All right so this is something I'm just playing around with you guys know I'm
intrigued by getting low fight samples by mimicking lower bit rates and lower
sample rates well right now we're gonna use the Ensoniq ASR 10 and a couple features to
try and get ourselves a "Lo-Fi" sample out of a high fidelity sample using two
features. Volume Smoothing and Sample Rate reduction. So let's start with our main
sample okay so we have our main sample and we're gonna go to command m and
there you'll see "Volumes Smothing". Volume Smoothing is sort of like a compressor
and what I'm using it for is to mimic a lower bit rate so we know that when a
sample is at a low bit rate the dynamic range is essentially limited ie
compressed and here we have two features in this menu scale depth which is
measured in DB right now I'm leaving it at 3db but you can go all the way up to 6db
and "smoothness". Smoothness is more likethe accuracy of how much you're going to
affect the sample by this dynamic processor and I said that at medium and
after processing here's a sample again
All right! So you could see it sounds like it's
compressed that's what I'm using the mimic at twelve bit field bare with me
so now we're going to go to command wave and go to the sample reduction menu and
I'm going to reduce the sample rate of this sample from forty four all the way
down to twenty two and here's another example with a snare same settings
here's the original raw snare and then the complete sampled snare at about
11Khz now since the ASR 10 is a smooth sampler
to begin with it's kind of difficult to get these raw tones out of it and that
is why I prefer the Ensoniq EPS 16+. It just has a little bit more leeway in
achieving rawness and you get a little bit more control as far as shaping the
sound so I've broken it out here and we're gonna do one more example same
settings just to show you the fact that it has
and here's the process it doesn't really get a lower bitrate sample rate feel but
it definitely does get low find a lot of that is due to the combination of the
both of them together you get a squashed sound which is more present and
obviously the sample rate degrades the sample a lot it's something that I'm
playing around with a combination of the two usually wrong smoothing I use all
the time it is amazing what the two of them together in this type of way works
well especially when you're using it on certain samples but anyway thank you for
watching if you liked and learn something today subscribe to me here on
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For more infomation >> Audi A6 Allroad 3.0 TDI 313pk BIT QUATTRO Tiptronic PRO LINE PLUS - Duration: 0:55. 
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