Youtube daily Or Apr 3 2018

Hello, I'm Father Mike Isenberg Assistant Vocation Director for the

Diocese of Arlington

"Father, what are you doing here?"

She was right. I shouldn't have been in that hospital room. I shouldn't have even

been at the hospital. But I was, and I walked into Mike's room and I spent two

minutes, two beautiful minutes with his family and then Mike took his last

breath and the world would say "Wow, what a coincidence that you were there in

those last minutes of his life."

I tell you it's no coincidence it's the very

hand of God that brought me there to that minute, to that place, and you look

back at his life Easter was his favorite day of the year. He proposed to his wife

on Easter and he died and went home to Our Lord

on Easter. And when I left I said "Lord, I shouldn't have been there," and I realized

and I had this moment of faith. Many times in our life we had these pivotal

moments of faith where all of a sudden we begin to see that God is real, that

He's doing the most incredible things right around me and right through me

Today in our Gospel we have Peter and we have John—two disciples, two apostles of Jesus

And it's Easter morning. They hear that the tomb is empty and they heard

many times that Jesus would die. He told them many times that He would die and

that He would be risen from the dead and so they knew this and they went running

to the tomb to find it empty. The world may say "Look, that's just a coincidence."

For Peter and John, that was no coincidence. That empty tomb—they knew

and they believed that He was risen from the dead. It was a pivotal moment of

faith in their lives then as they went forward and preached, as they went back

in their own understanding of who they were, they went back to that moment to

that empty tomb, that moment of faith. You know our challenge in this world as we

see a lot of coincidences, there's a lot of things that seem like "Well it's just

unusual" or "That's strange" Now, your challenge is this: It's to look in

this week, this week of Easter, and instead of saying "Oh, that's unusual or "That's

strange," instead look for the hand of God, look

for what He's doing in your life this week

and see "What is it that He's calling me to do and what is this beautiful mission

this life that He's given for me?" Happy Easter

For more infomation >> 2Minutes2Virtue - Coincidence or Hand of God? - Duration: 2:38.

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OR intro OT styled but W/ Music - Duration: 0:28.

Reasons Why We lose!

For more infomation >> OR intro OT styled but W/ Music - Duration: 0:28.

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Make a teleportation effect. DJI OSMO Mobile 2 (or 1). Adobe Premiere CC - Duration: 11:03.

Hello from Nuremberg! It is a very beautiful city.

But unfortunately in such a weather I cannot do shooting.

I've got to teleport to the hotel. Let's do the effects.

I'm going to show you to how to create this effect which you've just seen,

with the help of DJI OSMO Mobile (1 or 2) and Adobe Premiere Pro

Such shot, in which one actor appears in different parts of the frame

like a clone or like he is being teleported,

is very easy to create when the camera is static.

And it is very hard to create when the camera is moving.

It's necessary that camera moves by the same trajectory, with the same speed.

Actor is performing different actions.

And then we combine it all in Post.

It's very hard to repeat exact camera movements by your hands.

This is where DJI OSMO Mobile comes to help.

DJI drones have a function of remembering a number of points and moving along them with the certain speed.

Unfortunately DJI OSMO Mobile lacks this function.

We are cheating the device a little. We use its function Motion Timelapse.

On a DJI OSMO Mobile we mount a phone or a camera which records a video.

And another phone is connected to the DJI OSMO Mobile via DJI Go app.

We start a Motion Timelapse function.

We adjust the first position of the camera.

We press a "+" button to save the first position.

Then we turn the camera to the second position and we save the second position.

DJI Go stores up to five positions.

But I recommend you to use only two positions of the camera: the start position and the final one.

There are two important aspects.

DJI Go app doesn't store positions after completing time-lapse.

That's why before every other shot we have to set the same positions again.

In order to fulfill this, we remember what is in the frame of the camera while we are saving the first point.

We should find any reference point and remember it.

We save this position.

When we are saving the final position we remember what is in the frame once again.

Finding and remembering a reference point will help to restore this position.

Second aspect is that DJI OSMO Mobile is limited in a speed.

Minimal time for performing Motion Timelapse is one minute.

In many cases it's going to be too slow.

There's a way how to speed up the movement of DJI OSMO.

For example we want the camera to face the lamp in the end of the shot.

We turn the camera with DJI OSMO to the extreme right position.

Then we position the OSMO itself so that the camera faces the lamp.

Then we turn the camera to the left.

In my case I needed the turn of 180 degrees.

But I don't stop the turn at 180 degrees.

I don't save it as the start position.

I turn it even more further to the extreme left position.

I set the extreme left position as the start position.

In this way while the camera is turning to the position from which the viewer is going to see the first frame

it takes 20 or 30 seconds.

This piece is going to be trimmed in the editing.

During shooting we can use this time for preparation.

I did shooting all by myself.

And I used this time to move away from the camera and to position myself in front of the camera.

When the camera moves from the first actual position of shooting till the final position it takes about 30 seconds,

which is two times faster than doing it in one minute.

We can make the speed even higher afterwards in Adobe Premiere.

Let's walk through all the steps from beginning.

We set DJI OSMO and we don't move it between the shots.

All the lights and objects within the frame should also remain untouched.

We mount the camera which records video on the DJI OSMO Mobile.

We turn the camera on.

Near the DJI OSMO we place the phone which is connected to the DJI OSMO Mobile via DJI Go app.

We start the M-Timelapse function.

We turn the camera with the DJI OSMO to the extreme position.

We remember what's in the frame of the camera in order to restore this position next time.

We save the first position in M-Timelapse.

Then we turn the camera to the final position.

We adjust the tilt of the camera.

We remember what's in the frame.

We save the final position in M-Timelapse in the DJI Go app.

We set the Interval in the M-Timelapse function to the maximum value of 60 sec.

We set the Duraton to the minimal value of 1 min.

We start a video recording on the camera which is mounted on DJI OSMO

We press Start in M-Timelapse.

We do shooting.

After finishing the take we set everything in the same way for a next take.

It's better to check your videos while you are shooting

in order to be able reshoot something while you're at the location.

When shooting is done we start editing.

We have three clips here.

In first clip I'm tying my boots and walking away along the first hallway.

Other hallways are empty.

In the second clip the first hallway is empty.

I'm approaching along the second hallway.

The third hallway is empty.

In the third clip the first two hallways are empty and

I'm standing in the third hallway.

We import all these 3 clips into the Adobe Premiere.

We create a new Sequence.

We drag all the clips down to the Timeline.

We trim the useless beginning.

I want the clips to have a cut at the moment when the hallway corner is right in the middle of the frame.

I'm looking for this moment.

I trim the end of the first clip.

I'm looking for this moment in the second clip.

I trim the beginning of the second clip.

I'm looking for a moment where the camera crosses a second corner.

I cut the second clip at this moment.

I'm looking for this moment in the third clip.

I trim the useless ending.

I'll speed the clips up to 200%.

Here's what we got.

As you can see there's a little jump at the clips cut.

It's because the camera wasn't moving by a complete same trajectory.

There are two ways of fixing it.

First way. We scale all clips up to 101%.

In the left clip the camera is looking low.

We move dwon the left clip.

We move up the right clip.

In this way, adjusting position and rotation of the clips we make smooth cuts between them.

It can happen that animation of some parameter is needed.

I had to animate rotation of the second clip.

At the cut with the first clip rotation is -0,1 degree and

at the cut with the third clip there's zero rotation.

Here's how the video looks like when all the clips are edited in the first way.

Second way.

We drag the second clip up to the upper track.

We extend the first clip.

We want to make the actor from the upper track visible.

To do it we will use the mask tool.

The hallway positions from the upper and from the lower track do not match.

We've got to adjust the settings of position and rotation of the upper clip so that they match.

Now they match.

We will make the upper clip visible but not completely.

We will make only part which contains the actor visible.

In order to achieve it we use a mask tool.

In the opacity section there's a square button,

an ellipse button and a free-form button.

In this case square mask will do.

Here's how we draw a mask around an actor.

We will make this mask move.

We use animation.

We click on the stopwatch icon.

We already have the mask shape for this frame.

And we move through different moments of the clip and adjust the mask shape

so that it always contains the actor.

In this way we are creating new mask key points and

for all the intermediate frames mask shape is calculated automatically be Adobe Premiere.

In this frame we can see a clear edge of the mask.

To make it less visible we can change this parameter – Mask Feather.

Now it's blurred.

Let's work on the speed of the video.

We'll unite all the clips. We perform Nest operation.

I want to speed up the moments when actor is out of the frame,

to make camera move faster here.

To work with the speed we right-click on this symbol.

We choose Time remapping – Speed

This horizontal line shows the speed of the clip.

Now it's in the middle. It's 100% speed.

We are looking for a moment when the actor has almost left the frame.

We make the first keyframe.

Ctrl + click (Mac: Command+Click).

We're moving to the moment where the actor is going to come into the frame.

We'll make a second keyframe. Ctrl + mouse click

We drag this line up to 200%.

Now everything, what is to the left, is going with the normal speed.

Here it goes 2 times faster. And here it goes with the normal speed again.

To make the change of speed not so abrupt we'll smooth it out.

Mouse click. We're extending these borders.

Now the change of speed is smoother.

Here's a 100% speed and here it's growing up to 200%.

To make it even smoother we rotate these handles.

We can see how the curve is becoming smoother.

We do the same thing where speed goes down.

This is how speed looks like after time remapping.

Here's one speed.

It smoothly speeds up,

then it smoothly speeds down.

The masking and the time remapping are the techniques,

which I used to create that clip which you saw in the beginning.

Have great shootings!

If you like this video, subscribe and press like button.

Then I'll know that I should do more stuff like that.

Till next time!

Always yours, Ilia Cinema.

For more infomation >> Make a teleportation effect. DJI OSMO Mobile 2 (or 1). Adobe Premiere CC - Duration: 11:03.

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HP Sprocket Photo Printers - How To Pair Multiple iPads or iPhones - Duration: 1:07.

During the initial setup of your sprocket, you likely paired your iPhone or iPad to your printer.

Now your friend wants to connect their iPhone to the same sprocket.

Since sprocket printers can only pair with one iPad or iPhone at a time,

temporarily disable Bluetooth.

On your iPhone or iPad, tap Settings, tap Bluetooth, and then turn Bluetooth off.

On your friend's iPhone, tap Settings, tap Bluetooth, and turn Bluetooth on.

Have them tap your sprocket printer from the available devices, and the printer pairs automatically.

When you're sure the connection worked,

you can turn your Bluetooth back on from the Settings menu on your iPad or iPhone.

Now you can both send photos to the same sprocket!

For more infomation >> HP Sprocket Photo Printers - How To Pair Multiple iPads or iPhones - Duration: 1:07.

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Check if an array represents Inorder of Binary Search tree or not | GeeksforGeeks - Duration: 2:32.

For more infomation >> Check if an array represents Inorder of Binary Search tree or not | GeeksforGeeks - Duration: 2:32.

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La recette riz poulet courgettes KUB® OR de Maggi par Meg&Cook - Duration: 0:26.

For more infomation >> La recette riz poulet courgettes KUB® OR de Maggi par Meg&Cook - Duration: 0:26.

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ENJOY THE JOURNEY OR THE DESTINATION ISN'T WORTH IT | VIDEO #6 - Duration: 8:15.

For more infomation >> ENJOY THE JOURNEY OR THE DESTINATION ISN'T WORTH IT | VIDEO #6 - Duration: 8:15.

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Recette soupe à la carotte KUB® OR de MAGGI par Meg&Cook - Duration: 0:26.

For more infomation >> Recette soupe à la carotte KUB® OR de MAGGI par Meg&Cook - Duration: 0:26.

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Eyebrows Tutorials & Ideas 2018 | EYEBROW TUTORIAL FOR THIN OR SPARSE BROWS - Duration: 5:24.

For more infomation >> Eyebrows Tutorials & Ideas 2018 | EYEBROW TUTORIAL FOR THIN OR SPARSE BROWS - Duration: 5:24.

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How to make shortcut key or use hotkey to switch or transfer between programs | Hack Track - Duration: 1:00.

Hello friends today i will tell you how to Use Hotkeys to Switch Programs

If you routinely use a specific set of programs, you can set up hotkeys that will launch or

directly switch among them instead of cycling with Alt-Tab.

Find a desktop or Start menu shortcut that launches a program and select Properties.

On the Shortcut tab, click in the Shortcut key box, and press the key combination you

want to use.

Be sure to choose key combinations that are not needed by any

of your programs; for example, use Alt-Shift-1, Alt-Shift-2.

For more infomation >> How to make shortcut key or use hotkey to switch or transfer between programs | Hack Track - Duration: 1:00.

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FAB or FAIL? Does the Conair Quick Gems Really Work? - Duration: 5:16.

For more infomation >> FAB or FAIL? Does the Conair Quick Gems Really Work? - Duration: 5:16.

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S08E14 "Still Gotta Mean Something" - The Most Ridiculous Things From Last Night's The Walking Dead - Duration: 5:20.

(humming Walking Dead theme)

- Jadis evades murder by covering one

of her fellow trash people in trash, very on-brand,

then plays dead in his brain juice.

And when a savior says negotiating wasn't her game,

he's right, but turns out keeping your eyes open

in a high-pressure situation is her game,

and she's playing to win.

Cool! Time for a nappy nap.

Jadis's junkyard apartment aesthetic is inspired.

I can only hope to one day live in a place

that Instagram-able, and it's a total Gram package:

vintage camera, cool luggage, distressed denim,

guy in plaid salving in the corner.

Huh, okay, so at least my apartment has one of those things.

Tara has some good news.

She says it's been over a day

since her opinion on Dwight has changed,

and the doc thinks she's cured of flip-flopitis.

Daryl says the same crap he said last week,

and these two celebrate Easter

by resurrecting a dead conversation

they've already had twice.

Michonne interrupts Rick,

putting on his trusty murder jacket,

and tells him to read Carl's blog post

from beyond the grave.

But Rick has a confession to make.

"I can't, I can't!

"I can't read stuff and things!"

Michonne tries reasoning, and Rick hits her

with a head-tilt angle and general eyeball energy

that says, "Reason has no place here."

Morgan's mumbling a whole lot

of could'ves, should'ves, supposed-to crazy,

and Carol wants in on this nut-job action.

Negan tries his best to make things right with Jadis.

He says he really punched himself in the dick on this one,

and he's sorry everyone she knows is dead.

And that is how you apologize.

Jadis almost kills him, and gets stopped

by his invisible plot armor.

It's all fun and games until your friend catches you

yelling at a dead kid in the woods

who isn't there and might not even be dead.

Morgan tells Carol everything's cool

and once again says, "I don't die"

with the conviction of a crackhead

about to rollerblade down Mount Everest.

Rick dramatically looks at his dumb hat

and is overwhelmed with feelings of being a parent.

So he tells Judith to be safe,

don't play with anything sharp, and gets out of there.

Rick asks Face Pubes if he has any intel

on a place where survivors on foot,

who may be injured, might hole up to figure things out

and grow their face pubes.

Face Pubes says Rick should consider showing them mercy.

Rick acknowledges this mercy thing,

definitely an interesting option, then turns his back

and examines a fully-loaded assault rifle.

I'm no expert in junkyard hostages and didn't graduate

from any fancy junkyard hostage university,

but I'm pretty sure you're not supposed

to leave your junkyard hostage alone

with various stuffs he could use to escape and kill you.

Carol wants to follow Henry's trail, but Morgan can't do it.

He says he only watches people die,

forever haunted by Tabitha the Goat.

Morgan is teetering on the edge of an emotional collapse

so intense, it will send him into a spin-off series.

They say goodbye for now and shake on a bloody stick.

Negan wants to know what kind

of Doctor Evil stuff Jadis is trying to pull here,

and he knows Jadis must be desperate

because she's almost talking in full sentences.

Negan reveals Lucille was once the name of his wife,

and he named his bat after her so she could live on

and give a million other guys headaches.

The helicopter has risen again.

Happy Easter.

Trying to appeal to Jadis one last time,

Negan swears on his sack, and it makes you wonder

how many more time does he have to comedically refer

to his testicles before someone around here

takes him seriously?

Morgan confesses he's not doing so hot these days

after sneaking up on a guy he's known for years

and almost killing him.

Rick says, "Cool beans."

He's also out for a murder stroll, hence the murder jacket.

So lets link up for revenge, a dish best served splitsies.

It's bad enough their friends

just chopped their arm and leg off,

but to lay there dying and hear them repeatedly refer

to death as Poochigan,

I mean, just kill me now. Hell, kill me yesterday!

Murder Jack and Rick negotiates.

He says they made a split-second decision

to leave Hilltop, and they blew it big time,

but they should make another hasty decision right now,

to trust him and come back,

because they're also good at this quick-decision stuff.

And when the walkers show up,

they decide they're ready to go Team Grimes.

But after Rick gets a gun

and Morgan gets a stick to balance his gun,

wait for it,

April Fools bitches!

Everybody gonna die!

Morgan stalks the one that got away

then holds him while he gets chewed upon on some real,

no you hang up first,

shit.

Rick reveals the dirty secret,

that he lied about having them over for zombie brunch

in case he couldn't figure it out

by the fact that everyone's dead.

Rick takes a fun stroll down Murder Memory Lane with Morgan

then looks in that broken mirror

and realizes he just got seven more seasons of bad luck.

Carol miraculously saved new Carl, but she better watch out.

If he's really new Carl, and he's definitely new Carl,

he got bit back there, but it's going to take

two more Sundays before he dies.

Rick and Morgan return from their murder stroll.

Morgan greets the kid he left for dead

by telling him the awesome news

that he killed the guy who killed his brother

then teaches him the valuable lesson every kid should know

to never be sorry for anything ever,

and Rick finally reads Carl's letter

that has valuable advice he could've used days ago

to not kill all those people he just killed.

Tune in next week.

Who did Negan pick up in his car?

Hopefully someone who can explain that goddamn helicopter.

What will Daryl and Rosita do to Eugene?

They're going to break into his bullet factory

and turn his face into a bullet piggy bank.

What surprises does Negan have

for everyone back at the sanctuary?

They have to help him move a couch next weekend,

the worst kind of surprise.

None of this and more, next time on the Walking Dead.

For more infomation >> S08E14 "Still Gotta Mean Something" - The Most Ridiculous Things From Last Night's The Walking Dead - Duration: 5:20.

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KIDS Who MURDER - FACT or FICTION? - Duration: 16:29.

Children are our future.

At least that's what we're led to believe, but sometimes the hope and aspirations we

instill in our youth are snuffed out by an internal darkness that can only be described

as evil.

While some can't even comprehend the concept of killing another, history shows that sometimes

even a child's mind can become fractured and dangerous.

Do the following three stories prove that children are capable of killing or are they

fictional tales of crimes that never took place?

Well, it's up to you to figure it out…

The line that divides the factual from the unreal has long since blurred, the tales we

once thought fantastical now implanted as truth.

To decipher verity from the imagined, you must break from the ordinary and consider

a universe where the outlandish prevails.

Can you expand your mind to see beyond our perceived reality?

Can you decide what's fact or fiction?

Teenagers these days are angsty, filled with anger, and sometimes even fueled by rage.

Brandon Haim experienced what happens when those common traits are combined with depression

and trauma, leading to a strange night that he'll never forget.

Story # 1: A Killer Party As Haim let his sentencing sink in, he thought

back to the day that wound up costing him the rest of his years.

It was three years prior and he can still remember the thoughts that ran through his

head as he paced his room, the stinging in his shoulder throbbing through his arm.

It wasn't the first time his father was rough with him, but on that day, Brandon wanted

to make sure it was the last.

The hammer was easy to find and his father was exactly where he suspected: glued to the

television, unaware of anything around him.

His mother was due home any moment, so he planned to make it quick.

As the noise of whatever mid-day program filled the living room, Brandon brought the hammer

down on his father.

In the haste of his swing, the metal missed its intended target, instead, grazing Jerry

Haim's ear before landing on his shoulder.

Brandon cursed his aim, but before he could re-position his swing, his father was on top

of him.

The teenager's world turned red with rage and the minutes that followed were a blur.

He remembered hearing his mother's cries as she rushed in to separate the two, but

he couldn't let her stop him.

Credits rolled on the television and Brandon found himself standing over his parents, blood

pooling around their lifeless bodies.

Instantly, he felt free and could think of only one way to celebrate.

A quick phone call to his friends was all it took for the house party to be organized

and in the hours leading up to it, the young Haim cleaned up his mess.

With no time to dispose of his parents' bodies, the bodies were moved to their bedroom

and with just enough time left, Brandon readied himself for the casual soiree.

Friends started to gather at the Haim residence and their host was there to greet them in

a most hospitable way.

He had not a care as the night went on, but there was an itch that no amount of socializing

or alcohol could scratch.

That's when he made his biggest mistake.

The judge's words droned on, admonishing the now-20-year-old murderer as he delivered

the life sentence.

Brandon sat there and felt a pang of regret, not for killing his parents, but for being

careless enough to tell a friend of the devilish deeds he performed just hours before the house

party.

Teenagers are unpredictable, that's true, but would one be so careless as to host a

party while his parent's bodies lay mere feet away?

Could Brandon have been that thorough with his cleanup that there wouldn't be a speck

of blood for any party-goers to see?

Maybe everyone was too preoccupied with friends and loud music to notice anything out of the

ordinary.

We'd love to hear what you think, so let us know in the comments, but before we reveal

whether Brandon's story was real or not, we'd like to take you to a small snowy town

to introduce you to Tiffany Tomlin and Susan Wallace, two girls brought together under

unfortunate circumstances.

As the two grew to know one another, it's clear that their relationship will never last,

especially as one of them holds a deadly secret.

Story # 2: The Twisted Child When Tiffany came to live with Susan, their

relationship started off surprisingly well.

Welcoming her 10-year-old cousin into her home, 12-year-old Susan did what she could

to make Tiffany comfortable.

Weeks prior, Tiffany suffered the loss of her father, a freak accident that was still

a very fresh open wound in the young girl's heart.

Susan avoided the subject and instead welcomed Tiffany into her world without hesitation,

but as their relationship budded, Tiffany started to see something about Susan that

unsettled her.

She was obsessed with death.

Susan contemplated it, wondered how her parents would eventually be taken from her, and she

somehow found a way to sneak it into just about every conversation.

Tiffany soon found that Susan didn't just think about death, she took part in it.

Like Tiffany, the Wallaces were still grieving over the loss of their adolescent son, Caleb.

Tammy Wallace, Susan's mother, left the four-year-old only for a minute and it seemed

impossible that, in that time, he had slipped under the shallow water and drowned.

She ran the scenario through her head time and time again, each time landing on it being

a freak accident.

As Tiffany grew closer to Susan, the older girl grew bolder, eventually showing off the

tugboat that Caleb had in the tub with him the night he drowned.

It was a missing link that the Wallaces could never find after his death.

Eventually, Tiffany grew uneasy with Susan's talk of death and the possession of her dead

brother's toy.

While Susan slept one night, she brought the boat to Tammy and talked about her darker

thoughts.

Tammy feared the worst, but couldn't fathom that her daughter had played a part in Caleb's

death.

Under the guise of helping her cope with her brother's death, Tammy had Susan speak with

a psychologist.

During one session, the truth slipped, a small nugget of information that put Susan in the

bathroom with her brother as water filled his lungs.

It was her small hand that held him underwater so, as she put it, she could "see what death

looked like."

Interlude 2: Is such a young mind capable of killing in

such a horrific way - or did we conjure up this story just to mess with your head?

We want to hear what you think, but while you plan your response, consider a few things.

Did no one question where Caleb's toy tugboat went, or were they too distracted by his passing

to even consider it?

Would someone as young as Tiffany even notice Susan's macabre thoughts or did her father's

death mature her?

Before we get to the reveal, there's one last story of murderous children and this

one's frightening.

Children can be influenced, but what if the figure directing them to kill is a fictitious

character?

Freddy Hadley and Tate Chetucci seemed like regular children, but their imaginary friend

ensured they'd be remembered as anything... but "normal."

Story # 3: For the Love of Slender At first, Tate was confused by Freddy's

proposal.

He had heard of Slender Man before, but only as an internet character, and yet here his

best friend was talking as if he really existed.

He was enthusiastic about the tall faceless man in a suit, filled Tate in on all the hidden

details he discovered while browsing the internet, and eventually grew ecstatic when he got to

what he considered "the best part."

"He wants to help kids.

There's this…" he paused, searching for the right word, "… this castle in

the forests that he lives in.

If we do what he says, he'll let us live with him and we won't ever have to worry

about anything."

Tate considered what he was being told and though deep down he knew it to be too fantastical,

Freddy had never steered him in the wrong direction.

Maybe there was a place they could escape to, somewhere away from their stifling parents

and school bullies and pushy teachers.

Tate was on board and with the one question he had for Freddy, he spiraled down a rabbit

hole of madness that would forever ruin his life.

"What do we have to do?"

Tate asked hesitantly, cautious about what this mysterious figure required of his subjects.

"Kill."

Freddy was cold when he said it, uncaring and already determined to enjoy his life in

the castle in the woods.

When he saw Tate's horrified reaction, Freddy continued with the hard sell, reminding his

friend of the time his parents sold his Nintendo DS because of his bad grades.

He brought up Tate's soft spot, a girl that had completely embarrassed him by rather loudly

rejecting him at a school dance.

It finally hit Tate what Freddy was doing – Slender Man was a vessel for the two to

grow stronger and agreeing to kill for him was more symbolic than an act they'd actually

carry out.

He held onto that belief until the following weekend when the two were enjoying themselves

at the nearby park.

It was quiet, save for a group of girls about two years younger.

When Freddy noticed them, he silently nudged Tate and produced a knife he had hidden in

his shoe.

Tate continued to follow him, knowing they were just going to scare the girls off; but

when Freddy charged the group and tackled one girl to the ground, something felt incredibly

wrong.

"Hold her down, Tate!"

Freddy called out, and while the girl's friends yelled and cried, Tate got lost in

the confusion and held her arms down.

The first spot of blood hit his wrist and soaked into his sleeve as Freddy plunged the

knife into the girl's chest over and over again.

Even seven years later, Tate can still hear her choking on her own blood.

Despite countless hours of mandatory therapy and years of listening to the stories of other

prisoners, nothing can ever drown the noise out.

Interlude 3: Kids are impressionable, and the internet

can be a deep web of deception and misinformation, but can those two things come together and

cause a twelve-year-old to murder?

Is it possible that Tate and Freddy committed an atrocious act on their own will and tried

to use a fictitious character as an alibi?

Let us know what you think about this story in the comments.

Are you ready to find out if you can decipher between fact or fiction?

Let's look back at tonight's three stories and find out which were born from reality

and which were fabrications of the imagination.

Let's think back to Brandon Haim, the boy who allegedly killed his parents and immediately

threw a house party at the crime scene.

Do you think this story actually happened?

If you said yes… then it's possible you've heard of Fort Pierce, Florida teenager Tyler

Hadley, who inspired the story of Haim.

In July of 2011, Hadley murdered his parents with a hammer and, later that evening, invited

friends over for a party.

After bragging to a friend about the murder, Hadley was arrested and sentenced to life

in prison.

He's been known to sign autographs as "Hammer Boy" and claims that he talks with the devil.

Can you go two for two and correctly determine if Susan Wallace really did kill her four-year-old

brother, Caleb?

If you said it was true, sorry to say you killed your winning streak.

Not only is it a fake story, perceptive individuals may sense the inspiration from the 1993 thriller

starring Macaulay Culkin, The Good Son.

If our third story about Tate, Freddy, and Slender Man didn't have you fearing the

susceptible and twisted minds of children, that's okay, because it wasn't real.

At least not entirely.

The story mimics the real-life case of 12-year-old Payton Leutner, who's friends, Morgan Geyser

and Anissa Weier, attempted to murder her in order to live with Slender Man.

Payton, however, survived the attack, despite being stabbed 19 times.

How well did you in tonight's video?

Did you look past the deception of our world and define the oft-blurred line that struggles

to separate lies from the truth?

Let us all know in the comment section below and should you find the urge to test your

perceptions again, be sure to subscribe and join us next time when we ask you to decide

what's fact... or fiction.