♪ ♪
In these divisive times, we've decided to make
today's show all about what brings us together.
Today's theme is Connection.
♪ ♪
Tom Brown: People do feel like they've been invited
into my kitchen and we are sharing
a meal together.
♪ ♪
Nadia Monczak: Music is actually very simple.
Even the simplest notes can touch people so fast.
♪ ♪
Kasie: I have a few videos of my mom crocheting
and knitting, and I love to look back at them.
♪ ♪
[sizzling]
♪ ♪
Tom Brown: When I do a performance, typically,
most people smile and laugh when they see it.
They'll squint at it and usually it's a laugh
and then a question.
♪ ♪
I started creating miniatures from
the perspective of art.
And out of that was born the miniature kitchen.
♪ ♪
Produce?
Produce, yeah.
♪ ♪
It does take that environment
of the full-sized kitchen, the intimacy,
the way that it kind of lubricates conversation.
It does take it onto the street
and into these public spaces.
And people do feel like they've been invited
into my kitchen and we are sharing a meal together.
I thought, what better way than the kitchen.
It's the doorway to the heart.
We all gather around the hearth
and have conversations, that kind of thing.
I have a lot of really great memories of cooking
with some very special people in my life.
And I thought that environment would be interesting
to try to replicate.
[sizzling]
♪ ♪
When I was a kid, I was always fascinated with miniatures,
starting with things I that I wanted;
say, a guitar, or a little football
or something like that.
It became almost a compulsive act
for many years in my childhood.
And I recognized that miniature could be used
as an artistic discipline to speak
to certain aspects of perception
and share this idea of how miniature affects
the way you see the world.
♪ ♪
Very intense.
A lot of people will say, yeah,
"it's funny," or they'll say "it's so cute,"
or "it's adorable."
And at first, when I heard those words,
I did have that reaction inside of me
where I was like, well, no,
I'm a serious artist and I'm making this
from a very serious place.
But I recognized that it is cute,
it is adorable, it is funny.
It is whatever that person wants it to be.
And I'm there to allow them to have
that idea about it.
And if they do think that it's funny,
how petty of me to be offended by that.
Because humour is a great reaction to something.
It's a very positive reaction.
-That's just so cute.
-Yeah.
♪ ♪
"You learn a lot about someone
when you share a meal together."
Those are the words of Anthony Bourdain
and I love that this is exactly
what Tom Brown is attempting to do.
When you invite someone into your kitchen --
even if it's a miniature one --
and share a meal with them --
even if it's a tiny one -- you create
such an intimate form of connection.
My name is Amanda Parris.
♪ ♪
Connection is actually our theme today
and it feels like a particularly relevant topic.
Although we have access to more technology,
transportation and means of communication
than ever before, opportunities for real
and transformative connection feel less and less.
You might have 5000 followers on Snapchat
and still feel like the loneliest person
in the world.
That's why today's episode is all about the things
that bring us together.
When I was younger, I made a list of qualities
that my ideal boyfriends would have.
But once I fell in love, I realized
that my carefully considered list
had gone flying right out the window.
You might think you want someone who looks like
Michael B. Jordan, rides motorcycles
and shares your love of Nora Ephron films.
But then your face turns into an airplane turbine
and you end up falling in love with a ceiling fan!
Did I lose you there?
That little love story is the premise behind
a short film called Turbine
by Montreal-based animator Alex Boya.
It features a shell-shocked war pilot whose face
has been replaced with an airplane turbine
and a wife who realizes her husband and his new face
have fallen in love with the kitchen ceiling fan.
You'll be seeing scenes from the film
throughout our episode.
I'll guarantee you've never seen a connection
like this one.
But first, meet the artist Alex Boya.
♪ ♪
[low muffled voice]
Alex Boya: Hi, CBC.
Thanks for your invitation.
My name is Alex Boya.
I'm your Exhibitionist in residence this week.
♪ ♪
You are going to be seeing animation
that I made at the National Film Board of Canada.
♪ ♪
Take a look here now.
[leather squeaking]
♪ ♪
Amanda: Coming up, we're travelling
to the Greek island of Lesbos with a Canadian violinist
who is connecting with young people
through the universal language of music.
♪ ♪
♪ ♪
When Michael Jackson died, a memorial moonwalk
was held at the Eiffel Tower in Paris
in the Philippines, inmates at a prison
in Cebu performed a dance tribute.
In Nairobi, radio DJs switched their programs
to all MJ All Day.
And in Brooklyn, they closed down streets
and danced the night away.
Music is the most universal of all languages.
From classical to jazz and dance hall to rap,
music has the power to connect generations
and nations.
In this next story, you'll see how one musician,
armed only with her violin, was able to use
music to build connection with a group of young people
who have been disconnected from everything
they once knew.
[violin music]
My name is Nadia Monczak.
I'm a classical violinist from Montreal.
I'm here in Lesbos, Greece, working with music
with refugee kids.
♪ ♪
Lesbos is one of the closest Greek islands to Turkey.
During our stay here, we see the Turkish coast
all the time.
So, it's become the gateway to Europe
for all the refugees that go through
the Middle East through Turkey.
There's about one million refugees
that have come through the island since 2015.
And now, the situation is even more difficult because
many EU countries are closing their doors,
or making the entry more strict.
And thousands of people are actually
stranded here in Lesbos.
They cannot continue on to mainland Greece.
They cannot continue on to different countries.
A lot of kids that I've met are over a year here.
And they don't know when they will leave.
Before coming to Lesbos, I looked
at the different organizations
that especially worked with kids.
And I was lucky enough to find
an organization that works with music.
The organization is called Art Angel Relief.
They have about twenty violins.
They do violin lessons.
They do music workshops.
And I thought, this is a perfect fit
for what I'm qualified to do.
And they work with children from two of the camps
here in Lesbos, as well as the local Roma children.
And this music gives space for them
to have some discipline to work creatively
to get better at a craft.
And, of course, to have fun while doing it.
Sol, clap.
Sol, clap.
Sol, clap.
Sol, clap.
As a classical violinist, we spend so many years
perfecting our craft, being the best musicians we can
that we forget that music is actually very simple.
Even the simplest notes can touch people so fast.
Even playing very simple melodies
which are so easy on the violin lift people's faces.
[playing Four Seasons]
My parents come from Poland
and they were actually refugees
that came to Canada.
I was actually conceived in Greece
after a hitchhiking trip they did from Poland.
And already at three months old, we were on the road.
We were leaving Poland.
And they were very lucky to end up in Canada
and start a new life there.
I think it's very hard for a lot of us to really
understand what people who are in these camps
went through: the war, the travelling
through different countries.
But through art, it's another way to express feelings,
to have a sort of catharsis
to heal your emotions.
The thumb give a kiss.
-A kiss.
And a hug.
-A hug.
Violin out of the garage.
-Out of the garage.
And then, start the concert.
[plucking strings]
Of course, it's always the individual connections
that touch you the most.
And there's one African boy who, when he took the violin,
it was his first time -- he was 16.
I had to work with many kids at the same time.
And I came back to him and he was still at it;
he wasn't just having fun.
You could see he was so into the music.
And I actually managed to teach him 16 of the notes
of Twinkle, Twinkle Little Star.
He was listening to everything I was saying
and applying it and learning the next note
and the next note.
And he was so fast and it was so magical.
And I could see it was a very special experience for him,
and, of course, for me.
Bland is sort of the superstar of the Kara Tepe camp.
He's a 15-year-old boy, so full of energy.
He's translating for everybody.
He's speaking Kurdish and Arabic and Farsi and English.
And he's very enthusiastic to help anyone
who needs help around.
And I'm really happy he's joining us
for the concert today.
[Greek music plays]
Actually this time in Greece, I got to spend
my 30th birthday while on the island
far away from my family and my friends.
And it was turning point as well to realize
what's important, where do I want to go,
further in my career.
For sure the work that I've done here
has inspired me to continue
doing this kind of work.
Not only thinking of faraway places, I would love
to do more of that kind of work in Montréal as well.
[violin music plays]
I'm almost at the end of my stay
here in Lesbos.
And of course, as a violinist, it's great to
give back to the people from the place I've been.
So, we're doing a concert for the people of Lesbos
but also with local musicians.
With a great violinist Danai Koletsa.
And we have picked a few of the refugee kids
and the Roma kids to join us in the last pieces
of the program.
So, a celebration of the time that I had here
and sort of a gift giving back to the people
of the place that has hosted me here.
[violin music]
[applause]
Amanda: Now, it's time to put down the violin
and pick up the paper.
Karla Monterrosa is about to show you
how to express your love zine-style.
Hi!
My name is Karla Monterrosa.
And today, I'm going to teach you
how to make a little friendship zine.
♪ ♪
These are the supplies you will need.
♪ ♪
Choose one of your friends that you wanna give
a zine to.
I'm going to choose my friend Emily.
-Oooooh.
♪ ♪
Write a list of compliments or nice things
you want to say about your friend.
Some of the things I like about Emily
are her clothes, her jokes,
how she likes to eat brunch,
her birthday is in July.
She has really pretty blonde hair.
She has beautiful bright eyes.
For this next step, you'll need a sheet of paper.
I'm using an 8 1/2 x 11.
♪ ♪
For this next step, you can add your drawings,
any poem you've written about your friend,
and all your nice thoughts.
♪ ♪
For texture, you can add different types
of paper or cutouts from magazines.
♪ ♪
At this point, you might be worried
about whether your friend thinks you're crazy
or obsessed with them.
It's fine.
Maybe you are.
It's okay.
I am obsessed with Emily.
♪ ♪
Last step, seal it with a kiss
and give it to your friend.
I make you this!
Oh, my god!
♪ ♪
And that's how you make a friendship zine.
Amanda: Coming up, some super surreal
crocheted sculptures that may bring you to tears.
♪ ♪
♪ ♪
Kasie: She sends this picture of this crocheted boob
and she goes, "How long do you want that tit?"
And I was like, what?
[laughing]
Oh, no!
She just had so much fun with it.
We just had so much fun.
♪ ♪
Crochet is generally objects of comfort.
And they're given to us by those we love.
And they're functional.
And so we wanted to take that notion
and sort of flip it on its head.
So, I started doing a series of pretty rough
and provocative sketches.
And then, I would just send them to my mom via text
or email and she would just make them through crochet
and bring these two-dimensional images to life.
So, it just really made sense to go ahead
and do a series of sculptural crocheted works.
♪ ♪
I just thought it would be really fun
to sort of push my mom a little bit.
And she totally got into it
which was the best.
I guess I drew this sketch of this costume
that I could wear for performative purposes.
So I did this really rough sketch
of the front and the back.
And then she came over to me with
a measuring tape and measured my everywhere.
And two weeks later I get this text
and it's a picture of her with this mask on her face.
And I'm like, okay, that's great.
♪ ♪
I have a few videos of my mom crocheting and knitting.
And I love to look back at them.
I'm glad I took them.
My grandmother used to knit and crochet us
beautiful baby sweaters and blankets
and so did my mom.
So, there's just a long history of gifting
and receiving of handknit and handcrocheted items
in our family.
And my grandmother taught my mother
and my mother taught me.
So, it really made sense to go ahead and do a series
of sculptural crocheted works.
[garage door humming]
This was sort of hanging in a tent
at the legislature grounds.
And it was a little bit closer to the floor.
But when the wind would come in,
it would lift it up and the hands would glide
across the floor and come back down really softly.
And it was almost like it was breathing,
which was really interesting.
♪ ♪
My mom passed away on May 12,
which was her mom's birthday.
Growing up with my mom, I never would
have characterized her as a sick person, ever.
She suffered with lupus for 35 years.
And then, it sort of caused a few heart problems.
And then the stroke.
And due to the immunosuppressive drugs
she'd been on for so long, her body couldn't fight cancer.
So, cancer is ultimately what took her life.
♪ ♪
The more I think about how sick my mum was
and how she managed to get all of this done
while sort of being stuck in her chair.
She just sat in her chair and she crocheted
and she crocheted and she would send a picture
and say, "What's next?"
One of the last few things that she said to me
that were really hard was that she still
had so much art left to do with me.
[laughing]
Don't laugh.
Kasie: For her, I will make sure that the work
continues to be seen.
I'll continue to...
share these collaborative efforts with my daughter
and teach her the value of fostering
those relationships.
To keep her spirit alive, if people continue
to talk about her and say her name,
it feels more like she's here.
And, um, we'll just keep going for her.
This beautiful tradition of crocheting
that Kasie's grandmother taught to her mother
who then taught her and now will be passed on
to her daughter... this is the connection
that I'm talking about.
Their family history is literally
woven into the yarn.
So that's a wrap.
Tune in every week for another deep dive
into the Canadian art world.
If there's an artist you think should be on
CBC Arts Exhibitionists, or if you just want
to share your own stories of connection with me,
a song that you love,
a meal that you've cooked,
a strange, surreal sculpture with long boobs
that connects to a family tradition,
I'd love to hear it!
Send me your story on Twitter, Instagram
or Facebook.
Our handle is...
Peace.
Here's a little eye candy courtesy
of Vancouver based artist
Hanna Lee Joshi who took ten days
to make her awesome echo portal.
♪ ♪
Không có nhận xét nào:
Đăng nhận xét