hey guys Ileane Smith here today I'm on a PC computer typically I'm on my Mac or
on my iPhone because I want you to see this Instagram app that's available for
PC so I borrowed my friend's computer so check this out this is the official app
that is in the Microsoft Store so this is not some of those extensions or
Chrome Store apps this is from Microsoft okay so let's just go back over to the
app alright let's go to home alright you see the stories across the top you're able
to get your notifications you're able to reply to DMS inside of Instagram you can
even reply with a video if you want you can reply by typing in a message just
like you can on your phone and I just want to show you a couple more things
you can go in here and edit your profile make any changes that you want to there
you can see people that have favorited or left you comments or followed you and
so forth just like you can on your phone and you can even create stories you even
have some limited access to creating stories you can use the type feature and
you can use boomerang you can watch your stories parents can spy on their
children if you're following them if they let you follow them on Instagram
and there's my daughter Nicole so I wanted to share this app with you
it's 100% free so go ahead if you have a PC check out the Instagram app in the
Microsoft Store that's it for today and I'll see you on Instagram peace
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Use Lightroom to Create Collages for Instagram Stories: Exploring Photography with Mark Wallace - Duration: 14:55.
Hi everybody, welcome to another episode
of Exploring Photography right here on
AdoramaTV.
I'm Mark Wallace, and in this
episode I'm going to show you something
that will allow you to create custom
content for your Instagram feed, and you
can add branding, you can add calls to
action, and you can do all of this using
a feature that's been in Lightroom since
it was very first released, it's in the
print module of all things, who knew?
It's called the print to file. Now using this
you can not only take a bunch of images
and put them together to make collages
or triptychs, or whatever, you can also
add branding, or you can add calls to
action, like swipe up or click here for
more info, or don't miss this or coming
soon, whatever it is, you can do that all
within Lightroom, and then add that to
Instagram stories, and that will allow
people to discover your content.
So without further ado let's hop into
Lightroom, and get started.
I'm in the library module of Adobe Photoshop
Lightroom classic CC, and before we jump
over into the print module, I just need
to mention the fact that the print
module only allows you to work with
images that are either currently
selected, or those that are in
collections, and so if you don't have any
images in collections, make sure you do
that first, so you can work with them
properly, in the print module, or when you
get over there you might not be able
find the images that you want.
All right, I've got the images that I want in a
bike collection, these are my motorcycle
images from a ride around the world, and
so let's just zip over to the print
module now.
Remember the print module is
for printing physical prints on physical
pieces of paper from a physical printer.
We're going to be using it in a way that
it was never intended, we're going to
print to a jpg image, and use that image
on Instagram stories, and so if you don't
know a lot about the print module, don't
worry. I'm going to show you how to use
eight steps to do exactly what you need
to do. So just follow along you'll be
just fine.
Let's get to it by step one.
Step one is to choose the correct layout
style we need to choose, a custom
package I want you to select this,
you're gonna see a
blank screen something like this.
This represents that piece of paper that would
be coming out of a printer, but we're
going to be printing to a jpg file, and
so what we need to do is we need to create a
a virtual piece of paper that matches an
Instagram story.
Tall and skinny, and so we're gonna do
that in step two.
In step two, we're gonna click on page
setup and we are going to
format this for any printer.
So you might see a different
printer here, just click any printer and
then in paper size click 'manage custom sizes'.
Now once we get in here click the
'plus' button. We want to create a preset
and then double click on 'untitled'.
We are going to call this Instagram story
alright, so just type that in there...
'Instagram story', and then for paper size
make sure you enter nine inches wide, and
16 inches tall, and then in the non-printable
area for top. bottom left, and
right, make sure you enter all zeros, so
once you've done that you're all set up
and then you can click 'OK', and now from
now on you don't have to add any of that
stuff you can just go down here and
click 'Instagram story' and when you hit
OK, you're gonna get this tall and skinny
document that will work every time.
So you only have to do step
two the first time, let's get to step three,
and that is adding our images to our blank slate.
Now to do that all we have to do is go down
here into the filmstrip, and then we can
drag images onto the page.
Now the thing about this is, when you
drag an image onto the page, you're not
actually adding just an image, you're
adding a cell.
Now a cell is a placeholder that you can put
images in - in the future, and so this
square here, notice if I drag this to the
left, it becomes tall and skinny. Drag it to
the right it becomes sort of skinny and
wide, and it's cropping off things
because it's creating a frame that
contains an image. Now I can hit the
Command or Option, and then I can drag my
image inside of that, and it's similar to
the way frames work in InDesign, if
you're familiar with that.
The other thing I can do if I don't want my
image to be sized in a weird and wonky
way, I can always go to the right side here,
and click 'lock to photo aspect ratio', and
then no matter what I do, it's always
going to keep the aspect ratio.
I'm going to turn that off for now, and so I'll
show you why a little bit later.
So I have my first image here, if I don't like
that image then I'm going to replace it
with something, I can go down here to the
film strip, and then I can just drag and
drop one on top of that.
It's going to replace what is inside of that cell,
remember that cell is a placeholder.
I can go over here, I can get this Anthony
churchyard image, and I can drag and drop
that in. So if i drop on top of the cell
whatever's inside of that cell is going
to be replaced. If i want to add another
image, I need to drag and make sure I
drop it somewhere on a blank area of my
page, and then i can resize that and I
can add it on top. I can start layering
these things, and putting them anywhere I
want inside of this virtual piece of
paper, and so I can be dragging and
dropping and doing all kinds of cool
things. Now the other thing that we can
do here instead of doing it this way, I'm
going to clear my layout I'm going to
get rid of everything.
On this 'add to package', under the cells
area we have a predefined aspect ratio,
so a 4 by 6, a 5 by 7, a 3 by 7. If you click
on the triangle, you'll see what these are
and you can even click 'Edit' to create
your own sizes, which is pretty cool, and
so over here I've created my own size,
and click 'Edit' on that, and this is a size
that you might want to enter yourself.
it's 5.333 by 9 inches, and so you might
want to add that by entering those sizes
exactly, and hitting 'add', and then what
you can do is you can add 1, 2 & 3, now
we have three blank cells, and then what I
can do is I can go in here, and I can
drag and drop an image in that one, drag
and drop an image in that one, and I'm
getting a triptych which is pretty cool,
and so if I don't like that, maybe I want
this image of me out in Mongolia up here.
I can put that in there, I've got this
placeholder that I can use over and over
and over again.
Three blank placeholders, that I can use
the other thing I can do is.. I can get
rid of one of these, I'm gonna hit delete
and then the background will show up,
this blank space. Which is cool, because
in an Instagram you might want to add
some text, something like
'Remembering my trip to Mongolia"...
something like that.
If you want this to be a specific color on
the right hand side, you can create a
page background color, and that can be
white, or black, or green, or blue, or
whatever you want it to be, and this just
can be a blank area that once you throw
this into Instagram, from Instagram you
can add some text.
So if you want to have
a blank area it can be black or white, or
any color that you want, and that's
really groovy, and so what I'm going to
do here is, I am going to add in another
cell here, so let me just do that, and
then I'm going to add in another image
into that cell.
So we have a triptych, it
looks pretty cool.
I want to add some call-to-action to this,
or I might want to add some branding,
and so now what we're gonna do is, once
we have our setup exactly like we like it ,
We've got our images sort of arranged
here, we are going to add an identity plate,
so that's step five....
you can only add one identity plate.
An identity plate is normally what
you would use for your branding, and so
notice my identity my identity plate is
Markonabike, I can add that here, but
you can also add custom identity plates,
and so instead of just using the
standard identity plate, I can click this
triangle right here, and instead of using
my main identity plate, I can click 'Edit',
and I can use some text, so I can say
something like 'read'... let me make this
black so I'll click on this, make that
black. I can say 'read my blog', and then I
can change the text so I'll use Vox
Round instead, I need to highlight this,
and then say use a Vox Round... that's
okay, so now I've got something
I want to say here, and so I can add text
right within Lightroom if I want, or I
can leave a blank area, and add that in
Instagram later, when I'm adding it to my story...
the other thing I can do is, I can add
graphics so I can add any kind of
transparent PNG file.
So to do that again, go to the identity
plate click 'Edit' and
I will use a graphical identity plate.
So I've already set up a couple of these, so
I'm going to go over here to my finder.
I've got a little just a simple graphic.
A transparent PNG file that I made, it's
not very good, but it's a swipe up graphic.
If I click on that, notice now
and I can resize this.
I've got this thing that says swipe up,
now I could make this really fancy, I
could make it white, or black or blue or
multiple colors.
Whatever I want as long as it's a
transparent PNG file. I can put it
anywhere I want on the screen.
I can even rotate this so I can rotate it
upside down, right side up, whatever I want to do,
and so it works just like a normal
identity plate, which is really cool, so I
can add a call to action right within
Lightroom itself. All right, so now that
we have that, what we can do is, we can
save a preset, something that we... a
template, that we can use over and over
again, so we don't have to create these
files. So over here on the template
browser, if you hit the plus... right here
on the plus button, then you can title
this whatever you want, and so I'm going
to say this is my '3 Up Template', or you
can call it your 'Tryptic' or whatever you
want to call it, and when I say 'create'... so
now anytime I come back here, let's say
I've got some other template that I've
created. I want to go back to that 3 Up Template
that I created, well guess what...
There it is, with my identity plate. Now
all I have to do is drag and drop in my
images, and it's all set. So if you have
something that you've set up very, very,
fancy. A bunch of images overlapping...
whatever, with this certain identity
plate. You only have to create it one time,
save it as a template, and you can use it
over and over and over again.
All right now, here is the trick, we're going
to go to step seven...
and that is to print this
to a jpg file, and so what we want to
is to change the section over here, where
it says 'print job', so normally you're
printing to a printer. We are going to be
printing to a jpg file, now this has been
around since the very beginning of
Lightroom, it allows you to create these
custom page setups, and templates and
everything, and then print them and send
them through email, but we're going to
use this for Instagram instead. The trick
here is to make sure that you have these
settings exactly as I've shown you here,
the file resolution 300 PPI is going to
be really high resolution. I sharpen mine
a standard amount for a glossy page,
because a screen is a glossy page.
I choose an 80% JPEG quality, and then the
profile that you should use here is an
sRGB color profile, with the perceptual
intent. So again if you want to take
notes, just pause the video write this
stuff down. You're only going to be using
those settings over and over and over
again. Alright now that that, is set up
all I need to do is click 'print to file'.
It's going to ask you where you want to
print this. So I've got this little
temporary folder that I've set up, and
I'm going to add this and call it 'Bikes in Mongolia'.
There's only one bike but
you know what I mean.
So I'm going to save that, and then once
that is finished I can show you what the
file looks like.
So that's done, if we zip
over to the finder, I can go over and
preview this. You can see here is our
JPEG image, and it's one image that looks
exactly like what we set up in Lightroom.
The next thing we need to do is, get this
over into our mobile device, so use
airdrop or email it, or however you need
to get that over to your mobile device.
Unfortunately Instagram doesn't let us
do anything from our desktop, when it
comes to Instagram stories, so we have to
get this to our mobile device. So I'm
gonna let you choose the way that you
want to do that, but the next thing we
need to do is zip over to Instagram.
So let's do that next. Once you're in
Instagram you can go into your Instagram
story, and choose one of the images that
you've saved to your device, and so
here's one that I just created here. This
swipe up with this stuff.
Notice I've created an empty spot on the front, and
so I can click some text and I'll say,
'Beautiful Mongolia' there we go.
You know, make sure that's black and
then that little space that I created
there, makes a lot of sense. So you can
save spaces along your stuff, or I can
discard that. You can see one that I
created right here. That was a couple of
weeks ago, so using trash as a light
modifier, I can then go in and say watch
this now... something like that, and again
once I have that in there, I can change
whatever effect now in Adoramatv, I can
add some mentions, I'll add @Adorama etc,
and so then I can add a call to action...
Whatever I want to do, and you can see
how easy it is to create some really
interesting Instagram stories to drive
content to your site. Well I hope that
you found this technique useful, and as
you can see it's sort of unlimited.
It's up to your imagination how you put those
images together, and the branding or the
calls to action that you add using the
identity plates. So just dive in and play
with it, and see what you can do on your
Instagram stories. I use this in my
Instagram stories to help people see
some of the videos that I've created for
AdoramaTV, and so as people ask me
questions about photography, if there's
enough of them, I'll throw out a photo
tip on my Instagram story and link to
that, using a call to action, and so
people can discover more photo tips from
AdoramaTV.
So if you're not following me
on Instagram do that... you're missing out
on some goodness, and of course make sure
you subscribe to AdoramaTV.
It's free, why not?
And also turn on the bell so you
don't miss a single episode.
Thank you so much for joining me,
and I will see you again next time.
-------------------------------------------
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Impractical Jokers: Inside Jokes - Q's Fart Post On Instagram | truTV - Duration: 1:45.
Q's big on Instagram.
Big?
Yeah.
That's -- that's his thing.
That's his thing. We should do an Instagram video.
Ah. Okay. I like that.
All right, go do it.
Joe's gonna record a video on Q's Instagram.
[ Nasally voice ] This is where farts come from.
Hee-hee!
[ Laughing ]
Who's that? Thor? Is he your favorite?
Well...
Yeah? Me too, man.
I still read -- week in, week out, I still read comics.
[ Normal voice ] "Yeah, you know, I'm normally
on that Instagram."
Sometimes I read comics, and I go on Instagram,
and I like Instagram.
"For instance, I just made a video."
For instance, I just made a video now for Instagram.
"I followed a guy walking."
Oh, God.
"And I was just filming his butt area."
I followed a guy walking.
[ Laughter ]
I was filming his butt while he was walking.
"Then I just said this."
And I said this.
[ Nasally voice ] "This is where farts come from.
Hee-hee!" [ Laughter ]
Sal: Ahhhhh, yeah!
I said, uh... [ nasally voice ] "This is farts come from.
Hee-hee!" [ Coughs ]
[ Laughter ]
[ Normal voice ] The guy's choking!
[ Normal voice ] It's all right. Don't choke.
Did you post it?
Did you post it?
You know, my mom will probably be happy to see it
'cause I did post it.
[ All shouting ]
And it is going live!
That is so, so immature!
Well, let's go see how many "likes" I got.
[ Laughter ]
[ Ding! ]
-------------------------------------------
Why Andy Warhol retrospective has special resonance in the Instagram age - Duration: 7:35.
JUDY WOODRUFF: Finally tonight: The first major Andy Warhol retrospective organized
by an American museum in 30 years has brought record-breaking attendance to the Whitney
Museum in New York.
As part of our ongoing arts and culture series, Canvas, Jeffrey Brown examines Warhol's particular
relevance to our social media times.
JEFFREY BROWN: Campbell's soup cans, so familiar as consumer products, and, after Andy Warhol,
as art objects, we can almost overlook Warhol's achievement, remaking how we see the world,
in ways that continue to this day.
DONNA DE SALVO, Whitney Museum of American Art: He still feels like an artist for the
21st century.
And I think, in part, it's because of this understanding of the world of images that
we live in.
JEFFREY BROWN: Donna De Salvo has put together the exhibition, Andy Warhol: From A to B and
Back Again, more than 350 works in a variety of media, now at New York's Whitney Museum,
where De Salvo is senior curator.
It's a chance to get beyond Warhol's own 15 minutes of fame and see him whole.
DONNA DE SALVO: I think what often gets lost is the understanding of him as an artist,
as a maker of things, and someone who really had this incredible understanding of visual
culture, but also the history of art itself.
And so there's a seriousness to Warhol's project which I think is often overlooked, in part
because we know this man with a funny wig and the sort of persona of...
JEFFREY BROWN: And the celebrity.
DONNA DE SALVO: And the celebrity.
And all those things seem incredibly superficial.
JEFFREY BROWN: Here, we see a Warhol most don't know, a 1948 watercolor of the living
room in the Pittsburgh house he grew up in, child of working-class Catholic immigrants
from Slovakia.
Later, Warhol would appropriate the religious imagery.
DONNA DE SALVO: Just think about his understanding of the icon.
Of course, the first is really Marilyn, and he does Marilyn on a gold background.
JEFFREY BROWN: There's a wall of golden shoes, from the period when Warhol was a successful
graphic designer and illustrator in New York.
Commercial culture and fine art came together in the early '60s, Coke bottles, celebrity
icons, reproduced with variations of color and form.
DONNA DE SALVO: Warhol reflects the incredible contradictions of America and American culture,
which is our strong desire for innovation and the equal desire to conform.
JEFFREY BROWN: But did he expose it or celebrate it?
DONNA DE SALVO: Both.
Both.
JEFFREY BROWN: Isn't that the Warhol question, of whether he's critiquing capitalism or celebrating
it?
DONNA DE SALVO: Yes.
He leaves that up to the viewer.
And a lot of critics were -- you know, felt that his work was purely a celebration of
capitalism.
I don't think so, because I think, again he -- it's ambiguous.
There's an ambiguity within it.
JEFFREY BROWN: He brought to eerie life disaster scenes and race riots, put lipstick and rouge
on a giant Chairman Mao.
And Warhol also worked hard to construct his own image.
He surrounded himself with celebrities of the day in the so-called factory where he
and a team made the work, and by night at the flashy Studio 54 nightclub.
Said to be shy in person, he played at being naive and shallow, though his friends knew
better.
He was a gay man growing up in a more conservative era.
Is it fair to say that this exhibition brings that out more than we have seen, more than
he showed, for example?
DONNA DE SALVO: Oh, absolutely, because the work of the 1950s, which is where you see
the more overt homoerotic imagery, well, that was never shown in Warhol's lifetime.
JEFFREY BROWN: De Salvo points to coded works, such as the 13 Most Wanted Men series, and
the famous Silver Marlon portrait from 1963.
DONNA DE SALVO: There's issues of desire that are evident in the work.
He's the antihero on some level, but he's also this beautiful man.
JEFFREY BROWN: Warhol loved the camera, still and moving, as an image-making tool, and here,
too, played with conventions, making experimental films and videos, and subverting the Hollywood
screen test by asking subjects, including Edie Sedgwick, his most famous muse, to do
absolutely nothing, creating a new kind of visual portrait.
And he pioneered an idea that would become very familiar today, documenting life moment
by moment.
Claire Henry is the assistant curator of the Andy Warhol Film Project also at the Whitney.
CLAIRE HENRY, The Andy Warhol Film Project: He started to film people that we would film
with our iPhones, right, so his friends, people he worked with, his colleagues, his paramours,
all of these people in his circles.
JEFFREY BROWN: You're seeing his early films as like our version of social media?
CLAIRE HENRY: Absolutely, yes, and they function in that way, the very earliest ones.
He did document everything, and not just on film, but also on Polaroids, on still photography,
on audiotapes.
He was a mass collector, an amasser of information and stuff.
JEFFREY BROWN: In 1968, Valerie Solanas, a writer and radical feminist activist, shot
and nearly killed Warhol.
Many critics saw Warhol's artistic influence wane in the '70s and '80s work that followed,
the portraits, often commissioned, of friends, stars and political figures, the celebrity
focus of "Interview" magazine, which he co-founded, even an MTV series, "Andy Warhol's 15 Minutes."
WOMAN: "Andy Warhol's 15 Minutes" with Grace Jones.
JEFFREY BROWN: But the exhibition makes a case for his continuing artistic vitality
and experimentation, including a turn to abstraction, as in these Rorschach images, and a playful
fascination with art history.
George Condo, a leading contemporary artist who studied and later got to know Warhol,
showed us two large canvases in which Warhol used the imagery of Leonardo da Vinci, one
with 63 barely visible Mona Lisas, the other a camouflaged Last Supper.
GEORGE CONDO, Artist: What he loved is the way the randomness and the chance aspect of
where the camouflage will fall, and how it will shade the different things, and how it
just turns out that Christ is here, and Judas is in this sort of purple tone, and then all
this other work that's going on.
He somehow claims ownership of the Last Supper in his work by using it as the substance of
his painting.
JEFFREY BROWN: Why is he still so important, I mean, even for contemporary artists today?
GEORGE CONDO: It's the way the image burns a memory into your brain, that he found a
way to get it so you could walk out of there and remember what you saw.
And it's not going anywhere.
It's never going to go anywhere.
It's just there.
JEFFREY BROWN: Andy Warhol died in 1987, at age 58, after complications from gallbladder
surgery.
As the exhibition makes clear, in our own age of Instagram, a reality-TV-star-turned-president,
the blending of high and low, the ideas and imagery represented in his work are still
very much with us.
Andy Warhol: From A to B and Back Again is on through the end of March.
For the "PBS NewsHour," I'm Jeffrey Brown at the Whitney Museum in New York.
JUDY WOODRUFF: Starting in May, you can see the Warhol exhibit at the San Francisco Museum
of Modern Art.
-------------------------------------------
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Khloe Kardashian Wipes Recent Tristan Thompson Pics From Instagram After New Cheating Scandal - New - Duration: 2:43.
After Tristan Thompson was accused of cheating on Khloe Kardashian with Jordyn Woods, the reality star seemingly deleted recent photos of her man from her Instagram page
Khloe Kardashian seems to be wiping Tristan Thompson from her public life. Although she still follows her ex on Instagram, she has deleted photos she posted with him in the months since last April, Daily Mail is reporting
The site says that Khloe had previously posted a vacation photo with Tristan and True Thompson back in August, but it's no longer on her page
She also reportedly once had a photo up from Thanksgiving with her boyfriend and daughter, but that is also no longer in existence when you look at her account
Khloe currently has no photos with Tristan on her Instagram since April, aside from one group shot at the end of a lengthy gallery that was posted over the summer
News of Khloe's apparent Instagram purge comes after Tristan was publicly accused of cheating on her with Kylie Jenner's best friend, Jordyn Woods, at a party on Feb
17. Tristan also reportedly got 'flirty' with various women at a bash on Valentine's Day, as well, according to Daily Mail
Meanwhile, the last couples' pic of Khloe and Tristan on the reality star's Instagram was uploaded on April 9, which was RIGHT before the last time he was caught cheating
Just days before True's birth, video surfaced of Tristan packing on the PDA with a woman who WASN'T Khloe
However, the 34-year-old wound up sticking it out with her man, only for this new scandal to erupt 10 months later
Khloe has not issued a public statement on this matter. However, she did 'like' a tweet that called Tristan a "sick man" and referred to him and Jordyn as "terrible people" if the rumors are true
Khloe stepped out at an event for Pretty Little Thing on Feb. 20, but she simply posed for red carpet photos and did not discuss the situation in any interviews
Immediately after the news of Tristan's alleged cheating came out, he tweeted and VERY quickly deleted, "FAKE NEWS
" Since then, he has not released a statement. Jordyn has also stayed silent, although, as HollywoodLife EXCLUSIVELY reported, she has moved out of Kylie's house amidst this scandal
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Noah Centineo & Lily Collins Caught Flirting On Instagram — New Couple Alert? - News Today - Duration: 2:34.
Ah, budding romance. Noah Centineo got his flirt on with actress Lily Collins via Instagram, & it has fans begging the question: is this a little harmless internet banter or are these two the real deal?! We already knew that Noah Centineo, 22, and Lily Collins, 29, were the best of pals, but it appears their relationship might run deeper than that! If we didn't know better, the pair could be headed towards a romance
Fans are already convinced that's the case on account of some sweet flirtation on social media! Lily jumped at the chance to leave a comment under Noah's incredibly hunky Calvin Klein campaign photo on Feb
19. In the pic, Noah is seen shirtless, relaxing in (you guessed it) his Calvins, with a towel slung over his shoulder
"I never look that good when I lounge," Lily cheekily commented under the snapshot
Of course, Noah responded with an equally witty comment. "Oh please," he responded, with a flame emoji
These two have no shame in their flirtation game! The flirt fest didn't come as a total shocker
They already had the internet talking thanks to their ultra believable portrayal of a real couple in ARTY's "Save Me Tonight," music video
The clip marked Noah's directorial debut, but it also showed him getting close to his co-star in the visual! Between their onscreen work together, and IRL relationship, fans are totally shipping these two together! "okay but I so ship them so netflix give me a noah and lily romcom now pls," one fan even wrote on Twitter
If all of that isn't enough evidence for you, just wait until you see the photo these two posted on Jan
29. Noah took to Instagram with an adorable pic of Lily, himself, and…a baby! "Take a picture with our baby," the caption read, proving that the baby clearly wasn't theirs, but still – HOW cute would these guys be as an official family?! Alright, alright, let's not get too far ahead of ourselves seeing as these two have yet to confirm any news of official romance, but when they do, we'll be sure to let you know!
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