Youtube daily Music Sep 29 2018

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For more infomation >> MASHUP||Super hit Tamil christian songs||Music|| - Duration: 7:49.

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BEHIND THE SCENES MUSIC | NINETY VENUS - Duration: 3:37.

For more infomation >> BEHIND THE SCENES MUSIC | NINETY VENUS - Duration: 3:37.

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Top Songs 2018 Playlist - Best Music Pop Remix Popular Songs - Duration: 59:33.

Hello friends ! If you like this channel music please like & share, subscribe channel. Thanks you very much !!

For more infomation >> Top Songs 2018 Playlist - Best Music Pop Remix Popular Songs - Duration: 59:33.

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Gladys Knight Will Lead Aretha Franklin Tribute at 2018 American Music Awards - News today - Duration: 2:23.

 Aretha Franklin will be remembered with a tribute worthy of her legacy as the Queen of Soul

 Gladys Knight will lead a performance at the 2018 American Music Awards on Oct

9 to pay homage to Franklin, who died on Aug. 19 of advance pancreatic cancer of the neuroendocrine type

She was 76.  The awards show also announced Ledisi, Mary Mary, Donnie McClurkin, CeCe Winans and musical director Rickey Minor as part of the musical tribute

 "When I heard some of the initial ideas for the tribute, I knew without a doubt that this tribute will go down as one of the best in American music," Sabrina Owens, Franklin's niece and the executor of her estate, told the Associated Press, which also reported that the AMAs performance will focus on Franklin's gospel roots and her 1972 album, Amazing Grace

 Knight also performed "You'll Never Walk Alone" at Franklin's funeral in Detroit

 Reminiscing about Franklin's legacy, Knight previously told PEOPLE Now, "She had a voice that was god given and she used it to the best of her ability and to all kinds of heights

"  The "Midnight Train to Georgia" singer added, "With Aretha, she didn't really know what she had

She was kind of shy."  Knight also shared a touching tribute to the fallen icon on social media following Franklin's passing

 "Aretha, your music set a standard for every single lady in this industry to rise to

You have touched minds, hearts and spirits, including my own," she wrote. "I pray you have a smooth journey Ree Ree and hopefully I'll get to sing with you in the Heavenly choir

Love you #QueenOfSoul."

For more infomation >> Gladys Knight Will Lead Aretha Franklin Tribute at 2018 American Music Awards - News today - Duration: 2:23.

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First Time ko mag-REACTION VIDEO | MALILIMUTAN DIN KITA - PhilPop Music - Duration: 4:06.

Hi mga Chuy! Welcome back to my channel!

This is CHUY PH!

Today is a special day because...

it's my first reaction video

For more infomation >> First Time ko mag-REACTION VIDEO | MALILIMUTAN DIN KITA - PhilPop Music - Duration: 4:06.

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Hamtramck Music Fest donates $10,000 of musical instruments to Hamtramck High School - Duration: 2:04.

For more infomation >> Hamtramck Music Fest donates $10,000 of musical instruments to Hamtramck High School - Duration: 2:04.

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May 6, 2018 - Music & The Spoken Word - Duration: 24:09.

♪♪

♪ GENTLY RAISE THE SACRED STRAIN, ♪

♪ FOR THE SABBATH'S COME AGAIN ♪

♪ THAT MAN MAY REST, THAT MAN MAY REST. ♪♪

♪♪

LLOYD NEWELL: FROM HISTORIC

TEMPLE SQUARE IN SALT LAKE CITY,

WE WELCOME YOU TO MUSIC AND THE

SPOKEN WORD WITH THE MORMON

TABERNACLE CHOIR AND ORCHESTRA

AT TEMPLE SQUARE.

CONDUCTING TODAY'S PROGRAM IS

MACK WILBERG, WITH GUEST ARTIST

STANFORD OLSEN, ORGANIST BONNIE

GOODLIFFE, AND THE SPOKEN WORD

BY LLOYD NEWELL.

♪♪

♪♪

♪ REJOICE, THE LORD IS KING! YOUR LORD AND KING ADORE! ♪

♪ MORTALS, GIVE THANKS AND SING AND TRIUMPH EVERMORE. ♪

♪ LIFT UP YOUR HEART! LIFT UP YOUR VOICE! ♪

♪ REJOICE, AGAIN I SAY, REJOICE! ♪

♪ LIFT UP YOUR HEART! LIFT UP YOUR VOICE! ♪

♪ REJOICE, AGAIN I SAY, REJOICE! ♪

♪♪

♪ THE LORD, THE SAVIOR, REIGNS, THE GOD OF TRUTH AND LOVE. ♪

♪ WHEN HE HAD PURGED OUR STAINS, HE TOOK HIS SEAT ABOVE. ♪

♪ LIFT UP YOUR HEART! LIFT UP YOUR VOICE! ♪

♪ REJOICE, AGAIN I SAY, REJOICE! ♪

♪ LIFT UP YOUR HEART! LIFT UP YOUR VOICE! ♪

♪ REJOICE, AGAIN I SAY, REJOICE! ♪

♪♪

♪ HIS KINGDOM CANNOT FAIL; HE RULES O'ER EARTH AND HEAV'N. ♪

♪ THE KEYS OF DEATH AND HELL TO CHRIST THE LORD ARE GIV'N. ♪

♪ LIFT UP YOUR HEART! LIFT UP YOUR VOICE! ♪

♪ REJOICE, AGAIN I SAY, REJOICE! ♪

♪ LIFT UP YOUR HEART! LIFT UP YOUR VOICE! ♪

♪ REJOICE, AGAIN I SAY, REJOICE! ♪♪

♪♪

♪ REJOICE IN GLORIOUS HOPE! OUR LORD AND JUDGE SHALL COME ♪

♪ AND TAKE HIS SERVANTS UP TO THEIR ETERNAL HOME ♪

♪ LIFT UP YOUR HEART! LIFT UP YOUR VOICE! ♪

♪ REJOICE, AGAIN I SAY, REJOICE! ♪

♪ LIFT UP YOUR HEART! LIFT UP YOUR VOICE! ♪

♪ REJOICE, AGAIN I SAY, REJOICE! ♪

♪ REJOICE! ♪

♪♪

♪ LIFT UP YOUR HEART! LIFT UP YOUR VOICE! ♪

♪ REJOICE, AGAIN I SAY, REJOICE! ♪

♪ REJOICE! ♪

♪♪

♪♪

♪♪

♪ MORE HOLINESS GIVE ME, ♪

♪ MORE STRIVINGS WITHIN. ♪

♪ MORE PATIENCE IN SUFF'RING, ♪

♪ MORE SORROW FOR SIN, ♪

♪ MORE FAITH IN MY SAVIOR, ♪

♪ MORE SENSE OF HIS CARE. ♪

♪ MORE JOY IN HIS SERVICE, ♪

♪ MORE PURPOSE IN PRAYER. ♪

♪♪

♪ MORE GRATITUDE GIVE ME, ♪

♪ MORE TRUST IN THE LORD, ♪

♪ MORE PRIDE IN HIS GLORY, ♪

♪ MORE HOPE IN HIS WORD, ♪

♪ MORE TEARS FOR HIS SORROWS, ♪

♪ MORE PAIN AT HIS GRIEF, ♪

♪ MORE MEEKNESS IN TRIAL, ♪

♪ MORE PRAISE FOR RELIEF. ♪

♪ MORE PURITY GIVE ME, ♪

♪ MORE STRENGTH TO O'ERCOME, ♪

♪ MORE FREEDOM FROM EARTH STAINS, ♪

♪ MORE LONGING FOR HOME. ♪

♪ MORE FIT FOR THE KINGDOM, ♪

♪ MORE USED WOULD I BE, ♪

♪ MORE BLESSED AND HOLY, ♪

♪ HOLY,

♪ MORE,

♪ MORE, SAVIOR,

♪ DEAR SAVIOR,

♪ LIKE THEE. ♪

♪♪

♪♪

♪♪

♪♪

♪♪

♪♪

♪♪

♪♪

♪♪

♪♪

♪ I SING THE MIGHTY POWER OF GOD ♪

♪ THAT MADE THE MOUNTAINS RISE, ♪

♪ THAT SPREAD THE FLOWING SEAS ABROAD ♪

♪ AND BUILT THE LOFTY SKIES. ♪

♪ I SING THE WISDOM THAT ORDAINED ♪

♪ THE SUN TO RULE THE DAY; ♪

♪ THE MOON SHINES FULL AT HIS COMMAND, ♪

♪ AND ALL THE STARS OBEY. ♪

♪♪

♪ I SING THE GOODNESS OF THE LORD, ♪

♪ THAT FILLED THE EARTH WITH FOOD; ♪

♪ HE FORMED THE CREATURES WITH HIS WORD, ♪

♪ AND THEN PRONOUNCED THEM GOOD. ♪

♪ LORD, HOW THY WONDERS ARE DISPLAYED, ♪

♪ WHERE E'ER I TURN MY EYE; ♪

♪ IF I SURVEY THE GROUND I TREAD, ♪

♪ OR GAZE UPON THE SKY! ♪

♪♪

♪ THERE'S NOT A PLANT OR FLOW'R BELOW ♪

♪ BUT MAKES THY GLORIES KNOWN; ♪

♪ AND CLOUDS ARISE, THE HEAVENS FLOW, ♪

♪ BY ORDER FROM THY THRONE; ♪

♪ WHILE ALL THAT BORROWS LIFE FROM THEE ♪

♪ IS EVER IN THY CARE, ♪

♪ AND EV'RY WHERE THAT WE CAN BE, ♪

♪ THOU, LORD, ART PRESENT THERE. ♪

♪♪

♪ AND EV'RY WHERE THAT WE CAN BE, ♪

♪ THOU, LORD, ART PRESENT THERE. ♪♪

♪♪

LLOYD NEWELL: WHY IS IT THAT

LIFE IS SO HARD FOR SOME AND SO

MUCH EASIER FOR OTHERS?

SOME PEOPLE SEEM TO HAVE MORE

HAPPINESS AND OPPORTUNITIES, AND

OTHERS MUCH LESS.

INDEED, LIFE CAN SEEM NEITHER

FAIR NOR EQUAL.

THERE MAY NOT BE A SINGLE

FORMULA OR STEP-BY-STEP RECIPE

FOR PEACE AND HAPPINESS IN THIS

LIFE.

AND THAT'S GOOD, BECAUSE NO

ONE'S LIFE IS SO PREDICTABLE

THAT IT ALWAYS STICKS TO THE

SCRIPT.

A LITTLE IMPROVISING IS OFTEN

NEEDED.

BESIDES THAT, EACH LIFE IS AS

DIFFERENT AS EACH INDIVIDUAL.

BUT THERE ARE NOTICEABLE

PATTERNS THAT CAN TEACH US HOW

TO COPE WITH LIFE'S DIFFICULTIES

AND CHALLENGES.

WE SEE SUCH PATTERNS OF STRENGTH

ALL AROUND US THAT WE CAN LOOK

UP TO.

THE MOTHER WHO SUDDENLY FINDS

HERSELF SINGLE DOES HER BEST TO

GO FORWARD, EVEN THOUGH HER LIFE

HAS BEEN TURNED UPSIDE DOWN.

THE DAD WHO HAS LOST HIS JOB BUT

SOMEHOW STAYS POSITIVE AND

STRONG EVEN IN THE FACE OF

REJECTIONS AND SETBACKS.

THE YOUNG ADULT WHO TRIES TO

STAY KIND AND SOFT-HEARTED IN AN

OFTEN HARSH AND HARDENED WORLD.

THE ACCIDENT VICTIM WHO KNOWS

THAT HIS LIFE WILL NEVER BE LIKE

IT USED TO BE BUT DOES HIS BEST

TO ADJUST TO THE NEW NORMAL.

WHAT IS THE CONSISTENT PATTERN

IN PEOPLE LIKE THESE?

THEY CERTAINLY WEREN'T BLESSED

WITH A LIFE OF EASE OR A SMOOTH

PATH.

BUT THEY ALL HOLD ON TO THE HOPE

THAT THINGS WILL WORK OUT AND

SOMEDAY GET BETTER.

INSTEAD OF COUNTING THEIR

GRIEVANCES OR ASKING, "WHY ME?"

THEY REMEMBER THEIR BLESSINGS.

INSTEAD OF FOCUSING THEIR

THOUGHTS AND CONVERSATIONS ON

WHAT THEY DON'T HAVE, THEY

CHOOSE TO RECOGNIZE WHAT THEY DO

HAVE.

RATHER THAN BEING CONSUMED BY

DISADVANTAGES AND PROBLEMS,

LIFE'S UNFAIRNESS AND

UNEVENNESS, THEY LOOK FOR-AND

FIND-THE GOOD IN THEIR LIVES.

IT'S A SIMPLE PATTERN, REALLY:

IF WE FOCUS ON WHAT WE HAVE

RATHER THAN WHAT WE DON'T HAVE,

WE BEGIN TO DISCOVER THE REAL

RICHNESS OF LIFE.

BLESSINGS ARE NOT DISCOVERED BY

ACCIDENT; THEY ARE REVEALED TO

THOSE WHO SEEK.

IN FACT, IF YOU LOOK FOR

PATTERNS OF STRENGTH AND

ENDURANCE IN YOUR OWN LIFE,

YOU'LL BEGIN TO FIND THAT YOU

ARE STRONGER THAN YOU MAY THINK.

♪♪

♪ LOVE DIVINE, ALL LOVES EXCELLING, ♪

♪ JOY OF HEAV'N TO EARTH COME DOWN. ♪

♪ FIX IN US THY HUMBLE DWELLING, ♪

♪ ALL THY FAITHFUL MERCIES CROWN! ♪

♪ JESUS THOU ART ALL COMPASSION, ♪

♪ PURE, UNBOUNDED LOVE THOU ART; ♪

♪ VISIT US WITH THY SALVATION, ♪

♪ ENTER EVERY TREMBLING HEART. ♪

♪♪

♪♪

♪ BREATHE, O BREATHE THY LOVING SPIRIT ♪

♪ INTO EVERY TROUBLED BREAST! ♪

♪ LET US ALL IN THEE INHERIT, ♪

♪ LET US FIND THE PROMISED REST; ♪

♪ TAKE AWAY THE LOVE OF SINNING; ♪

♪ ALPHA AND OMEGA BE;

♪ END OF FAITH, AS ITS BEGINNING; ♪

♪ SET OUR HEARTS AT LIBERTY. ♪

♪♪

♪♪

♪ COME, ALMIGHTY TO DELIVER, ♪

♪ LET US ALL THY LIFE RECEIVE; ♪

♪ SUDDENLY RETURN AND NEVER, ♪

♪ NEVERMORE THY TEMPLES LEAVE. ♪

♪ THEE WE WOULD BE ALWAYS BLESSING, ♪

♪ SERVE THEE AS THY HOSTS ABOVE; ♪

♪ PRAY AND PRAISE THEE WITHOUT CEASING, ♪

♪ GLORY IN THY PERFECT LOVE. ♪

♪♪

♪♪

♪ FINISH, THEN, THY NEW CREATION; ♪

♪ PURE AND SPOTLESS LET US BE; ♪

♪ LET US SEE THY GREAT SALVATION ♪

♪ PERFECTLY RESTORED IN THEE; ♪

♪ CHANGED FROM GLORY INTO GLORY, ♪

♪ TILL IN HEAV'N WE TAKE OUR PLACE; ♪

♪ TILL WE CAST OUR CROWNS BEFORE THEE, ♪

♪ LOST IN WONDER, LOVE, AND PRAISE. ♪

♪♪

♪ TILL WE CAST OUR CROWNS BEFORE THEE, ♪

♪ LOST IN WONDER, LOVE, ♪

♪ AND

♪ PRAISE.

♪ A-MEN! ♪

♪♪

♪♪

LLOYD NEWELL: TODAY'S

PERFORMANCE CONTINUES THE 89TH

YEAR OF THIS HISTORIC PROGRAM.

PLEASE JOIN US NEXT TIME FOR

MUSIC AND THE SPOKEN WORD.

UNTIL WE MEET AGAIN, MAY PEACE

BE WITH YOU...

THIS DAY AND ALWAYS.

♪ GOD BE WITH YOU TILL WE MEET AGAIN; ♪

♪ BY HIS COUNSELS GUIDE, UPHOLD YOU; ♪

♪ WITH HIS SHEEP SECURELY FOLD YOU. ♪

CLOSED CAPTIONING BY THE CHURCH OF JESUS CHRIST OF LATTER-DAY SAINTS

COMMENTS TO: DEAF@LDSCHURCH.ORG

For more infomation >> May 6, 2018 - Music & The Spoken Word - Duration: 24:09.

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Lil Rilo - Mumble Rap (Official Music Video) - Duration: 2:32.

For more infomation >> Lil Rilo - Mumble Rap (Official Music Video) - Duration: 2:32.

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Gumball - Breathe [Music Video] - Duration: 3:35.

Dum-dum-da-da-da-da

What you, what you gon' do?

You're my discretional sin I

I Feel you on me When i touch my skin

You got me hooked and you're reelin' me in

And I look in your eyes, I'm on the edge

You're in my mind

Like a song like a song that i can't escape

I don't know how many da-da-dums I can take

Gotta need to know if you're feeling feeling the same.

Is it too late ??

But now it's hard to breathe

I'm not in love

It's just a game we do

I tell myself I'm not that into you

But I don't wanna sleep

it's quarter after three

You're in my head like

Dum-dum-da-da-da-da, dum-dum-da-da-da

You're in my head like

Dum-dum-da-da-da-da, dum-dum-da-da-da

Dum dum da da

You're my obsession my truth

I call my lifeline whenever I'm with you

And now I dialed your number again

and you come over and over and then

You're in my mind

Like a song that i can't escape

don't know how many

da-da-dums I can take

I need to know if you're feeling feeling the same

Is it too late ?

But now it's hard to breathe

I'm not in love

it's just a game we do

I tell myself I'm not that into you

But i don't wanna sleep

It's quarter after three

and now it's hard to...

BREEEEAAATHE!!

I'm not in love

It's just a think we make

We're skin on skin,

I need this spell to break

But I don't wanna go

I know that you know

You're in my head like

Dum-dum-da-da-da-da, dum-dum-da-da-da

You're in my head like

Dum-dum-da-da-da-da, dum-dum-da-da-da

And now it's hard to breathe !

(thing we make)

Breathe

(Into you)

Breathe

(Thing we make)

breathe !!

and now it's hard to

Breathe !!

(thing we make)

Breathe

(Into you)

Breathe !!

(thing we make)

And now it's hard to breathe

i'm not in love it's just a game we do !

I tell myself I'm not that into you

But i don't wanna sleep

it's quarter after three

and nooow it's hard to...

BREEEEEEEEEEATHE!!!!

I'm not in love it's just a think we make

Oh, we're skin on skin

I need to this spell to break

But I don't wanna go

and I know that you know

You're in my head like

Dum-dum-da-da-da-da

For more infomation >> Gumball - Breathe [Music Video] - Duration: 3:35.

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Paris Music Tales available in streamiiing ! - Duration: 0:48.

Yes ! Paris Music Tales is available on streaming platforms !

we're on Spotify (please subscribe)

also on Deezer, Amazon Music, Google Play, CD Baby, Napster, Youtube, iTunes

and Bandcamp

please share !! :-)

For more infomation >> Paris Music Tales available in streamiiing ! - Duration: 0:48.

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Ghayal Sunny Deol Hindi Movie | Hans Zimmer's Music, Soundtrack, Scores [Black Rain Film] - Duration: 2:49.

Ghayal Sunny Deol Hindi Movie | Hans Zimmer's Music, Soundtrack, Scores [Black Rain Film]

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Ghayal Sunny Deol Hindi Movie | Hans Zimmer's Music, Soundtrack, Scores [Black Rain Film]

For more infomation >> Ghayal Sunny Deol Hindi Movie | Hans Zimmer's Music, Soundtrack, Scores [Black Rain Film] - Duration: 2:49.

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O.G GANG - من وسط المدينة -freestyle ( OFFICIAL MUSIC VIDEO ) - Duration: 2:37.

Graduated from the hood

got used to the heat

We meet at The location with a hint, no phone calls no whistle

We play Football , we play basketball

chilling in every hood

Kids , youths and elders , everyone in a group

We got a different vibe, different world

Different world, Omani vibe

Zanzibari , Arabs , Bloushi and Dhofari , none of us here is selfish

We all over the city , we located in the hoods

You can count on us , when something is up

Fancy and old neighborhoods , clay houses

Muscat neighborhoods are out of this world

The city is like LA , but we got no crimes

No crimes, no hostility , we all live in harmony

We help each other in times of need, we are more than friends

And each one of us is talented in somethingwhen it comes to styles and even haircuts

In fashion we are creative , in talents we are skilled

Whether its freestyle dancing , hip-hop or rap we got it

we don't hold grudges , no drama.

We say whats on our mind

We stay away from troubles,

but when trouble comes we don't let it slide

So Stranger stay clean

Here every one of us is a wolf

Professionalism to make u discipline bruuh.

Experience even in the shooting.

For more infomation >> O.G GANG - من وسط المدينة -freestyle ( OFFICIAL MUSIC VIDEO ) - Duration: 2:37.

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Downtown Tales - Örökké [OFFICIAL MUSIC VIDEO] - Duration: 3:14.

For more infomation >> Downtown Tales - Örökké [OFFICIAL MUSIC VIDEO] - Duration: 3:14.

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KSAT meteorologist Sarah Spivey uses love of music to overcome hearing loss challenges - Duration: 2:14.

For more infomation >> KSAT meteorologist Sarah Spivey uses love of music to overcome hearing loss challenges - Duration: 2:14.

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Mission Impossible Theme - SLOW Piano Tutorial Easy - Sheet Music (Synthesia) - Duration: 5:24.

For more infomation >> Mission Impossible Theme - SLOW Piano Tutorial Easy - Sheet Music (Synthesia) - Duration: 5:24.

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Dusty Bo - All We Do Is Drink (Official Music Video) - Duration: 3:46.

Layin' out in the summer sun just'a throwin' back

Some ice cold beers and a bottle or two

and that green ol' grass

I don't care about politics or World News now

If you want in bring a bottle of Jim and just chill on out

'Cuz there's no pointin' any fingers

No tellin' us what to do

No Hollywood drama, even if it's about you

So, c'mon everybody, for everyone I'll speak

Every week let's have a day or two

Where all we do is drink

Yea, all we do is drink

California and Kentucky too, got them pretty girls

Tequila for some with a vodka and rum

but bourbon for sure

We don't need nothin' fancy now

so just bring your 'shine

The mood is right and the ladies are nice

like a fine aged wine

Cuz there's no pointin' any fingers

No tellin' us what to do

No Hollywood drama, even if it's about you

So, c'mon everybody, for everyone I'll speak

Every week let's have a day or two

Where all we do is drink

Yea, all we do is drink

There ain't no right or no wrong

As long as we keep drinkin' along

Don't matter your color, don't matter your age

The best way to keep a smile on your face

And there's no pointin' any fingers

No tellin' us what to do

No Hollywood drama, even if it's about you

So, c'mon everybody, for everyone I'll speak

Every week let's have a day or two

Where all we, (yea)

'Cuz there's no pointin' any fingers

No tellin' just what we'll do

If we run out of beer, we'll just switch to the hooch

So, c'mon everybody, for everyone I'll speak

Every week let's have a day or few

Where all we do is drink

Yea, all we do is drink

Oh, all we do is drink

Yea, all we do is drink

For more infomation >> Dusty Bo - All We Do Is Drink (Official Music Video) - Duration: 3:46.

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Critical techniques in network music players, part 1: the filtering - Duration: 13:26.

Digital technology is maturing rapidly; quality that only a decade ago might not even be available

at the highest of high end prices now is available at prices that most people in the western

world can afford.

That doesn't mean that all equipment is of the same level….

When we look at digital music reproduction, like with cd-players and network players,

the sound quality is greatly defined by the jitter performance and the quality of the

reconstruction filter.

There are of course underlying problems that form the base of these performance issues.

In this first part we look at the filtering that is unavoidable in digital music reproduction.

The anti-aliasing filter is needed during recording to comply to the Nyquist theorem

that states that a band limited signal can be perfectly sampled when the sample frequency

is at least double that of the highest frequency in the band limited signal.

Sounds great, but what does it mean?

In his theorem Nyquist defined 80 years ago that a signal might not contain any information

above a given frequency.

When the cd was developed in the seventies of the last century 20 kHz has been chosen,

meaning that a sampling frequency of at least 40 kHz should be used.

At that time there were no recorders that were able to record bits at that speed.

For we get 44,100 samples of 16 bits, times two channels.

That is 1 million four hundred eleven thousand two hundred bits, 1.4 megabits per second.

So the technicians built a device that first converted the analogue signal to a digital

signal and then converted that into a black and white video signal containing black and

white squares to represent ones and zeros.

That way a video recorder could be used for digital audio.

To have the digital data fit inside the video signal it was convenient to use 44,056 or

44,100 samples per second, depending on the local video system - PAL or NTSC.

Later on the global standard was set for 44,100 for CD.

Choosing a slightly higher sampling frequency while maintaining 20 kHz for audio bandwidth

means that there is some space to do the filtering in.

For sampling at 44,100 Hz allows for a max bandwidth of 22,050 Hz.

CD's use 16 bits to code amplitude and that gives a dynamic range of 96 dB.

In nature there are no signals that promptly stop at 20 kHz so a filter has to block any

content above that 22,050 Hz.

Using 20,000 Hz as upper limit, it gives us 2,050 Hz to filter in.

2050 Hz at 20,000 Hz is a tone distance of about a single note, one white key on the

piano.

And in that small space we need to attenuate the signal by 96 dB's.

Normally filters are specified in dB attenuation per octave.

An octave is roughly 8 white keys, so that reconstruction filter would be 8 x 96 dB = 768

dB per octave.

Many audiophiles already panic when a loudspeaker uses 24 dB per octave filtering!

And here the filter needs to be 32 times as steep.

It is impossible to filter that steep without getting all kinds of artefacts, resulting

in time smearing.

On the analog digital conversion often low bit converters are used like a one bit converter

as used for SACD and thus DSD.

That signal is then decimated to 44.1 kHz or a multiple of that and 16 or 24 bit, depth,

depending on the delivery model.

But if you think it therefore doesn't need any filtering, you're wrong.

If you down convert that signal to 44.1 kHz, you still need to apply that same anti aliasing

filter at 22.05 kHz.

And since a one bit system only has a dynamic range of 6 dB!!!, noise shaping has to calculate

the noise to somewhere outside the audio band and thus inaudible.

Another option is using PCM at higher sampling rates like 88.4, 96, 176.8 and 192 kHz or

even higher.

If you then use a less steep filter that starts at 20 kHz, that filter might sound better.

And every doubling of the sampling rate gives you an extra octave to filter in.

Unfortunately the solution used is chosen by the sound engineer or record company.

On playback equal filtering has to be applied to prevent the reconstruction of the analog

signal from going wrong.

And also here the same problem arises: very steep filtering.

But here you can have some influence on the choice.

Of course, if a recording is only available at 44.1 kHz, you can't change that.

But when choosing your DAC or player you can choose one that uses filtering that pleases

you the most.

Filtering always is a compromise and the cheaper the price of the product, the more the designer

had to compromise.

In a simple DAC or player, the digital analogue conversion is done by a DAC chip that also

does oversampling.

Given the price OEM manufacturers are willing to pay, there is only limited silicon available

for that DSP function.

As a result relatively poor upsampling filters are implemented.

Chip manufacturers do offer a solution though: they facilitate the use of an external processor

to do the upsampling and digital filtering in.

This potentially increases the sound quality considerable.

You now know the first reason why it is stupid to think that all DAC's using the same DAC

chip are of the same quality.

But even if an external processor is used, the power of that processor and the quality

of the code have their influence on the sound quality.

And at the same quality, different kinds of filters exists.

On some DAC's and players you can even select what filter to use.

Choices involve things like priority on linear frequency response, linear phase, slow roll

off and so on.

This sounds interesting but I notice that often the linear phase version sounds the

best.

At least, to my ears.

The use of low bit converters implies that upsampling must be used.

This means that the precision in amplitude is shifted to precision in clock signal.

In layman's terms: where the classic ladder converter needed to have the smallest voltages

very precise, the low-bit converters need to have a very precise clock to achieve the

same quality.

And both ways are equally difficult.

Again, it's not the principle but the execution of it that defines the quality.

NOS stands for Non OverSampling.

Files are converted to analog at the sampling rate of origin using a 16 or 24 bit ladder

converter.

Here each bit switches a given voltage where each lower bit represents half the voltage

of the bit above it.

So the most significant bit represents 1 volt if pthe maximum output is 2 volts.

Funny enough the other 15 or 23 bits together stand for the same voltage as the most significant

bit so that when all bits are 'on', the output voltage is 2 volts.

The second significant bit represents 0.5 volts, the third significant bit 0.25 volts

and so on.

When you go down to the 16th bit, you see that it represents only 30.5 µVolts and the

24th bit is the absurd 0.12 µVolts.

It might be clear that there is no chance of getting that voltage out of the thermal

noise.

And even if they would manage to do so, the thermal drift of the resistors that define

these voltage would cause irregularities.

Therefore you often see a number of NOS DAC's stacked piggy back style.

That way the output increases and the irregularities even out.

A small number of manufacturers build their own filtering and DAC circuits using powerful

DSP's.

In many of cases the code is written by third party programmers that have worked years on

their code.

The resulting filters usually offer high to very high time resolution.

Given More's Law processing power doubles every two years en we are at a point now that

these filters are becoming affordable.

I love the improvement MQA offers.

See my videos on MQA.

It doesn't work on all tracks always but it does in most cases, provided you have an

MQA DAC.

Even if the album you want to play isn't available in MQA, having an MQA DAC has its

advantages.

I have explained how the anti aliasing and reconstruction filters cause time smearing.

Using MQA files these are corrected to a large degree for these errors but even non-MQA files

benefit clearly from the MQA filters according to me and some colleagues.

So what is the best DAC and what is the best reconstruction filter.

The answer will not be popular: it depends….

It depends on the implementation, the other equipment in your stereo and your personal

preference.

Even all the money in the world can't buy you the perfect filter, so you have the pick

the solution that, when used in your situation, has artefacts that bother you the least.

Now, don't get me wrong.

What can be achieved today is immensely better than what could be done a decade ago.

I could easily live with a large number of solutions available today, as long as they

are designed to perfection - or as close to perfection as possible.

Don't forget that there is another big factor defining the quality: jitter.

That even has a bigger influence - at least in my opinion.

Therefore part 2 of this video is all about jitter.

So if you don't want to miss it, subscribe to this channel, or follow me on social media.

If you liked this video, please consider supporting the channel through Patreon or Paypal.

Any financial support is much appreciated.

The links are in the comments below this video in Youtube.

Help me to help even more people enjoy music at home by telling your friends on the web

about this channel.

I am Hans Beekhuyzen, thank you for watching and see you in the next show or on theHBproject.com.

And whatever you do, enjoy the music.

For more infomation >> Critical techniques in network music players, part 1: the filtering - Duration: 13:26.

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Top Latino Songs 2018 - Spanish Songs 2018 ★ Latin Music 2018: Pop & Reggaeton Latino Music 2018 - Duration: 1:14:18.

Hello friends ! If you like this mix please Like & share, sub channel. Thanks you very much !!

For more infomation >> Top Latino Songs 2018 - Spanish Songs 2018 ★ Latin Music 2018: Pop & Reggaeton Latino Music 2018 - Duration: 1:14:18.

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beat bounce music 2018 | taxi5 - Duration: 2:55.

We arrive at the club with a crowded entrance

Wait, Wait the selector is not in position

Sit in the bar and look at the menu

Suddenly she passes again

A skirt that destroys the heart in a second

The chasers on me tonight, there is a celebration

Everyone tells me I'm crazy

How lucky I am that I did not go out with her

Friends know that soon it will be over

I got stuck paying all the chasers in the bar

Everyone tells me I'm crazy

How lucky I am that I did not go out with her

Friends know that soon it will be over

I got stuck paying all the chasers in the bar

Mark to the bartender more drinks, another one

Suddenly one passes by and stares at me

Moshe's song is playing, we are all crazy

If you go, at least move the body that destroys me

The heart is in the second,

The chasers on me tonight, there is a celebration

Everyone tells me I'm crazy

How lucky I am that I did not go out with her

Friends know that soon it will be over

I got stuck paying all the chasers in the bar

Everyone tells me I'm crazy

How lucky I am that I did not go out with her

Friends know that soon it will be over

I got stuck paying all the chasers in the bar

Everyone tells me I'm crazy

How lucky I am that I did not go out with her

Friends know that soon it will be over

I got stuck paying all the chasers in the bar

Everyone tells me I'm crazy

How lucky I am that I did not go out with her

Friends know that soon it will be over

I got stuck paying all the chasers in the bar

Translate: Nava Yael