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KHULNA MUSIC TV
দেখলেই মাথা নস্ট
KHULNA MUSIC TV
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Hello & Welcome - To Replay Value
My Hero Academia is well regarded for its action music - You Say Run and all of its
variants, Trinity, United States of Smash!
- Yuki Hayashi has done a fantastic job of composing memorable music that perfectly matches
the tone of My Hero's action scenes.
But there isn't a lot of conversation in regard to how the score is used in the context
of the show.
We can all agree that music and sound help to build a scene - a piano solo written in
minor played over some rain is going to feel sad, just as much as the contrast between
what we see and what we hear can create an unnerving sensation.
The really powerful moments and their songs are the ones that people think of and remember,
but a show's score is pervasive.
Meaning gets attached to songs based on the scenes they were featured in, the leitmotifs
being utilized to convey subtle connections and remixed to accompany changes, hell silence
can take on new meaning depending on where and when it's used.
So today I want to talk about how a scene has its meaning totally changed by the song
that was used, and counter that with an example of how the soundtrack was perfectly used to
heighten its tension.
We're talking about the two most recent episodes from the 3rd season, 15 & 16 - the
Ochako float, and the fight with Cammie.
So I'll just say right off the bat that I read the manga for My Hero and thus went
into this scene with certain expectations.
The first scene in question is before the UA students leave for the provisional license
exam.
And I would say that for the most part - especially the specific time in question of the girls
chatting, the sound is a good match - it's got the fluffy sound effects that one would
expect to come with a flustered character, and the light hearted I will become a hero
track that's playing right now in the background.
Ochako being asked about who she has a crush on causing her to float as Mina Toru & Jiro
press her for info is a fun scene that also keys us into the fact that Ochako's gotten
much better at being under the effect of zero gravity.
And the transition to a brief moment of silence is great - but what follows afterwards
is where my problem with the scene comes to the forefront.
The song that plays at this moment is "Symbol of Peace" which has, from its first introduction
way back in Episode 3 of the first season - been connotated with All Might.
Because of this track, the focus becomes Deku and his new fighting style bringing him closer
to ascending to All Might's position as the Symbol of Peace.
It's not about Ochako's growing feelings for him, nor their relationship as Deku being
someone who she admires.
It's in the context of Ochako's rose colored lens sure, but that's not the information
that's being conveyed here - at least not in the audio.
I don't think that's a bad thing, I personally disagree with the decision - mostly because
of how much his role as the successor is beaten over our heads, but that's the meaning they
wanted to get across.
But just imagine if the scene had stayed silent, a moment of quiet reflection for Ochako, or
maybe like this...
That's how I originally read the scene - much more focused on Ochako and her feelings as
were signposted earlier in the episode and in the previous one.
Admittedly I think the visuals in the manga also lend themselves to that interpretation
since they're eye lines are matched up and Deku's muttering is a small panel compared
to the 12 seconds it receives to get adapted.
This scene is a great example of how music can change an interpretation - it allows the
scene in the anime to take on a new meaning while still capturing the original which is
great, even if the original meaning is downplayed immensely because of the direction the show
chose to go with...which isn't so great in my opinion.
But I don't want you to think I'm some kind of silence purist when it comes to adaptation,
or stuck in my own headspace of how the score should be used in every scene.
The fight with Camie is a great example of how My Hero's anime adaptation really adds
something through music.
As Deku is thinking to himself how exciting this exam is, a piercing note plays until
it's silenced by Camie's acrobatic attack.
It's a great transition and introduces the character as an immediate threat - even beyond
her taking out one of his targets.
The music that follows is super unsettling -
which obviously couldn't be done in the manga.
And all of the interactions with Camie in the arena are similarly creepy, and the music
amplifies that with deep cello and the occasional digital distortion.
In the manga she doesn't come off as creepy until she's got him pinned,
but here she's constantly that throughout.
A song like, the threat of offense and defense could have been used here to convey the battle
- but instead the music is here to reinforce how Camie is affecting Deku psychologically,
her presence literally makes the music uncomfortable to listen to.
But that's nothing compared to the perfection of Camie disguised as Ochako.
It starts off with this nice piano melody which makes you think that this going to be a heartfelt moment…
ugh it's so perfect.
We had transitioned to more of a standard combat song when the other students attacked,
so this moment isn't super weird tonally.
But when the creepy tune comes in it instantly throws us back to what we'd left behind
only minutes before.
Just imagine if the previous scene I discussed had used the light piano song and then brought
it back here to undercut it!
That would have been a really powerful moment, where the audio betrayed the audience as much
as this visual would seem to.
This feeling of the unknown and threat, discomfort and creepiness is carried here mostly by the
music - the visual direction here definitely doesn't hurt but with another song, this
interaction wouldn't convey those feelings properly and that's something to be applauded
here.
Again I want to stress that I don't think My Hero Academia has a fundamental failing
in how it chooses to utilize Yuki Hayashi's score - on the whole it does a great job,
and even when I think a different track might be better, I can understand the rationale
behind that decision.
When working with an audio visual medium, it can sometimes be easy to forget how the
audio creates, subverts, or compounds meaning - and being aware of the sound design as a
whole, but especially the score, allows us to understand the work more fully than if
we simply focus on the visuals.
And of course, seeing an adaptation that understands what can be added through a channel that does
not exist in the original is always a pleasure.
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