Hey Piggy.
Hey.
There's Petunia.
HI. Come on. Let's go.
This is "Us Actually"
Petunia just wants some lovin. Petunia, you're so precious.
This is Tune.
Well, I call her Tune. Her name is Petunia.
We got her from someone who rescued her from a kill shelter
And they couldn't keep her so they called me and Bo because we already had Gus and they knew how much we loved pugs
And so we took her in and we've had her for maybe 5 years in November.
She can barely see or hear but she is so sweet.
Her nicknames are Tune, Tune Tune, and Stinky because she does smell pretty bad
You can tell she's had a lot of puppies and she kinda leaks things
But, Tune and Stinky
She really is stinky
Ok so the boys are upstairs resting
Winnie is asleep
We tried to go to a potluck lunch after church
And Winnie was so tired she was not going to let us stay for very long
So I ate my lunch in the car on the way home
And we walked in and she went straight to bed.
So, Herbert and Bo are resting upstairs and I'm going to go join them.
Bo and I are going to be doing something today for you guys.
And we're going to let you know what that is at the end of this vlog
So be sure to watch until the end so you'll hear our announcement.
It's me. It's Herbert.
What do you say?
It's just us actually.
Aw, it is.
What color are they?
They're.. One two three four five.
But what color are they?
They're white. -Thank you.
I'm gonna to eat the chocolate and I'm gonna eat it all gone.
Okay.
So I was at the store and I bought a
Surprise egg
A surprise egg a little Yowie to surprise Herbert for being such a -
That's a littel big guy.
That's a big guy. For being such a sweet boy.
And he's going to open it.
Oh my goodness. Chocolate.
Wow
What is that?
A chocolate.
Is it chocolate? Uh huh.
Do you like it?Uh huh.
What's this?
Another egg.
Can you open it up and see what it is?
Let's see what's inside
Wow. What's in there Herbert?
Oh, I wonder what's inside
I wonder what's inside
What's in there?
Can you open it?Do you need a little bit of help?
You did.
Alright let's see.
Oh no.
What is it?
It's an animal
What does it smell like?
It smell like the jungle.
Like the jungle?Yeah
Let's see it. Let me see
Wow. Look at that guy.
I want to eat these chocolate all gone.
You're gonna eat the chocolate all gone? Uh huh.
What happened to your finger?
I got poop on it.
Which one?
This one.
Did you wash it?
Yes.
It doesn't smell like poop anymore.
It even got under my nail.
Gross
It was disgusting.
I went to check Winnie's diaper
and like as soon as I got my finger like in there it was - it was just coming out
It was gross.
But it is clean
Do you want to smell?
Smell it
See, it is good
Winnie Bo
What are you doing climbing on the table?
Winnie. What are you doing?
What a silly goose.
Winnie you're doing such a good job cleaning up those legos
Great job Winnie
Great job Winnie
Wow
Wow
That's loud
Do you want to pick up another one?
Can you pick up a lego and put it in the bucket?
Great job
Herbert what are you doing out here?
We're catching a snow- we're building a snowman
I don't think you're building a snowman today
Is it snowing a little bit?
Yeah
Well, Bo.
Are you catching snowflakes? Let me see
Alright.
Did you catch one?
I didn't.
Try hard. Stick that tongue really big.
I left it on the floor and she just- it was dissolved in her mouth
Was it a little one?
Yeah
I wasn't looking and Winnie stuck a piece of white chalk in her mouth
By the time I got to her it, like, dissolved in her mouth
So Bo and Herbert and Winnie are in the basement having a dance party
I am watching some youtube and cooking dinner
But I did just want to take one moment to say
We have 20 subscribers to our channel
which is huge you guys because we have only put out 4 videos
And I just want to say to you guys
you 20 subscribers
I see you, I appreciate you, and thank you for subscribing to our channel and supporting us
I really love doing this
And love being able to share-
Document our family in this way
And share it with our loved ones and all of you guys
So if you're watching this and you enjoy watching our channel
And want to see more from us
Please consider subscribing to our channel
We really appreciate your support and you guys watching
Oh clean baby
Hi Winnie
Good night vlog!
Good night vlog
Ok. So we're going to end the vlog.
I did tell you that we had an announcement
So we're going to be releasing this video on Monday
as our weekly vlog
And then we have another video
Another vlog
For you on Tuesday
So that's gonna be
An extra, what?
Serving. Helping.
So that will be an extra helping.
You want to say that?Ok
So we're going to go ahead and end tonight
And we'll see you guys later
Ok you can say it
No, you guys can say it
Ok
If you like our channel go ahead and give us a thumbs up
And subscribe to our channel
Thanks guys. Thanks America.
Good job.
And, and you guys can do it
Oh ok
And subscribe to our channel
Thanks guys.
Thanks America
And you guys can laugh
Laugh again
Subscribe to our channel. Thanks guys.Thanks America.
For more infomation >> FAMILY FUN WITH SURPRISE EGG YOWIE PLUS AN ANNOUNCEMENT | DAY IN THE LIFE FAMILY VLOG - Duration: 10:46.-------------------------------------------
An no Exorcist Opening『 CORE PRIDE 』Lyrics - Duration: 1:33.
For more infomation >> An no Exorcist Opening『 CORE PRIDE 』Lyrics - Duration: 1:33. -------------------------------------------
Perbincangan antara Penduduk Surga dan Neraka (QS: 7 Ayat 44-45) oleh Ustadz Didik Nur Haris - Duration: 38:26.
For more infomation >> Perbincangan antara Penduduk Surga dan Neraka (QS: 7 Ayat 44-45) oleh Ustadz Didik Nur Haris - Duration: 38:26. -------------------------------------------
How to Find an Impact Factor - Duration: 3:17.
Hi there.
I am John Bond from Riverwinds Consulting and this is Publishing Defined.
Today I am going to discuss how to find the Impact Factor for a Journal.
A reminder, Impact Factor is a metric reflecting the average number of citations of recent
articles published in that peer review journal.
Impact Factor is calculated from the Journal Citation Report or JCR published by Clarivate
Analytics.
Impact Factor was formerly owned by Thomson Reuters.
It is derived from the Science Citation Index and the Social Science Citation Index.
It covers about 11,000 journals from about 2,500 publishers.
The Impact Factor of a journal is the number of citations received in that year by articles
published in that journal during the two preceding years, divided by the total number of articles
published in that journal during the two preceding years.
See my other YouTube video for more on calculating Impact Factor including an example.
There are two paths to finding an Impact factor.
First, if you don't have access to an academic library than the easiest way to find it is
by Googling the name of journal and the words Impact factor.
Many times, it will be listed on the search results page, but you will want to ensure
it is the current one.
Click through to the journal's home page and when you are there, go the About section.
I searched ten scholarly journals.
Nine listed the Impact Factor on the search results page, but not always the most recent
one.
All ten however, listed the current Impact Factor on the About page.
What is not listed on most About pages is a journal's 5 Year Impact Factor or how
it ranks compared to other journals in the field, both helpful metrics.
Now if you are looking for several journals, that can be a lot of searching and clicking
around.
The good news is if you have access to an academic library, it is much easier.
So, the second way to find Impact Factors is to log onto the academic library system
you are connected with and look for either: databases or the Web of Science which contains
some of the information in the Journal Citation Report.
If databases are listed, you can either search for Journal Citation Report and then just
click on Science Citation Index and then search for the journal you are interested in and
its Impact Factor.
Or if databases are not listed, check if the Web of Science is in your library's offerings,
then go to the search bar.
Enter the name of the journal and change the drop down to Publication Name.
Click on any random article, scroll to the bottom of that page and look for Journal Citation
Report.
Click there and your will see a host of information and data about the publication.
See this playlist of other videos about finding an Impact Factor including ones with screen
shots.
Well that's it.
Please subscribe to my YouTube channel.
And make comments below or email me with questions.
Thank you very much and take care.
-------------------------------------------
A 25 year old bonsai Portulacaria Afra, Pruning leggy branches -Part 2 - Duration: 7:06.
hello everyone this account and we're
looking at a 25-year old Jade and
different update
walking happy with piece of functions
which are leaning down like then balls
in my tree and I have spoken with Lucy
she's the owner and explain to her that
the team would benefit from removing
these want no hanging branches that it
hadn't been approved for a very very
long time and done it's its cognate send
leg lunches and i'm going to prune it
back and the start off by removing these
lunches here when soft by the moving
vehicle hanging branches back to their
and this also have come off and
immediately this one has of stand up
with this particular launch and also
well now pulling these adventures that's
when everything goes to that there
time-saving with this went back to the
second set of leaves and same thing with
this length i'm just going to come off
completely
this one love two short of i'm going to
remove it
partial it a lot there and see like this
time document obviously what to do it if
I may end up removing it and that's what
I'm going to cut back to their
definitely come off completely
and same with the front will come back
to back there
that's why i'm also going to the most
about their ok then shorter these you
can go right back to be faster fleas
sending not trying to leave not remove
that these two at the top
okay i'm going to continue moaning
you're handing it and get back to the
second little trees someone to continue
working on the top you will not hear
back
sort of actually calling also take that
off reduced
anything that leaves and up here
continue with the morning of the new
projects actually do for now I'm going
to wire this app this is so hopefully it
should stay in case i'm in the process
of applying this branch generally they
are quite brittle hopefully i'll be able
to bend it slightly and create a
government
attempted to reduce the child so he
knows
thinking with this one
that's enough for today and we'll keep
one thing I can see how it develop it
should be ok
it was back but there are some tiny tiny
but sort of scene here which means not
deliver to the camera and very very tiny
playing but not back but it was
producing further we particularly the
october but have branches I want to
remove too much voltage at this stage
but this time try not to like to cut it
back this I'd like to reduce and same
thing with this one of like to do
starting with leggy and movies and
wonder why it up how that goes
is that real quick
and I think it's child involved being
happy and quite considerably not done it
will still need further reduction in the
size of the project we count down here
is quite sick but they need to come down
to about here around another 56 inches
that should do and after the front i
will be looking after it until it leaves
salt and then it will be returned to its
owner Lucy and it will need for the
reduction colleges and future network we
producing to live another x width inches
we then it's really strong growth which
would support the candidate we added a
new element and for watching to watch
more please subscribe this is nick own
father McNulty line in restaurant
an afterthought not
black particles and cannibals they had
coach a clown and we're 15
30 soft clouds and one going to the
other and look them in the eye and said
he'll be tastefully
Wow
-------------------------------------------
The Vampire of the Opera (1964) Optional English Subs (Il mostro dell'opera) - Duration: 1:20:11.
Advertise your product or brand here contact www.OpenSubtitles.org today
THE VAMPIRE OF THE OPERA
I beg you ! Let me go.
Monster.
Damn you. Damn you.
No. Leave her aIone.
It's impossibIe to stop you. Damn you !
- JuIia, are you ok ? - I had a scary dream.
- Where's Sandro ? - He's at the new theatre.
Come with us, dreaming Iady, you must hear the new song...
It's very romantic. - Come on, Iet's go.
- I've got the recording here. - We'd better rehearse before Sandro gets back,
or he'II get mad.
We ca just teII him anything we want.
Dance with me ?
Yes, of course, you know I am your sIave.
Out of the way !
Just Iet yourseIf go in my arms, IoveIy.
Of course, if you wiII onIy Iet me breathe.
You are the onIy one for me, you know that.
Don't taIk nonsese. No one is abIe to Iove.
- I don't beIieve i Iove. - So what do you beIieve in ?
In aII sorts of thigs. If I Iike you, I'II kiss you...
But I don't want to feeI Iike a prisoner.
You're so pessimistic it's scary !
That's the way I am. I wouIdn't want it any otherway.
Feelings ever Iast forever...
But everyone pretends they do.
Yes, yes !
Most divine Ieading Iady. WiII you do me the honour ?
SiIIy.
Why is't Sandro back yet ? We shouId caII him.
He shouId be here.
And you two shouId be ashamed of yourseIves.
Get back to rehearsing right now.
Do you hear how she taIks to us ?
- Do you know the number? - No, I don't, I don't...
I keep thinkig about him, he knows I'm waiting...
But how do I get in touch with him? Where do I caII?
You shouId ever have come here, this pIace is haunted.
HeIIo, JuIia, it's Sandro. I found a theatre.
Yes, Toy knows where it is. Come at once.
Bye, honey, hurry up !
It's too bad that you won't Iisten to me.
I saw a woman being chased by a ma...
-And then she disappeared. - It's amazing...
My new theatre !
If I was't the director I'd want you to be !
Ad if you weren't the caretaker...
CIoakroom attendant, tooI maker...
BeII ringer and mouse catcher in this oId ruin...
I'd take you as my Iover !
WouId you shave off your moustache for me, dear oId man?
I wouId't make such careIess fun of everything if I were you.
But I'm taking you seriousIy. Very seriousIy...
See, I'm aImost dying !
You might think I suffer from haIIuciations...
But these ?
''InvisibIe waIIs bIock company. - Ieading Iady disappears.''
''Youg actress disappears within the waIIs of the Aquarius Theatre.''
''An actress disappeared within the waIIs of... a theatre.''
Women ! They're aII the same.
-And you Iook drunk, not dying ! -You must Ieave this pIace...
AchiIIe, you're crazy...
The whoIe thing was staged, she probabIy ran off with her Iover.
Or she wanted to get out of a contract without paying the fine.
These were found in the theatre corridors...
They're aII from different years.
And the women who wore them were ever seen again.
They must have worn faIse noses, wigs, ad a fur hat.
I don't know why you're trying to scare me, but you know what I think ?
If ayone's devouring women aroud here, it's you !
But your bad teeth Ieave you the benefit of the doubt...
But if it were you, I'd rather bring you haIf a kiIo of meatbaIIs everyday.
-And that's enough for now. - The haII is this way.
I don't understand if you're scared, or you're just trying to scare me ?
SpirituaI schoIars have aIso been here...
- How do you say...? - Mediums ?
- Mediums. - I hope they caught the deviIs.
No one ca do that. The mediums feIt a presence here...
But they couIdn't figure out where or what it was.
- So why don't you just Ieave? - I can't.
I am bound to this theatre.
You couId say I watched it being buiIt...
I'II Ieave when they throw me out...
OnIy then.
Very weII, but this is now my kingdom.
I dreamt of this show for years but I ever foud a theatre good enough.
They offered me this, and here...
Even if aII of the ghosts of the Puic wars dweII here...
AIIied with the pirates of the Caribbean...
My genius wiII expIode ! You'II be Ieft dumbfouded, oId man.
You'II see a new show...
Recited with words Iike music...
Dances where the rush of emotions seaI the Iips...
Oh ! Theatre ! Oh ! BeautifuI joy !
Listen, this is madness...
I have warned you enough. I am not the master here...
But what you're doing is wrong.
For years, the company has had the courage to perform here.
AchiIIe, I'd fight deviI himseIf just to...
Enough ! You're aII irresponsibIe.
Enough. Enough !
Leave this theatre whiIe there's stiII time.
There are things here that you don't comprehend.
FooIs.
Stop ! OId ghost...
These are the ghosts that wiII pack your theatre.
Them ?
Crazy, crazy... Crazy.
OId ghost, aIIow me to introduce my company...
Dancers, mime artists, actors...
Ad this is Toy. He's to die for... So he says !
-Ad this is... - I'm...
- FiIipo, we know.Ad this is... - ManueIa.
I'm the oIy one with the brains.
That is obvious.
My vestaI virgin, Roberta. Ad this...
- This is the beautifuI... - ...Rosana with the sensuaI Iips.
Cover yourseIf, it's coId.
Ad this is Yvette, born in the city of Lesbo, province of Sappho.
And AIdo, the romantic.
Let us see you smiIe.
He smiIed.
Ad this is HiIda... Koga... Marta...
GabrieIIa... CarIotta...
Ad now, you must stop for a minute.
You have to pay tribute to the most beautifuI...
Notice my breathtaking smiIe.
You siIIy girI, shut that monstrous, enormous trap !
-Where is JuIia ? - BeautifuI, divine JuIia...
The onIy one ! The Ieading Iady was with us but the she disappeared.
-What do you mean, disappeared ? - I can repIace her, I'm better Iooking !
Nothing... It's nothing.
CaIm down.
- Come on. - Turn on the Iights.
Come on, girIs. Don't be afraid.
CaIm down.
AIIow me to introduce myseIf, I'm Giorgio, master of Iight ad sound.
Shame on you. You ugIy !
- I'II smother you ! - Leave him aIone.
- Have you see JuIia ? - No, isn't she here with you ?
It's just a cat...
OId man, go find JuIia. She must be around here.
Move it ! I don't Iike these jokes.
GentIemen... Are you Iooking for me ?
Here's your JuIia.
Giorgio, the Iights. And what are you doing up there ?
I'm Iookig down at you, IittIe earthIings, Iike an OIympian Goddess.
Why did you disappear ? Come on down.
-You couId faII. - Then we'II Iook down at you !
Come down, siIIy.
- Who are you ? - No...
Who are you ?
- Sandro... - That was JuIia screaming.
- I heard her. -That's impossibIe.
This way.
- Why did you scream ? - What happened ?
JuIia, what happened ?
An oId man, with frightening eyes, he was right here...
- He ran away whe I screamed. - Take her dowstairs.
- We'II find him. -You screamed because of a oId man ?
Let's go, siIIy.
This pIace is Iike a Iabyrinth. How wiII we ever find him ?
Come on.
Mind the door.
The noise came from over there.
Here he is.
Dam it, what happened to him ?
I reaIIy don't Iike this pIace.
He just fainted, Iet's take him upstairs.
Maybe he ca teII us what happened when he comes round.
- Why is he Iying near the coffin ? - It's just a prop.
- It Iooks reaI. - Nonsese, just keep quiet.
If it's just nonsense, why don't you open it ?
Now you'II see there's nothing to be afraid of.
- What's that ? - Can't you see ? It's a taiIcoat.
-A taiIcoat in a coffin ? - ProbabIy been here for a hundred years.
Let's hurry up.
Excuse me, but how Iong can you keep flowers ?
-Why ? - Because the ones i that coffin...
...Iooked fresh !
-You aIways have something to say. - I didn't put them there !
Be quiet.
Hey, girIs. It's aII resoIved...
AchiIIe isn't dead even if he was about to take off !
What was it ? A monster with big teeth ?
No, it seems it was someone terribIy weak.
- Then he has a Iook that kiIIs ! -What did he do to her ?
- Strange ! - JuIia, they found him.
You frightened him, dear, but he's stiII breathing.
- Where is he ? - Listen, we aII want to know...
- What did he do to you ? - Nothing, Yvette.
But, JuIia, you must have screamed for a reason.
It wouId be fooIish of you to keep it from us.
If there's any danger, you have to Iet us know...
- Something couId happen to us. -Yes, that's why we need to know.
You know this theatre's been cIosed for years.
There's something here that unsettIes me.
The dressing rooms Iook Iike Etrusca tombs.
The doors creak, the windows Iook Iike eyes...
The curtains Iike vengefuI ghosts... and I'm scared, just Iike you are.
- But you screamed for nothing. - I stiII don't understand why ?
Ad I don't uderstand why he ran away ?
You must have scared him.
Me and him, it's Iike we both saw ghosts...
I saw his... He saw mine. How do you Iike this pIace ?
WeII, we're trying to be brave.
- We're here because we have to be. - I'm going to see the oId man.
The stage is the otherway.
There's a way here as weII.
Has JuIia been to this theatre before ?
She said she hadn't.
Just take your time, you received a frightfuI shock.
- Do you know me ? - No... No.
How strange.
But I've met you before.
No, oId peopIe aII Iook aIike to youthfuI eyes...
We onIy have one face, though.
Sandro...
WeII ? ShaII we go back to rehearsing ?
- Or have you Iost interest ? - But, my dear, I thought you...
Not at aII. I feeI great now.
Very weII. Your enthusiasm is contagious.
We'II start immediateIy. Off to work !
We need to cIean the stage. There are so many things to do...
I'm going to make this theatre shine.
- It sure needs it ! - It won't take Iong.
I begged your director to Ieave this pIace...
-And I toId him the reasons why. - What are they ?
There's no point repeating them, you won't beIieve me.
I've ever been in this theatre before, but I recognize it...
Ad I recognize you, as weII.
You ran away when I screamed...
Ad that isn't normaI.
I beIieve you know a Iot more than you Iet on...
I can see it in your behaviour. What are you trying to hide ?
- My name's JuIia. - I didn't ask.
- I had to say it. -You must Ieave.
There's stiII time.
Go, whiIe the theatre door remains open.
Everything about this pIace is strange...
I can't expIain anymore than I just toId you.
I'm going for a waIk around the theatre.
Work weII.
You reaIIy are weak ! Heavy work sure isn't for you.
Lift this.
- WiII you move ? - No.
- See how strong I am ? - That was Iight as a feather !
- Put me dow ! - I'm as strog as HercuIes.
What's got into you?
Now you're going to fIy through cobwebs !
Let go of me. Monster !
Keep your voice down.
You protest so much, then you come with me.
I know why you brought me here.
Don't come near or I'II scream.
- May I? - Not yet... On your knees !
Promise me you didn't join this company because of JuIia.
I'd rather faII in Iove with a Iion in the jugIe, or a wiId horse.
- So you Iove me ? - What a question !
- Promise me you Iove the moon as weII. -What about the moon ?
If you Iove me, you must Iove the moon, as weII.
- Then I Iove the moon. - No...
An aIcove is a pIace for romantic encounters...
Not for sensuaI encounters !
AIdo...
I'm going to Iet you...
You may kiss me but don't take advantage !
- Is that aII ? - It's enough for today.
I Iove you. Don't you get it ? I Iove you...
I Iove you !
I want to soar into reaI art...
Art with a capitaI Ietter, great ad eternaI...
To sigh with HamIet, ''To be or not to be...''
''That is the question.''
But this is not it !
We move things around, we cIean...
I can't stand it anymore.
I, who canot dance without singig out Ioud.
I couId say it so beautifuIIy.
If oIy I had kissed you, again ad again...
You wouIdn't be so upset.
It's madness. Yes, madness... Madness !
Aurora, heIp me here.
Rosana.
Rosana.
Are you Ieaving ? You're Ieaving dressed Iike that ?
What are you worried about ?
-WouId you think me scandaIous ? - No, not me.
God, I remember you...
And how I Iove you.
Yes, but no kissing.
Not even one on the forehead ?
No, but you may send it by teIegraph.
- JuIia, what's wrong ? - I'm scared...
- I feeI someone Iooking at me. - Who ?
I don't kow but I'm scared !
-You have to stop thinkig about it. - I wasn't scared before...
But this pIace makes my skin crawI and I don't know why.
You're stiII shake up after your encounter with AchiIIe.
-You IittIe chicken ! - Funny !
Let's rehearse. I want to move, dance !
- I want to try the stage first. - It doesn't matter, Iet's take a few steps.
Just to start with.
Then they'II work with a CharIeston tempo.
We'II Iet her have her way. Giorgio, a CharIeston.
I wonder what's on her mid.
- I'm ready. - Let's start.
The show is begining. A brutaI show.
Sandro ! Do you Iike our work ?
-You're on the right way. - Brute ! UgIy !
Stop. I can't do this anymore !
Stop !
- JuIia. - No !
No !
-Why did you foIIow me ? - Stop it now, what's wrong ?
Nothing.
WiII you teII me what's going on ? First, you insist on rehearsing...
- The you run off ? - I'II make it up to everyone.
JuIia. JuIia...
Let's go. You don't need to apoIogise.
No ? What, then ?
PIease try to be reasonabIe.
- What do you want from me ? - To understand you.
You can't.
I Iove you, JuIia.
That's great, you're a Iucky man. So what's your probIem ?
You Iove me, and because of an absurd prank, we're aIone here...
Why don't you take advantage ? Kiss me.
- JuIia, you reaIIy are beautifuI. - Is that aII ?
Okay, Iet's go back upstairs. We'II take up the rehearsaI.
- FooI. - Thank you.
I'm not a sentimentaI woman, I'm primitive...
I'II ever understand your Iove, so why do you bIame me ?
You couId at Ieast go back to rehearsaIs. No need to set off a interpIanetary war.
You don't understand me.
You Iove me. The whoIe worId seems so distant...
I feeI estranged by everything around me.
When I say your name, it feeIs Iike someone eIse is speaking through me.
Because I'm Iiving... in a pIace I don't know.
JuIia...
JuIia.
PIease, Iet's get out of here.
Cursed monster !
I may be your servnat...
But this time, I'II fight you !
Pay attetion.
The rest of rehearsaI wiII be based onn three different themes...
So you'II get a better impression of the different times.
Giorgio, curtains and music.
The subIime sense of Cyrano's kiss...
wiII articuIate the degrading perversions of a turn of the century gigoIo...
ad the decadence of modern times.
No, that doesn't work at aII. Stop !
You need more finesse, more intensity.
We'II start from Cyrano.
Come on, do your best.
- Hurry up. - He's ever happy.
- Enough. - Let work tomorrow.
- Hurry, hurry. - Sandro is a sIave trader.
Who is it ?
You'II just exhaust yourseIves.
You're hurting me !
AII this horribIe cIoseness makes me sick.
Thief ! You stoIe aII my Iipstick.
CarIotta, wait for me.
-Aurora. -Yvette ?
Why are you aIways aIone ?
Do you aIso beIieve that friendship between two women is purer ?
Greater than Iove, even.
I don't know.
Poor Yvette. You're stiII thinkig of Erico.
Forget about him.
Yvette. Aurora.
Get back upstairs. Sandro's waiting for you.
Miss HercuIes is giving us orders !
I'm sorry.
For what ? I don't understand you.
No, no...! This pIace is cursed.
Enough. Monster.
I'm not afraid of you anymore.
Your face, your eyes, your expression, It's just not working...
You have to abandon yourseIves to the poetic intensity of the sceen.
And what is a kiss?
A pIedge properly seaIed, a promise seasoned to taste...
A vow stamped with the immediacy of Iips...
A rosy circIe draw around the word ''Iove''...
A kiss is a message too intimate for the ear...
Eternity captured in the bee's brief visit to a fIower.
A worIdIy communication with an aftertaste of heaven...
The puIse rising from the heart to utter its a men on a Iover's Iip: 'Forever.'
- Who was that ? - Don't joke.
- It might be a ghost. - How fantastic.
It's wonderfuI that peopIe stiII perform these pIays.
Thank you. But who are you ?
An admirer of oId styIe theatre.
I've ever missed a show in this theatre.
You've been here for so Iong.
AIso, because once...
PeopIe beIieved in the marveIous Ianguage of a kiss.
A Ianguage that's Iost today.
To us, a kiss is a kiss !
And what is a kiss ?
Everything... or nothing ?
A pIedge properly seaIed, a promise seasoned to taste...
A vow stamped with the immediacy of a Iip...
A rosy circIe draw around the word ''Iove''...
A kiss is a message too intimate for the ear...
-A broke mirror means bad Iuck. -Are you superstitious ?
- I'm not. - It's aII nonsense.
I'm sorry, miss. I hope you're not superstitious.
It's an oId buiIding.
Sooner or Iater, it's aII going to crumbIe away.
I hope I haven't disturbed you.
No ! I'm not staying here !
No ! I'm not staying here any Ionger !
Let's get out of here. None of us want to stay.
- We're staying. -Yvette's right, Iet's Ieave.
No, we're not going aywhere. We're staying here !
AII it takes is some stupid prank to frighten you. You're aII...
Don't be siIIy, Giorgio, turn the Iights back on.
Rosana.
Rosana.
Rosana, what happened to you ? TaIk to me.
Was someone here ?
Let's Ieave this pIace.
- WiII you teII me now ? - It must have been a dream.
AIdo, Iet's go away. Let's just Ieave.
You're out of your mind. I don't understand you.
-AII of you, stay here. -What are you going to do ?
I'm going to put an end to aII this.
Someone doesn't wat us here, that's aII.
Ad I think I know who it is !
Sandro, this isn't a joke. He attacked me...
And earIier, in the mirror...
- whiIe he was taIking... - This is Iunacy, he's fooIing aII of you.
I feeI Iike throwing someone against the waII.
You're Iucky to be an oId man !
-You have no idea how oId I am ! - Why is everything Iocked ?
I haven't toId the others so as not to scare them...
But I tried to open the doors, they're Iocked !
I can't open them now, I'm onIy a servant.
Make up your mind ! You have very IittIe time...
If you don't open them, I'II burn down the theatre !
- It wouId mean saIvation. - Ours ! Not yours !
Go to the door and if you don't open it, I'II naiI you to it !
I hear someone caIIing me, it might be the man in the taiIcoat...
- He might be abIe to heIp. -You're insane.
Stop her.
-AIdo, don't Iet him get away. - I'II keep an eye o him
Laura.
I am JuIia.
No, you are Laura.
My name's JuIia.
Where did we meet ?
You are...
You are Laura.
Laura.
I feeI as though I've been pIunged into a Iost dream...
In another Iife.
Far away. Far, far, away.
But stiII aIive.
Lady Laura.
Why ?
Why ?
Why do you caII me Laura ?
I have dreamt for so Iong of havig my revenge.
Who are... you ?
Let go of me !
She can't just disappear Iike that, she must be buried underneath this.
HeIp me out.
What is it ?
It's bIood. It's bIood !
- It's impossibIe. - I want to Ieave.
It's just that crazy oId man.
There must be something here. HeIp me.
It can't be JuIia. It can't be.
It's JuIia's dress !
It's that damned taiIcoat.
Remember, Laura, I have not forgotten.
Where are we ? Where are we ?
I have not forgotten.
Remember. Remember.
The castIe vauIt !
Then you'II aIso recognise my tomb.
Tomb !
Why me ?
Stefano.
But there's nothing here.
Keep Iooking. Don't give up.
Sandro.
It Iooks just Iike JuIia.
No, it's Laura.
It's Lady Laura, I was her most trusted servant.
-ActuaIIy, much more than a servant. - How it resembIes JuIia !
It's Laura...
A medium, one of many who came to study the phenomenos in this theatre...
said that in the space of perhaps hundreds of years...
Laura's souI wiII find another body to occupy.
And oIny then, perhaps through some mysterious process of reincaration,
the forces of eviI that Iive in poor Stefano,
wiII be destroyed.
Laura.
Look... Look at your victims.
I destroyed them as you destroyed me.
They wait for each new moon. Their souIs wiII remain young...
But I can stiII kiII them !
This is the curse that weighs on my souI.
That aIIows me to go on Iiving, to destroy beauty.
Because your beauty destroyed me many years ago.
- Laura. - No, Stefano !
You were my damnation.
You !
Laura.
Say you Iove me. Say you'II Iove me forever.
Nothing can crush the Iove I feeI for you.
Stefano, these brief moments I share with you...
They make my Iife compIete.
I can't stand to think of your husband...
Laura, come away with me.
- Today... Now ! - I'm scared, Stefano...
I'm scared of Iife outside these waIIs.
Countess.
- What is it, DeIphine ? - The Count has returned.
- Go away. - I had to warn you.
Go, DeIphine. I'II be there shortIy.
- We must Ieave each other. - Laura, no, it's impossibIe...
I'm going mad, I have to teII your husband that you're mine.
Quiet, Stefano... Quiet.
Tonight, enter through the passageway in the rocks...
- and wait for me in the chain room. -Yes.
But your servant came instead, to bury me aIive in a tomb.
And so I caIIed out I impIored...
The wiII of aII of the cursed forces of eviI inside me...
He was waIIed up, bound to his terribIe curse.
Dead and aIive forever !
And since that day,
I have been witness to the most despicabIe acts of horror on human Iives.
I had to serve him. Serve him forever.
Because no force on earth can defeat him.
I don't want to anymore. HeIp me.
Stop me before his wiII for destruction overpowers me.
The time has come for revenge.
Forces of eviI that inhabit me !
I offer you this souI.
Forces of eviI that inhabit me !
The moment for my revenge...
...has come !
UnIeash your rage and torture your victim !
Devour her souI !
Let us rejoice in her painfuI death !
She's yours. Devour her aIive !
Drink her bIood.
Make her suffer. More !
Forces of eviI, feeI the rage...
My time has come !
As much as you hate me, and as much as I fear you...
- I canot hate you ! - Hate me...
I need your hate to attack you.
For aII the harm I've caused you, pIease forgive me.
I Iove you. I stiII Iove you.
Forces of eviI that keep me aIive...
Damn you !
Laura, go away.
Laura... Go away !
Leave this accursed pIace.
Run, and don't stop untiI dawn...
Because I can oIy strike you if you stop.
Go away !
Go away.
Laura.
Laura !
You mustn't stop...
He'II draw you to him if you remain here.
Aurora !
It's madess to stay. He'II get you.
Untie me.
I feeI compIeteIy Iost. Where am I ?
Here's JuIia. JuIia knows what to do.
- What happened ? - Sandro...
Sandro.
I had to teII you something, but I don't remember what it is.
What happened ?
I don't remember anything.
Where have I been ?
What happened to me ?
Lady Laura. Lady Laura !
Here comes Stefano.
Forgive me, they were too strong for me.
HeIp. He's coming.
You must Ieave.
Hurry... Hurry !
Stefano.
They can't Ieave the stage, it wouId be the end.
There's a invisibIe barrier you canot pass.
- Keep moving. - Let go of me !
Move.
Carlotta, keep moving.
It wiII be the end if you stop.
Giorgio, don't Iet go of me no matter what happens.
CaIm down.
I can't go on... I can't go on !
JuIia, do you know where Rosana is ?
Stefano.
Stefano, where are you ?
- JuIia ! - Rosana !
- What are you doing here ? - Where's Rosana ?
I know where to find her but I have to go aIone.
Take them back upstairs, otherwise they'II have to dance again.
You wiII come with me.
You'II come with me. Don't be afraid.
She disappeared into the painting.
How is that possibIe ? The painting doesn't move.
Look at the writing.
''That the flames of destruction stay away for aII eternity.''
We have to find some torches. The fire wiII destroy it.
Forces of eviI, nourish yourseIves...
Because I Iive... I Iive for aII eternity...
For my revenge !
We have to trust the writing.
Stay back.
Get back.
Watch out !
To the stairs. Get back to the stage.
You can't escape, monster ! Get him !
Your fate is seaIed !
SeaIed !
The nightmare is over.
He's nothing more than dust.
Hurry.
Adaptation - Marija NieIse
Artus FiIms - 2012
Support us and become VIP member to remove all ads from www.OpenSubtitles.org
-------------------------------------------
Sophrosyne - Gaining True Happiness - Duration: 2:56.
Hello, welcome to "counselling and words"
and to my word of today. It is the Greek
word "Sophrosyne". "Sophrosyne" is an ancient
Greek concept of an ideal personality in
body, mind and character. It means healthy
state of mind, characterised by
self-control, moderation and a deep
awareness of one's true self. And in case
you are able to achieve that ideal, it
will be resulting in true happiness.
That's fascinating isn't it?
It looks like "Sophrosyne" is reminding
us that we only have one life and it's
up to us to make the best of it.
Time is precious and limited and we
shouldn't waste it.
Life is not about following the majority
and living to the extreme.
"Sophrosyne" teaches us awareness and
it reminds us of true values. "Sophrosyne"
is having self-control and
self-knowledge. It's the ability to calm
down, being slow to anger and having
restraint. Sometimes we tend to judge
too harshly and we rush into decisions
without thinking; and then after while we
regret what we said or did. "Sophrosyne" can
help us to stop and think and to try to
find other ways of coping with problems.
We can learn to understand ourselves
better. "Sophrosyne" can help us keep the
right balance between our mood, the
atmosphere we are in and the demands of
others. It is thinking for ourselves
without being egoistic. Today we call
"Sophrosyne" mindfulness. So we have the
word mindfulness nowadays. And well
achieving "Sophrosyne" means striving
for a live in balance and well-being.
Knowing the difference between need and
want, and making choices that will
strengthen our understanding of self. And
well I know "Sophrosyne" is an ideal and
maybe not to achieve at all; it's not
possible
maybe. But what we can do, is to try to
live up to that ideal and maybe that
attitude will lead to a happy life. That
was about my Greek word "Sophrosyne".
Thank you very much for watching and see
you next week with a new word.
Bye-bye!
-------------------------------------------
Healing Lessons - Skin Problems & Huidproblemen - Duration: 4:23.
Welcome to Rob's Healing Lessons.
Today is about skin problems and skin resistance.
A man has an aura around him. That's an energy, energy layers.
That aura layer determines how you do things into your life.
How do you deal with setbacks.
How do you view the problems in your life know a place.
Whether or not.
Do not you, you swallow all things away.
Anger, sadness, disappointment. That will accumulate it.
It's a whole lot negative energy cause.
That will have the effect will reduce your skin resistance.
Skin resistance is a kind of natural protective layer.
If you think I'm worthless. My life is nothing.
Who am I? I do not right to live here, to be here.
I'm not worth it.
Then your skin resistance will diminish rapidly.
This can have the effect of you earlier gain of insects burden.
Insect bites. Fleas, flies, mosquitoes, ticks.
Those kind of things.
How does the system work? Your skin is a sort of third kidney.
Once your kidneys become full of negative energies.
The basic principle is that you are an introvert. Not whining but going on.
Swallow everything. Those kidneys flooded.
It can not get out.
Because throat, neck shoulders is also a blockade.
Then such skin has to take over.
Your skin is working out what you have left to swallow unprocessed emotions.
The problem that you can think about is Eczema.
Whether a particular skin scabies. Or you may suffer from dust mite.
For which skin resistance becomes thinner.
So all kinds of trouble will there will come sooner in.
It is important that you realize how this works.
What you yourself can do, that is. Ensuring a good diet.
Plenty of fruits, vegetables, fish in its season, meat.
Try some take less fat to you. Because that lubricates close the lot.
What you can do is drink enough water. Boiled water or tea. Rather than coffee.
Maybe a little less alcohol.
Physically, you can still do things.
What can you do to increase the skin resistance.
That's rubbing. massage your entire body. Rub.
If you do this regularly, all over your body.
You can do it yourself you can it done by someone.
Then comes also improve the skin resistance. You will be stronger.
It is also important that you improve your thinking. You think positive.
You stop negative thoughts. Causing the skin resistance is going to be too thin.
And you are again susceptible for all of these ailments and diseases.
Also make sure you are properly grounded.
You tension out of your head through the feet can walk down to earth.
Can drain off.
It is important also that you do not leave on the skin.
By colleagues who are dominant. You land in drilling.
Really just sit strengthen.
That loser feeling things in your nhebt.
But also reduce your perfectionism.
Go more give yourself that pat on the back. Be happy with yourself.
Be happy with yourself. I wish you luck.
Thanks for looking. See you next time.
Thank you, bye.
-------------------------------------------
How To Sell Music Online - Duration: 9:52.
For more infomation >> How To Sell Music Online - Duration: 9:52. -------------------------------------------
WWE Wrestling Cake | How to Make a Championship Wrestling Belt Cake - Duration: 8:27.
everyone's changed from foods and today
I'm sure to make this WWE wrestling k
now this is a championship belt
wrestling cake now this was a request by
quite a few different people so thank
you so much for that request i really
appreciate that and if you're interested
in making this keep watching now she has
step-by-step how to make this now first
we're going to start off with a large
bowl and i have one cup of sugar have
one third cup of softened butter that's
the softened at room temperature
we just want to mix this up until it's
well combined
now we're going to add two eggs one at a
time and blend it
next I have one half cups of flour all
purpose flour and i have two tablespoons
of baking power which i'm going to put
in there and also you're going to want
about a half a teaspoon of salt just
going to mix this through really good
once it's been mixed in good
we're just gonna dump about half of it
into our batter and mix through
but that's mixed in i have one cup of
whole milk i'm going to put about half
of it in right now and mix in
then 1 teaspoon of vanilla extract and
the rest of our flour and the rest of
our milk now we'll take some butter and
we're going to line our pan with some
butter will smear someone here now we're
going to take some flour and we'll put a
little bit in the dish and you just
shake it around and get it covered
really good and whatever access put it
back into your flower now we're just
going to line this with our batter and
spread it evenly
and we just want bacon in the oven at
350 degrees for about 25-30 minutes when
your cakes done baking just take it out
of the oven and let it cool now that my
cake is all cool down it's nice and cool
to the touch
i'm going to put out to a serving dish
and then we're going to cut it up so I'm
gonna take this it's a good idea to go
along the edges and just make sure it's
all separated from the side and just
simply flip this over hopefully it'll
come out there we go now printed up this
little guide for me and this is going to
show me where i need to cut for my belt
you can just print it up online to
search WWE belt and you'll find about
just put it up really big the size you
want i'm just going to lay it right
about here so i don't have to cut the
side here is already pretty even there
and you just want to hold your knife
upright and you can do it in sections
ok
we don't want to throw this away because
it's perfectly good cake we can make
some cake pops with this or something
else now just take this set this aside
we're going to cut our other piece in a
minute now with other cake was going to
flip this over the same way we did the
other one and for this i have this piece
but we're gonna have to cut two of these
pieces out one for each side
ok this is what our rough cut looks like
now I have a pack of bonded this is
black fondant normally I make my own
fondant but when it comes to black it's
hard to get that real dark color so i
bought this store bought you can get at
any craft store just needed a bit until
it softens up enough then you can just
roll it out want to get it nice and thin
now i'm just a rough coat all over my
cake first one join the ends then I'm
just going to cover the whole thing with
some frosting this is just regular white
false name buttercream frosting
and once you have a rough coat we're
just going to roll out our fondant onto
over the cake now I knew it wasn't
covered the whole thing if you have a
bigger piece you can use that but I just
have to work with what I got to work
with and then i'll use some more on the
end and you can just use a pizza cutter
but if you have one of the tools that
cuts off on it you can use that instead
and i'm going to go along and cut along
the base
now i have enough fondant to roll out
after I cut off the excess and I'm just
gonna lay that over top of the end here
now what I've done is heated up some
yellow candy melts just put microwave
heating it up and put it into this
piping bag and carefully i'm just going
to trace over my printout and I have
some wax paper on there and I've also
take down the end of the wax paper so it
doesn't move and I will try to trace
this out
and we'll just let that dry up we'll do
the other one in a few minutes now i'm
going to use the red candy melts and
color in the red parts now try
decorating this cake a couple different
ways of trying to frosting I've tried it
with going over mold and it did work for
the sides but for the big part it didn't
work out too good so what I'm gonna do
is actually melt my chocolate in put it
on here directly will be free him
hopefully works out good
well thanks everyone for watching I hope
you enjoyed watching me make this WWE
wrestling cake and I really had a good
time making this was a lot of work but
I'm not artist I did the best I could i
hope you enjoyed it and if you like this
video please hit that like button also
please share it with a friend or family
member if you enjoyed it i'm sure they
would enjoy it as well right
so thanks again to everyone who
requested this and check out some of the
videos i have all to the side I think
you may enjoy those as well
and until then i'll see you next week
-------------------------------------------
A New Test for Life on Other Planets - Duration: 5:07.
A New Test for Life on Other Planets.
A simple chemistry method could vastly enhance how scientists search for signs of life on
other planets.
The test uses a liquid-based technique known as capillary electrophoresis to separate a
mixture of organic molecules into its components.
It was designed specifically to analyze for amino acids, the structural building blocks
of all life on Earth.
The method is 10,000 times more sensitive than current methods employed by spacecraft
like NASA�s Mars Curiosity rover, according to a new study published in Analytical Chemistry.
The study was carried out by researchers from NASA�s Jet Propulsion Laboratory, Pasadena,
California.
One of the key advantages of the authors� new way of using capillary electrophoresis
is that the process is relatively simple and easy to automate for liquid samples expected
on ocean world missions: it involves combining a liquid sample with a liquid reagent, followed
by chemical analysis under conditions determined by the team.
By shining a laser across the mixture � a process known as laser-induced fluorescence
detection � specific molecules can be observed moving at different speeds.
They get separated based on how quickly they respond to electric fields.
Mono Lake, California, with salt pillars known as �tufas� visible.
JPL scientists tested new methods for detecting chemical signatures of life in the salty waters
here, believing them to be analogs for water on Mars or ocean worlds like Europa.
B4INREMOTE-aHR0cHM6Ly8zLmJwLmJsb2dzcG90LmNvbS8tU0JPcEdQc0dzU00vV0lyLUtEamNYLUkvQUFBQUFBQUJUTEkvVUp6TzE0SDlhd1lVb2k0ajZVQzJNYWxFVFFPUkkxQzJRQ0xjQi9zNjQwL2NoZW1pc3RyeV9tYWluLmpwZw== Credits: Mono County Tourism
While capillary electrophoresis has been around since the early 1980s, this is the first time
it has been tailored specifically to detect extraterrestrial life on an ocean world, said
lead author Jessica Creamer, a postdoctoral scholar at JPL.
�Our method improves on previous attempts by increasing the number of amino acids that
can be detected in a single run,� Creamer said.
�Additionally, it allows us to detect these amino acids at very low concentrations, even
in highly salty samples, with a very simple �mix and analyze� process.�
The researchers used the technique to analyze amino acids present in the salt-rich waters
of Mono Lake in California.
The lake�s exceptionally high alkaline content makes it a challenging habitat for life, and
an excellent stand-in for salty waters believed to be on Mars, or the ocean worlds of Saturn�s
moon Enceladus and Jupiter�s moon Europa.
The researchers were able to simultaneously analyze 17 different amino acids, which they
are calling �the Signature 17 standard.� These amino acids were chosen for study because
they are the most commonly found on Earth or elsewhere.
�Using our method, we are able to tell the difference between amino acids that come from
non-living sources like meteorites versus amino acids that come from living organisms,�
said the project�s principal investigator, Peter Willis of JPL.
Key to detecting amino acids related to life is an aspect known as �chirality.� Chiral
molecules such as amino acids come in two forms that are mirror images of one another.
Although amino acids from non-living sources contain approximately equal amounts of the
�left� and �right�-handed forms, amino acids from living organisms on Earth are almost
exclusively the �left-handed� form.
It is expected that amino acid life elsewhere would also need to �choose� one of the
two forms in order to create the structures of life.
For this reason, chirality of amino acids is considered one of the most powerful signatures
of life.
�One of NASA�s highest-level objectives is the search for life in the universe,�
Willis said.
�Our best chance of finding life is by using powerful liquid-based analyses like this one
on ocean worlds.�
Caltech in Pasadena, California, manages JPL for NASA.
Contacts and sources: Andrew Good
Jet Propulsion Laboratory,
-------------------------------------------
How to schedule a scan in Windows Defender on Windows 10 - Duration: 2:14.
Hi this is Laser IT Youtube with a video
tutorial showing you how to do a
scheduled scan with Windows Defender
microsoft has made it incredibly
difficult to access the sheduled scans on
the defender application so there's
actually another way around it so you're
gonna go to your Start menu and we're
gonna type task scheduler
okay so we need to navigate through the
folders to find out where we need to go
so you need to go to task scheduler library
into Microsoft, into windows and wait for them
to load we go down to Windows Defender
so you're gonna get a list of four options, cache
maintenance cleanup, scheduled scan and
verification the one we want to look at is
scheduled scan and underneath it will show you the options for it
click on triggers, and what we want to do
is we want to create a new trigger so lets open
that up, so new trigger
so we're going to do a weekly scan every
monday for example, you can specify the time
here so five o'clock at night and enabled so let's
click ok on that and if you want to look in the
conditions you can tell the computer to
only do this when your computer's
plugged in, especially if it's a laptop
if that doesn't bother you unclick the
power and then it will run with when
your laptop's battery as well so we will leave that on
and that how you set up a scheduled task for Windows
Defender thank you for watching this
video if this did help please remember to
leave like or comment
-------------------------------------------
Muslim cleric says '' Islam is an exhortation to Jihad and terrorism and we can't help it - Duration: 0:39.
What do we do with entire chapters in Quran
whose main topics is Jihad
what do we do with chapter 47 of the Quran ?
what do we do with chapter 9 of the Quran?
what do we do with chapter 8 of the Quran ?
what do we do with chapter 61 of the Quran ?
what do we do with the entire Quran ?
all chapters of the Quran are teemed with many verses which talk about fighting , Jihad and patience etc...
what do we do with Quran ?
what do we do with islamic raids , and Muhammad's biography ?
what do we do ?
this is what our religion is about
whether people like it or not
-------------------------------------------
A Bible Reading of 2 Peter 3:1-9 - Duration: 1:29.
Beloved, this is already the second letter that I am writing to you, and in both of them
I am awakening your sincere mind in a reminder; to remember the declarations which have been
spoken before by the holy prophets, and the commandments of the Lord and Savior through
your apostles.
Knowing this first, that in the last of the days, mockers will come, conducting-themselves
according to their own lusts, and saying, Where is the promise of his presence?
For from the day that the fathers fell-asleep, all things remain as they were from the beginning
of the creation.
For this is eluding them, (willing it to be so): that there were heavens from long-ago,
and an earth established out of water and through water by the word of God; through
which water, the world which was then was destroyed, having been flooded in water.
But the heavens and the earth that are now, by his word, have been stored up for fire,
being kept to the day of judgment and destruction of ungodly men.
But beloved, let this one thing not elude you, that one day with the Lord is like a
thousand years, and a thousand years like one day.
The Lord is not slow concerning his promise, as some deem slowness, but has patience toward
us, not willing for any to perish, but for all to make room for repentance.
-------------------------------------------
Episode 802 | Eric William Carroll, Aby Wolf, Michael Hall, Hmong Breakers Leadership Council - Duration: 26:47.
(upbeat music)
(calm music)
- [Eric] Making photographs today is way too easy.
It's great and it's made for this entirely new language,
which I use and adore,
but for art it's become a little too easy.
I have to make obstructions, I have to make rules
and boundaries to limit myself
to make the process a little bit harder.
I do that because it's been one of the best ways
for me to learn and grow as an artist.
I really started thinking about, okay,
what are the essential characteristics of this medium?
And I came to the conclusion that you need a flat plane,
so this two-dimensional surface, you need light and shadow,
and you need a moment of time.
It really makes you consider what you're making a picture of
Blue Line of Woods started in 2010,
I was living in New York at the time, and I was seeing these
really sad looking trees on the sidewalks
and it was kind of hilarious
and also it made me a little sad.
I started to long for nature again.
But I would see the shadows of these trees on the sidewalks
and I thought, oh this is a really nice way
to actually look at this otherwise sad tree.
I was drawn to older technologies and the obsolete.
I needed to find a way to make really large, camera-less
photographs so I found the cheapest light sensitive material
which is called blue line paper.
I had a MacDowell Colony fellowship in New Hampshire
and so for six weeks I was able to go out there
in the middle of the woods undisturbed
and really start to formalize that process.
I went from three feet to six feet to 20 feet to 40 feet
they became the same scale as the subject matter.
It's really a one to one experience with that, you can
actually watch the exposure as it goes from yellow to white.
And then I bring it back to my studio where I feed it
through the processor which just runs off of ammonia fumes
and its a big tabletop processor and it takes about a minute
and it just goes through the fumes and converts the diazo
salts to this blue kind of intense prussian blue.
The paper itself is an archival so the image will fade
and it will shift in color, it goes from the blue
to a purple and so there's something nice about that too,
this balance between monumentalness
and the ephemerality of the medium.
And it strips away the preciousness of the photograph
and it's not just the static image that's part of the piece,
it's the performance, it's the walk and it's the exhibition,
the installation, that eventually will go away
but that's all part of the piece now.
I do think obsolescence, ephemerality,
and sort of investigating the natural world,
whether it be the human scale,
the macro of galaxies, or the micro of particles,
these all fall under my interests.
I think my interest in science came out of photography,
thinking about photography, the edges of the medium,
thinking about telescopes as cameras,
thinking about particle protectors as cameras,
so this project right now is called Standard Stars
basically from 1990
and before if you were going to make a picture of the sky
you were going to do it on this glass plate.
It was the most economical
and efficient way to map the universe.
This institution, the Pisgah Astronomical Research Institute
is going to collect and digitize these
and then make them available for everyone.
And I discovered there's a treasure trove of these images.
On my second and third trips I brought a scanner with me,
I'm interested in this where there weren't too many stars
or maybe a cloud or an airplane interrupted the exposure,
or the assistant dropped the plate
or didn't put enough developer in the tray
Those are the marks of the human as I think a lot
of my practice is about finding that evidence of humanity
behind massive scientific institutions.
So I look for the fingerprints, I look for the accidents
because that's something I can relate to.
I can not relate to a star or a galaxy,
I have no idea what its scale is.
But I can totally relate to dropping a plate on the ground
and then being like, oh my God what did I do?
So that's kind of what I'm trying to get at in the work.
One of them, the labels, right, someone, yeah,
stamped standard stars, so that's kind of the title
that I'm taking from it right now.
'Cause it's so, it's kind of poetic, it's nice
'cause it's like stars are amazing,
(laughing)
but when you're looking at millions of them,
obviously some are going to be less amazing than others
so there's going to be this category of like normal,
just standard stars and I love that.
But yeah, someone wrote broken on here, clouds,
they didn't even write down like all that other stuff,
they're just like whatever, clouds got in the way.
I want you to think heads,
visualize heads and try and use your telekinetic powers.
Gut feeling came out around 2011, gut is an acronym
for grand unified theory,
gut feelings taking a lot of different forms,
I did a residency at the Bakken Museum here in Minneapolis
where I was photographing children experiencing
static electricity for the first time,
I've done these pop up experimental tests at the state fair
and the Walker Art Center where I've had people try
to control the outcomes of coin flips
and dice rolls using their mind.
It's really becoming more of a philosophy
than a body of work for me at this point.
In 2013 I went to visit an archive of the recently deceased
Nobel Prize winning physicist Donald Glaser
and I became interested in his work
because of his invention of the bubble chamber.
These ones that we're animating
right now are from these bubble chamber images
where the particles are entering.
We've been using toys and games to reanimate them,
so we're using dominoes and dice and rubik's cubes
to bring back these old scientific images
and make them feel alive again.
(upbeat music)
I really do believe in the work part of it,
my projects are labor intensive
and that is meditative for me.
I've tried laying in a hammock before and it's relaxing
for about 15 minutes and after that I'm an anxious pile.
I can't not do that. Not make work.
(laughing)
(soothing music)
♪ At last alone
♪ At rest, at home
♪ Face to face our cover is blown
♪ Oh, whoa
♪ Oh, whoa
♪ Oh, whoa
♪ We fear space, don't we
♪ Fear emptiness, don't we
♪ We fear stillness, don't we
♪ We fear silence, don't we
♪ Fear missing out, don't we
♪ Fear messing up, don't we
♪ Fear difference, don't we
♪ Fear being alone, oh
♪Whoa oh oh
♪ Oh, whoa whoa whoa
♪ Oh, ran I ran I ran all year
♪ System burning in high gear
♪ Potholes coming left and right
♪ Empty by the end of the night
♪ Turning home, back to sleep
♪ This fatigue is feeling deep
♪ But we won't fall out of the sky
♪ I welcome it ask me why
♪ Cause you fear space, don't you
♪ Fear emptiness, don't you
♪ Fear connection, don't you
♪ Fear uncontentness
♪ I fear deep water, I fear disapproval
♪ I fear wasting all my life
♪ Fear being alone, oh
♪ Oh, whoa
♪ Fear being alone
♪ Fear, oh
- [Michael] We are going to read a book
that you've probably never seen before
called My Heart is Like a Zoo, My Heart is Like a Zoo
Eager as a beaver, steady as a yak,
Hopeful as a hungry heron fishing for a snack.
When I was thinking about being a writer,
I loved children's books, I loved picture books
and I think picture books have a place, have sort of a place
in art world but I didn't think I had a voice
for children's books and a lot of my books
they may have looked childish
but they were fairly sophisticated in concept.
Who knows what a seal sounds like?
(seal barking)
Okay, let's all do it, ready?
(seal barking)
Good.
It's one of the special things I noticed about
being an author that all my books have meaning
for me that's different than what it means for other people.
And it's sort of nice, it's sort of a happy thing.
And often I don't know what the meaning is
until I'm almost done with the book.
Cool as a penguin, crafty as a fox.
For me it was always important to do both writing
and illustrating because I'm really interested
in the relationship between the words and the images
and the way they play off each other,
sometimes they contradict each other.
And it allows in the illustrations, for example,
for me to do illustrations that are very abstract.
The first book was My Heart is Like a Zoo,
it's the first book I published and it's the first one
I sent to my agent, and I sent her this copy
which a lot of it is similar,
it's got some of the same pages,
I actually started off as a child wanting to be a writer
of some kind but I am dyslexic so by the time
I got to college I just couldn't keep up enough
with the english classes that I wanted to take
so I went into the sciences and when I was getting ready
for graduate school, I discovered this thing called
graphic design and started to do design work.
My wife and I had a graphic design firm for 30 years,
specializing in visual identity,
which is basically logos and all sorts of other aspects
that come with that.
I think that I learned 80% of what I know
as an author-illustrator through my work as a designer.
As a designer I was very interested in just beautiful,
flat color so when I started doing children's books
I felt that look was sort of corporate
and I wanted to get texture into my work,
and yet the textures are not real busy.
It's really important to me that you see the shape
before you start looking at the intricacies of the texture.
They just add depth but they don't become front and center.
And so if I draw a frog, I would like someone to see
that it's also a square and a rectangle and a dot.
So I like things that are just the materials,
the colors, the lines and the shapes.
So for Frankencrayon, I cut the shapes out of black paper,
and scanned them into the computer and colored them
in the computer and then I would build the characters,
so this is his long coat, this is royal blue,
and his tall hat.
I find myself playing with shapes, for example.
I have a lot of cut paper and a lot of painted paper
and I just enjoy playing with those things
and seeing what they look like to me.
With perfect square, I would start with a painted piece
of paper, and then either cut it or tear it or do whatever
I need to do to make it work within the story.
I always try to put all of my spreads of a book up
so I can see them all at once cause it's so hard to see
how they relate to each other and that's part of finding
the rhythm of the book.
I can really start to tell just by looking
at the whole thing spread out if there's something
that's not going right, just having that tactile part
of the experience gives you more information about it.
What are you doing?
I'm making a hole in our stump so we can see what's outside
like a window. Sweet!
Wait, what if there's an aardvark out there?
Aardvarks are grey and sneaky.
So I didn't want to be a dyslexic author-illustrator.
It doesn't seem to influence my books except that
I am an introspective person and I like to share that
with kids and I think there's something very special
about processing things internally and you come up
with things that maybe other people wouldn't come up with.
Aardvarks turn orange when they're hungry
for carpenter ants, you know.
Goodness!
Well I keep doing this because I just think it's the best
possible thing you could do when you have an imagination
you have all these things you would like to share.
And to be able to do that is very special gift I think.
Grape juice tastes good with ants, you know.
And the other ones says "ark!", and that's the end
of The Orange Ardvark, thank you, hat wearers
you did a great job.
(applause)
(upbeat music)
(hip hop music)
- Hip hop is a lifestyle.
It's the way you live, it's the way you eat,
it's the way you listen to music, it's the way you talk
to your peers, your parents, your family.
It's a positive energy and that everything that we do
is for the good and the social gathering.
- [Cheng] We are the Hmong Breakers Leadership Council,
we are also known as HBLC.
HBLC's mission is to bridge the Hmong community
with different modern and traditional talents
by initiating opportunities with hip hop
and the arts as a platform.
So we are a coalition of different artists
of different genres founded by breakers and with our work,
we hope to build a community that's
multi-generational and multi-diverse.
- [James] We reach out to other communities
by hosting events, during those times when we host these
we invite as many people, as many dancers, to our events
and usually during those times we get
a variety of different people.
- [DJ] Thanks you guys, welcome to Little Mekong night
market, I got HBLC who's not only an organizing group,
HBLC's made up of beat boys, beat girls, pounclers,
and they're gonna break it down for you guys,
a little showcase.
- [Cheng] Little Mekong night market is a event done back
in Southern Asia where it's too hot to be selling food
and to be gathering people so they do it at nighttime.
We want to recreate it in to St. Paul
and the Minnesota community and we have all sorts
of hip hop elements into this one event.
- [DJ] B Boy Teknika
- [Robert] We're exposing hip hop to the community,
we're bringing it to them, they're coming out
for their own reasons, such as night market,
but why not expose you to hip hop
and you know all that we have to offer.
- We bring a different atmosphere that maybe the
Little Menkong wouldn't have had if we wasn't there.
It was just something that was different, something new,
something that we created, something original.
- [Judge] I am looking for execution,
complete battle mentality,
that means you're facing your opponent
but you're also making sure we can see your moves,
musicality, musicality is how well you are interpreting
the music, you don't even have to know it,
but you just gotta be on beat.
- [Robert] A battle is a street fight without the fighting
- A battle is definitely a competition,
who does the best of this, who does the best of that,
strength, speed, cleanliness, originality,
- [Robert] And that involves bringing a lot of different
aspects from all other, like your life into it
- And then the person that comes out on top,
that the judges like better or the crowd likes better
tends to win the battle.
- [Cheng] The Hmong community, our elders, all they want is
their kids to be doctors and lawyers, to be,
to get that professional life and income,
but they don't know about the possible success of dance
and especially what we're doing, breaking and hip hop.
And so, myself, I went to school for dance
and so I have a degree in dance.
- [Robert] All the individuals in the group bring their own
backgrounds, like Cheng's a professional dancer,
James is a professional lifter, and I'm just a big advocate
for the youth and so we're all bringing different views
and goals and collectively pulling it together to create
these awesome events that will bring the community together
and also help us in our own individual fields
- [Cheng] Breaking has so many moves that aren't even
in a category or doesn't have a name for it.
But the basics, there's six categories, there's top rocks,
wop rocks, get down, foot work, freezes,
hard moves and then there's get ups.
- [James] The Hmong community we also have like
traditional dances and other stuff that we do.
You think about dancing or in a battle and, you know,
you're always starting with up rocks and stuff but you know,
Hmong people we have like dance moves where like our hands
fold and stuff, you know, so when when you come out
with that people are just like, whoa, what is that, you know
so I definitely like the fact that when we express
what we have, you know, that only our culture has,
and we show it off on the dance floor,
people are like, who are you, where did you come from,
where did that dance style come from,
and I can just be like I'm Hmong and this is what we do.
- In this community we're all actual dancers
with our own experiences and were putting it all together
to create these opportunities for other dancers to network,
join and meet us as well.
- [Cheng] From our meeting with Red Wok
they have another room open for us
and they want us to help find a way to promote
Red Wok more by us gathering activities or open sessions
so then they can gather more so we can gather people there
which will gather more customers actually they want us
to use our first kickoff as an event.
We as a council, we meet weekly at
the Center for Hmong Studies at Concordia University
- A typical council meeting, we usually review
what was last said and just looking at new opportunities
that were presented to us.
- If we're trying to I guess bring as much traffic
as we can for Red Wok I think the idea would be
maybe have a little bit of everything.
- I do really like our meetings because again we joke around
we do a lot of stuff but at the end of the day
everybody loves dance, everybody loves something
about why were doing what we do.
- Any questions or concerns or are we done?
- We're good? - Yeah, good.
- Good job, team.
- [Cheng] The Hmong community has such a sudden
spurse of population into the US
and especially in St. Paul and California
that a majority of us youth found a connection with hip hop
'cause its really the same thing, we live in the poverty
and we try to find a way out by speaking
and telling the world who we are.
- Nice! Come on!
- [James] With Hmong people, I feel like we might live
in poverty in terms of like financial
but I feel like the Hmong people we have other things
that we're really rich at and within that
richness is where we gather, and hip hop is kind of like
the platform that kind of brings those richness together.
- This program is made possible by the state's arts
and cultural heritage fund and the citizens of Minnesota.
-------------------------------------------
Are You An Entrepreneur? - Duration: 3:06.
Am I?
Are you?
Hey welcome back for another episode of The Bootstrap Boutique where beginners build businesses
and I am glad you are here because today, I have a confession to make.
That confession is that I feel funny about the e word.
The e word?
What is that?
Entrepreneur.
I do not call myself and likely will never call myself an entrepreneur and that is for
me not a word that I identify with.
Let's start at the beginning.
The first time I ever heard the word entrepreneur I was at college, and the university I attended
was extremely focused in science and technology.
So all the entrepreneurs were doing these big tech start ups, they were doing medical
engineering and coming out with medical devices that were going to save lives.
This?
Selling on Amazon?
Not going to save lives.
So in my mind, entrepreneurship and high tech stuff go hand in hand.
I know now that entrepreneurship runs a gamit and there's everything from yes, those high
tech start ups to creative entrepreneurs that are selling their art online.
But that early exposure to the word entrepreneurship and what it meant in that context has always
really stuck with me and its made it really hard for me to consider myself an entrepreneur
even though I have technically started a business.
Because I've been interested in starting a business for so long, years ago I used to
actually subscribe to Inc. and Fast Company magazines and read those like that was the
kind of business I was going to start.
Inc. and Fast Company, they really tell those stories of the people that risk everything
and put it all on the line to fund and start their dream.
And that is just not what The Bootstrap Boutique is about.
The Bootstrap Boutique is about side hustles and side streams of income.
Maybe that becomes a full time job one day but for me right now that's not the goal.
So for me, that is still what I consider an entrepreneur.
I have a hard time in my head equating a side hustle to an entrepreneur.
To me there is a big do not equals sign in the middle.
I'm not saying its right, I'm not saying its wrong.
Its just how my brain is wired and I think that early exposure to the word entrepreneur
has a lot to do with it.
Now a lot of you guys probably don't agree with that concept and that's totally fine.
I'm not saying I'm right or wrong, it's just how I think about it.
I mean, if you go and you read Twitter bios, everybody is an entrepreneur.
But for me, if you said, "Megan are you an entrepreneur?"
I would say "no."
Because I will probably always feel funny about the e word.
Thanks so much for being here again this week guys I would love to know what you think about
this topic, are you an entrepreneur?
Are you not an entrepreneur?
Tell me what you call yourself down in the comments below I can't wait to see what everybody
thinks.
You're probably going to tell me about how wrong I am and how I need to get over it.
That's fine too, tell me that, feel free.
Don't forget to subscribe to this channel so you never miss a video we post new ones
on Mondays and Wednesdays and I will talk to you next time.
Take care!
-------------------------------------------
Alternative Facts (Mainly An Update Video) || Kenneth Clayden - Duration: 8:01.
For more infomation >> Alternative Facts (Mainly An Update Video) || Kenneth Clayden - Duration: 8:01. -------------------------------------------
How Hard Should You Work For A Friendship? [SONG VLOG] - Meri Amber - Duration: 6:27.
you know how sometimes you meet people
and it just clicks
if you don't see them for a year
when you do it's like no time has passed
and then with others it seems like it's so much work
emotional effort and time and
if you don't see them for a week
it's like they don't even know you
there's a reason friends was enough to fill
ten seasons of a TV show
why it was the sole metric
on Facebook used to gauge popularity
three years ago
and why the friend zone
is such a scary scary place
if you take the exact distance you stand away from someone
divided by the exact distance
you stand away from a stranger
added to the exact time
in between messages they send you divided by seven
added to the rate at which they speak to you
in words per minute
altogether multiplied by the number of years
they've known you and then divided by
the number of times they've shared food with you
you find out
absolutely nothing about how close you are to this person
or how hard you should work for the relationship
it's a lot more subjective
from both sides
so here's my thereom
on how hard you should work for a friendship
firstly you need to know within yourself
what you need from a relationship to be happy
it could be anything from finding somebody who
speaks in a similar way to you
to someone who has the same interests as you
to, simply, somebody that does not smell like turd
if a relationship is not making you happy
but is in fact making you very unhappy
she's a fiery demon from hell
it might be time to consider
whether you should be putting the work in to keep the relationship
or whether you should cut it off
most of the time I'd say it's probably worth it
because humans are humans, we go through rough patches
and sometimes they might be hurting you without
even realising cause they're off in their own worlds
but
I've made the mistake many times in my life
of trying to pursue a friendship
or a friend group that was never going to progess
to a good place and
that's just not worth it
a prolonged feeling of emptiness
like there's nothing there
a lack of connection especially to some sort of
deeper level
and feeling like you need to change the way you talk
or behave to be accepted
they're not really good signs
but there's another side to the coin as well
it's not just about knowing what you need from a relationship
it's not a one way thing
you need to know what you're willing to give
who you're willing to be what you're willing to do
as a friend as well
if you're expecting someone to always
be there for you when you're in trouble
you should always be there for them too
baked me cookies and brought Invader Zim DVDs
oh that's so sweet
I'm glad you like'em
um, I'm kind of thirsty
after the journey over
what?
get your own water you fiery demon from hell
this is what you wanted all along
isn't it?
you water thief
I am not your water bringing slave
leave, leave now
begone demon begone
generally it's a lot easier to feel it
than logically think it out
think about it, you kinda know what sort of connection
you have with someone, how you feel around them
kind of can even tell how they feel around you
of course if you're teetering at the edge of the relationship
or you really can't tell it's worth
chatting it out with them
but
this is one of those cases
where your gut can genuinely be
a decent navigator
now I've got a song coming up which I wrote
which is about more tough relationships
where you're working and working and
nothing seems to budge
but before that, don't forget
hit like if you dig the video
please subscribe to my channel as well
and also comment below
with your experiences with friendships
things you've learnt
questions, and we can all feed off each other
and learn from each other's
yes, things that have happened
for now, here's the song
it features many hats
I try so hard, I wear the funniest shirts
but it don't please you
you said you like pirates so I bought an eye patch
but it don't please you
I memorised jokes from the best damn comedians
but it don't please you
I wrote you poems, got all Shakespearian
but it don't please you
I went to study the art of persuasion
just to see if I could get on your wavelength
I wrote songs about you but you didn't even hear them
even when I was right beside you when I sung them
I guess I don't please you
I don't please you
is it me? Is it my hat?
is it the way I sometimes say stupid things?
is it me? Is it my hat?
cause I would change almost anything
for you
but it don't seem to work whatever I do
I learned to eat fire and I learned to juggle
but it don't please you
I built you a Minecraft box empire
but it don't please you
I painted ten portraits of you in acrylics
but it don't please you
I wrote you a love story in heiroglyphics
but it don't please you
I stayed up late just trying to move you
trying to show you I was worth for you to talk to
I listened, I smiled, I tried to be lovely
I even wore makeup just so you'd like me
I guess I don't please you
I don't please you
is it me? Is it my hat?
is it the way I sometimes say stupid things?
is it me? Is it my hat?
cause I would change almost anything
for you
but it don't seem to work whatever I do
would you like me to wear a top hat?
or would you prefer a fez?
would you like me to get down on the floor
get down on my knees and beg?
how's a beret? A baseball cap
or a beanie?
is there any possible way
you'll accept me?
is it me? Is it my hat?
is it the way I sometimes say stupid things?
is it me? Is it my hat?
cause I would change almost anything
for you
would it even matter if I do?
-------------------------------------------
Research Lens: A New University Initiative - Duration: 0:50.
the committee for Christopher Newport's Quality Enhancement Plan for Student Learning, is delighted to announce the launch of Research Lens.
Research Lens is an institutional initiative that aims to promote and improve student learning
as it relates to information literacy and undergraduate research opportunities.
Research Lens is the result of an extensive university self-study process that identifies the topic of information literacy as a vital skill set in today's world with the topic of undergraduate research.
Research Lens is about student learning outcomes and fostering an environment at Christopher Newport, where students learn, explore, navigate, and share.
Exciting things are on the horizon at Christopher Newport. So be sure to be on the lookout for Research Lens.
Learn, Explore, Navigate, and Share
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