Thứ Năm, 1 tháng 6, 2017

Youtube daily an Jun 1 2017

Hi guys hope u doin well !

We are back for a new video on "How to create and set up an account on genesis-mining".

First steps to do. We'll see together.

I created a fake account for this simulation, to show u what u'll have with a new account.

So when u register,

U just have to put email and password twice, u check "i'm not a robot".

Sometimes u have to select pictures. Don't know if it'll be ask here.......no

"S'inscrire" is to "Log In" and here we are !

When u login for the first time, all counters have 0 hash power (dont have buy yet)

The menu is on left side.

So dashboard is for main screen.

Hash power is on top.

Right down (scroll down), u'll have all charts of your benefits on all coins u mine.

U also have those contracts sold out and those we are waiting back.

So here, u'll have charts on Ethereum and Monero if u choose those contracts.

Mining allocation = u can choose to exchange

your rewards of mining, for other currencies.

U have all currencies possible on genesis-mining (not

only those available). Available are Ethereum and Monero.

For example, Ethereum, if i scroll down,

if u buy ethereum, u'll have 100% on it (default settings)

U can allocate how much u want = 100; 50/50, it's your choice !

u'll have hash power just below.

U just have to scroll down or up to change and set up how u want!

Can be good, if prices changed or if u want mine others altcoins.

For example, on my ETH contract, when price was down, i put on ETC cause wanted some.

They add STEEM too, good thing !

Ill do a video on Steemit, social network that pay u to share stories :)

All contracts can be put in Bitcoin, for example.

So today, even if bitcoin contract is sold out, u can but

ethereum contract and choose to receive it in bitcoin

Can be good, it's up to u, to your choice.

Payouts = u ll have the complete listing on each days for all your payouts.

Dont have "Bonus Payouts".

It's when u choose to be pay with bitcoin when somebody

use your promo code of 3% (and no hash power).

Next, my account

U have to go in "Settings".

U can put name, phone number, but optional

if u dont put informations, u can.

2Factor Auth = works with application on smartphones. I activated it.

U should to the same, to add a protection.

Change password = u can change it :)

Most important part, is wallets !

U need to put all external adresses, like Exodus,

Bittrex, Poloniex, Coinbase or whatever.

When it's done, u click SAVE (down below) and it's good.

Next, Affiliate, u have your affiliate code to sent to others, to have 3% discount.

And u, u'll upgrade your rank (u have 8 ranks)

Fist rank is 100$ = means when people use your code to buy hash power,

u'll have 3% of the hash power they bought.

First one is easy to get. Next one is 3.5%

Like i said, 8 ranks = rank3 (3.5%), rank 4 (4%), rank 5 (4.5%), rank 6 (5%),

rank 7 (5.5%) and rank 8 (6%). Rank 8, u have to sell for more than 100 000$ !

Not easy to get but if u have many people....can be good ! :)

Contact support = to contact support,great one !

Si u have any questions, i 'm here too, but u can ask them what u want,

That's a reason i come on genesis, cause answers are fast, very fast ! :)

U just have to wait 10 15 20 minutes to have an answer, i love that !

MY ORDERS = u'll have all history on orders made by u, by credit card or with

alcoins, but also all the FREE hash power u ll get hen somebody use your code.

The last one Upgrade haspower = where u buy contracts. U choose hash power with the cursor.

U just need to do simulations (with coinwarz) or look to my videos on rentability (link in description)

U can buy 2 contracts at the same time, just move the cursor on what u want.

On the right, u chosse paiement method. U have credit card.

For this one , u need to know that all u mine on genesis will be block for one month.

Only to prevent fraud, stolen card, retractations,...

So if u want your daily payouts, u need to pay

with others methods (if u have the minimum mined).Fees on transactions, so they block money until minimum to transfer is ok.

I'm gonna show u, with credit card, there is a minimum to buy...

U need to take 100$ if u dont want those 5$ fees.

And second minimum to pay with credit card, is to buy at least 50$.

So if u dont have bitcoins, wallets, if u just start

one month is fast enought, and right after 30 days, u'll

have all the transfert done on the adress u put on wallets!

So if we order more than 100$, we dont have fees anymore.

Don't forget to put Promo code ! mine is in description.

U agree on terms and u confirm order.

Let's do a simulation with bitcoin. U dont have minimum if u use other method that credit card.

I confirm and sometimes it takes long time....but here it's ok !

Now u have the btc adress to send the amount to

valide your order. U have 30 minutes to do it.

And when it's done ( when u looged on coinbase for example),

u dont have to wait until all verifications (genesis

see payement is done) . So if u come back on dashboard

In the first minute and most of the time, instantly (u can do some refresh), u'll see hash power.

Like tis we see that's all is good and worked perfectly.

My first deposit was slow, but not my fault ( had to wait 2 hours ;) ).

That's all for today guys ! If questions, i'm here.

Did this video to all asking me How's working genesis mining website. Hope all is good for u !

See u on next video = rentability of Ethereum #2 !

Have a good day ! PEACE OUTTTT !!!!

For more infomation >> Cloud-mining avec Genesis Mining :ouverture, paramétrages | All details to open and setup an account - Duration: 11:33.

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An Unusual New Dinosaur from the latest Cretaceous of the Western Interior - Duration: 7:07.

Good morning. My name is Hans Sues, I'm from the Department of Paleobiology

and I would like to talk to you today about an unusual new dinosaur that was recently

described from the very end of the age of the dinosaurs in the Western Interior.

New dinosaurs these days, if you judge by the media, seem to be a dime a dozen,

but certain types of dinosaurs that we find still represent entirely new

ecomorphs, entirely new body plans of dinosaurs and it's always exciting to find

these, because they show something that paleontologists have long suspected, namely

that dinosaurs really had attained an amazing diversity. Some researchers think that there

were probably several thousand species of non-avian dinosaurs, that is dinosaurs other

than birds that have existed during the about 160 million years that these animals existed.

In North America, the latest Cretaceous, the period between about 66 and 68 million years

ago, is still represented by a very diverse dinosaur fauna,

here are two prominent members, T. rex, of course the iconic dinosaur on the right,

it's an apex predator in this ecosystem, and an armored dinosaur, so called

notosaur on the left being menaced by it.

These large dinosaurs have always attracted the attention of the public,

they are a staple of museum displays

in this country and the world over,

but along with these dinosaurs we occasionally find small, typically very delicate, fragile bones

of a variety of other dinosaurs, showing that not all dinosaurs were gigantic, but

also that there was a considerable diversity of animals out there that

we would now classify as dinosaurs.

Most prominent in the Hell Creek are certain, and other Cretaceous formations in the

Western Interior, and the Western Interior is not just the United States but also

coal even beds in western Canada.

We get these strange little bones here on the right, part of a foot, and on the left,

a very unusual-looking lower jaw of a dinosaur. It has this very peculiar elevated

facet for the jaw joint, which allowed the jaw to slide back and forth,

and it's completely without teeth. In fact, the effective functional surface of the jaw

is made up by a sharp, bony cutting edge, much like you see once you take off the

horny beak on a bird's head or turtle head.

The affinities of these peculiar remains were uncertain for the better part of the century;

the first ones were discovered and actually formally described in the 1920's.

It was not until the 1970's that a Polish paleontologist suggested that there were

similar dinosaurs in central and east Asia.

This is one of them, a so called Oviraptor,

mistakenly named "egg thief" even though the eggs it was supposedly preying on

turned out to be its own.

Has the sliding jaw joint at the back and has no teeth at the front, no trace at all of teeth,

not even tooth sockets or any structures that suggest the former presence of teeth.

In the 1990s, two

commercial collectors found two partial skeletons in the Hell Creek Formation, the

most important of these latest Cretaceous Formations, in South Dakota near the town of Buffalo,

and a few years later a team headed by my co-author Tyler Lyson, who's in the Vertebrate

Zoology Department at the present time as a Postdoctoral Fellow, found another partial

skeleton. So we had three partial skeletons, which in total represented

about 90% of the total skeleton.

This is a very unusual looking creature even by dinosaurian standards.

The head is surmounted by a very tall, thin, bony crest, most of the height of which is

actually preserved, so that's not reconstruction.

The jaws are completely devoid of teeth,

and it has that very peculiar looking jaw joint, in fact if you look at the jaw joint from above

you can see rather than a cup-shaped structure, like in most vertebrates, there's actually a rounded

surface with a ridge in the middle and that ridge fits neatly into a groove on the quadrate bone

of the skull so that this jaw could move

back and forth and you could basically see how these sort of cutting edges of the jaws

then would sort of trap food and cut it.

The tail of this animal is remarkable in that it has at the very end very unusual vertebrae

that are basically immobile relative to each other, sort of in a shingle-like arrangement, and we

see a similar structure in birds that have developed an elaborate tail-fan.

Here's a reconstruction of the skeleton, the yellow bits are actually preserved,

since then we have been, since publication of our paper, we have been contacted by

various curators and collection managers across the country who have additional

bones of this creature, so we will get more closely to 100% in reconstructing this

very unusual dinosaur.

What is noteworthy about it is that, as I said, the head is very unusual, being surmounted

by this tall, thin, bony crest, having no teeth, it has a long, slender neck, long, very bird-like

forearms, in fact the arm looks very much like that of, generally considered the oldest known

bird, long, slender fingers that end in enormous claws,

very long hindlegs with proportions that are typically found in fast-running animals,

and still a fairly well-developed tail, which was a bit of a surprise since we thought

that at this point in this particular group being related to birds, that the tail would

have been a little bit shorter.

And, as I mentioned, this very unusual end to the tail.

Now, if we use the skeleton together with some extraordinarily preserved fossils from

the early Cretaceous of China, we can sort of reconstruct it with a great deal of confidence.

These creatures had feathers on their arms, in fact some specimens have little

quill notes where the feathers attach.

And there's a tail fan.

When we look, we have two groups of these dinosaurs, one predominantly in North America,

one in Asia. But the biogeographic story gets complicated by the fact that there are two Asian

representatives within this mostly North American clade, suggesting to us, on a larger scale, that

across the Bering Strait there was a continued faunal exchange during the Cretaceous.

So, this dinosaur, along with other discoveries, underscores that even the very latest Cretaceous

we still had a very considerable diversity of dinosaurs

and that this fits very well with the catastrophic extinction scenario that

most researchers now

invoke to explain the disappearance of dinosaurs other than birds. Thank you.

[applause]

For more infomation >> An Unusual New Dinosaur from the latest Cretaceous of the Western Interior - Duration: 7:07.

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How To Be More Social As An Introvert - Confident And Outgoing Tips | Be A Better Conversationalist - Duration: 30:39.

How To Be More Social As An Introvert - Confident And Outgoing Tips | Be A Better Conversationalist

For more infomation >> How To Be More Social As An Introvert - Confident And Outgoing Tips | Be A Better Conversationalist - Duration: 30:39.

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The US Military Says It Successfully Shot Down An ICBM For The Very First Time - Duration: 3:48.

For more infomation >> The US Military Says It Successfully Shot Down An ICBM For The Very First Time - Duration: 3:48.

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On having a strong goal - An interview with Donald - Duration: 1:14.

For more infomation >> On having a strong goal - An interview with Donald - Duration: 1:14.

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How to Create a Real Estate Open House Green Screen Video - Duration: 19:18.

In this tutorial, I'm going to show you how to create a simple green screen video such

as the one that's playing right now.

We created this for Paul and posted it on his Facebook page and it did quite well and

you can see that he is just talking (I have the sound turned down for that), but he is

just talking about the images that are coming up behind him.

And we filmed him talking and then we went and got the images from the MLS and inserted

those behind him when we were editing the video.

So I'm also going to show you, briefly, our video set up and talk about the equipment

that we use to shoot the video.

And then I'm going to show you how to actually edit the video in Adobe Premiere Pro CC and

insert the images and put it all together.

So here you can see our video set up where we record and shoot all the videos.

You can see Paul talking to the camera and you can see the green screen cloth behind

him.

There's 2 box lights that we use to light the scene.

We also have a tripod with a camera and a teleprompt system and we also use a microphone

with a boom pole.

The reason we do that is because the sound you get directly from the camera is not always

great quality.

So we have a separate sound system - because that's one of the most important features

in video.

I've put links to all the equipment that we use in the box below.

So, I'd thought it would be useful to see this which is what Paul sees when he's filming.

This is the teleprompter showing Paul his script for the video.

Okay, so let's get down to talking about how we actually go about editing a green screen

video.

So at this point, we're going to assume that you have all the images gathered together

and that you have the video file.

So, you've filmed your green screen footage against your green screen and you've imported

that video file from your camera onto your computer.

And so you should have something like this.

You can see I've got a video file and I've got an audio file and then I've got my folder

which has all my images that I'm going to put behind Paul once I've actually removed

the green screen.

So, just to recap - we've got a video file and if you've taken this directly from a camera,

it's usually an MTS file, but it could be something like an MP4 file or something like

that.

But again, it's just directly from your camera and you may have had to take your SD card

from the camera and put it into your computer to get hold of that.

And the audio file - we have separate audio files as I mentioned before.

We record directly into our computer and we don't use the audio that comes from the camera.

So we just have one extra step to go through.

You can use the video file that is directly from you camera that will also have audio

on it, but we just decided that we wanted something that was a little bit better quality.

So, let me go and show you how I pull all that into Adobe Premiere Pro CC.Okay, so here

I am in Adobe Premiere Pro, I've just opened up the software and this is the welcome screen.

I'm going to go ahead and click on 'New Project'.

I'm going to call the file something that makes sense and I'm saving it in my GreenScreen

Tutorial folder.

That's the correct folder - I'm going to select that.

And the rest of these settings are default, so I'm going to go ahead and click ok.

And, the next thing I'm going to do is look at this Project window over here and I'm going

to import my audio and video files.

You may just have a video file, but we record our audio separately, so we have 2 files.

If you do decide to record audio separately, I'm going to show you what we do, but you

would skip this step.

Well, you wouldn't skip this step, you would import some files - so I'm right clicking

and clicking import.

Or you can also go to File, Import.

I'm going to import my video and audio files.

Now you can see they're here.

This is the step that you would skip if you only have a video file.

This video file has a video and audio - you can see those little icons.

There's video icon and an audio icon.

Whereas this only has an audio icon.

So I'm going to just go ahead and merge these clips.

And it's very simple in Adobe Premiere Pro CC - you just select both the files, click

merge clips.

Call it something intuitive and then click ok.

And you'll see it processes quite quickly.

Well, it's taking a little bit of time today - it's usually quicker than this.

There it goes.

So now you'll see I have 3 files - I have the audio and the video that I imported and

now I have the audio/video merged.

And this is the file I need to edit because it's got the better sound on it.

So, I'm going to double click on that and it opens up here in the Editing window.

And then I'm going to scrub through it and find out where the beginning of the clip is

that I actually need.

Paul's dancing there.

So, you find the beginning of the clip and then you're going to use these 2 little buttons

here to mark, you're going to use this one to mark the beginning of the clip that you

want.

So if you're playing it, the minute he says hi, I'm Paul Brelin, I'm just going to click

the Mark In and then I'm going to scroll through to the end.

Right there.

So, this is the clip that I want - this is him talking about the open house.

And you can literally drag that onto your timeline.

So this is the timeline over here and you'll see it's just the clip and I'm going to move

it all the way to the beginning.

So now if I start playing it.

So this is the video file with basically the beginning and ending clipped out where we

were just getting set up and closing down.

You've got video and audio tracks here and it says V1 and A1 and because we need to put

images behind Paul, I'm just going to move up the video part of the folder onto this

layer up so that I can put images in here.

And then what I'm going to do next is, I'm going to import the images.

So I'm going to create a new bucket or bin and I'm going to call that images.

And then I'm going to right click on that, click import and go to the folder where I

keep all my images for the open house video.

You can click control a or if you're on a Mac, I think it's command a and hit open.

And now it's importing all those images into that image folder.

I've labelled these images so that I can see what they are.

So I'm going to look for the front and then I've pulled an image over and you can see

it's this thin pink slice.

You can just pull this bar a little bit at the bottom and to the right and it makes these

chunks a little bit bigger and easier to work with.

So now I'm going to pull over another chunk and you can use this little red toggle that

appears and pull these blocks larger.

I'm just going to continue to pull some of these images and I'm not going to do this

in such detail as I usually do, I'm just going to pull a few images in.

But you'll probably want to pull in a whole load more images - I'm just doing this for

brevity's sake.

So now if I just click on this toggle, the eye icon, it basically just gets rid of Paul

for the moment.

And now we can see if we scrub through, all the different images are there.

They're just selected on the video.

So those are a little bit small.

And you can see all this area of black around the outside.

Now, these images are not quite high resolution, but they will be fine for the video, but the

video images you import may be too big and they may cover this screen or they may be

smaller.

So you don't want any images smaller than this.

So, what I'm going to do with this one is I'm going to select the image.

And you can see if turns a paler color.

And I'm going to come up here to click on Effect Controls and you can see there's a

Scale option here, and you can just drag over to the right and it will enlarge the image.

And really what you want is no black within this viewer window here and then come back

to the timeline and move the scrub head over to the next image and you can see the image

is small again.

I'm just going to click on the image until it becomes this pale color and now that image

is selected, come up to the Effect Controls, to the Scale and just pull the scale up to

about 189%, which is this figure here.

And again, move the scrub head over to next image, click on the image and do the same

thing.

So I'll just show you that with the last 2 - and again, you'd have more images than this

in an actual video.

Then again, move the scrub head to the next one, click on the image that you want to manipulate

and enlarge it.

Okay, so now if I play the video through, you can hear Paul talking, you can see the

images changing as the scrub head's moving along.

But now what I want to do is put Paul back and remove that green screen so that we can

see the images behind him.

So what I'm going to do for that is come over here to Effects and I;m going to type into

the little search box there Ultra, because what I'm looking for is a function called

Ultra Key.

And you literally click on that and drag it and drop it onto the video that you want to

manipulate.

So now this has the Ultra Key and you'll see this appeared in the Effects window.

So it's over here.

So, I'll just undo that and show you again.

If you look over here, I;m pulling the Ultra Key onto my video file and Ultra Key functions

appear over here.

So what I'm going to do is, I'm going to click on the eye dropper that's on the key color.

So basically the key color is the color that you want to remove.

And just as an aside, in making these videos, you should make sure that you're not wearing

any green or whatever the color of your background screen is.

Some people use blue screens, but in this one, it's green.

So if Paul was wearing a green shirt or a shirt with green in it, that would be bad.

So, I'm going to click on the little icon.

And what I do is to try to get the best results, I click on the darkest place of green because

we don't have the most optimal lighting we get shadows on the green screen.

So you click always on the darkest.

And now you can see that the green has disappeared, it's as easy as that, but there's still a

grey areas.

So you can clean that up a little bit more.

You come back over to your Effect Controls and you enlarge the Matt Generation menu and

you can see there's all these different options.

So the 2 that I use are the Highlight and the Pedestal.

So with the Highlight, again it's like the Scale on the image size, you just bring it

down all the way to 0.

And on the Pedestal, you can take it all the way up until that cloudiness disappears.

And if I go back and forth, you can see it come and go.

So I take it up until its gone away.

So the next thing I'm going to do is to move back up to the scale over here and I'm going

to take Paul down in scale until I think he's about the right size.

And then move him in Position to the right hand side of the screen and then down so he

doesn't look like he's floating.

And that's it.

So let's just go ahead and look at the beginning of the video and play it.

So the video's a bit jerky when you view it in Premiere or it can be jerky depending on

the processing power of your computer.

Our computer isn't t great, so it looks a bit jerky, but once you export it, it will

be fine.

So I'm just going to play with the positioning a little bit, just move him.

And check that out.

Maybe just make him a little bit bigger.

Just by using the Position and the Scale in the Video Effects.

And that's essentially it.

That is my open house video.

So once you get all these images in the position you want and you're happy with what it looks

like and there's no shadows left from the green screen, you can go ahead and export

your video file because you're going to want to upload this to YouTube or Facebook.

So to do that, you go up here to file, export, and click on media..

And here we have and export settings dialog box.

So you want to make sure that your format is on H.264 and you want the output name to

be something that makes sense, so I'm just going to call this OpenHouseDemoFacebook.mp4

and it's going to make an mp4 file which is a very usual video file.

And then you click save.

So, there's all kinds of settings here and I just use all the defaults settings and then

I click on export.

And I'm not going to wait because it takes quite a while to export, sometimes for us

longer videos can take 20 or 30 minutes.

But it's rendering the files and it'll tell you approximately how long you have to wait.

This is going to take about 22 minutes.

So once that has done, I'll come back and show you the finished file.

Okay, so Premiere has finished exporting the video and here is the mp4 file that is created.

So if you click on that, you can play it within file explorer and you can see the video is

not jerky at all.

It looks pretty good.

So this is the video file you are going to upload to Facebook or to YouTube or to wherever

it is that you share your videos.

So hope this has been helpful and if you need any help, I'm going to put my email address

in the comment section below.

As well with links to the equipment we use and the software that we use.

So, good luck!

For more infomation >> How to Create a Real Estate Open House Green Screen Video - Duration: 19:18.

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Adam Sandler up for an Oscar?!?! * And 12 more true weird news stories! #DDWN - Duration: 6:58.

From DailyDoseOfWeirdNews.com, I'm Darren Marlar and this is your Daily Dose of Weird

News!

This episode is brought to you by the audiobook, "The Black Eyed Kids" by G. Michael Vasey,

narrated by Darren Marlar.

Hear a free sample of this terrifying audiobook at DailyDoseOfWeirdNews.com.

A free navigation app (from Karta GPS) now features the option of getting your directions

from celebrity voices including Bill Clinton.

***(As Bill Clinton) "Turn right up ahead, there's a great no-tell motel you should

check out..."

Ariana Grande announced that she's going to return to Manchester to perform a benefit

concert for all the bombing victims.

***While there she plans to lick all the croissants and say she hates the British.

The Trump Soho hotel in New York City is planning to make staff layoffs.

Everybody sing: "Soho, Soho, it's out-of-work you go...

"

In Utah, 39-year-old Tori Lee Castillo is facing child abuse charges in what witnesses

are describing as an appalling incident.

She allegedly locked her two children, ages 2 and 5, in the trunk of her car while she

left to shop at a local Walmart.

The Riverdale City Police Department got a call Thursday after a witness reported seeing

Castillo put her kids in the trunk.

Utah police said, "The small children ... began making noise and moving frantically, causing

the vehicle to shake."

Fortunately, several good Samaritans saw it happen and ran to aid the kids.

Police say, "Those good Samaritans coached the 5-year-old on how to open the trunk using

an emergency latch.

One witness said, "I was shocked, I was shaken, and I was mad."

Castillo was arrested as soon as she returned to her car.

***Personally, I don't think justice was served unless the police stuck her in the

trunk of the patrol car to take her to jail.

Police in Edmonton, Alberta, Canada are trying to find the thieves who made off with two

semi-trailers full of more than $160,000 worth of beer.

The trucks have been recovered but the beer is still missing.

***Get the bloodhounds sniffing for a suburban brewery and you might close this case.

A Florida woman was arrested for assaulting her ex with an order of pork fried rice.

***Others throw rice at you when you get married, your ex throws rice at you after you're

married... is marriage secretly sponsored by Uncle Ben's?

A couple of neighbors in Manchester who can't get along felt it was important to waste the

time of local police.

But this was no ordinary neighbor's dispute.

The scenario was shared by officers who tweeted: "Today we've dealt with a neighbor dispute

where a dead goldfish covered in cheese has been posted through a letterbox.

I kid you not."

***Just when you thought there were no original crimes left to commit.

Ice cream giant Ben and Jerry's has come up with an interesting protest supporting gay

rights and marriage equality in Australia.

Saying, "Love comes in all flavors," the company's 26 stores in Australia have "banned" serving

of two scoops of the same kind of ice cream until same-sex marriage is legalized in the

country.

In a statement, Ben and Jerry's asks customers to imagine how furious being denied a double

scoop of their favorite flavor would make them.

"But this doesn't even begin to compare to how furious you would be if you were told

you were not allowed to marry the person you love," it adds.

***Hey guys, you do realize that people can just go to another ice cream store to get

two scoops of their favorite ice cream, right?

Instead of ending a ban on a same-sex marriage, all you're doing is creating a ban on Ben

& Jerry's.

Disney says that threat of cyber thieves stealing a copy of the latest Pirates of the Caribbean

movie and holding it for ransom... was apparently a hoax.

***Although after reading some of the reviews, they might've been better off if it had

been stolen... and never released.

Two South Carolina men were charged with harassing an alligator after forcing the creature to

drink beer.

The men were on a dirt road (near Hardeeville) when they saw the young alligator crossing

the road.

The duo picked it up and poured beer down its throat before releasing it.

It later swam away in a nearby pond.

The two men uploaded photos of their antics to social media, which is how officers from

the South Carolina Department of Natural Resources got wind of their crime.

***Maybe we should go back to those Obama smartphones for everyone so all criminals

have an equal opportunity to incriminate themselves.

Brace yourself -- Adam Sandler's latest movie, "The Meyerowitz Stories," is actually getting

some Oscar buzz.

***Never thought you'd see Adam Sandler and the word Oscar in the same sentence, did you?

In Massachusetts, Orlando Melendez got some bad news.

A judge has denied his request to juggle during his trial to show jurors he was just clowning

around when he allegedly tried to rob a convenience store.

Yes - juggle!

Melendez has pleaded not guilty to charges he used a toy gun to try to rob a convenience

store in December.

The 20-year-old man, who is representing himself, asked that he be allowed to juggle three wads

of paper for 20 seconds to show jurors that the alleged attempted robbery was a misunderstanding

because he's a professional clown.

***Honestly, with the news of the past couple of years, telling people you are a clown is

in no way going to be help your case with a jury.

Now that the FBI investigation has begun to focus on Jared Kushner he has been told to

lay low.

***White House lawyers have hidden him in a secure undisclosed location next to Kellyanne

Conway.

The Marlar House mobile app is now available – and it's FREE!

Find me on Facebook, Twitter and Instagram, watch Marlar House YouTube videos, check out

the t-shirts, mugs, audiobooks and other stuff in the Marlar House store, see what's in

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And it's FREE for IOS and ANDROID users!

Download it now at MarlarHouse.com/MOBILE!

If you like this video, please give it a thumbs up – and be sure to subscribe if you want

to see more!

And click that little bell icon next to the subscribe button to be notified when I post

new videos!

And if you're already an official Weirdo, please share this video on your own social

media.

Find even more weird news that I didn't have time for on the Facebook page at DailyDoseOfWeirdNews.com.

I'm Darren Marlar…

I'll see you next time, Weirdos!

For more infomation >> Adam Sandler up for an Oscar?!?! * And 12 more true weird news stories! #DDWN - Duration: 6:58.

-------------------------------------------

Did an Indian Kilo Class Stealth Submarine 'Sink' a US Nuclear Attack Submarine Two Years Ago - Duration: 5:19.

Nonetheless, it's not a huge surprise that a Russian-built Kilo would be able to defeat

a Los Angeles-class attack boat.

The Los Angeles-class is a dated design that is slowly being replaced by the newer and

exponentially quieter Virginia-class submarine.

However, it must be noted that we do not know the rules of engagement or parameters that

the sides had agreed to.

Furthermore, it must be noted there is the possibility of exaggeration.

But the basic facts are that the Kilo is an extremely quiet and very capable submarine

owing to its diesel-electric propulsion system.

Running on electrical power while submerged, diesel-electric boats have been described

as "a hole in the water" and are a vexing problem for the U.S. Navy.

Developing ways to counter such vessels is a high-priority for Washington as many potential

adversaries like China and Iran operate such submarines.

Is it possible that one of New Delhi's Russian-built Kilo-class diesel-electric attack submarines

managed to "sink" a nuclear-powered U.S. Navy Los Angeles-class attack submarine during

exercises in October 2015?

The Indian submarine INS Sindhudhvaj (S56) allegedly "killed" USS City of Corpus

Christi (SSN 705) during an exercise called Malabar that is held annually between India,

Japan and the United States.

According to the Indians, the submarines were assigned to track each other down in the Bay

of Bengal.

"The way it happens is that the Sindhudhvaj recorded the Hydrophonic Effect (HE) - simply

put, underwater noise - of the nuclear powered submarine and managed to positively identify

it before locking on to it.

Being an exercise what did not happen was the firing," an Indian naval officer told

India Today.

The Indian vessel then "sank" USS City of Corpus Christi using 533mm torpedoes.

If the Indian description of the events is correct, it would be a bright spot in an otherwise

dismal record for New Delhi's undersea force.

In recent years, the woefully neglected Indian submarine fleet has suffered numerous calamities.

Submarines have run aground, caught fire and even sunk due to a combination of underinvestment,

negligence and corruption.

Perhaps the worst incident was when INS Sindhurakshak sank when at harbor in Mumbai after a series

of explosions in the forward torpedo bay, killing eighteen sailors.

Nonetheless, it's not a huge surprise that a Russian-built Kilo would be able to defeat

a Los Angeles-class attack boat.

The Los Angeles-class is a dated design that is slowly being replaced by the newer and

exponentially quieter Virginia-class submarine.

However, it must be noted that we do not know the rules of engagement or parameters that

the sides had agreed to.

Furthermore, it must be noted there is the possibility of exaggeration.

But the basic facts are that the Kilo is an extremely quiet and very capable submarine

owing to its diesel-electric propulsion system.

Running on electrical power while submerged, diesel-electric boats have been described

as "a hole in the water" or a "black hole" and are a vexing problem for the U.S. Navy.

Developing ways to counter such vessels is a high-priority for Washington as many potential

adversaries like China and Iran operate such submarines.

While diesel-electric boats are generally quieter than nuclear submarines, the U.S.

Navy prefers atomic powered vessels because of their range, speed and endurance.

The U.S. Navy's global mission essentially mandates a vessel that can operate independently

far from home waters for extended periods.

Navies with a more localized mission can afford to operate short-range diesel-electric boats.

While the Indian report may or may not be correct, this incident highlights the need

to completely replace the Los Angeles-class with Virginia-class boats as soon as possible.

The Virginia-class is orders of magnitude quieter and offers far better sensors and

carries more weapons.

The newer vessels are far more effective against threats like the Kilo than their Los Angeles-class

predecessors.

Buying as many Virginias as possible becomes especially important as more and more potential

adversaries procure advanced diesel-electric boats like the Kilo or the even more capable

Russian-built Amur.

For more infomation >> Did an Indian Kilo Class Stealth Submarine 'Sink' a US Nuclear Attack Submarine Two Years Ago - Duration: 5:19.

-------------------------------------------

I Think I Just Found a Roblox Hacker . . . on an Official Roblox Game. - Duration: 0:45.

For context: I decided today to play Happy Home in Robloxia

I joined a game thinking it was simple . . . I was wrong.

Illuminati symbols were everywhere, the house got destroyed, and I took 3 screenshots and this video.

For more infomation >> I Think I Just Found a Roblox Hacker . . . on an Official Roblox Game. - Duration: 0:45.

-------------------------------------------

B&B Recap 5/31/17 "AN UNEXPECTED TURN" The Bold and the Beautiful Recap 5-31-17 - Duration: 4:02.

B&B Recap 5/31/17

For more infomation >> B&B Recap 5/31/17 "AN UNEXPECTED TURN" The Bold and the Beautiful Recap 5-31-17 - Duration: 4:02.

-------------------------------------------

Make An Intro & outro FREE For Your YouTube Video In 2017-2018 Intro/outro tutorial Without Software - Duration: 11:07.

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For more infomation >> Make An Intro & outro FREE For Your YouTube Video In 2017-2018 Intro/outro tutorial Without Software - Duration: 11:07.

-------------------------------------------

Hòa Bình khám nghiệm T.Ử T.H.I, CÔNG AN KIỂM TRA đơn vị CUNG CẤP MÁY - Duration: 12:10.

For more infomation >> Hòa Bình khám nghiệm T.Ử T.H.I, CÔNG AN KIỂM TRA đơn vị CUNG CẤP MÁY - Duration: 12:10.

-------------------------------------------

Lucius Believes Hugo Strange Has An Antidote For The Virus | Season 3 Ep. 21 | GOTHAM - Duration: 1:41.

- An antidote?

Lucius, I could kiss your face.

Before you do that, I don't actually have the formula.

But there is an antidote, that's what you're saying?

I was going through the papers you recovered

from the Owl leader's house.

They suggest that while Strange was working to weaponize

the Tetch virus, he was also working on a parallel project

tailoring different anti-viral agents to his own ends.

Strange was designing an antidote.

That makes sense.

The Court was careful to protect its own.

They would want to safeguard.

We need to talk to Strange.

Is he still here or has he been moved?

Uh, well, when you were buried in the coffin

and the city was about to be virus bombed,

some decisions had to be made.

Harvey.

I told Alfred to question Strange.

In exchange for him telling us where

the bombing was going to go down, Alfred let Strange walk.

Yes, I'm blaming it on the butler.

[dramatic music]

Strange is weasel.

He tried to get as far away from this as possible.

Union Station is shut down.

Downtown train station's our best bet.

Wait up.

Harvey.

Lucius, I know what you're going to say, all right?

He can handle this.

Hell, Barnes had the virus for weeks before anyone knew.

But I was going to say, from all

I see here, Strange's virus is an accelerated

version of the Tetch virus.

Why do you think people are reacting so quickly?

Gordon isn't going to be able to fight this for long.

Well, we'll just have to wait and see, huh?

You keep working on that antidote.

For more infomation >> Lucius Believes Hugo Strange Has An Antidote For The Virus | Season 3 Ep. 21 | GOTHAM - Duration: 1:41.

-------------------------------------------

Christian Kästner: How to Break an API: How Community Values Influence Practices | JSConf EU 2017 - Duration: 25:48.

Values Influence Practices By

[ Applause ] >> All right.

Thanks for coming.

I continue this theme of speaking about community, but I look at it from a different perspective.

We look at the culture of communities in terms of norms and values that are established in

communities and how in different communities have usually fairly cohesive values and practices,

but among different communities you see huge differences.

And I want to talk about some of those effects and what you can learn from looking into other

communities.

This is joint with Chris, Anna, James and Ferdian.

I'm at Carnegie Mellon University.

This is not with experience.

I don't have much experience with JavaScript to be honest.

This is from an outsider's perspective.

We study ecosystems as an outsider, and we hope we have an idea of comparing ecosystems

learning about this from the outside.

And we have been looking into this as a research project which we called breaking APIs for

the last couple of years and we have a Twitter account and web page based on this that I'm

going to advertise a little bit later.

So we looked broadly at ecosystems.

And they form around platforms and products where you have a network structure of dependencies.

You can depend on a package, and that package can depend on other packages.

And you have many of those communities around in different languages and different products.

The main point of this talk is that the culture of the ecosystem matters.

There are lots of different values, different ecosystems adopt different values.

Different things are more important than other things.

And leads to different tradeoffs.

You can't achieve everything perfectly.

Some communities favor some things over others.

And following this, different cost allocations, some people have an easier time.

People are new to an ecosystem or people establish or put into an ecosystem.

And you often see consequences in terms of what we call ecosystem health.

So are there specific problems that you see in ecosystems, like it's hard to retain developers

in this ecosystem?

Or a lot of packages are generally considered low quality, things like that.

And why would you want to learn about this?

There are lots of different issues where this might be interesting.

Let's say you want to change a policy or introduce a new policy.

Say you want to change the versioning rules in your ecosystem or the way� how you upload

packages.

Packages need to be reviewed first in some way.

How you make this decision?

How do you think about those tradeoffs?

How do you decide whether this is a good idea?

What are the consequences based on this?

So understanding the space, understanding tradeoffs can be a help.

Or you want to fight a health issue.

You have problems retaining and recruiting new developers.

What design decision in your ecosystem might be contributing to this?

How can you debug your community to figure out what to change?

Or design a new community.

I don't think any of us will design the next npm, but there might be a chance where we

are focusing on sub communities, say Hoodie or some number of packages where you want

to push specific values.

What can you do to foster goals in one community?

And, again, for this, culture really matters.

It's important to understand the values that� it's important to understand the tradeoffs.

And we have been doing research on this for a while.

What I'm going to talk about is mostly based on interviews and surveys that we have conducted

throughout the last couple of years.

And we looked at this through one specific lens.

And that's breaking changes.

The idea here is that if you use a package, there are lots of dependencies often mind

that package and you depend on a number of packages.

And all of those packages have maintainers, and they could make just changes to their

packages.

And some of those changes are modular.

So you just update and have the great new version and everything works fine.

But some of those changes are breaking changes.

So they may change some of their APIs.

So when you update, your code isn't working anymore.

You have to invest some time, get interrupted.

You need to invest in new code when you want to migrate.

This can rip through the ecosystem.

It can have consequences.

A single change can affect hundreds of developers and their packages.

So you can start thinking about costs.

What's the cost of a breaking change in this sense?

And we think about this as kind of a balance of who takes cost� it's somewhat an abstract

concept.

But in the extreme case, it's really easy to make a change and impact hundreds of thousands

of developers out there who all get interrupted and who all need to invest in doing some rework.

So it makes it really easy for maintainers to break something and puts the cost on the

users.

That's one extreme.

The opposite extreme would be you refrain from making a change even though it's really

important to you.

There are lots of reasons for making changes.

Nothing is really ever stable, but if you are not allowed to make breaking changes,

if you really refrain from this, you're taking on costs, mostly technical debt, opportunity

costs, maybe have some performance problems that you could fix with an API change, but

you can't really do that.

Right?

So it be really costly for you and maybe in the longterm also for your users not to break

anything.

And then there's a lot of passes in the middle where you kind of, as a maintainer, you break

something, but you try to reduce the cost for your users by mitigating some of those

changes.

A typical example is you invest some effort in writing a migration grade to make it easier

for your users to update.

You might synchronize releases with other packages or on a schedule to make it easier

to make changes and not get interrupted.

And processes like backporting and deprecation, how you can delay the impact of changes.

So it's not as immediate.

And there are hundreds of those practices.

And, again, what I want to show is that different communities have different cost allocations,

use different practices, and kind of really negotiate differently in this space.

So in this talk I'm primarily going to talk about three ecosystems.

There are many more.

Our web page contains survey data on 18 ecosystems in total.

But I want to dive in a little bit deeper on three of those.

And I'm going to start with Eclipse and them assuming you know less about them than NodeJS.

When I'm talking about those ecosystems, think about your community and what practices you

do and how this is different from what you see in those ecosystems.

And think about why.

Is this a good idea?

Should this be different?

Should we copy things that I'm going to show you Eclipse?

Let's start with Eclipse.

You have probably heard of it.

Originally for Java programming.

Has hundreds of plugins.

These plugins can depend on other plugins.

So you have this ecosystem structure.

And if you look into this community, if you talk to people, or even if you just look at

their web page, you realize what values are important in this community.

So one important value is backward compatibility.

They say on their web page extremely explicitly, as the API prime director, when involving

the component API from release to release, do not break existing clients, right?

They really focus on stability.

And that's not something that they just say.

This is a culture that they live.

And here I can show you some data from our survey.

And I'm going to show you more plots like this.

But how to read this is mostly� so we ask, how important is stability to your community?

And the higher up they are, the more important it is.

These are all positive values.

So we ask pretty from a little bit important to very important.

And most people say, yes, stability is important.

But what you still see are differences among ecosystems, and we have sorted this by average

rank.

And what you see is that Eclipse is really on the far end here.

Eclipse is the ecosystem on which developers rate stability as the most important practice.

Way more than other ecosystems.

And this is consistent� largely consistent within this community.

So this value that's communicated is actually accepted by the community and you see consequences.

So when we ask them, for example, about how often are you making breaking changes?

Or how often are you faced by breaking changes?

You see answers that Eclipse� changes in other ecosystems.

So this is actually a best practice.

In terms of cost distribution, what I have shown you in the beginning, this is pretty

much on the extreme side whereas a developer, you are not allowed to make breaking changes.

Use a lot of work arounds, a lot of creative hacking and getting around limitations.

And there's the reduction of the impact of releases.

A fixed schedule, once a year there's a big release.

And large parts of the community synchronize and go through a month-long process of checking

things and so on.

So severing a tradeoff.

What can they achieve and what are the problems here?

So Eclipse is extremely stable.

It's convenient to use.

You can put packets written 13 years ago in a new version of Eclipse, and they work.

Try doing this with JavaScript packages.

Yearly updates are sufficient for many in the community.

You don't need to update from week to week to see the next update.

But this has consequences.

Eclipse is seen by many we spoke to as is stagnant and staid platform.

They have it without the generics, they couldn't update those.

And if I take my students as references, I would say they are not using Eclipse anymore

these days.

So at least in Java, people have switched to IntelliJ.

Not sure it's a good example, but by that example Twitter is pretty much dead.

I'm not sure with the students these days.

Eclipse reports that they have difficulty recruiting and retaining developers�and

that also these coordinated releases are kind of a pain point for them� for the community.

So they invest a lot of evident, but it's also painful.

When we ask the question about health.

How much do you face the difficulty of recruiting new developers?

It's on the far end.

If we ask about how much do you feel limited in innovating in your ecosystem, it's on the

far end, but on the other side if you ask� What I have shown you here is one end.

Eclipse has made specific decisions which I guess you see as very different from your

community and they have accepted certain tradeoffs and have certain goals with this.

I want to talk about the second ecosystem, R, kind of the npm for R.

R is a language for statistically computation.

And there are a couple of thousand packages on CRAN that are usually cutting edge research

and statistics.

So when you interview people in this community you often speak to physicists or soil analysis,

researchers, retired professors who maintain some packages in this community.

And they do something pretty interesting about dependencies and about versioning.

We call it the snapshot consistency.

The goal is the most recent version of all packages on the ecosystem should be compatible.

So it doesn't matter that the newest version of package A is compatible with an older version

of package B, it just has to be compatible with the newest version of package B at this

time.

So at any point you should be able to install any packages in that ecosystem, update all

at once, and it should be compatible.

So to achieve this, this requires coordination.

So what typically happens here is you are allowed to break things, but when you break

something, you reach out to people in that community that are affected.

You coordinate.

And then you typically more or less publish both packages.

Your package and the affected package at the same time.

So there's kind of a sliding window.

Typically three or four weeks until you have to do this.

But as a maintainer you have to react.

There's a threat you can get thrown out.

Your package can be taken over or get thrown out if you don't react and somebody depends

on you makes a breaking change and you can't coordinate with them.

To make this work, there's a strong culture of gatekeeping and enforcement of this.

Some volunteers review changes.

So you don't just upload things as an npm.

But you actually submit your changes.

Somebody review this is, run tests on the entire ecosystem to see whether something

breaks.

In terms of costs, we have a different picture.

So you can make breaking changes, but you have to reach out and some volunteers take

on some of the additional costs.

And you cannot have the constant synchronization here.

In terms of values, it's not quite that obvious as in Eclipse.

It's not strongly communicated on their web page.

When we talk to people that are kind of core members of this community, they say they want

to make it easy for end users to install and update packages.

And one of our interviews said CRAN primarily has the academic user in mind who want timely

access to current research.

And this timely access reflects the contrast, let's say to Eclipse, where you have releases

once a year.

These people are doing research and want to publish things and get them out there.

It's a review process, but much faster than yearly rearrests.

interestingly, and I don't have much time to talk about this, this is a value that's

not communicated on their Website.

It's not transparent.

And if you ask people, rapid access or quick release is actually not showing up as one

of the key values that the community as a whole shares.

It's somewhere between Eclipse and bioconducter that both have yearly releases.

I think that to the developers of the community, the idea is we want to be faster than the

turnaround than those yearly releases.

But to package maintainers, it's slower than npm where you can upload things.

You have to go through a review process.

There are certain values where we speculate they are not communicated well, so people

don't see why the ecosystem is designed this way.

So, again, there are tradeoffs and costs and benefits.

So they have relatively short release cycles.

They achieve compatibility.

It's actually pretty good usually at that.

But at the same time, you have this urgency in� this burden to react to updates.

So, at any time there could be a breaking change that if you depend on that package

you may need to coordinate, you may get interrupted.

And this leads to other consequences where people aggressively reduce the number of dependencies

that they want to depend� they would rather copy and paste code from another package than

being exposed to this change is something we heard repeatedly.

And this gatekeeping causes additional effort and causes friction in this community.

So, this is always a contested point.

So, again, I have shown you another example that's probably very different from what you

know.

And I think I can make this shorter on Node because, I guess, you know the community much

better there than me.

But my first contact with node was something like this.

Right?

Last week's tutorial is out of date today.

This is a couple of years ago that I heard this.

I forgot who the source was.

But then you also saw things like this which I think is insane, or unique.

That people actually started documenting the APIs, at least of the Node APIs, with stability

indicators.

They have� it's simpler these days� but this entire infrastructure about things we

are experimenting with this API.

You can use it, it might change, and at some point we mark it stable.

So implicitly you can see values of people open to rapid change and they are open to

experiment with APIs to get things right.

It's a more of innovative community, in a sense.

I thought design decisions are really trying to lower the barrier to entry.

It's really easy to publish your first package on npm.

A really low bar.

Also, you hear this in interviews with Isaac.

And the goal is to make it easy and fast for developers and publish and use packages.

If you look at stability, Node is not in the top space.

This is not the value that is most important in this community.

But if you look at innovation, this is where Node is at the far end.

Where the community thinks innovation is a key or is a very important value for us, among

other ones as well.

In terms of costs, though, it's pretty much on the extreme where it's really easy to just

break something and let other people deal with it.

The main saving grace is you're not forced to update, right?

So you can stick to an old version when you can't really do in CRAN that much.

And Eclipse in way.

You can't really stay behind or partially stay behind on some packages.

Which is easy here.

So there's some technology behind it.

And there's a bunch of practices around this.

So the semantic versioning is broadly adopted as signaling what's breaking and what's not

breaking.

This is something that doesn't make sense to people in CRAN and R. To them version numbers

are just increasing.

You don't try to communicate what's breaking or not.

It doesn't matter.

The newest version of our packages should be compatible.

Node or npm has this technology infrastructure to allow you to use multiple versions of the

same package, which helps you to solve the diamond dependency problem, which is pretty

unique and very hard to translate to other languages, which is a key feature here.

And then there's a lot of grassroots tool building from the community that tries to

build tooling to kind of cope with large amounts of changes.

Things like Greenkeeper and a bunch of these security projects that try to fit changes

for you which are important and which are not.

So in terms of tradeoffs, again, there are costs and benefits.

It's certainly a much more open community.

It's easier to get in.

It's attractive to new developers, at least compared to others.

But it's perceived somewhat as unstable and having little quality control, right?

There's a lot of junk on npm.

And the rapid changes out there require constant maintenance, right?

So at least if you decide to keep up, and that's usually a good idea, I guess, if you

decide to keep up, you have a lot of changes to deal with dependencies.

There are often a large number of dependencies.

And then the community helps with tooling and community efforts.

So from an outsider's perspective, I have the impression that the amount of change in

Node and in this ecosystem is slowing down a little bit.

Potentially because there are more commercial users who want more stability.

More users in general.

Maybe a larger community.

So is Node actually getting more stable and, more importantly, should it get more stable?

And think this is an interesting question for the community to ask because stability

can be a nice value, but it also has its cost.

And we have seen the extreme in Eclipse.

And this might be worse to think about.

So what I tried to show here is that culture really matters for an ecosystem.

Right?

There are tradeoffs.

I have shown you three very different examples with different cost allocations, different

people who are favored in this ecosystem.

We can speculate about the reasons if you're interested.

And in the survey, you see a number of other things that might stand out in one or the

other direction.

Rust really values community, that's communicates.

Ruby are fun, a pretty unique versioning strategy.

People are really aware about the difference [audio cut out]� out of the same thing over

a conflict on how to deal with compatibility.

And Maven is interesting, most people perceive it as a tool for replicability.

And you can explore the page to see the others.

So, again, community, culture, of an ecosystem really matters.

The values, the practices matter.

Everything is a tradeoff and it helps to know the design space.

It helps to know what other possibilities we can reduce the amount of changes.

What are the different mechanisms of how we can make it easier for users to update.

Things like this.

And understand the tradeoffs behind them.

And our hope is in the longterm, when we understand those things, we're just in the beginning,

unfortunately.

When we understand those things, we can deliberately design communities this we can think about

we can achieve this goal.

What other practices?

How can we encourage people to do this.

And we can debug communities.

If we see certain health issues.

Like people are running away.

People find this all low quality.

What can we do?

What might be effective things to change that have worked in other communities?

Most people don't know that many communities.

One, two, three, maybe.

And don't often think about the explicit differences.

So we think it really helps to understand the space and to understand.

As I mentioned a couple of times, there's much more data behind this.

There's also academic papers behind this and we have created a web page, breaking API's.org,

we just released all the results of the survey.

A large number of plots where you can compare different ecosystems, and personal values

against community values.

Things like this.

So feel free to have a look at this, explore this.

Explore the data.

And we are always looking for feedback.

Always looking to discuss things.

If you have a specific insight, share this.

We would be happy to interview people.

Also learn more about those things.

And with this I get to my last slide.

Because in the title of the talk I asked how to break an API.

Now I can at least answer this for three ecosystems I discussed.

In Eclipse, you just don't.

[ Laughter ] In CRAN, You reach out to affected developers

and release simultaneously.

And in Node, you increase the major version number and you move on.

That's it.

Thanks.

[ Applause ] >> Okay.

So we've got a break now.

Both tracks start at 5:45.

But during the break also there is a what is live JS?

Which is a lightning talk over by where we have been doing the live music in the back

like near registration.

See you in a bit.

[Break]

For more infomation >> Christian Kästner: How to Break an API: How Community Values Influence Practices | JSConf EU 2017 - Duration: 25:48.

-------------------------------------------

Making a Strip Built Kayak - Stripping the Deck - E6 - Duration: 13:06.

Hi I'm Nick Schade at Guillemot Kayaks.

Welcome to Episode 6 of my series of videos on building the Petrel Play.

In the last episode we finished stripping the hull and in this episode we will strip

up the deck, add an accent stripe and remove the staples.

Back in Episode 3 I planed a bevel along the edge of the first strip I installed on the

hull.

The goal was to eventually create a miter between the hull and deck for a smooth tight

seam.

Now that I'm working on the deck, it is time to create the matching first strip for it.

As I did on the hull, I write the form number where the strip crosses each form.

This is just a quick guide to keep track of where I am working.

I start the bevel by looking at how wide a gap I have.

I then hold my plane so I see a similarly sized gap.

Holding that angle constant, I keep planing until the gap disappears.

I then check my work, and if it looks good I move my way down to the next form, slowly

rolling the angle of the plane as needed.

The strip twists sharply from almost flat at the bow to nearly vertical at form 4.

Heating the strip softens the wood allowing me to lock in the proper twist before the

strip is installed on the forms.

With both sheer strips fitted and twisted on each side, I need to join then together.

By overlapping the strips I can roughly estimate the centerline location.

It should be where the inner edges cross.

The strips are not long enough for the outer edges to cross, so I do my best to eye-ball

it.

There is always a convenient scrap to use as a straight edge.

I mark the taper.

Its just a first guess, I don't need it to be perfect.

I'll plane down towards the line.

I hold the face of my plane vertical to simulate the angle of the face where the two sheer

strips will meet.

With both sides roughed out, I check the fit.

The toes touch.

This means I need remove material from the pointy end first.

When I get a nice fit, I can staple the strips down.

Notice I am not gluing these decks strips to the hull strips.

If I used glue here, I would be hard pressed to remove the forms later.

I do want the deck strip glued to each other.

I repeat the same fitting process at the stern of the kayak.

The next set of strips follow the centerline.

I align a pair of strips with the centerline and mark where their outer edges cross the

sheer strips.

I draw a taper from that mark to the end of the strip.

The most efficient way to get down to the line is to whack off most of the excess with

a pocket knife and then I use a block plane to ease in on the line.

When I check the fit, I'm looking at both the taper and the bevel angle.

I'll hold my plane to match the gaps I see and plane until the gaps are gone.

Since both sides need to fit simultaneously, I work on both sides before finalizing either

side.

There is a slight crown to the deck along the centerline, so the edges between the strips

need a little bevel.

I can then work on finalizing the fit at the ends.

When the fit looks good enough, I can apply glue between the strips, add glue at the ends

and then secure the strips in place with staples.

A little tape binds the junction between the four strips nice and tight.

These center strips only extend to the cockpit area of the deck, so I'll repeat the same

process with some new strips at the other end of the kayak.

So, I started with strips following the sheer and then added strips down the centerline.

I'll continue with this pattern, sheer followed by center, for a while.

It matches well with the curved sides.

This pattern continues until the side strips intersect the feature line feeding into the

cockpit area.

From there on I'll just run parallel to the centerline.

Since I'm using square edged strips instead of cove and bead, I am not guaranteed a tight

seam between them.

My Robo-Bevel tool forms a bevel on the top edge of the strip that is square to the form

above it.

The shoulder plane takes a very fine cut.

While this takes longer, it limits tear-out and helps prevent plugging up the throat with

chips.

The strips following the sheer line continue past the feature line and are then trimmed

back using the marks on the forms as a reference.

No need to have the staples in the way.

Connect the dots with a scrap strip.

I'm cutting just outside the line, but I want the feature line to end at a strip intersection,

so I stop the cut without going into the last strip.

Now the sawn edge needs to be cleaned up using a rabbet plane.

I'll keep checking to assure the edge is getting fair and smooth.

I've got several rabbet planes.

One can be set up as a bull nose, cutting right to the end of the feature line.

A very thin strip of Alaskan yellow cedar will make a nice accent along the feature

line.

There is a tiny little bevel at the end where the feature line intersects the next strip.

Obviously, staples are not an option on such a thin piece of wood.

Masking tape will serve as a clamp while the glue sets up.

The same drill on the other side and then up front.

The next strip has a compound taper, against the intersecting strip, and then along the

feature line.

I mark out where the bottom edge of the new strip crosses the top edge of the intersecting

strip.

This is the first taper.

I shape this until it fits pretty well.

The next taper extends from the end of the feature line back to where the bottom edge

of the new piece crosses the top edge of the accent.

The fit starts with a good taper angle.

Shaving back the taper will allow the strip to slide in farther.

When the glue dries, the staples can come out.

We now have the kayak all stripped up.

Next episode we will be sanding and fairing.

For more infomation >> Making a Strip Built Kayak - Stripping the Deck - E6 - Duration: 13:06.

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An Ape like Us: A Case Study of Disease in Captivity - Duration: 9:35.

Good afternoon fellow primates, my name is Stephanie Canington.

I'm a research student in the Division of Mammals and a Ph.D. student studying

functional anatomy and evolution.

Today I'm going to share the story of one juvenile orangutan with you.

Earlier this year, Dave Hunt and I published an account of an orangutan specimen that

was somewhat famous in the Division of Mammals for its unusual pathological appearance.

We often referred to the individual as "THE" Pathological Orang but we didn't

want to leave him like that, we wanted to know what happened.

Specimen USNM 296650 is a … skeletal-prepped, juvenile, male <i>Pongo pygmaeus</i>. He was purchased

in northern Borneo in August 1952 and was delivered by ship to the National Zoological Park.

Records show that he died four months later.

It's important for researchers to understand the normal life patterns of the animals that they study

especially Great apes because Great apes are incredibly diverse in their locomotor repertoires,

ages at weaning,

and ecological niche specializations.

It's with some knowledge of the norm, be it diet, exercise requirements, or parental

care, that we may consider implications from abnormality in making our diagnosis.

So getting back to the little guy I'm going to talk about the pathologies of his skull.

Most notably the bilaterally-enlarged mandible and maxilla.

Here, extensive osteoclastic resorption left the elements brittle

and unable to contain postcanine teeth.

The mandible exhibits the most severe degree of deossification

and the coronoid processes are just gone.

Postcranial elements are nearly equally afflicted.

The ribs are significantly bent inwards at the shaft.

And vertebral elements are extremely porous.

In fact, the degree of porosity actually increases as we moved down the vertebral column.

All long bones suffered extensive loss of density

and the left tibia exhibits a very slight, possibly pathological curvature.

My guess is that the orang was mostly sedentary. It would have been very difficult

for him to support his own body weight.

Though commonly documented in humans, metabolic diseases have been reported in

a number of species, including captive primates.

Up until the mid-twentieth century, zoos were often unsuccessful in establishing proper housing

conditions for primates, who found themselves lacking necessary stimuli,

adequate diets, and sunlight exposure.

Disease transmission was an additional concern.

A comprehensive literature search on the metabolic diseases of captive primates

became the basis for our suggested diagnosis.

After lots and lots and lots of digging, we began to put together a differential diagnosis,

including two alternative hypotheses for the bilateral expansion of the jaws.

… It's really important to look at the specimen, and see that it's not localized, the pathology

is everywhere, it spreads throughout the entire body, so we knew that it wasn't some simple

infection caused by a cut on the ship,

it was something more severe.

So by comparing osseous pathologies seen in other species

we believe the most likely diagnosis to be a metabolic disorder called

secondary hyperparathyroidism and accompanying fibrous osteodystrophy.

Secondary hyperparathyroidism is a disorder caused by the excessive

secretion from the parathyroid glands.

These small glands are responsible for the calcium homeostasis in the body

through their production of parathyroid hormones, or PTH.

Accompanying this is a disorder of osteoclastic resorption of the bone

and a subsequent replacement with fibrous connective tissue.

The relationship between the resorbption of Vitamin D3, Ultraviolet B Light,

calcium, and phosphorous in the body is a complex, but really important system.

It can be thrown out of synch due to: inadequate nutrition and sunlight deficiency.

When the system is effected, secretions of PTH have two main mechanisms by which

to increase the circulating calcium levels.

By acting on the bone, breaking it down from its storage of calcium and by acting on the

kidneys to reduce the amount of calcium that actually leaves through urine.

So it's with the consideration of metabolic physiology, the specimen's age, trauma

from transport, and its captive status that we believed our proposed diagnosis

is further supported.

Today, experts on the nutritional requirements of primates, like those working at our very own

NZP have made incredible progress in maintaining the health and welfare

of these wonderful animals.

And I am so grateful to everyone in the Division of Mammals, especially Darrin Lunde,

obviously Dave Hunt, the coauthor and skeletal-biology expert on this project,

my graduate advisor, Jonathan Perry, Ethan Rogers and everybody who came out.

And I have enough time to mention that "orang-u-tan" means person of the forest.

So, thank you, I'm sorry my voice was trembling.

[applause]

Why are you here at the Museum?

Okay, so I'm Stephanie. I've been around here for many years, you can't get rid of me.

I've been in the Division of Mammals, Darren Lunde's student for years learning everything

about collections management and going out in the field, study chimpanzees in Africa,

I did paleo fieldwork, new science is the best thing in the world and I've always wanted

to work in museums so

this is the best place for me to be and I got to work on this awesome project, one of many

awesome projects that are available for interns … take advantage of your internship get involved

in research and talk to curators.

They're not scary … [laughter] they look scary but they're not [laughter] and there's nothing

a scientist loves more than talking about his or her own research so, so really take advantage

of being here, go to as many talks as you can, it'll be one of the greatest experiences of your life so …

Stephanie, you're a Ph.D. student at John Hopkins in the Baltimore and you're down here working on

the collections what's your what's your average day or week like? I mean do you spend more time here or

there, I'm sure that students would like to know about how you work that.

Well I guess my average day is a little different because I do a lot of human dissections.

[laughter]

So first year of … are the interns here in high school, undergrad,

grad school, a mix?

Undergrad? Awesome.

Yeah, so have a lot of fun like learning about science. [laughter].

I don't know you go into grad school because you want to learn about science, if you, if you

go to grad school for science … you want to learn about what you're doing so get there

early, do course work, stay late, maybe dissect a person, maybe not.

First year is hard for doing other stuff like coming here to do extra research so you

have research that you're expected to do for your courses and then you have extra

research you do for your own sanity 'cause it's fun.

I've had to come in mostly on weekends to do a lot of this and this project up ended over the

course of a year so it takes a while. But yeah, grad school is tough, it's a, it's tough, it takes

a lot of time but if you, if you want to do it it's worth it, I don't know if that answered any questions.

I was just curious what the ultimate goal of the research on that particular ape was.

So actually this kind of thing doesn't really happen anymore because zoos are fantastic and taking

care of their animals especially our zoo, well we're a little biased but our zoo is fantastic and they take

very good care of our animals. So it's … over the past half-century people have learned that there

are correlations between diet and activity patterns and kind of what's encrypted in the species genetically

because orangutans so different from chimpanzees which are different from humans so we all have our

different ways of living and we all need different things, we eat different things, and we have different activity

patterns. So by understanding what's the norm for that particular species we've been under …

we've been able to understand how to better improve zoo conditions so this was, this really was just a "hey

there's this really pathological orang in the collection, let's see what happened" but it actually has turned

into a project that I'm working on right now that can't really talk about but it's actually expanding on, so it's,

it's pretty cool. Yeah, so take advantage if you see really weird stuff ask the curators like "hey, did you

know this was a thing, can I publish on it?" [laughter]

For more infomation >> An Ape like Us: A Case Study of Disease in Captivity - Duration: 9:35.

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What is an Essential Oil? - Duration: 7:17.

So you want to know what an Essential oil is this is? What I'll tell you is that you

can google "what is an essential oil?", and literally get millions of the same exact

answer; "it's a volatile aromatic compound", "it's a volatile aromatic compound", "it's a

volatile aromatic compound", "it's a volatile aromatic compound" You'll

hear it a thousand times but what does that mean and why is it important it is

a volatile aromatic compound but the crazy thing is is that

someone told me what it wasn't I was like "oh okay".

Like I was like I don't really know what that means but I didn't want to admit

that I didn't know what it means or why it was important or you know whatever.

And I'm would bet that 90% of the people don't know what that means so that's

what we're going to talk about today not just like what is an essential oil

because the easy answer is it's a volatile aromatic compound but what is a

volatile aromatic compound and why is it important. Volatile; means that it changes

from a liquid to a gas all on its own which is why you leave tops off your

essential oil bottles eventually it will evaporate, it's why when you put a drop

of essential oil onto a piece of paper and a drop of a fatty oil onto a piece of

paper the fatty oil will leave a ring and the essential oil will not because

it eventually changed it into a gas. So why is the volatile part of essential

oil important to us? Because when your body absorbs it through your

skin or inhales the into your system it turns into a gas your body doesn't

have to try and break it down and turn it into something it can use it all by

itself turns into something that your body can use so it's

saving your body an extra step. And here's the thing your body's like so

freakin smart that your body's going to use whatever is easiest for it to use

first right which is why essential oils are so effective so we have the volatile.

The volatile part of "volatile aromatic compound". I wonder how many times I can say that in

this video? Someone comment in the comments below how many times I said

volatile aromatic compounds so the aromatic in "volatile aromatic compound"

refers to atoms that are bonded together to form a ring but that it just means

the structure of these things and "compound" means that

two or more atoms are chemically bonded. One of the things

that pharmaceutical companies and synthetic chemical companies have

been doing for I don't know as long as they've been making synthetic chemicals

is they'll stay like all the essential oils are good for this

or you know it's the linalool in lavender that's good. We need to isolate that

compound and then synthetically reproduce it and put it into a medicine

that will help relax you or soothe the burns or you know whatever they're doing

with these prescription and synthetic chemicals. What they're finding out

now and what recent research is telling us is that it's not just one of the

constituents. It is like this miraculous medley of all of the constituents so for

example lavender oil has over a hundred compounds and so if it's two chemical

constituents that are fused together to make a compound that means that there's

over 200 different things in lavender and why it's so effective is that all of

those things work together on different aspects of nature of your body both yeah

That's what the compound means there's like all these things and they're

working together be trippy. I felt like such a dingdong man, I was like I cannot

believe that I have just been spouting off it's an volatile aromatic compound. they're

Without really fully understanding but I

went to this lecture it was so awesome and this doctor went through like all of

this stuff and I was like holy cow I'm so lucky that I'm here and now I'm

glad you're here too. Okay so why do they exist and how do

made? You're like so what. all of these chemical miracles are happening

in these plants? and the answer is yes. It's crazy, plants will take nutrients

and micro nutrients from the soil absorb them up through their plant systems,

they take nutrients from the Sun from the air water all of the

different things and they just like break them apart and reput them together

why would they do it because they're trying to protect themselves. These compounds

or the oils from these plants are what helps to plant ward off things like

parasites and fungus and bacteria and viruses so the plant has to

make these compounds themselves. it's almost like the 1980 show MacGyver

MacGyver would get in these terrible situations where he would need to

get out of a warehouse that was about to explode and all he had was a pencil and a tape measure

somehow he would like take it all apart and then put it back together so that

he could pop the door open or something he just took what was

available to him and got out of every situation. I wonder what ever happened to

that guy? Anyway, that's what the plant taking whatever is available to them

mixing up all the chemicals in there and turning it into something that will help

them survive. It's a survival technique it's a great thing because typically the

things that plants are trying to protect themselves against are also things that

we're trying to protect ourself against which is why essential oils are so good

for us. That's also one of the things is this doctor and I don't even remember

his name right now the doctor that I went to this lecture from was talking

about how: a good general rule of thumb is that "the harsher the environment

the stronger the oil" and I was thinking about it I was like but we

doterra sources their plants where they're indigenous and I was like isn't it easy

for plants to grow where they're indigenous? He explained that no, that's not

exactly the case. Actually they're just the plants that can make the oils that

they can ward off all of those environmental threats so it was stronger

the Sun if they're going through drought. They learn how to protect

themselves from all those things pretty freakin amazing if you ask me. That's

pretty much it. That is what a volatile aromatic compound aka

essential oil really is . If you liked this video or thought it was informative

click Subscribe (I need more subscribers) share it with your friends comment down

below what other videos you'd like to see I'll chat with you later.

ciao

For more infomation >> What is an Essential Oil? - Duration: 7:17.

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Palavras difíceis para americana / Hard words for an American in Portuguese - Duration: 10:34.

What's up guys, today we

decided to record in Portuguese because A

will tell us what hardest words are

for her in Portuguese.

I recorded a video a week ago,

you can click on the link up here, do not

click now, click after. A: After, watch this first

watch this first and then click. I made a video speaking of

the words that I avoid to say

in English

and today she will say the words that she

has difficulties saying in Portuguese

be nice to me, I haven't

lived in Brazil for a long time and also

I think I am forgetting all of my Portuguese

so be nice, please

but before we start, don't forget to

click on the like button

give us a thumbs up and

subscribe on the channel as well to receive notifications

when we post new videos, don't forget to click on

What is it called? Bell? A: I don't know how to say it in Portuguese

could be

R: Click on A: The thing

that makes the noise

I forgot it in Portuguese.

but anyway

A separated a few words that she has difficulties with

do you want to read it or do you want me to say?

if you want, you can

A: say first R actually, you read first and then

we say it. A: So,

I think some of these words

I improved my pronunciation a little bit

but when I started learning

I couldn't always say it, sometimes if I am speaking fast

I still cannot say it.

The first, hair stylist

you said it correct

now yes, because I read just a few minutes ago

and also I was listening

A: someone saying this word R: so you are cheating

you did the same thing with your video

I did that just with one word, you did with all of your words

no....

R: yes A: no....

What is the difficulty with this word?

hair stylist

because you... My tongue doesn't want to

make this type of sound,

it is very hard because we don't have this type of sound in English

so when I started learning I always said

(nonsense)

Something very bad

hair stylist, hair stylist, hair stylist

it is hard because the "REIRO"

"RA RE RI RO RU", there is many R's

A: I don't think I can do that either R: with the sound I that we have

I don't even know it is, we roll the tongue to say the R

and it has this sound that I think you

I cannot do it

you don't have this sound in English, right?

right!

This one, I don't know what

I am doing wrong

because all the time that I want to say better,

people think that I am saying

bigger

now I think I am saying it correct

A: Say it for me R: Bigger

It doesn't have....

Well, but!!...

there were so many

times that

I was trying to say

better/best that people

bigger? Bigger? There was a time

that I was in the school that I worked for, I was

saying that I needed a better copy

and she thought that I was saying bigger

and

then every time that she gave me a paper

she gave me a copy of the image

very big, and I thinking, what is that?

Bigger

Better/best

It is difficult, you know?!

but are the words with R in the end hard for you?

yeah, any word that

has R, it is very hard R: Say R

R

for example, I want to say the word door

like a "paulista" (person from São Paulo), right

I cannot say it like a "mineiro" (person from Minas Gerais). Say door for me

door

I cannot do that door, door

doooor, door

nooo

you almost said a word very bad

oh, no, see

I have to say door

yeah, but

I am speaking "trenzinho", "tiquinho" (slang specifically from Minas Gerais) and then door

it is weird, correct?

you are leaving from Minas Gerais and going to Sao Paulo

the next

I know the word, I can write it down

this word but every time that I try to say it

I say it wrong R: what is the word?

blender

blen, blender

????

No

????

A: with D? R: mhmm A:B-l-e-n-d-e-r

I almost never say this word

every time that I am talking with someone about cooking

I say, you know that

that machine, that you make smoothies with?

that's what I want to say

because each time

it is kind of a tongue twister for me

A: Blender R:you learned it

after more than 3-4 years

R: Blender... What is the difficulty? A: I don't even know

I think it is because of

blender, you are forgetting the "di"

I will forget next time that I use this word

I think all of your family already knows that I say

R:Now you have learned it A: Now I know

the next

I think this issue is very comum

for people that speak English

when you have a work with '~'

the accent

kind of... bread

hand, something like that

there was a time that I wanted to say ring

but I was thinking that everything had nasal sound

right, then I was talking with my coworkers

Ah... I want to buy a ring

but I don't know what type,

size of the ring, I don't know

the type of ring she likes and then

after a time I saw that I was saying something wrong

because they were looking at me a little

weird, but I didn't care

it is just because my accent

and then after a while my coworker said

A

do you want say

ring or dwarf?

and I, what is the difference?

I was saying dwarf the whole time

It happens

with everybody A: the words are very

hard, in Portuguese there are many words

with the nasal sound that if you don't

correctly it mean another thing

this one

I am still afraid to say it

every time, actually

I try not to say it, so...

coconut

and

coconut

which one do you want to say?

both

you say coconut instead of coconut

you say

poop?

no... because these words are similar

they are very similar, right?

How do you say it? What is the difference?

R: Of what? A:what the difference between the words?

Poop is the thing that you don't eat, right?

Yeah... well... i don't think so

unless there is someone that eats it

so coconut that doesn't eat

and that we eat

no

coconut is what we eat

coconut you eat, so what is the other one?

R: poop A: it is the same word guys

no... coconut

what is the one that you say now R: coconut

well, but I even know, I wrote it but I don't know

poop, coconut

say this one, coconut

coconut

this one A: coconut

poop

it is the same word

no, the end changes

so...

as you can see

A: I don't say these words R: You don't say poop?

no

because I am afraid

give me a coconut

ok guys, is there any word

that you have difficul..

another word here, difficulties pronouncing

English or if you are foreigner learning

learning Portuguese, is there any word

that you have dificulties pronouncing?

so if you have diffi... this

word as well. If you have

difficulties to say

any word in English or in Portuguese if you are learning

Portuguese like me

leave a comment below and maybe we will

make another video of me trying

to pronounce the same word in Portuguese or maybe of R

trying to say the word

in English. R: Leave a comment and we will

try to make another video or you speak another language

and you want us

try to say it

the word in your language, leave below as well

because

leave any thing

in short words, in short words,

leave, write anything down there

so... see you next time,

thank you

For more infomation >> Palavras difíceis para americana / Hard words for an American in Portuguese - Duration: 10:34.

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The Red Army Choir - At an Old Oak - Duration: 2:57.

For more infomation >> The Red Army Choir - At an Old Oak - Duration: 2:57.

-------------------------------------------

Can I take Aspirin instead of an anticoagulant? - Duration: 2:12.

Bleeding risk is an unfortunate

risk of the therapies. And that risk is

something a lot of patients and doctors

worry about. We want to prevent stroke so

of course we recommend anticoagulation

and patients at moderate to high risk,

but those patients can have risks of

bleeding as well. So we've learned a

couple of things in the last decade

about bleeding. One is if you take your

medicines as prescribed and if they're

at the appropriate dose, the bleeding

risk can be really, really low. We also

know from recent trials that when

warfarin is not well managed or when

patients are on some of the newer agents,

the bleeding risk is actually much lower

than the old historical data that we've

been quoting patients now that date 20 or

more years. So that's that's also good.

Finally and I should say this, there's a

temptation to think that aspirin has a

lower bleeding risk and it's somehow is

their happy medium or compromise for

patients. But patients and doctors should

know that the bleeding risk of aspirin

is not insignificant. It's very, very important to be very clear

with your doctors as to why aspirin is being recommended. We

often will recommend aspirin in patients

who have had prior heart attacks or have

atherosclerosis-clogged arteries and in

some cases we will recommend aspirin in

patients who are very high risk for a

heart attack even if they've not had one.

But you have to be very clear as to why

you're on it. Having aspirin being

prescribed for atrial fibrillation is a

completely separate rationale or

indication and what you want to do is

not mix those up.

Furthermore it can be harmful to be on

aspirin and on anticoagulation,

particularly when there isn't really

great need or rationale for the aspirin

so you want to have a conversation with

your clinician. Explain why you need one

or both. If you will need anticoagulation

that there be a compelling reason to

stay on aspirin. Otherwise it should

be stopped.

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