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Thank you for your question.

You submitted your question without a photo. And you're asking actually a very common

question and the question you're asking is can you prevent balding by undergoing hair

transplant even though both your mother side and father side of the family have strong

history of hair loss. Well, I can certainly answer this question even without your photo

since a question like this comes up every day in my practice.

A little bit of background, I'm a Board-certified cosmetic surgeon and Fellowship-trained oculofacial

plastic and reconstructive surgeon. I have been in practice in Manhattan and Long Island

for over 20 years. I am also the founder of TrichoStem™ Hair Regeneration Centers. This

is a system we developed as a non-surgical solution to help men and women with genetic

pattern hair loss who are progressively thinning and have an opportunity to do something about

that non-surgically. And this is a system that we developed doing hair transplant. And

what we were doing was, we trying to use a material called Acellular matrix combined

with platelet-rich plasma (PRP) and we were able to find that not only were the hair transplants

healing better but also thinning hair became thicker and I'll discuss some more details

about that later on.

So to begin with, it's important for you to also determine whether or not you are experiencing

any significant hair loss. You know, a lot of times patients come to us who have family

histories where both sides of the family have very good hair and yet they have significant

hair loss. And it's pretty much the issue. It's not just the immediate family that

you can see and it's generations preceding that can contribute to your genetic complement.

And therefore, it is certainly not necessarily an absolute that because both sides of your

family have significant histories of hair loss that you're guaranteed to have hair

loss but the probability is fairly high.

Now that being said, I can certainly share with you the experiences of many people who

come to us and come to us from around the world for treatment who specifically tried

the strategy of having hair transplant as a way to address hair loss from a very early

age. We've had patients who've gotten hair transplant as early as age 20. And unfortunately,

they still continued to progress and I think it was very strange for them to get a transplant

at such as young age but more importantly, the counseling of a patient about the level

of improvement as well as the longevity of that improvement with hair transplant is critical.

As a general rule of thumb, we don't recommend hair transplant for anyone who is under the

age of 30. And it has to do essentially with the different levels of aggressiveness of

hair loss progression. We have patients who come to us who say to us that, let's say

in their 40s, and they say that they started losing hair in their 20s and they can have

just moderate amount of hair loss. Comparably, we have patients who are already 30 and they

started losing hair in their 20s and they're practically bald. And so what you have are

different levels of aggressiveness of progression.

And so my position is to be proactive and don't go for a surgical solution as your

first-line of treatment. It is arguable that people who have gotten hair transplant at

a relatively young age and even if they kept on doing it, they went for a second transplant,

they went for a third transplant. Eventually what happens is, their donor area runs out.

Yes, some people may have thick body hair and they may be candidates for body hair transplantation

but I basically explain, you have to look at the geometry that the top of the scalp

has a large surface area and the donor area is considerably smaller. Therefore, there's

a mismatch between the source and the place where you can transplant hair.

So my position and as someone who has done hair transplants for a long time, with Hair

Regeneration, I found essentially an important, for a large group of patients, a window of

opportunity while the hair is thinning to be able to manage their hair loss progression

by essentially, depending on the patient, use technologies or systems to reduce the

rate of progression such with a pharmaceutical like finasteride and stimulate hair growth.

With Hair Regeneration, we have learned that we can reactivate hair that's not growing.

And this is a typical manifestation of progression of thinning. When hair is thinning, the hair

growth cycle gets shorter and the resting phases get longer. So in a given time, a lot

more hair is in a resting phase. So when we come along and do our treatment, a lot of

those hairs get reactivated and that's what the regrowth part is. We can't regrow hair

that's not there. And further, we're able to thicken thinning hairs and prolong the

lifespan and growth cycle of those hairs.

And we have been able to have a range of patients who have gotten benefit for years and years

after a single injection treatment but recognizing over the course of 8 years that there is a

range of level of aggressiveness amongst different patients, that we've developed a classification

system and that classification factors in current age, age of onset of hair loss, degree

of progression, rate of progression, other pharmaceuticals and other interventions patients

have undergone and other medical variables. And essentially, we figured out a treatment

plan.

So for a lot of patients especially if they're younger, I explain that it's better to delay

hair transplant for as long as possible. The outcomes of hair transplant and limitation

of hair transplant in a way is almost designed really to help people who are in the 40s and

older because with the smaller amount of areas that you can cover, the appearance can be

more consistent or age-appropriate as opposed to the desired outcomes of younger people.

So I think it is very important to understand this one principle. Hair loss is progressive

and a strategy that you want to employ given the limitations of technology is a management

strategy and a strategy where the outcome is to maximize coverage for as long as possible.

So learn more about pharmaceutical treatment as well as this new classification of regenerative

medicine technology that we can certainly take a lot of credit for helping establish.

And I think you'll find that there are other options to employ more strategically before

taking the step towards a hair transplant.

So I hope that was helpful, I wish you the best of luck and thank you for your question.

For more infomation >> How Several Generations Affect Hair Loss Heredity, and Why Transplant isn't the Initial Treatment - Duration: 10:04.

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How to Optimise Sony's RX0 Filter Adapter Kit for S-Log2 - Duration: 13:07.

Hello to current and prospective owners of Sony's RX0 camera.

I purchased one originally to film from the cockpit and wings of this Diamond aeroplane

and from my motorbike.

But the more I use the RX0, the more I realize that it's a grown-up camera, capable of

much more.

Essentially, it's an RX100 in a tiny, light, rugged package.

This video shares what I've learned about optimising the RX0 filter adapter for shooting

S-Log2.

Let's start with the easy part - fitting the adapter onto the camera.

The adapter comes with a Torx key and 4 screws.

Neither the instructions nor the key say what size the screws are.

I found that size T4 and T3 screwdrivers both work, with a bit more play in the screw head

using a T3.

To install the adapter, first remove the four screws that hold the standard faceplate and

put the plate aside.

Unless you fancy searching for tiny screws on the floor, I'd suggest doing this on

a well-lit table, over something like a white tea towel.

Using the same screws - the ones that come with the adapter are spares - screw on the

new faceplate.

This plate accepts filters that are 30.5mm, or 1.2 inches, in diameter.

Next, screw on the included filter.

Its sole purposes are to protect the lens and prevent foreign matter from getting behind

the new faceplate.

Finally, screw on the lens hood.

That's it.

Done.

Here's what the camera looks like with the new faceplate and protective filter.

And here's what it looks like with the lens hood added.

Now the tricky part: deciding what filters to use.

One of the main attractions of the RX0 is that you can use the Sony gamma curve called

S-Log2.

S-Log2 provides increased dynamic range, but at a cost.

Depending on the camera, the minimum ISO can be 800, 1600 or even 3200.

For the RX100 and its sibling, the RX0, the minimum is ISO 1600.

At a standard filmmaking shutter speed, such as 1/50th of a second, this minimum ISO can

require a really small aperture.

To find out how small, I took this Sekonic light meter outdoors at 11:00 a.m. on a sunny

day.

With the shutter set at 1/50th of a second and the ISO set at 1600, the Sekonic called

for a staggeringly tiny aperture of f/64 to f/90.

Meanwhile, the camera has a fixed aperture of f/4.

On the face of it, this means that you have to cut the light eight to nine stops to get

a proper S-Log2 exposure.

Luckily, there's a consensus that one should shoot S-Log2 footage about two stops overexposed.

This means that our S-Log2 target is not f/4, but rather f/8.

That helps, but you still need to block six to seven stops of light from reaching the

camera's sensor.

This is where Sony's filter adapter, and neutral density filters, come in.

To use a common analogy, neutral density filters are sunglasses for cameras.

They block light from reaching film emulsion or a digital sensor, and they come in various

strengths depending on how many stops of light you want to block.

Before going further, I should point out that one option is to purchase neutral density

filters that work without a filter adapter.

These PolarPro filters attach via pressure, and it is quite possible that other companies

will offer similar products in the coming months.

At US$40 per filter, PolarPro's product isn't cheap, but it's cheaper than buying

Sony's adapter plus screw-in filters.

Unfortunately, I don't think that PolarPro's filters are a good option.

Their kit consists of a three stop filter, a four stop and a five stop.

Recently, PolarPro confirmed to me via this e-mail that its filters can't be stacked.

If I can't combine PolarPro's filters, I can't block six or seven stops of light.

As a result, they aren't a solution.

For me, they also offer insufficient control at lower light levels, where it is common

to want to block just one or two stops of light.

PolarPro also confirmed that it has no plans to offer a polariser.

A polariser tames reflections and improves contrast.

It can also double as a neutral density filter, blocking, depending on brand, one to two stops

of light.

Finally, the Sony adapter has the advantage of including a lens hood.

This blocks stray light, which prevents flare and improves contrast.

The RX0 does a much better job of resisting flare than a GoPro, but if you've ever watched

GoPro videos, you know that they are a lesson in what can happen when there's no lens

hood and the angle of light can't be controlled.

What happens is lots of flare and washed-out footage.

The hood also protects the front of the camera if it's bumped or dropped.

I like having the hood on when I'm doing something as simple as carrying the camera

in my jacket pocket.

It does a nice job of acting as a buffer.

Even if PolarPro offered a workable range of filters, and I didn't care about having

a lens hood, I'd want answers to three questions before buying.

What is the optical quality of PolarPro filters?

Secondly, what is the risk that one of these $40 filters, perhaps while being used on a

motorbike, will simply fall off?

Finally, will these filters fit under a camera cage, such as this cage that I purchased from

a Polish company called 8Sinn, and can I remove or change a PolarPro filter without having

to remove the entire cage?

Myself, I opted for the Sony adapter and went filter hunting.

I briefly considered Lee Filters, specifically Lee's Seven5 Micro Filter System for small

cameras.

With a step-up ring, it would probably work.

But for the way that I intend to use the camera, the system is too bulky and too delicate.

It would also preclude using the Sony lens hood.

I also considered incorporating the RX0 into the filter system for this Leica, which is

my main camera.

I use step-up rings like this one so that I can use a single set of 55mm filters.

Somewhat to my surprise, it turns out that 30.5 to 55 step-up rings exist, so it was

a real option.

And if I was a diver, the option would be pretty compelling, because the underwater

housing for the RX0 happens to use 55mm filters.

But I'm not a diver, and I ultimately decided against this solution.

I intend to use the RX0 in ways that could result in stones or other debris striking

the front of the camera.

55mm filters are twice as big a target as 30.5 filters, and they're also more expensive

to replace.

Also, as with the Lee system, this would make the Sony lens hood unusable.

Consequently, I decided to outfit the RX0 with its own set of filters.

That's when I discovered that filters in this size aren't so easy to source.

It turned out that I had a choice between two excellent, but pricey, German manufacturers:

Heliopan, and Schneider Optics, which makes filters under its B+W brand.

If there are credible, less expensive alternatives from manufacturers like Hoya, I haven't

seen them for sale.

I went with Schneider because, where I am, only B+W filters were in stock, and at that

only at one store.

Schneider makes this size of filter for its premium XS-Pro line, and as you can see from

this chart, the line includes two, three, six and ten stop neutral density filters.

I purchased the two, three and six.

For video, I don't need the ten.

Indeed, given that the RX0 has a minimum shutter speed of a quarter of a second, it's unclear

to me how the ten would be useful even for still photography.

I also purchased the XS-Pro polariser, which importantly can double as a one to one and

a half stop neutral density filter.

Filter choice out of the way, I want to talk about the Sony lens hood and why I also purchased

a Heliopan hood.

I stack filters when I want to use both a neutral density filter and a polariser, or

to combine two neutral density filters.

I discovered that when two filters are stacked, there's an issue with the Sony hood.

Sony decided that its hood should fit around filters rather than screw into filters.

It accomplishes this with a thumbscrew mechanism that engages with a filter's rim.

I respect this is a design choice.

If the front of the camera is bumped, or hits the ground, the lens hood, rather than the

filter and the threaded mount, is likely to absorb all or much of the impact.

But there's a trade-off.

Notice these two recesses or indentations on the filter adapter faceplate.

The lens hood has two tabs that fit into these recesses.

This prevents the hood from swivelling left and right.

But when two filters are stacked, the tabs aren't long enough to reach, and mate with,

the recesses.

Consequently, the hood can swivel, and this swivelling will cause unacceptable vignetting.

There are a couple of solutions.

The first isn't elegant, but it's simple and it works.

Use a bit of gaffer tape between the camera body and the hood to keep the hood level.

That said, using the Sony hood with stacked filters is a bit fussy.

I'd suggest screwing on the hood lightly.

It makes hood and filter disassembly easier.

The second solution is to use a lens hood that screws into the filter thread.

It turns out that Heliopan makes two screw-on hoods designed specifically for widish lenses.

There is a metal version, which I haven't tried but is shown here, and this rubber version.

I purchased the rubber version, which might help cushion a blow to the camera.

One final point about the Sony and Heliopan hoods that is applicable to still photography

or shooting video in lower light.

When possible, I like to shoot with no filter, not even a clear glass protector, between

the lens and the subject.

This can't be done with the Sony hood because there's no filter rim for the hood to engage.

However, the Heliopan hood will work because it can screw into the faceplate's threaded

mount.

I'd like to add a caveat to this entire discussion.

If you're going to purchase filters for this camera, be aware that different brands

may work differently when it comes to stacking and fit.

Schneider Optics says that its XS-Pro filters are thinner than normal, in part specifically

to avoid vignetting with wide angle lenses.

Indeed, their current catalogue contains this photograph comparing the thickness of their

standard line and their XS-Pro line.

Also, Sony, in the instructions that come with the filter adapter, says this about fit:

Quote "Depending on the filter in use, it may not be possible to attach the lens hood".

End quote

I didn't run into this problem with the B+W filters, but the issue is apparently real.

The maker of this recent YouTube video on the Sony adapter was using a Hakuba polariser.

Watching the video, the Hakuba looks to be fairly chunky, and the gentleman who made

the video could not fit the RX0 lens hood around it.

I suspect that the problem is the build quality of the Hakuba filter, which on Amazon's

Japan site sells for just over ¥1,600, or about US$15.

Nevertheless, that video does show that the Sony hood won't work with some filters.

Recently, I made a series of photographs to determine whether stacking two of the B+W

filters, by itself or with the Sony or Heliopan hood, causes vignetting.

I ran the test for both 16:9, the camera's aspect ratio for video, and 3:2, its aspect

ratio for full sensor photos.

Unsurprisingly, the 16:9 and 3:2 results were different.

If you're interested, in the next couple of days I'll be uploading a companion video

showing the results.

Finally, two points by way of postscript...

Sony says that the RX0, with the standard faceplate, is waterproof to 10 meters or 33

feet.

In the instructions for the filter adapter, Sony warns against using the adapter under

water.

Presumably, water could leak through the filter threads.

However, I wouldn't be overly worried about snow or moderate rain, especially if I was

using the Sony lens hood, which envelops the whole filter assembly, or if I applied a bit

of gaffer tape over the filter thread.

Secondly, if you decide against getting the filter adapter, I would suggest purchasing

a Torx driver anyway.

They aren't expensive.

This high quality PB Swiss screwdriver costs under US$8, and the Key is under $7, and you

can pick up a no-name brand for even less.

A driver can be used to confirm, from time to time, that the four screws that hold the

standard faceplate aren't loose, ensuring that the camera remains dust free and water

tight.

A driver could also come in handy if condensation appears behind the faceplate.

The RX0 Help Guide has this paragraph on how to avoid condensation and how to address it

if it happens.

In the event of condensation, personally I would be inclined to remove the faceplate

to speed up drying.

And that's all, folks.

Cheers, and enjoy your camera.

For more infomation >> How to Optimise Sony's RX0 Filter Adapter Kit for S-Log2 - Duration: 13:07.

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How to Repair 12V DC 10 Ampere Battery Charger Urdu, Hindi & English CC DIY - Duration: 15:59.

Best Channel in Electronics World.

Subscribe Maaz Electronics and press bell button to get notification of new videos

Assalam Alaikum , Hello Friends you are watching Maaz Electronics

Friends if you didn't subscribe and like our channel, please do now.

Press Bell icon to get notification of videos.

Benefit to press bell icon is that you'll get videos instantly.

Today i bring in front of you Repairing of 10 Ampere charger.

this charger easily available in market.

after some use it got short. too much complain in it.

this is china made charger.

today i'll teach you how to repair at home easily.

today we do repair and what components required to repair.

Let's Start.

today we have to repair this charger.

Let's check it can turn on on AC220 Volt Electricity or not.

it it turn on then it's ok, otherwise damage.

now insert the wire to AC 220V socket.

after insert cable, see the two lights on charger.

green light is turn on indication and red is charging indication.

the green light not on and also charging light is not on.

now we have to check what is the fault charger is not turned on.

now put out the wire from AC 220V.

first of all you need this universal power supply.

this is a normal TV Supply.

when any transistor or FET damage of TV power.

then no alternate available.

with this supply we turn on the chopper of tv and turned on.

we also use this supply to repair this charger.

first open this charger.

after that put out the charger cover.

after that i have to clean dirt, because it has too much dirt.

after clean from dirt now open screw of FET of charger.

with this circuit came out.

i put out the circuit.

now we have to remove these extra resistance.

this IC 3842,

some have 3843.

remove all resistance near IC.

also remove FET and heat sink.

also remove this 5 Watt big resistance.

♪ ♪ Royalty Free Music Playing ♪ ♪

we put out the components

we put out all resistance from here.

we also put out FET, Head sink and big resistance.

now we connect charger with series boars to check the voltage on this capacitor.

attach the cable in 220V socket, now check AC voltage in capacitor terminal.

240V current showing.

here is a bridge.

as you can see here is some diodes.

now i check DV volt of Diode.

i'll select my meter to DC.

now i check the voltage on capacitor.

here also 300 to 350 volt coming.

from here ground going to chopper.

from here connection going to AC IC.

from where voltage convert from AC to DC going to chopper.

we use universal supply to tun on chopper.

after turn on chopper voltage come to it's secondary side.

after that green light will be on.

now i put out AC 220V wire.

after that i discharge capacitor.

now capacitor discharge.

now i open the universal power supply.

after open it, i got a user manual.

here you can read how to connect this universal power supply.

you also need this nut & bolt came with supply.

the insulation pad also came with supply.

circuit diagram also print on back side of supply you can see and apply.

this big FET we attach with heat sink insulation pad also require.

it has 3 wires Red, Black & Green.

Red wire is positive voltage and black wire goes in negative.

Green wire is for pulse, cut it.

no need of this.

after this bring out the circuit from body.

as we can see this is a variable here.

benefit of this that.

if you rotate in clock wise voltage increase.

if you rotate anti clock wise voltage decrease.

you hva to rotate enough so blub on series board tuned on. also atach the battery.

when you attach the battery, when you increase the volt you can see on series board bulb.

when normal load show then set this variable that point.

now i'll tell you how to install.

first you need to know which is primary side.

from top to bottom white line this is all primary side.

and this one is secondary side.

on primary side here is capacitor install near bridge.

check the voltage polarity. this is negative side showing.

and this is positive volt side.

we have to solder supply black wire here.

after we have to solder Red wire.

to attach the Red you have to know.

FET gate, drain and source.

FET was installed here like this position.

so this is Gate.

this is drain

and this is source.

you have to solder Red wire always in drain

drain terminal is connection to turn on the chopper.

FET also turn on the chopper from here.

after this tuned on the voltage came on secondary side.

now i solder red wire on FET drain.

now i attach supply.

i put supply and charger circuit separate.

push up the led's.

put supply on a side.

now i used series board and turned on the supply let's check green light turn on or not.

see green light is on circuit is OK.

after this we have to do setting of voltage.

if we didn't do voltage setting then chopper didn't give proper voltage.

then your charger not charge the battery properly.

to setting of ampere you need a 12V battery.

you can use any 12V battery.

this is 12V and 7 ampere battery.

we check load to attach terminal with battery,

now i attach the battery and do setting of ampere.

insert AC 220V wire in series board socket.

see the green light is on.

as you can see.

i attach the terminal on battery.

i attach positive with positive and negative with negative.

after attach the terminal the red light also blinking.

series board bulb also blinking.

now i increase the voltage from variable.

you have to do when blinking is normal.

with the series board bulb blinking red light also blinking, now our charger will charge battery good.

now i turned on direct AC 220V.

attach battery terminal again.

now i check direct, led turn on or not.

if Red led not blink and on smooth then it's mean charger is doing charging good.

when i insert cable in electricity for a while Red light turned on.

charger fan also on.

now i cut electricity because no heat sink attach with supply transistor.

we did all wiring.

and now fit all with heat sink.

now i tell you. how to fit .

after fit we'll check again.

for heat sink you have to use old.

it was with old FET.

you have to cut the side of the heat sink like this.

♪ ♪ Royalty Free Music Playing ♪ ♪

after cut this now attach supply transistor with it.

we have to add insulation pad between transistor and heat sink.

tight with screw and put inside with charger circuit.

i put insulation pad on it.

this came from universal supply box.

tight the transistor with heat sink like this.

now fit all in charger body.

board should be fit as it is like before.

we fit front plate all transistor tight with screw in body.

now we have to put supply.

after that joint it inside circuit properly.

you have to put like this that transistor heat sink on PCB and circuit in the air.

do like this and then adhesive with glue.

see with patience that circuit of supply should not connect with anything.

after the close the cover plate of charger body.

now tight the back plate.

after all fitting let's check the charger is working or not.

to check i use again the 12V 7 ampere battery.

attach positive with positive and negative with negative.

first i'll check on series board to check the shortage.

Led is blinking

that's mean working properly.

Green OK light and Red charging light blinking.

series board bulb also blinking. all fine.

now attach charger with AC 220V direct.

after this you can hear the voice of fan and Red light on.

♪ ♪ Charger on & Fan Sound ♪ ♪

it's charging good.

you can repair 10 ampere charger at home easily.

not impossible with hard work you can do.

Hope you like my video.

Please subscribe my channel " Maaz Electronics".

Like and share video, and forward to your friends so they can learn also.

Stay with us for Next Video, Thanks, Bye.

For more infomation >> How to Repair 12V DC 10 Ampere Battery Charger Urdu, Hindi & English CC DIY - Duration: 15:59.

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How to fix compact cameras lens curtain problem DIY cover - Duration: 1:38.

Hello viewers, I've got this little camera, the Canon Powershot SX720HS,which is a pocket

camera that I love because I can take it with me on on all my outdoors activities however,

I have never particularly liked this lens cover curtain that most pocket cameras have

as I thought I was going to break it.. and in fact I did break it, and so I came up with

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I measured the outside of the lens, which is 55mm and I went to find a jar lid, and

I found this one, pretty much of the same size, and I micro-adjusted with this tin-can

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You can make it as snug as you want, easy to take it on and off when you want to take

a photo, and this way the camera lens is much more protected.

I can put it in my pocket, without worrying, it can get hit without breaking anything anymore.

So, just a quick tip for today's video, I hope you like it and find it useful, because

maybe this has happened to you as well.

You're welcome to LIKE the video by pressing the like button below, to SUBSCRIBE TO THE

CHANNEL for more videos to come, and to leave a comment below if you have any thoughts or

questions about it.

See you next time!

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How To Grow Your Email List - Duration: 2:28.

For more infomation >> How To Grow Your Email List - Duration: 2:28.

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How To Be Successful Be Business: #Monday Materials FEAT. PilotG2 Pen | Financial Potion - Duration: 1:04.

Hello and welcome to Monday materials today we're going to talk about the

an essential tool that every single business owner needs these short videos

every Monday are just going to tell you some materials that we use to be more

successful in our business to me it's not real unless it's written down and I

still believe in the old-school way of truly writing things down on a notebook

so you'd have that muscle memory and the best material to do that with is the

pilot g2 blue pen these pilot g2 pens are my go-to pens they write super

smooth they always work they come in a nice pack you can get them on Amazon

Prime and without this guy I don't know what I would do I know I would not be

nearly as successful and so in order to be successful in order to make your

goals become reality we need to write it down it's not real unless it's written

down so make sure you always have a quality pen with you and my suggestion

is the pilot g2 blue pens

For more infomation >> How To Be Successful Be Business: #Monday Materials FEAT. PilotG2 Pen | Financial Potion - Duration: 1:04.

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HOW TO MAKE AN ORIGAMI STAR/STAR-04 - Duration: 4:07.

Sudins Creation

For more infomation >> HOW TO MAKE AN ORIGAMI STAR/STAR-04 - Duration: 4:07.

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How was Napa Valley formed? Napa Geology with David Howell - Duration: 1:26.

So Napa Valley's history really goes back 140 million years, that's the oldest rocks

that we have.

And it was a time when it wasn't a valley at all.

The valley as we see geographically is really quite young, probably only maybe 2 million

years old.

But California margins was starting to grow 140 million years ago.

So as the Pacific was coming in, slamming in and causing all kinds of disruption, earthquakes,

lots and lots of earthquakes!

Building up out of the ocean and forming land masses, and then about 9 million years ago,

the San Andreas fault started moving in this direction and volcanos started popping off.

So we had volcanoes all along that ridge over there, and probably here as well volcanoes.

So for about 6 million years, volcanic material built up, so we had the old rocks and a gap,

then the volcanic rocks, and then forces started to squeeze the land.

And the mountains off to the east, the Vaca Mountains are squeezed, it was like the wrinkling

of a rug, building up and then the valley sunk down and then this mountain over here

was squeezed more and rose.

So we have the Mayacamas mountains here, the Vaca mountains there, and the valley in between.

For more infomation >> How was Napa Valley formed? Napa Geology with David Howell - Duration: 1:26.

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How to Draw Kit of Fast Food | Coloring Set: Noodles, Soft Drink, Sausage and Popcorn - Duration: 10:11.

HELP ME TO HET 100.000 SUBSCRIBERS, THANKS YOU!!!

HELP ME TO HET 100.000 SUBSCRIBERS, THANKS YOU!!!

HELP ME TO HET 100.000 SUBSCRIBERS, THANKS YOU!!!

For more infomation >> How to Draw Kit of Fast Food | Coloring Set: Noodles, Soft Drink, Sausage and Popcorn - Duration: 10:11.

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Free google play code , Free google play codes 2018 , How to get free goole play gift card giveaway - Duration: 2:48.

Note : Please Follow me until finish

Note : Please Follow me until finish

Note : Please Follow me until finish

Note : Please Follow me until finish

Note : Please Follow me until finish