The Kingdom
We built this city
from a lot more than rock 'n' roll
From way down in your soul...
Dig deep and you can feel it
Covered in the blood
from the floor to the ceiling
I can feel it in my spirit
When u know u just know...
all on my backbone
weighing me down
But I got a message for thine enemies
Boy you know we run this town!
When the walls of Jericho
tumble down to the sea
We rise up!
Like sons of man screaming victory...
(we rise up)
Yea tho I walk thru the valley of the shadow of death
whom shall I fear?
If thine is the kingdom
then mine is the kingdom!
The wicked are many
and they travel in droves.
And if you don't know
you better guard your soul!
Cursed are the plenty
when they lose control...
That's why I keep my go getter with me...
Everywhere I go!
All on my back bone...
weighing me down
But I got a message for thine enemies
Boy you know we run this town!
When the walls of Jericho
tumble down to the sea
We rise up!
Like sons of man screaming victory...
(we rise up)
Yea tho I walk thru the valley of the shadow of death
whom shall I fear?
If thine is the kingdom
then mine is the kingdom!
In a game where they barter sex for success
Where real niggas voices get suppressed
And being too urban get you black balled
I'm still here with my words and my black balls
And they black as Michael Blackson
What would you do for that lights, camera, action
To be a star
six-figure car
Not wait in line
outside that bar
Ain't no price on my manhood
You gave yours away like some can goods
Now in the mirror bro you can't look
And even with the millions you a straight hook
Meanwhile my soul's still intact
If GOD got my back then no one can stand against this
Raise my sword to sky
Victory is mine
enamigos all defense-less
When the walls of Jericho
tumble down to the sea
We rise up!
Like sons of man screaming victory...
(We rise up)
Yea tho I walk thru the valley of the shadow of death
whom shall I fear?
If thine is the kingdom
then mine is the kingdom!
The Kingdom
The Kingdom
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Practicing with the Metronome - Music Performance - Duration: 6:12.
Hi. In this video we're going to have a think about a rather controversial
subject - the metronome. Now people have very strong feelings about the metronome,
one way and the other. I have many colleagues, who I respect
entirely, who absolutely hate this thing, the metronome, which by the way you can
get in this kind of mechanical form or these days you can even download one on
to your phone, and the really principle objections to the metronome are that
they tend to be a little bit ante musical in the view of some people.
In other words their line is that if you play something absolutely metronomically
then it's going to sound rather robotic and not terribly musical. That of course
is true. But let me present a counter-argument to that. In many
years of teaching I've found that some people have a very natural sense of
pulse that they can maintain in their playing. Maybe sometimes the pulse gets
suspended because there are things that they can't play, but assuming they can
basically play the piece, some people have got an internal metronome that
works very well for them. Other people have to work at acquiring this internal
metronome and I've heard many performances in the exam room over the
years where I thought, well here's somebody playing the right notes,
sometimes somebody who's actually doing quite a good job on the kind of dynamic
and the phrasing detail, but actually the pulse is not stable and if you don't
have a stable pulse then the piece will lose its cohesion. So it's a kind of
fundamental requirement for a successful performance. So I'm not advocating for
one moment that we want a rigid pulse going all the way through the piece but
what I am advocating is that if we have a steady pulse that we actually can
internalize then we can be flexible with it.
So that's my case for using a metronome. I've used it a lot over the years in
teaching and it does tend to work and I'll admit to using it in my own playing
because even though I think I've got reasonable internalized metronome after
all these years, there are times when I'm practicing when I think, actually I think
the pulse is just pulling away there and I'll just put the metronome on to
double-check it. Sometimes actually the pulse isn't pulling away but the fact
that I've checked it is revealing something to me about maybe just feeling
a little bit vulnerable about that particular passage, maybe it's slightly
awkward to play, but sometimes when we get anxious about something the pulse
actually rushes, that of course is going to make it even more dangerous and I
know that happens to me sometimes in really difficult fast-moving passages,
there's just a tendency to take off. So if you get the metronome on it you can
stabilize it and actually things become much safer. There is also of course the
danger that things just get slower often because we're not quite sure what the
next note is or the next chord is so we kind of lose time with the pulse.
So using the metronome as a way of making sure you know what the pulse is
and where you are with the stability of the pulse in the whole piece and then
being able to switch the metronome off and then adding in your rhythmic
flexibility I don't think is a difficult thing to do and I think the end result
is actually pretty good. And for those who are not quite sure what the
metronome is telling us, you'll see in a metronome that you've always got a
number, and that number is telling us how many beats there are in a minute. So if
at the beginning of a piece of music you sometimes see a marking for example that
says crotchet equals 60, that means that the metronome is going to tick 60 times
in a minute. So you can work out that actually that means that the speed of a
beat is the speed of a second. So if you're trying to gauge the speed of
something from a metronome mark well the metronome will tell you, if you haven't
got access to a metronome for some reason you can always gauge it from that
60, because if 60 is kind of one beat per second, 120 will be two beats per second,
you can kind of work things out from there. And when a composer or an editor
puts a metronome makring at the beginning of the piece it comes
to some people as quite a surprise, you know people are happily playing through
their piece thinking they've got it cracked and then they put the metronome
on suddenly realize it should be going quite a lot faster or sometimes quite a
lot slower, and only then do you start to discover the character of the music as
the composer intended or as the editor perceives it should go.
You can always be flexible with a metronome marking, I don't think anybody
should feel that if it says crotchet equals 88 we have to play it at exactly
that speed, if you want to play it slightly faster or slightly slower
that's absolutely fine, but my main purpose for talking about the metronome
is just to encourage people to make sure that this underlying pulse is secure in
our playing, so that we can then do everything that we want to do to be
flexible and expressive with a pulse but we've always got a consistent reference point.
So if you've had many a happy hour with a metronome, continue to enjoy it.
It does have the potential to drive you insane after a while so you may just
want to do limited time with the metronome in order to keep your sanity
and if you've not really ever engaged with a metronome well here's an
encouragement to give it a go and see if in fact it does help you. Good luck.
you
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Finish More Music - Knowledge - Duration: 2:38.
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Khobor Rakhena - খবর রাখেনা - Full Song - Emon khan- New Music Video 2018 - MusicBoX 18 - Duration: 3:42.
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Hello friends ! If you like this channel music please like & share, subscribe channel. Thanks you very much !!
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Om Chanting | 108 Times | Meditation Music | Relaxing Music | Global Mantra - Duration: 29:15.
Om Chanting 108 Times
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Barış Hoşadam - Ahsas ft.Tales (Official Music Video) - Duration: 2:55.
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ARKENTYPE - ROSETTA (Official Music Video) - Duration: 5:13.
I find no comfort
in her wings
but I still sing
when she sings
for though she's fallen
she's an angel
but I still sing
when she sings
She gives me her darkness
she has no sun at all
She gives me everything she's got
but she has no sun at all
I find no comfort
in her wings
but I still sing
when she sings
Where's your love
Where's your love
A grass bright green has turned dim
A glass once clear
can only reflect
the shining tears of mother's eyes
mother you have no colors
but your shades
your shades
are like no other's
AH!
Where's your love
Where's your love
Where's your love
Where's your love
I find no comfort in her wings
But I still sing when she sings
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[Multi Sub] Dimash "Daybreak" || Healing Music Analysis (7) [中文字幕] 迪瑪希 "天亮了": 療癒音樂賞析 (7) - Duration: 16:06.
Hi, this is Joy welcome to my channel (Chinese Greetings)
if you're watching my video for the first time I'm an energy healer and spiritual adviser
this channel is about raising your vibration for a better New Earth living
thank you again for your support and comments in my videos
there's something I want to mention about the subtitles I speak Chinese and English
so I spend one or two hours making corrections of the subtitles and adjusting the timing for each video
for other languages I can only rely on the auto-translation function from YouTube
you might find some words don't really translate properly
hope you can still get the gist of it
if you have any questions please let me know in the comments section and
today I'm choosing another Chinese song "Daybreak"
performed by Dimash in Chinese is called "Tian Liang Le"
this song is composed by a famous Chinese singer Han Hong it's based on a real story that
in 1999 a cable car was crashed and a little boy lost his parents in this accident
Han Hong wrote this song from the perspective of the little boy
and adopted the child later on and Dimash on the day just before the competition
he lost his voice it was a very tough situation that he had to make a difficult decision
to get injection in his throat we know it could have some potential side effects
for this type of treatment and I could feel Dimash
because for a couple years I also had to take the risk of my health to pursue my dreams
and this is where you show what your true passion is about
now let's check out this song
Dimash starts this song with some breathy low male voice
he is describing the scene when the boy recalled the last memory
what he saw just before losing his parents his voice is pretty calm
but if you are engaging into the lyrics it brings you to the scene it's very sad
and I feel the breathy voice is intensifying the feeling of sadness here
here Dimash shifts to a soft female voice and I feel there can be
two different emotion effects if you don't engage in the lyrics
and paying more attention to Dimash's voice the voice itself is very pleasant and feel relaxed and light
but if you engage in the lyrics it's saying "I saw my father's face for the last time
his strong shoulders lifted me back to life life in the dark night my eyes overflow with tears
don't leave me, don't devastate me"
sometimes you don't need to sing such lyrics in a sad tone
and I feel here the soft female voice is actually creating an opposite effect
that in such a sweet voice is telling you a very sad story it could be actually making you more sad
Here Dimash is shifting to another tone and building up the emotions
the lyrics is describing this boy is feeling lonely and uncertain for the future
it's using the Sun as a symbol to imply his mother's smile and the hope
he misses his mother so much and saw her in the dream telling him to be strong
then he saw the daybreak this is a sad song with mixture feelings and
Dimash is expressing the feelings of lyrics with his voice precisely
that from the feeling of despair to the feeling of hope you can feel the emotion is shifting
from sorrow to more inspirational with his voice
The first time when I heard this song I was actually feeling a bit nervous for Dimash
because he's hitting the high notes regardless his throat condition
as you can see other singers looked worried about him and
I actually feel I can't breathe each time I hear him sing this part
for me is a very touching moment because I see a young man singing with his full life force
it's very powerful that you can see his strong will as personality
his strong will is overcoming his physical limitation it's very empowering and
he earns my respect for that as for the song itself I feel it's climbing up
to the top of the mountain his voice is nearly screaming for the boy
in the voice wishing to hold his father's hand and build a beautiful garden for his parents
it's a burst of energy to release the force inside
whatever you have been holding inside your chest you can release with the voice
it's very healing for the blockages in your heart area
This is my favorite part of this song it's so uplifting and I feel lighter with the angelic voice
but there's also some mixture feelings that I also feel emotional here
because I'm really in awe that Dimash is still able to deliver the quality of the song to this extent
when he's having a sore throat it's simply hard to ignore the human nature here
Sorry about the glitches of the video I couldn't find any better recording for this version
after reaching the peak of the emotions
Dimash slows down a bit he lets you have a short break and then hits the highs again
and then slowly calms you down this song is fairly emotional but in the end
I feel peaceful after releasing some emotions during the song
in the end of the song there's some shaky voice
and I feel it's perfectly wrapping up this song and from Dimash's facial expression
you can see it's a sense of completion for this challenging performance
"Well done, Dimash you made it!" this is another reason why I do this series of videos
if you're paying attention what's being discussed here are beyond music and healing
it's also touching some deeper meanings behind for you to explore
and hoping it gives you some insights as well I hope my analysis can be the catalyst to
sharpening your sensitivity about yourself as I mentioned in my previous videos
music is a tool to help us release our emotions but only ourselves can truly set us free
the true healing is happening from within when we change our thoughts
which shift our vibrations and we change how we perceive the world
so what's your insights for this video after watching my analysis
you're more than welcome to share your thoughts and feedback in the comments section
and I would like to interact with you over there in the end of the video I'll play another version
when Dimash performed in Bastau concert and don't miss out the moment
when he kneels down on the stage and let me know how you feel with this version
thank you so much for watching if you haven't watched my other videos
please go to my playlist in the first video I give some introduction of the healing music series
and don't forget to subscribe my channel for more coming up new videos
if you feel the analysis can help people in different ways
you are more than welcome to share my videos to your friends and family or in your social media
thank you for your support and I'll see you in the next video, bye!
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Country Music & Country Songs: Time - Full Album (Featuring Anna Belle & LewisLuong) - Duration: 2:10:43.
Title: Country Music & Country Songs: Time - Full Album (Featuring Anna Belle & LewisLuong)
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