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For more infomation >> MUSIC FOR HALLOWEEN WITHOUT COPYRIGHT [TMSC] - Duration: 2:55. 
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Hi my loves. Here I am on the island of Koh Tao. We went snorkeling yesterday.
There's a Thai mafia that is shut down a lot of the hostels here recently so it's
a little quiet which makes it really easy to meet people. I met these awesome
musical theater girls from Scandinavia. I've been playing the guitar every once
in a while not for people yet (I haven't done that yet). Last night while we were out I
got a really really crummy email that made me really really sad so Kait and I
have been working on a musical based on these awesome children's books
Rosie Revere Engineer, Ada Twist Scientist, and Iggy Peck Architect. If
you have any like two to five year olds in your life maybe you're familiar with
the books if not, maybe not. We're working on a musical with Lauren Gunderson that
was supposed to be off Broadway this this summer at the Lucille Lortel
theater and that was gonna be really awesome and it was something I was
really looking forward to
♪
And the funding fell through and so it will not be off-broadway this summer it
will in fact not be in a professional production prior to going out on tour so
that really really sucks I'm flying back from Asia just in time for the first day
of rehearsals that won't happen and I called Kait. I cried a little bit cause I
just like cry this is not that big a deal right so the pain shouldn't be that
great though it won't be off-broadway this year but it took me back to this
November when The Mad Ones opened we got a crushing review in the New York Times
which I have not read so please do not tweet me any selections of it but I
certainly heard that it was a (sing-song) not great review, not great review (speaking) the pain of the
the Iggy news all the sudden I was like back into those awful days after that
review came out. Talking to Kait about it was great in some ways and in other ways
not I mean most people think of us as longtime writing partners and the thing
you have to remember about Kait and I is that we have known each other since like
fourth or fifth grade. It is more like siblings and there are times when you
want to be with your family there are times when they're too close. I can't
believe I'm about to vlog about this so in that call with Kait last night Kait
was talking to me about going to our agent to talk to him about submitting
her for collaborations with other people. You know, The Mad Ones took 15 years
y'all 15 years. Republic, which we've been writing for a decade and which is the
thing we're like the absolute most proud of,
(Singing "Rise")
the prospect of waiting another 20 years to get that produced Jesus Christ so if
Kait can be submitted to be the lyricist on like on a jukebox musical even like
go and God bless that said that's a really intense thing to think about how
will I feel if Kait finally has a Broadway opening night and it's not
Kerrigan Lowdermilk it's with her Indigo Girls jukebox musical that I was
tragically not a part of.
(Indigo Girls "Closer to Fine" playing)
I feel like I also just wanted to address because people have asked
they've they've looked at all these collaborations I'm doing with lots of
lyricists on this YouTube channel and of course they're asking "are you and Kait
still writing together?" and the answer is: stop thinking about us like writing
partners asking if I'm going to continue to write with Kait is like asking if I'm
going to continue to be my sister's brother.
We love writing together. We have identified that the best path forward
for us is to in addition to writing together to also write with other people.
It's gonna be deeply painful .Sometimes deeply painful things are the most
rewarding. I hope I have the strength of character (repeated in a different voice) I hope I have the strength of character
I hope I am capable of loving Kait through every part of her writing with other
people. You know of looking at that and feeling what Poly people call
"compersion": the ability to instead of feeling jealousy to just feel like joy
on behalf of the person that you love. Basically like, the marriage is strong
y'all we're just like we're exploring we're seeing what's out there. May that
inspire you to also do things that are deeply painful and maybe terrifying and
terrible decisions. May you also make some terrible decisions says the boy who's
on Koh Tao just like, partying his eyes out. One of the things that i guess i
thought was universal of all writers but might not be is that i feel an enormous
weight from unfinished works. For me a song isn't finished when we decide that
it's like "oh great nailed that what an awesome a song." It's finished when it
goes to you. I can scratch that itch by grabbing a friend around the piano and
just releasing it to you. That's fine. That counts to me, right? If I take secret
footage and don't tell equity and post it on the YouTube under an alias account
hehehe who does that? That counts too When no one has seen it except for like five super
old people in a rehearsal room when no has seen the thing that we've made, it
doesn't count. It's not released. The weight the weight of unreleased works
that's what haunts me. The idea that that that Kait's work, that my work, that book
writer's works with directors with that the things were making because we can't
afford to raise the couple hundred thousand dollars that's it that's
literally what it is people spend that much money on fucking cars, that's what
keeps me up at night. That's what sends me into a little ball, a little ball, holding myself with my fingers in my sleeves.
So, I am hoping to in addition to writing awesome things with Kait Kerrigan on these YouTube channels,
writing awesome things with you on these YouTube channels, making these sweet-ass
pop songs with Lloyd I and Kate will also release some of our unreleased
works right here on the youtubes. Kait and I have probably written what like
eight hundred songs together something like that no joke guys I'm not as young
as I look and I look I know I look young and fresh face. I'm beautiful. She's not a
spring chicken. I figured I couldn't think of a song that would fit how I was
feeling today. This is a song from a musical that you will never ever see
that is such a good musical guys. It's so so good if the producers of it are
watching it right now please don't abandon this musical it's so good but
there's nothing to be done they're abandoning this musical. This is a song
called "When the Earth Cracks Open"
(guitar playing)
When the earth cracks open, when the ground
begins to shake when you're faced with ruin in its mighty wake
do not hide from
chaos, stand your ground or it will will spread
the alive bear witness for the dead
When your pain
dims the night in the dark you are alone, a source of light. layers of smoke inside
you rising like a northern star
when the earth cracks open you will learn
how bright you are
ah guitar solo goes there da da dum ba da da
da da da
when your pain
dims the night in the dark you are alone, a source of light
there's a spark within you rising like a northern star
when the earth cracks open you will learn how bright you are
when the earth (tries again) when the earth cracks open
you will learn how bright you are
let's do that again. There is a spark within you rising like the Northern Star
When the earth cracks open you will learn how bright you are
when the earth cracks open you will learn how
bright
you are
(talking to someone offscreen) Leave it on, I'm gonna do the whole thing one more time in case it goes a lot better.
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