob sound.

It's like adding modulation in synthesizer

We recorded Pin Pia in a cave at Saraburi.

Location team found this place and we just ducked into

a small hole to get to a big cave

like a church.

I also recorded the reverberation of this place

to get the nice reverb sound of nature.

Also it sounds a bit different than recording in a studio

which made Pin Pia sound unique.

Another thing I like about this composition process is

I had watched the film for the first time.

The film that has my music in it.

I was impressed when I watched it

even it's a draft cut

It was perfectly fit

with all scenes that has music. It's so perfect.

I like how director had planned about music in every scene.

However, director also gave me the freedom to create things in score.

Those are the things I love about composing for this film.

For more infomation >> The Music of Malila The Farewell Flower - Duration: 4:47.

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O2 SuperGuru Habib - O2 Music Month. SHAZAM! - Duration: 1:14.

For more infomation >> O2 SuperGuru Habib - O2 Music Month. SHAZAM! - Duration: 1:14.

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Willy wonka Feel it still - Duration: 2:44.

For more infomation >> Willy wonka Feel it still - Duration: 2:44.

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Morning Coffee Music for your morning coffee: 3 Hours of Morning Coffee Music Playlist - Duration: 3:42:06.

Title: Morning Coffee Music for your morning coffee: 3 Hours of Morning Coffee Music Playlist

For more infomation >> Morning Coffee Music for your morning coffee: 3 Hours of Morning Coffee Music Playlist - Duration: 3:42:06.

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5 Ways to Beat Musical Writer's Block – Getting Out of a Creative Rut - Duration: 8:24.

what is going on music people my name is Jeff welcome to ignite music project and

today I want to talk to you about one of the biggest hurdles and challenges that

get in the way of us writing and recording amazing music and to help you

get past that I want to share with you five ways to beat musical writer's block

and get out of a creative rut let's go

let's just address the giant elephant in the room and that is that writing music

can be hard it can also be a lot of fun it could be a great outlet but it can

also be really hard at times there is nothing worse than feeling like you are

stuck and that you can't move forward when you're writing a song don't worry

if this has ever happened to you you are not alone I've been there so many times

I can't even begin to count but it happens you can't think of anything it's

just gone all of your creative energy and your creative juices and your great

ideas you've had leave and you cannot put them together you can't think of the

right lyrics you can't think of the right melody you can't think of the

right arrangement it happens but don't worry I've been making music for over 15

years and there's some simple easy to do things that have helped me and so I want

to share them with you and hopefully they can inspire you they can give you

some ideas to get your creative juices flowing so let's get started number one

listen to more music this one sounds so simple you probably didn't even think of

it if you feel like you can't think of what to do musically take a break go

grab your favorite album by your favorite artist put on a pair of really

good headphones or sit in front of a really good pair of speakers and just

listen and I don't mean just casually listen for fun I mean really listen pay

attention to the nuances pay attention to the arrangement pay attention to the

orchestration the instrumentation pay attention to the lyrics pay attention to

the melody find out what it is about it that you really love and as you do that

it might spur on some new ideas in you it might inspire you and put an idea in

your head that will solve your musical problem and if you want to take that a

step further don't just stop at your favorite artist or your favorite genre

expand and listen to some John Roos that you may not normally choose to listen to

you would be surprised how much inspiration you can garner from

listening to new music that you've never listened

to before number to change your surroundings if you're like me you have

a music space you've got a studio or a rehearsal room or something a place

where you always go to write and work on your music now sometimes this can be

great because it means that you have a dedicated place to do it and you can

easily set aside time and you've got a place where you can go but sometimes

that can become stale and it can become uninspiring so if you're feeling stuck

try standing up and moving away from that space go for a walk go to the park

go to a busy street go to the mall go somewhere where that you can see and

smell and hear new things it's really amazing what your brain will come up

with or think of when you give it new or unique stimuli and can get those

creative juices flowing and it's really easy to do number three and this one

might sound a little counterintuitive but I found that it is really powerful

for me and that is setting boundaries and or limitations what you might be

thinking well let me explain there might be some of you out there that find

inspiration in using new tools in the music production process maybe it's a

new plugin maybe it's a new virtual instrument maybe a new sample library

something new that you haven't used before sometimes that can provide

inspiration it can purify new thoughts and ways of thinking and that's totally

cool I that's helped me in the past but sometimes I actually find that going the

opposite direction has helped pair things way down simplify things and set

certain boundaries or limitations for myself and in that mode or in that vein

it spurs and brings on new creativity to solve a problem or to think of something

that I never would have considered sometimes I like to challenge myself in

the songwriting process to write songs in new or different styles than I've

ever written before and if I set that boundary and say okay

you need to write a song but it has to be in this style sometimes that's when

my creativity really comes forward it's really pretty cool and sometimes I do

that in the music production process too where I say to myself that I will only

use stock plugins I won't rely on my go-to compressors or

my go-to reverbs or something like that I'll just use the tools that are there

and sometimes it gets your mind working in a unique way or a different way that

brings out something new that you never thought of so give it a try set some

boundaries or set some limitations and see if you can thrive or come up with

new ideas that you never would have thought up before number four change

your process everybody writes songs differently some people start with

lyrics they really like to write poetry and they think about the words and how

they fit together that way and then after they've written then they start to

add a melody then maybe they would put a chord progression underneath that other

people might start with a chord progression right start with their chord

progression and then build a melody and harmony on top of that some people just

start with a melody idea and then write the song around that the point is that

everybody's different and you probably have a way that you are more comfortable

with writing a go to process try changing things up if you've never

started with a melody before do it try it see what happens

start by writing a melody and seeing if that see if that brings on a more unique

and a more creative melody that you wouldn't have thought of otherwise and

number five is kind of along the same lines and that is use a different

instrument as part of your process you might have a primary instrument that you

always write your music from for me it's guitar I primarily write with acoustic

guitar but sometimes it can feel a lot the same sometimes you can feel stale

sometimes it feels stale or it feels uninspired right you pick up the guitar

and when you're starting write a song you always play the same chords you

always play the same riffs you always play the same rhythms it comes that's

what's natural to you right and you kind of go to your go to

but it traps you sometimes and it puts you in a box try instead writing

primarily on an instrument that you don't normally do so for me that would

be piano start with the piano write a chord progression or write a melody and

use the piano as your main instrument you'll find yourself putting new ideas

down or putting new things in place that you don't normally do I would say that

probably one of the best songs I've ever written I actually wrote on piano so

those are five simple ways that that you can get out of a creative rut and you

can overcome or beat writer's block that's worked for me so give them a try

and I would actually love to hear from you guys and gals what do you do when

you find yourself stuck in writing a song how do you overcome writer's block

I would love to get those ideas and I'd love for you to share them in the

comment section below and help other members of this community maybe they've

already tried these things I've suggested but maybe you have an idea

that can help them I'd love to hear what you guys have to say and if you found

this video helpful give it a like and share it with a music friend bring him

on board I'd love to have them join this community and I would love to help as

many people as I can make great music that's all for today guys I hope you're

having a wonderful day until next time see ya

For more infomation >> 5 Ways to Beat Musical Writer's Block – Getting Out of a Creative Rut - Duration: 8:24.

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Dark White of My Test Music - Duration: 1:17.

For more infomation >> Dark White of My Test Music - Duration: 1:17.

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America's Musical Journey - What Kids Like About Music - Duration: 0:56.

Music is...

It makes you want to jump,

scream and throw things around

Awesome!

I like the rhythm and the beat

Music just lets people do whatever they want

You could dream about being on a stage with a thousand people

coming to a concert just to see you perform.

It will help you stand out to the world.

No matter what people say about you

just keep on going straight until you go to the top!

For more infomation >> America's Musical Journey - What Kids Like About Music - Duration: 0:56.

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Music composotion melody Büyülü Bir Sevda - Duration: 1:45.

For more infomation >> Music composotion melody Büyülü Bir Sevda - Duration: 1:45.

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music video - Duration: 2:57.

For more infomation >> music video - Duration: 2:57.

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Music Superstar Kenny Chesney Just Flew 138 Dogs & Puppies Over 1K Miles for Incredible Reason - Duration: 2:44.

For more infomation >> Music Superstar Kenny Chesney Just Flew 138 Dogs & Puppies Over 1K Miles for Incredible Reason - Duration: 2:44.

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Free Children Background Music _ No Copyright Music _ All download in description below - Duration: 3:47.

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For more infomation >> Free Children Background Music _ No Copyright Music _ All download in description below - Duration: 3:47.

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Hogar/Habitación (Home - Bethel Music) Letra y Acordes - Duration: 4:52.

For more infomation >> Hogar/Habitación (Home - Bethel Music) Letra y Acordes - Duration: 4:52.

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Free Background Music _ Welcome Home _ No Copyright Music _ 2018 ! - Duration: 2:17.

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For more infomation >> Free Background Music _ Welcome Home _ No Copyright Music _ 2018 ! - Duration: 2:17.

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First WaSuYu Transformation (Only Music) - Duration: 1:37.

Let's go together

We cannot miss this

My eyes are trembling

Just this one time

Let's go together

We cannot miss this

The celebration of our lives

Do not go away!

For this very reason

Let's do this right now

Let's go together

We cannot miss this

My eyes are trembling

Just this one time

Do not go away!

For this very reason

Let's do this right now

Let's go together

We cannot miss this

My eyes are trembling

Just this one time

Let's go together

We cannot miss this

The celebration of our lives

Do not go away!

For more infomation >> First WaSuYu Transformation (Only Music) - Duration: 1:37.

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Gym Music 2018 - House Music 2018 - Gym Songs - Vocal Deep House 2018 #40 - Duration: 1:12:05.

Gym Music 2018 - House Music 2018 - Gym Songs - Vocal Deep House 2018 #40

For more infomation >> Gym Music 2018 - House Music 2018 - Gym Songs - Vocal Deep House 2018 #40 - Duration: 1:12:05.

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Best songs for Playing Fortnite Battle Royale #62 | 1H Gaming Music Mix | Fortnite Music |NCS 1 HOUR - Duration: 1:02:43.

Best songs for Playing Fortnite Battle Royale #62 | 1H Gaming Music Mix | Fortnite Music |NCS 1 HOUR

For more infomation >> Best songs for Playing Fortnite Battle Royale #62 | 1H Gaming Music Mix | Fortnite Music |NCS 1 HOUR - Duration: 1:02:43.

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How NOT to review music - Duration: 7:35.

This is Jack

Jack is a music journalist

He writes about stuff

and things,

and

Albums

Jack is sure he knows how to write about music.

He's been doing it for 6 months

He's a real pro

When Jack writes about a band,

he usually describes their sound

Cause it's kinda cool

What?!

Everybody does that!

Jack is right

When people write about or discuss music

they usually describe the sound

And Jack is no exception

With little more than a mossy ambient backing

and The melody that moves like wind through reeds,

the two-piece baroque-pop band wraps listeners in lush,

expansive sound.

In the end,

Jack is proud of his review.

It seems deep and intellectual

But WHY does Jack write like this, exactly?

Why does he use so many cliches,

and end up describing the sound?

Listen, Jack,

I didn't wanna be rude, but

this journalist thing of yours is

well

how do I put it nicely

Total fucking bullshit

Seriously, just look at what you're saying

WORST CLICHES IN HISTORY

Background

Arrogant swedes,

crazy austrians,

talented canadians,

explosive portuguese,

ironic finns.

Nationality matters only when it directly affects the music,

but if you can't explain that component

and you're using it as a useless phrase,

nobody gives a shit!

Mixtures

A cocktail of harsh drums and fuzzy guitars

topped with ethereal synths.

A weird mixture of offbeat glitch-hop and frenzy footwork,

a crossroad where oldschool IDM meets future bass

LIKE, SERIOUSLY, WHAT THE FUCK?

All this is an overcomplicated way of naming a genre.

I believe it's best if we keep it minimal:

Third departs from Portishead's trip hop sound,

the genre they had popularised with their previous albums.

Instead, it contains "muscular" synthesisers,

drum breaks and abrupt endings,

with "propulsive" rhythms

and "Morse code"-like guitars.

Genre:

electronica,

krautrock,

experimental,

psychedelic

We all get it

Writing about music is

kinda cool

It's like

describing your impression of it?

Well, unfortunately that sounds boring and really subjective?

It's like describing The Thinker...

It's a sculpture, of a man,

and he sits

and thinks

and he's also

CRITICALLY ACCLAIMED AND CAUSED A REAL STIR IN THE ARTISTIC COM-

Jesus Christ,

just look at it yourself!

Titles

Queens, princes

and All the King's Men:

Queen of pop,

princess of R&B,

godfather of modern IDM,

THE ARTIST

All this indicates significance,

I get it...

But these people are not queens and kings,

and there's too many of them anyway!

If Queen Elizabeth II suddenly released an album,

then it might be appropriate.

Abstract critics

Here goes saying that the album was critically acclaimed,

got raving reviews from the critics,

was well-received by the critics,

or whatever.

Instead of that,

just mention THE critic and their score.

For example:

Aphex Twin's Syro has a score of 8.7 on Pitchfork

Musical recipe

IGLOOGHOST's sonic recipe is pretty simple:

you dip a big chunk of frenzy electronic rhythms in purple syrup,

pour in orange juice topped with hip-hop vocals

and leave it over night;

then proceed to take it clubbing all day

until it's mixed properly and can be consumed.

[facepalm]

This is a shitty way to jam in a bunch of nonsense

that has nothing to do with how music is actually made,

and music journalists love it

because it lets them show off their atrophied creative writing muscles.

Journalist cliches

A modern classic,

causing a stir,

highly anticipated

by whom, exactly?

sophomore album,

reverb-soaked,

anthemic,

ethereal,

angular,

funky...

What if I told you that you don't have to describe the sound

when you're writing about

or reviewing music?

Sometimes, there's a cool story behind it,

you just need to dig it up!

Thomas Sanders - Story time!

The third track on the Daft Punk's album Random Access Memories

released in 2013

features a disco pioneer Giorgio Moroder

speaking about his experiences with the genre and experimenting with synthesizers.

The engineers used multiple microphones for the recording session.

Those microphones varied with origin dates that ranged from the 1960s to the 21st century,

each representing a different decade in Moroder's life.

Isn't that more interesting than describing the sound?

Thomas Sanders - Story time!

Aphex Twin used a total of 138 pieces of equipment to record his latest album Syro,

including synthesisers,

samplers,

sequencers,

processing units,

MIDI interfaces

Syro also features several vocal tracks of James,

his wife Anastasia and his two sons,

as well as both his mother and father.

Isn't that cute?

And.. well

more interesting than saying

On Syro, the king and founder of IDM goes back to his roots

and delivers an effort so new and intricate,

yet so familiar and warm...

Fuck that, please.

Thomas Sanders - Story time!

Iglooghost GREW UP IN A TOWN ON A HILL IN THE MIDDLE OF NOWHERE.

THERE WASN'T MUCH TO DO SO HE and HIS FRIENDS

RAN AROUND IN THE WOODS & PLAYED POKEMON ALL DAY.

Later on, when he started making music,

he would record tracks onto cassettes

and give to Flying Lotus

whenever he would tour to cities nearby.

Soon enough,

FlyLo reached out to Iglooghost via Twitter DM,

and offered to release some of his music.

My god, isn't that a hundred time better than saying

Opening with birds twittering,

it's carried through by a weird,

super-distorted AJ Tracey Naila sample.

Solar Blade is a cacophony of whistles,

drums,

claps

and trumpet interpolations.

The brass is sharp,

cutting through the track neatly.

CAN I PLEEEASE

form my own opinion on whether or not that brass cuts through the track neatly?

Why do you have to shove your own stinky opinion down my mind?

Do you think it's objectively HOW IT IS?

I don't!

So stop it!

And honestly,

the musicians are with me on that, too.

[Aphex Twin]: I mean, I hate this, sort of...

I just like to make music

I don't like to really... sort of... talk about it much,

which is why interviews are sort of quite difficult.

Erm...

Like, especially for electronic music...

'Cause I don't think it's...

It's sort of... nature of electronic music

isn't meant to be talked about really.

And, whereas, like...

rock music and music with lyrics basically

Erm...

Is more... Sort of...

Directed towards...

you know, you can talk about it and stuff,

'cause songs have got meanings and stuff,

whereas electronic music is more abstract, and...

This sort of

I think it sort of undermines it

when you start talking about it really

you know

cause, like,

all my friends listen to electronic music

but we don't really...

sit around and talk about it, you know,

we just listen to it.

Just because everybody in the industry is using cliches,

doesn't mean it's good!

Back in the day people would buy magazines before buying a record,

and they could experience the

synth drums pulsing,

and chorus-and-reverb-drenched guitars climbing up and down

and determine whether or not they'd like that particular sound.

But we live in a world where you can just send a Youtube or Soundcloud link

to an album preview.

Even websites themselves provide snippets of the actual songs.

So please,

DON'T

DESCRIBE

THE SOUND.

It's boring

and obsolete.

Just let people LISTEN.

Hopefully this video will make music writing and discussing a little less embarrassing.

For more infomation >> How NOT to review music - Duration: 7:35.

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Ørumari - Get It, Sudah! Music Film - Duration: 8:01.

I've waited so long,

trynna' get a taste,

they say I gotta wait,

I've waited so long,

seconds, minutes, hours,

days and months and years,

I've waited so long,

trynna' get a taste,

they say I gotta wait,

I've waited so long,

so long,

yeah, yeah,

Yeah,

see me I'm stuntin',

like it ain't nothin' yeah yeah,

See me on islands,

money on mountains, yeah yeah,

see me online,

smoking on loud,

getting bigger than life,

bitch, I ain't lyin'

on my, on my way,

pray for this moments,

this moments, this moments like everyday,

get the fuck out my way,

if you ain't got nothing to say,

I keep my enemy close,

so I keep you far away,

cause i've been way way way way waitin' my whole life,

they keep on talkin' you can talk I pay no mind.

I've waited so long,

I said

Yeah!

Yeah!

All of you bitches, I get it, sudah!

all of the money, I made it, sudah!

if you don't make it, don't make it, sudah!

you ain't been known to be raising the bar,

and I stay high, high like a star,

if you don't get it, don't get it, sudah!

higher than levels, I level with devils in battles,

I end up with only a scar,

all of you talk, I get it, sudah!

all of you cheap, I get it, sudah!

all of your hit tracks with cheap ass hooks,

bitch, I made it, sudah!

we ain't got no problem, I'm so honest,

bitch, I kill it, sudah!

and I stay so high, you're a sohai,

don't get it, don't get it, sudah!

Oh you got MV's on MTV,

bitch, I did it, sudah!

Oh you got Number 1's with Number Ones,

bitch, kau boleh belah!

you and your crew, kau boleh belah!

You and your talk, kau boleh belah!

If you don't get it, don't get it, sudah

cause' thats how I get it!

ta da da da da da da da da

Get it, Sudah! Get it, Sudah!

ta da da da da da da da da

Get it, Sudah! Get it, Sudah!

ta da da da da da da da da

Get it! I Get it, Sudah!

ta da da da da da da da da

Get it, Sudah! Get it, Sudah!

You don't even know that I,

put it on the floor, that I,

you don't even know that I,

get it, get it, get it, now!

I said I'm layin low

while I'm blowin O's

around the town,

and if you know us,

we'll be,

we'll be the one to put it down,

mi crew no catch no feelins', right now,

yeah we getting busy right now,

mi crew no catch no feelins', already,

yeah we getting high, already,

in the sky, already

I said I'm crusin' on this altitude,

with an attitude, that's Ego,

my amigo and he, he go,

wherever the fuck I, I, I go,

I ain't fuckin' with you pundes

like a celibate, I'm celebratin',

no celebrities on my crew,

ya'll follow the shit that I do,

Rappers yang suka jaga tepi kain,

korang baik jual baju,

I show you a million and one way to get it,

kau masih nak jual lagu,

if you don't get it, don't get it, sudah!

if you ain't high, kau boleh belah!

if you don't get it, ade ku kisah?

cause' that's how I get it!

ta da da da da da da da da

Get it, get it, get it, now!

Get it, Sudah! Get it Sudah!

ta da da da da da da da da

Get it, Sudah! Get it Sudah!

Get it, Oh you got it now,

Get it, Sudah! Get it Sudah!

Get it, get it, get it, now!

Get it, Sudah! Get it Sudah!

Get it, Oh you got it now,

Get it, get it, get it, now!

Get it, Oh you got it now,

Get it, get it, get it, now!

From my fuckin' cave, I straight come to Europe,

you know how that feels?

I'm like not an anti-social la

but I dont go out

yeah, I have like my cave

which is the studio

which is dope

which is the way it should be, haha

I don't fuckin go out

like why the fuck would I go out, bro?

It's like I rather chill with myself

the studio has everything I need

It has everything you need for real

you know, I don't need to fuckin' go out

I don't need to impress anyone

unless you pay me for a fucking show ah,

I'll come out

of course, man!

I do it for my money and my machas,

Haha, you know it!

All of you bitches, I get it, sudah!

I feel like I wanna quit that shit

I feel like I wanna quit music, bro, haha

I feel you, dude

then, what you wanna do after that

I feel like I wanna do

I mean, you know ah,

music is not something that I can quit la

It's like, you know,

It's part of your life, once you start it,

yeah, even if I say I'm gonna quit it

It's still gonna fucking happen

It's like a hobby thing but I don't consider that,

I don't wanna turn it into something

that's like work, work

then ah, you are making the art for the money

then, that's fucked up

It's true.

You gotta be inspired for it, you know.

She got a mind of her own,

and she roam till' the sun down,

she give me melancholic hope,

and I hope that she don't bounce,

yeah, she hate it when I'm not around,

and she love it when I'm in town,

and we roam till' the sun down,

and I hope that she don't bounce,

She got a mind of her own,

and she roam till' the sun down,

she give me melancholic hope,

and I hope that she don't bounce,

yeah, she hate it when I'm not around,

she love it when I'm in town,

and we roam till' the sun down,

hope thats he don't bounce.

stop it, yeah, stop it!

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