Thứ Ba, 18 tháng 7, 2017

Youtube daily t'shirt Jul 18 2017

hi I'm amber and in this video we're talking about online safety now while

we're going about our business online and on social media I think we need to be

mindful that there are some people out there who would love nothing more than

to access other people's bank account for criminal activity now even if you

don't have an online bank account yet these fraudsters can still send viruses

to your devices which may then be used by someone in your house who

does have an online bank account and that is not a good thing so why would

they do this well quite frankly these fraudsters are often looking for money

mules ie someone who's prepared to transfer

dodgy money on their behalf or they're looking for legitimate bank

accounts which they can completely take over for criminal activity so what do we need

to look out for well extremely popular scams include

click bait and email scams really yes really now click bait scams are very

cleverly designed to spark our curiosity so while the article watch this mega

food challenge see this epic fail world's tiniest horse might seem as though yeah

they're going to be fun to watch just be aware that once you click and get taken

away from the original website you saw it on you could be putting yourself at

risk and that's because the pop-up window which is telling you click here

and update your video player is actually just a nasty virus waiting for you

to take the bait so it can take over your device now click bait scams to take

the form of fake videos shocking news articles about celebrities far-fetched

claims such as how to grow your hair long in just two days and so on you get

the picture now the other scams I mentioned are email scams now look out

those emails which are telling you you won a prize even though you never

actually entered a competition or those emails telling you your free 100 pound

voucher has arrived if it seems too good to be true then trust me it is the people

putting these out there are doing so for a reason and that reason is to steal

people's identities and hack online accounts so how can we keep ourselves

safe online well we can take a few simple precautions and we can install an

antivirus software to protect our computers we can also pay

attention to suspicious pop-up windows by checking the link in our browser we

can ensure that we use secure passwords which we do not disclose to anyone and

we can mark suspicious-looking emails as spam and definitely not click on links in

suspicious emails so that's been my quick tips on how to stay safe online

remember to go and check out the other videos and I'll see you all later bye

For more infomation >> How to Avoid Scams! DON'T GET SCAMMED ONLINE! Teen Money Tips - Fraud! Ambi C Vlog (Ad) - Duration: 2:43.

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Drake - Fake Love x Mario ft P.Diddy - I Don't Wanna Know | Success Obuh Mashup - Duration: 0:43.

For more infomation >> Drake - Fake Love x Mario ft P.Diddy - I Don't Wanna Know | Success Obuh Mashup - Duration: 0:43.

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THREE MAIN REASONS WHY YOU CAN'T LEARN ENGLISH - Duration: 4:57.

I often hear from my students and from lots of other people that they have tried and tried

and tried to learn English many times for many years, but they fail.

And they ask me "Why?", "What am I doing wrong?".

Well, there can actually be just three main reasons why you fail at learning English or

any other foreign language.

Let me tell you a bit about them.

Hi, I am Julia and this is Random English, a channel that will help you improve your

English skills.

So, as I said, there may be just three main reasons why you cant learn English or any

other foreign language.

And, to be honest, these reasons are not very pleasant, but - good news - if you do it correctly,

they can be very easy to overcome.

Let's begin.

Reason number one: you are LAZY!

Unfortunately that's true.

We are all lazy.

We are all lazy in different areas.

For example, I am very lazy at sports, like, super lazy person.

Some people say that they don't have time, they are too old, they don't have enough momey

to learn English - well, all these things are actually lame excuses.

A lame excuse is something that you say if you don't want to do something, but it's not

really true.

It is not true, believe me.

I have talked about some of these things in my previous videos - I'll try to give a link

somewhere here.

I'll try.

And these things are not really reasons not to learn English.

The fact is that you are just lazy.

If you really wanted and if you were not lazy, you would start learning English right now

and do it quite well.

But it's easy for you and your brain just to do things that you always do and not learn

anything new.

Reason number 2 is MOTIVATION.

Motivation is really important when studying a language.

And sometimes when, for example, you have to learn a language at work or at school this

may not be enough.

But you can motivate yourself additionally, you can learn to love the language, you can

find some extra motivation in other things.

For example, if we speak about English, think about English music and literature - all of

the English culture.

If you learn English well you will have access to all of those great cultural things.

And reason number three: you have some wrong negative ideas in your brain.

This reason is actually connected with reason number one a little bit.

Often people come to me and say something like "I can't learn English, I always fail,

I have so many problems, it's just not for me".

Well, it's not true.

Almost anyone - really, anyone - can learn English and do it well, but if you approach

it negatively, with negative ideas in your mind, it will be very very difficult for you.

Learning English sometimes is already not easy and thinking negatively you make it even

more difficult.

Well, you may ask me then, "What should I do, how can I fight these reasons?".

Well, I already have some videos with some useful ideas on my channel - I will give links

to them in the description to the video.

Also, as I mentioned before, try to motivate yourself additionally, create a little bit

of discipline, try to make your lazy brain study, even if it's a little bit every day

and practice positive thinking - this will really make learning English or any other

foreign language a bit easier.

If you have any question, please, don't hesitate to ask them in the comments - I will try to

answer them all and help you.

If you enjoyed this video, give it a like and subscrive to the channel for more useful

advice about learning English.

I will see you around in the future cideos.

Goodbye.

For more infomation >> THREE MAIN REASONS WHY YOU CAN'T LEARN ENGLISH - Duration: 4:57.

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Waarom ek nie Mandela-dag vier nie | Why I don't celebrate Mandela Day - Duration: 5:07.

Do you celebrate Mandela Day today?

I don't think so.

I do not celebrate Mandela Day either.

to In general I consider myself immune

to the propaganda of the so-called 'Fake News Media"

otherwise known as the Mainstream Media.

If you had listened to the radio this morning

or opened a newspaper

then you would have heard everything about 'Mandela Day'.

But who was Mandela in reality?

One could perhaps summarise it in a few sentences

but, very interestingly,

a British journalist stationed in South Africa during the fifties

and who was part of the whole clique in Johannesburg

that was busy building the South African Communist Party and the ANC

wrote the following in his autobiography,

about Mandela

and I think it is a very good quote

to be aware of. It comes from his book 'The Anatomist'

by Anthony Samson.

He says the following about Mandela:

'I would love to recollect that I

recognised Mandela from the start

as a true leader of his people

destined to change the course of history but in truth

at that time I sadly underestimated him.

"He seemed to me too flashy and vain

with his immaculate suits and his wide smile.

And he kept aloof from most white observers.

I found his rhetoric too formal

and stilted, full of anticolonialist clichés

I was much more impressed by his mentor

Walter Sisulu and by his legal partner,

the intellectual Oliver Tambo.

So there we have it. Mandela

was just an ordinary

narcissist who wanted to parade

in smart suits of clothes. We know that he later

wore these ridiculous multicoloured shirts

with which he also wanted

to attract attention to himself. He was merely someone who craved

attention and who was manipulated by others.

And his whole image, the international image that we have of him

has been CREATED

by professionial propagandists

We saw recently

how a firm by the name of Bell Pottinger

from England was supposed

to launch a whole campaign

in South Africa

by simply issuing press releases

and polish someone's image

or not polish it and the phrase

'white monopoly capital'

was used as a hook for this campaign

And in the same way Mandela was just a hook

for the ultimate

looting of South Africa

which was planned and started

with the so-called 'arms scandal',

the arms deal during the early nineties

while Mandela was in power and it still

continues.

And of course we know that Mandela

was a member of the Communist Party.

He also wrote a document,

a whole extensive, almost book-length document

with the uncompromising title

'How to be a good communist'.

Now, if you want to be a 'good communist' today,

then you should celebrate Mandela Day.

If you don't want to be a good communist, like me

then you should not celebrate it.

And then you should, together with me and others, oppose

communism and make every day

an anti-Mandela Day.

Take care that you should constantly be aware

that you are going to be manipulated,

that the media are engaged in broadcasting propaganda

with the ultimate aim of

driving us out of the country

or to cause our extinction

as a national minority in this country

with our language, culture

and everything that would imply.

Therefore, we have a Facebook page

which has existed for a few years

'Afrikaners teen Mandela-dag' (Afrikaners against Mandela Day)

Go and like it on Facebook, also send

a Twitter message to me, follow this channel,

subscribe to this channel

and next time I will chat further about communism

and particularly as it is presented these days on

on 'Radio sonder grense' (Radio without borders) aka RSG.

Until next time!

For more infomation >> Waarom ek nie Mandela-dag vier nie | Why I don't celebrate Mandela Day - Duration: 5:07.

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T'as pas la nuit ! - Duration: 2:51.

For more infomation >> T'as pas la nuit ! - Duration: 2:51.

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Jeff Sessions' Numbers On Minneapolis Crime Don't Match Up - Duration: 2:39.

For more infomation >> Jeff Sessions' Numbers On Minneapolis Crime Don't Match Up - Duration: 2:39.

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The 28th Annual Lowell T. Coggeshall Memorial Lecture - Duration: 58:40.

MARK: Good afternoon.

Welcome on behalf of the Pritzker School of Medicine ,

the Biological Sciences division,

and the MacLean center for clinical and Medical Ethics.

I'm delighted to welcome you to the 28th annual Lowell T.

Coggeshall Memorial Lecture.

The Lowell T. Coggeshall lectures

have generally focused on medical education,

and started in 1989 to honor Dr. Coggeshall who

had begun his academic career as a faculty member

here at the University in the 1930s.

During World War II, Dr. Coggeshall

ran the malaria program for the US government,

and he returned to the university in 1946

to become Chair of Medicine and Dean

of the Division of Biological Sciences.

From 1946 to 1960 during his years as Dean,

Dr. Coggeshall was known warmly nationally as the Dean

of Deans of American Medicine.

Almost single-handedly, he built the AAMC

into the powerful medical school organization

that it remains today.

Previous speakers in the Coggeshall lecture series

read like a who's who of American Medicine

and of University of Chicago Medicine,

speakers have included--

you see early on--

Bob Petersdorf, Al Tarlov, Bob Ebert, Al Feinstein,

Jordan Cohen, Dan Tosteson, Arthur Rubenstein

was the only person to give the lecture twice,

Joe Kirsner, Bruce Beutler--

a graduate of Pritzker who won the Nobel Prize--

Mike Parmacek, Holly Humphrey who's with us today,

and Sam Hellman is a wonderful addition

to this roster behind me.

It's now my pleasure to introduce our speaker

today, Dr. Sam Hellman.

Dr. Hellman is the A.N. Pritzker Distinguished Service Professor

Emeritus in the Department of Radiation and Cellular

Oncology, and previously served as Dean

of the Division of Biological Sciences at the Pritzker

School of Medicine before coming to Chicago.

Dr. Hellman was physician in chief at Memorial Sloan

Kettering hospital in New York, and before that, he

had served as the founding chair of the Department of Radiation

Therapy at the Harvard Medical School.

Throughout his career, Dr. Hellman

has been active in both clinical and laboratory investigation

especially related to breast cancer, prostate cancer,

and lymphoma.

He's also written extensively on the ethics of clinical research

and managed care, and on the doctor-patient relationship.

Dr. Hellman has served as president

of both the American Society for Radiation Oncology

and the American Society of Clinical Oncology.

Sam is the author of more than 300 scientific articles,

and is co-author with Vincent DaVita

and Steven Rosenberg of the standard textbook in cancer

called Cancer Principles and Practice of Oncology which

is now in its seventh edition.

Recently, Dr. Hellman published a new book called Learning

while Caring Reflections on a Half-Century

of Cancer Practice, Research, Education, and Ethics.

His new book is a collection of Dr. Hellman's essays

and articles exploring the issues generated

by the modern revolution in medicine,

and by changes in health policy over the past 50 years.

Today, Dr. Hellman's lecture is titled Learning while Caring.

Please join me in giving a warm welcome to Dr. Sam Hellman.

HELLMAN: Thank you very much.

We're going to do it very quickly.

So let's just look at nine at a time.

We'll be out of here in 10 minutes.

Thank you very much.

Well, thank you for that generous introduction Mark,

and it's wonderful to be here.

I have very, very fond feelings about Chicago the city

and the University of Chicago.

So thanks for inviting me out.

I take any reason to come and this is a wonderful one.

Mark, as mentioned this title, Learning

while Caring being the title of first an essay, then

a book, and now this talk, but each are somewhat different.

Learning while caring is what we do as a medical faculty

and it's what we do as physicians outside

of medical faculty, and it's important to recognize

this distinction.

We learn with our patients.

We treat patients as physicians at the same time,

and that's the heart of my discussion.

Let me see if I can get this to go.

So because I'm used to teaching, I'll

give you the summary at the beginning--

at least the table of contents.

I'm going to talk first about a little bit

of a primer of the nature of learning inductively

as a scientist and as a physician scientist.

Then a little part on the birth of academic medicine

in America.

It's very easy to determine exactly when it really started,

and how it started and it's important,

I think, to understand what we do.

I'm sorry.

Then a little bit of what Mark was talking about,

which is the dual responsibilities of physicians.

Those to serve society and those to serve

the individual patient, and when they have the possibility

of becoming in conflict.

And a little bit on patient rights and then

my final message.

Now these other players and that's insight,

it's an academic talk so there's going to be a test.

And you can see it now, and the answers will come at the end.

So we'll start with medical learning.

I like to distinguish, and I'm sure all of us do,

that we are one of the learned professions, but very much so--

and even more so-- we are a learning profession.

As we all know, lots of the things

we got taught in medical school are not true.

We didn't know which ones were going to be true

and which ones weren't, and we constantly change on it.

Knowledge, despite the notion that

randomized clinical trials are the

be all and end all of learning, it's in fact not true.

For any of us who practice medicine, we learn.

And I put knowledge and justified belief

because just to remind you that knowledge is uncertain

when you get it inductively.

So justified belief may be, in fact, a more correct way

of thinking about it.

It comes from randomized trials and meta analysis of those.

It comes from professional meetings.

It comes from our teachers, and it

comes from our clinical experience, and the accumulated

clinical experience of the profession.

And all are necessary.

Now this is just my pet peeve slide

because I think the notion of quantifying or categorizing

knowledge has gone crazy.

This is an example from the United States Government Agency

for Health Care Policy and Research--

Not for patient care.

Not for taking care of individual patients.

For policy and research.

And NICE is a nice acronym, but the British started this,

and you can read what they categorize

as the way in which knowledge should be assessed,

and I'd said enough about it.

In fact, clinical learning is based

on what Michael Polanyi says is tacit knowledge.

Tacit knowledge is the ability to integrate unconsciously

a series of pieces of information or data

and everyone--

lots of people came in today that I said hello to.

How did I recognize them?

What was the process?

It wasn't a conscious process.

I saw Eric--

Everett.

Freudian.

I saw Everett and I recognized him, but how did I do that?

Tacitly, unconsciously, I looked at his face.

I was prepared to see him here, and I make a decision

and when I do it from a distance,

I am less secure about it.

But as he comes closer, I become more secure.

That's one essential part of learning

and Michael Polanyi wrote a book about it

and it's quite interesting.

And it's, of course, what is a part of what

we call clinical experience?

Wisdom.

For whatever field you're in, you have an experience base

and it applies to it.

Second is Bayesian thinking.

You have preconceived notions of what

they should be or shouldn't be.

Anna, you may remember Jim Savage.

Do you remember him?

A statistician at Yale when you were there.

Well, he made the best comment I've ever

heard him explaining this.

He said, if someone tells you that they could flip a coin

and have it come up heads 19 out of 20 times,

you'd say there's something wrong with the coin.

If a musicologist told you that he could recognize a Mozart

score and 19 out of 20 times, you'd

say how did he miss that one?

And that's what Bayesian thinking is all about.

When you see an unexpected finding that

goes against everything you think is true,

you need a lot more evidence before you accept it.

On the other hand, if it's very much in what

you're used to the data needed is much less.

And just the final point about knowledge is that we learn

and we talk about textbooks which tell us

about one tumor or a cardiac problem or another,

but we apply it to individuals.

And so the knowledge is useful as a framework,

but the decision making is completely individual.

Just a couple of quick points on this.

These are explaining to you what I think these words mean.

Theory, an internally consistent explanation

of a series of obligations.

A hypothesis is a testable consequence of a theory,

but a confirmed hypothesis doesn't prove a theory at all.

It helps, but it doesn't prove it.

And the other is what I've just been

saying that there is no dichotomy, knowledge

or ignorance.

It's a gradient.

You go from almost complete ignorance as you're young

and then you start to learn and have some levels

and these levels are just--

I gave you four different things at the bottom.

There's accepted knowledge.

Standard.

Everybody seems to believe that it's confirmed many times.

There's evidence.

There's belief that you think things should be certain way.

And then there is the individual particular action that you do,

and you sometimes act on accepted knowledge,

only sometimes on evidence, and sometimes just on belief.

Try to give an example of medical learning,

and what you don't learn.

As many of you probably know, a major advance in cancer care

was the development of adjuvant chemotherapy.

Chemotherapy given to patients who

had seemingly localized breast cancer

because it was believed from previous experience

that a significant number of them

would develop metastases later even when

their primary tumor was removed or controlled by radiation,

and there are theories for how that cancer spread.

Well the first theory is that the operation itself

spread cancer cells, either by some immune suppression,

by the anesthesia, by the manipulation of the tumor

and removing it physically causing cells to spread.

That's one theory, and the other theory

is that the tumor had spread aculpably before you saw it,

and that was the cause.

And that localized disease was really much less common

than you thought.

You just didn't have the tools to find it.

So the hypothesis that was chosen to test

was to see whether adjuvant chemotherapy could reduce

breast cancer metastasis.

So I'm going to show you the three major studies,

and try to help determine what they meant.

The first one I think historically in starting

was a Scandinavian trial based on the premise

that surgery promulgated the metastasis.

So you'll see when I show you to the design what

they did for that one.

Then the two most famous ones in this country, one

is by Bernard Fisher, and he started his first trial

with that surgical spread notion,

but quickly changed to believe it really

should be considered a systemic disease whether or not

you detect the tumors.

And finally, Gianni Bonadonna down in Milan

did a study which was an American study.

It was developed at the National Cancer Institute

to follow the rules that were done

with multi-drug chemotherapy for Hodgkin's disease

and they just took that same approach and here's

the difference.

Nissen-Meyer, an alkylating agent cancer toxin

cyclophosphamide very soon after surgery

within 24 hours given for six days and that's all.

Bernie Fisher gave a similar alkylating agent for two years,

and Gianni Bonadonna, three drugs.

I say very similar to the Hodgkin's trial,

he first tried 12 months, and then

tried six months-- showed six month was as good as 12 months,

but both long, one short.

All trials were positive.

Not too different in extent.

What theory was supported?

Both theories were supported.

This could be consistent with both theories,

and if these trials were negative--

one or all of them--

what would you have learned?

You wouldn't have learned that adjuvant chemotherapy was

no good.

You're just learning that that particular drug

given that particular way wasn't good.

So you have to be see what it is you learn

versus what the hypothesis that you're testing is,

and as a matter of fact--

wait a minute--

Fisher did his first trial with Thiotepa, another alkylating

agent, and it was negative, and nobody talks about that trial.

And Fisher decided the drug was just not active enough,

and so he chose another drug.

Here's the interesting study.

This is the Bonadonna study.

You can see a big effect.

That's months on the bottom so 120, that's 10 year survivals--

curve is relatively flat, significant improvement

between the treated patients and their controls,

but does it tell us anything about the theory?

Not in this form.

But Bonadonna and his colleagues were very smart,

and what they did is they plotted the hazard

rate, the likelihood of having demonstrated metastasis

as a function of time, and you could

see the dotted line is the untreated patients

and the solid line is the treated patients,

and it looks like almost all the effect is somewhere around two

years with a range.

And they postulate something must have happened

to cause the metastasis at a specific time,

and it took two years for that metastasis

to be clinically demonstrated, and that something was likely

the surgical procedure.

Now that's just an explanation.

I haven't learned that, but I believe

this supports the first theory.

And that's what we've learned from this.

One, that the hypothesis is confirmed

for certain drugs in certain ways, and two,

that you see this.

And it's interesting in this case

especially because it was Nissen-Meyer who only gave it

for six days where this might have

been what you would expect.

This is given for six months or twelve months.

Well, I gave you that.

Just to summarize that part of this talk.

Popper, Karl Popper a great philosopher of science

said that--

well, you can read it.

You don't need me to tell you, but the last thing

he said there was, no matter how many instances of white swans

observed, that doesn't justify the inference

that all swans are white.

But, of course, the more you see of white swans,

the more suspicious you are when you see a black swan,

and you worry, well, was there some oily water or something

that discolored the swan?

But it doesn't prove it.

And Ernst Mayr, probably the progenitor of modern biology,

said, what Popper said is true.

It's conditional, but repeated consistency supports.

It adds to your security in the knowledge,

and I think that's what we do all the time,

and if you see some funny thing happen, you doubt it.

You work to make sure that you can confirm it strongly.

I'm going to switch now to the emergence of academic medicine,

and I said you can tell exactly when this began.

It began, American academic medicine, with a report

by Abraham Flexner for the Carnegie Foundation.

Asked to do this by the AMA because we

had all kinds of medical schools, proprietary schools,

schools that took people with no particular background,

and gave him six months or a year of medical training.

A lot of it was really being a preceptor with a student,

and the Flexner's report said you should

do what Johns Hopkins just did.

And Hopkins in 1889 built a medical school,

but first built a hospital and then built a university

to help this perform, and that has expanded and as they say,

the rest is history.

And four of the essential points on this

are that the medical schools have

laboratories and faculty doing research and involved

in patient care.

They must be full time-- a cadre-- not all of them

but there must be a significant full time group.

They needed a full undergraduate experience,

and it was organized as two years basic science

and two years clinical medicine and that held in America

until way into toward the end of the 20th century, where

we started to fool with problem based learning and learning

in blocks as opposed to the other

but it's all from the Flexner report and all from Hopkins.

And these are the founding four of Hopkins.

The most important of whom--

you'll like this Kenneth-- it was the Dean.

And well, she was first chosen, and he went

about hiring the remainder.

Osler is the most famous name on that list,

and deservingly so, he was the first Chair of Medicine,

and the others were also very important.

From there, the Rockefeller Institute.

Not by complete accident, the President

of the Rockefeller Institute for Medical Research

was Simon Flexner, the brother of Abraham Flexner,

and he took this to heart, and they built beds--

actual beds-- in the place and expanded it,

and it's now a university, The Rockefeller University

The Harvard Medical School did two things.

The first thing they did was to build the Peter Bent Brigham

Hospital right adjacent to the medical school

so they could achieve what Hopkins had done.

Billing's Hospital here, I think this--

is this room in Billing's, Mark?

This room is in Billing's, right?

Yes, so we are in that building built to meet

these particular requirements.

It took later, but it was based on this and then a gift

to Harvard and the Boston City Hospital

was to make such a unit at the Boston City Hospital,

and that became the Thorndike Lab at the Boston City

Hospital, and that was Harvard run from 1924 so

until 1974, when Boston politics took over

and Harvard and Tufts left the Boston City Hospital.

It became BU's hospital but they're very important.

Now the first of your cast of characters

is Francis Weld Peabody.

You'll notice those are two Boston Brahmin names.

Well, Peabody, he came from the establishment.

His father was the Deacon of the Congregational

Church in Cambridge.

He was a quintessential Harvard person, very bright,

trained at the Brigham, sent to Hopkins

to get some further training, and to the Rockefeller

back to the Brigham.

During all this time, Presidents Judson and Burton in succession

tried to get Francis to come to the University of Chicago,

and help start the civil adventure,

but he took the Thorndike and as a good many of you--

if you look at that first quotation

under The Care of the Patient--

this was a paper written by Francis Weld Peabody and he

says, one of the essential qualities of a clinician

is the interest in humanity--

and this is the quote that everybody uses--

for the secret of the care of the patient

is in caring for the patient.

Emphasizing that, and the second point that he makes

is the one I was making before.

The difference between learning in general,

and treating an individual patient in particular.

Well, Francis was very articulate.

These writings are his kinds of things.

I looked into him a little bit, and it's very interesting.

He developed GIST, a gastrointestinal stromal tumor,

unrecognized as such in those days.

It was medistat into his liver and he

died before he reached his 46 year birthday.

So the article was written while he had the tumor

and knew that it was inoperable.

So I think it adds a certain fullness

to what Francis is saying because he's

on both sides of this thing.

He was the doctor and now he's the patient,

and writing about this.

And there's a little irony--

irony may not be the right word--

but this is one tumor where the idea of precision medicine

has been particularly effective, and today, we

do so much better with this tumor

than we ever did in those days.

And I use it because clinical medicine blossomed

at Thorndike, and I use one example,

and the example is completely prejudiced.

My first boss was Hermann Blumgart,

and Hermann Blumgart was a research associate right

after medical training with Francis.

I know him so well I call him Francis now.

And what he did was just 30 years

after this discovery of radium, he

took radium-c, which is a very short lived decay

product of radium, and injected it into anti-cubital vein

in one arm, and developed what was a cloud chamber which

you could put over the other arm and determine

how long it took for the radioactive material

to go there.

This became a cardiac transit time.

It was, I think, the first novel way

to study cardiac function, and as I point out,

cardiovascular council.

That's their award to the best research,

and so very much was wanted was there.

Now, Francis emphasized this care of the patient and caring

for the patient, and this is just a quote from Warfield

Longcope-- the first one--

who says that the relationship develops not only knowledge

but sympathy, and he calls it the essence of medicine.

Blumgart, my boss, says, well, not so much.

He says it's very important but you need some detachment

from the patient.

You can't just empathize with the patient.

You have to have some objectivity,

and he called them those two terms.

And this is further Blumgart who wrote in the '60s

an essay which was in the New England Journal which

is very interesting.

It's about Francis.

What Francis said and how Blumgart felt about it

and you can read it.

So we understand the vehicle, academic medicine.

We understand something about how you gain knowledge, and now

let's talk about the patient and the doctor, and how

that fits into this and the--

so we're going to talk about patient rights,

and also about medicine's responsibilities

to the larger society, and how those two

come together or conflict.

I'm sure you can make a list of doctor's responsibilities

to the patient.

This is my list.

But I think it's worth thinking about it a couple of things

there that I think are particularly important is

that it's loyalty and fidelity to the patient that

should be paramount.

Then that comes up first in everything from Hippocrates on.

We should be respectful of the patients' rights dignity

and most importantly, their autonomy.

Patients must be involved.

You can't-- you have to involve them in this,

but they have to get your guidance and advice,

and the rest you can read.

A little word about vulnerability.

If you've ever been a patient, no matter who you are,

you are not in an equal relationship.

You are vulnerable.

You've got this bad thing happen,

and you found the doctor and you want that doctor to guide you.

Not to do it without your blessings or agreement,

but you are not equals.

Now, the societal stuff.

Public health, disease prevention,

very important for medicine.

Public education I believe is even more important now

than ever before.

I just put down there for those of you molecularly inclined

the gene editing, the CRISPR technology.

The discussion about how to gene edit and when to gene edit

is not a medical decision.

It's not a scientific decision.

It's a decision of an informed public,

and the person that informed public or that public

wants to get the information from is largely their doctor,

and that's our responsibility to get to this.

Just to make this an academic exercise, Asclepius,

the Roman god of medicine--

followed the Greeks, so the name but with an I-U-S,

it's Roman not the Greek, but it's the same--

had five daughters.

I mentioned his two daughters to you,

and their names Panacea and Hygeia.

Those are the two goddesses of medicine.

Panacea means what we use it for,

a drug to cure all the ills.

They want cure.

They want something that can do it.

And Hygeia is communal benefit.

Let me just point out to you that the philosophic basis

of Panacea is very much right space-- patient rights,

formal relationship, and individual--

communal benefit is utilitarian.

How you get the best.

Best example is vaccination.

Another example is quarantine.

You hurt some people by restricting them in order

to preserve the common good.

You can't do that if you're taking

care of an individual patient.

It's just a different role.

It's not an unimportant role and it's not a wrong role,

but it's a different role.

And, of course, clinical medical research, and I've

talked to you a little bit about that.

It's interesting to me if you look--

and Mark is much more able at talking about this--

but if you look at how we came to these things.

It all started after the Second World War

where the Nazi doctors were tried at Nuremberg

for crimes against humanity.

For crimes that just were complete in opposition

to the oath of a physician, and then the Helsinki declaration

a little later formalized it.

And then this next person that I mentioned to you, Henry Knowles

Beecher wrote this article.

And this article in the New England Journal,

he took 22 studies from the literature,

from very good institutions and very good people,

and questioned the ethics of them.

And I showed you just a few things,

but the worst maybe for me was the intentional

giving a live hepatitis virus to mentally impaired children

to prove how the transmission of the virus occurred.

Now look at the dates.

It's 1966.

So from '47 to '66.

Krugman.

Saul Krugman at NYU won the [? Marco ?] prize, and later

the Lasker award the American Nobel Prize

for the hepatitis study.

And Beecher wasn't so pure either.

This, I learned just this last year inadvertently

but very interestingly, Henry Knowles Beecher

wasn't named Henry Knowles Beecher when he was born.

He was Harry Unangst, or Unangst, or Unangst.

But when he decided to go enroll at Harvard Medical School

after completing his undergraduate training

at the University of Kansas, he changed his name.

And it's no accident that Knowles and Beecher are

two other Boston Brahman names.

His mother was a Beecher, but at least the people

I read do not know whether in fact she was of the Beecher's,

but that's him.

He was the Chair of Anesthesia at MGH--

one of the leading pioneers in anesthesia--

but he did a lot of experiments that

would easily fit into his article,

and I just mentioned a few.

Well, they're both interesting.

He did a randomized trial of using

arterial bypass and a control group that were operated on,

but the bypass wasn't done and he never asked the patients

for consent, and the patients never

knew because he was worried there'll be a placebo effect.

And he also was looking during the Cold War--

The Cold War really did a lot for expediency

rather than individual rights--

and so he studied LSD in medical students,

in unsuspecting volunteers.

Anyway, for some reason, he changed his mind

about informed consent and then wrote the book.

But none of this made much of an impact on people

until the Tuskegee study which came out in 1972.

It started in 1932 of leaving patients

with syphilis untreated to study the natural history

of the disease.

During that time, of course, penicillin became available,

and there were other less satisfactory treatments

before that.

And people got very upset and there's

a series of other things I won't bother you

with except the last one which is when

the first real questioning of untreated controls

came up from the statisticians.

This was on the AIDS epidemic.

The first drug for AIDS was to be started in the trial,

and half the patients got the drug and half the patients

got a placebo drug.

Pills look exactly the same and the public--

ACT UP if any of you are old enough to remember ACT UP,

the advocates for AIDS care-- screamed and hollered

about this.

But the most telling thing that happened

was that addicts on the street who were once

one major group that was affected by the disease pooled

their drugs.

They pooled them together because they

didn't think it was right that only half of them

would get treated.

So they pulled the drugs and took them out

so everybody got a little bit.

That didn't help the trial any, but it kind of points out

how difficult this is.

And it is the problem with the doctor acting

as a double agent trying to get information that will

serve patients in the future.

And as well as treat patients currently.

And Tony Fauci, the great leader of Allergy and Infectious

Disease at the National Cancer Institute--

I mean at the National Institutes of Health said,

and this is exactly what I think they believe

which is it's not to deliver treatment

for individual patients.

It's to help future patients, but you as the doctor

are taking care of those individual patients.

And buyer at all is an article in the New England Journal

too from ten statisticians saying

we can't do randomized trials in AIDS patients.

So this gives you a sense of this dichotomy,

and there are other examples of the dichotomy.

And you can see these quickly I'm running.

Problems with randomized trials are listed up above,

but there are other things such as rationing.

The opportunity if you work for the National Health

Service in Britain and have to ration your drugs

at the same time, You're trying to take

care of individual patients.

It's a straightforward, very difficult circumstance,

and it's true in America as well,

and we have to separate these two actions.

You can't have the caring physician

be the one doing the trial.

And now I'm going to go quickly through two

of my favorite people.

This is Thomas Hodgkin from whom Hodgkin's disease was named,

and he did both Panacea and Hygeia.

He lived from 1898 to--

I'm sorry, 1798 to 1866.

He practiced individual patient care.

He then ran the museum, and did the first

as far as I understand detailed clinical pathologic

correlations at Guy's hospital, and obviously, he

described Hodgkin's lymphoma.

And the story of that is a very interesting one.

But he also determined that lymph nodes with disease

in them associated with cancer patients

had the same disease in the lymph nodes

that they had in the cancer.

All before a microscope.

All before the microscope, then when

the microscope became available to him,

he noticed the bi-concave nature of red cells,

and striation in muscle.

So he was doing both I mean clearly doing

medicine's things, but he also campaigned

to get rid of lead pipes and cover them in tin.

He said fiber was good and cream and butter

were bad, and tried to get Britain to pay attention.

This is in the mid 1830s and 1840s.

Those of you who watched the Victoria series

on public television, young Victoria when she--

the attempted assassination was made of her and her husband,

Prince Albert, Hodgkin spoke and for the first time said,

there are people who do not know right from wrong,

and that's a form of insanity.

And that defense won.

The attempted killer, he went to Bedlam,

and remember that's the famous insane institution in Britain

and died there.

And that was it.

So the first time.

And for until he died, he went to the parts

of the British empire where he felt

there was a moral obligation to make sure that people were

getting certain levels of care.

And went with his friend Moses Montefiore--

again another story--

but points out his social conscience,

his way of doing things for the good of society

as well as individual patients.

And one that's not an M.D. is Marie Curie.

Madame Curie was thought when she discovered penicillin

that it would be a panacea.

It was put in all health potions and advertised greatly.

And in the early 1970s, my wife and I

were at the international breast cancer meetings in Florence,

and we got a room in not in Florence but Montecatini, which

was a spa, and in the room was this offering

of therapeutic enemas from the spa and emphasizing they

had high concentrations of radium.

This is 1974 or something.

So it wasn't panacea to some, but she did much more

than that.

She raised funds for using radium

to treat cancers, primarily female cancers.

She was a feminist and an ardent feminist,

and cervix cancer was cured with radium and endometrial cancer

as well.

And she recognized that.

But more than that.

When the First World War came on,

she said they need some x-ray machines to pick out

people who had broken limbs.

People who had shrapnel in them, and so she and her daughter--

who also won a Nobel Prize, I'll point out--

Irene, developed this cart--

motorized cart with x-ray machine in it.

They took the x-rays that made the diagnosis,

and took care of it.

She did both.

You can do both but you got to do them separately.

I'm running out of time and I have to give you the results.

I'm sure you got them all but that's obviously Madame Curie.

Five Nobel prizes in that family.

Just think about that.

And not the Peace Prize, but I mean science prizes.

Pierre and Marie won the first one together

for the discovery of an isolation of radium.

Pierre had died, and she won the second one in chemistry

for the chemistry of radium, and so that's three.

And her daughter Irene and her husband Frederick Julio Curie

won the prize in the mid '30s for showing

that you could bombard atoms and make them decay,

and that's the first example of artificial radioactivity.

5.

She's definitely a genius.

That's Francis Weld Peabody.

He's our hero because heroes when the most heroic die young,

and Francis did.

And he was the embodiment to me of modern academic medicine.

Not so much with Henry Knowles Beecher

He's much more checkered than I thought.

One of the books that described the emergence of medical ethics

by Rothman compared Beecher to Rachel Carson.

I think he probably overdid it.

And the Renaissance person is Thomas Hodgkin.

He knew and did many things, and was an internationally known

figure.

I could go on again about him, and that's my special guest.

That's my boss who did the radium-c transit

time, Hermann Blumgart.

And his boss was Francis Peabody.

So you can read this if you want for a minute,

it's from Blumgart and from that article.

So it's easy to know the patient,

and sometimes very difficult to know who the doctor is.

My message is we're a learned and learning profession.

Medical knowledge is uncertain.

Best advice to an aspiring physician is don't be too sure.

We have the primary obligation to the individual patient.

Both the public health and the medical

should be served but not concomitantly

in my belief by the same doctor with the same patient,

and my last one is there's much to learn

about studying your predecessors and it's also fun.

Thank you very much.

MARK: Dr Hellman's talk is open for comments and questions.

AUDIENCE: You have been critical of the randomized trials,

and yet, drugs do have side effects.

We don't know when and how they work.

So how has your position evolved?

HELLMAN: Not the way you would like it.

But I'm going to give you two answers, the answer is no.

I do think that if you're doing a trial,

you're actively involved in the trial,

then the patient must have primacy,

and if you're doing a study like Tony Fauci does,

that's perfectly OK with me.

He's not taking care of those patients.

And the person who takes care of those patients

has to be convinced that he or she doesn't

know which one's better.

Doesn't have a hunch which one's better.

If it was their mother, father, sister, brother, child,

they would be perfectly comfortable putting them

in a trial, and worse that if in doing their trial,

they find out that they see one group is doing better,

they've got to figure out which group that is

and give the other patients the same treatment which

is the end of the trial.

It ruins the trial.

So it's hard to do to start with but possible.

I can't in my judgment do it where

you gain information which would cause you to actually treat

people who you don't think are getting the right thing,

and finally you can't do a corroboratory free trial.

It's ethically impossible to me to do a corroboratory trial.

And then the second answer to your question

is with personalized medicine, at least in oncology, we're

going to get very small groups of people,

and it's going to be very hard to do statistics on them.

And so we're developing as you know

as well as I do other ways to deal with this.

AUDIENCE: Sam, back in the days, I

think you remember the use of ficus chemotherapy for breast

cancer.

Were you opposed to the randomized trials

of that approach?

HELLMAN: Well, I don't remember when it was in

my career at. '79 was when I first wrote about this.

So I'm trying to remember, but I think I probably was.

Yes, I was opposed to them for the same reason.

Now I mean I know the argument-- the pragmatic argument--

but there are other ways to deal with it.

There are some perhaps less good,

but they're very easy to repeat and there's no ethical problem.

You can have match pair analysis.

You can match groups from different places.

You could repeat it ad infinitum,

and that gives you a lot of support.

So I don't think the argument that if we

don't have randomized trials we'll get no advances.

That's not true.

It's not true.

And, in fact, things like penicillin--

which had big effects--

you didn't need randomized trials.

There was no point in that, right?

So I mean it's a more complicated point.

I'm not arguing that they couldn't-- that they're not

useful.

I'm just saying they're not ethically

valid for the individual doctor who is at the same time taking

care of those patients.

But I forgive you.

MARK: Holly.

AUDIENCE: Sam, thank you very much.

I'm wondering given your long history in academic medicine

if you have any specific advice for

the entering medical student in 2017 to best learn by caring?

HELLMAN: Well, the first thing I would tell them--

but I wouldn't like to see them as an entering medical student,

I'd like to see them as an entering college student.

Because I think one of the most misunderstood,

and it's especially bad today with the emphasis on STEM

education, that people are programmed

too early into the sciences, and not enough into the humanities.

And I mean I look at my career.

Randomized trials was very important to me.

I went to Memorial Hospital, and I suddenly saw this epidemic

of AIDS come where an eighth of the patients in our hospital--

a cancer hospital--

had AIDS, and the doctors were frightened

to death of treating them.

The nurses were frightened.

What are we going to do?

What's about touching people?

And it was all this hysteria, and it required, I believe,

the values that you get from a liberal education

to figure a way through it.

And that was true for the doctors, the nurses,

the other professional people, as well as the people

at random cleaning machines.

They especially vulnerable for it.

And the board.

And the board.

So I would say get a liberal education.

Meet your minimum requirements for science.

Trust the science you'll get in medical school.

I had just a last note, I know I'm over.

I had a medical student many years ago

in Boston who was one of three daughters of a very

eminent biologist.

Not a PhD in biology.

He's really the person that made us able to clone cells

in culture--

mammalian cells in culture.

I said to her, I knew that all three girls

were in medical school or physicians.

I said, Jennifer, how come all of you chose to be doctors?

She said, well, we listened to our father.

He said that you should get a good general education

and the best general education is to be a doctor,

and that's the education I want to give them.

MARK: I think it's a good pointer.

Thank you.

For more infomation >> The 28th Annual Lowell T. Coggeshall Memorial Lecture - Duration: 58:40.

-------------------------------------------

Why don't countries just print more money? : Explained in 2 minutes - Duration: 2:03.

🎵🎵MUSIC🎵🎵

let us imagine a small country with a population

of 3 people

Adam, Bob and Chris

Adam has 1 dollar Bob has 2 dollars

Chris has 3 dollars

Let us imagine that the total production efficiency

of the country is 6 candies This means that if the country uses all of

it's resources, it can produce a maximum amount of 6 candies

If Adam, Bob and Chris decide to spend all their money on candies, they can buy 6 candies

Therefore, the cost of each candy is 1 dollar

The government gave away cash making machines

to it's citizens

Taking this as an advantage, Adam, Bob and

Chris doubled their money

Now, they have 2,4 and 6 dollars respectively

Now, Adam, Bob and Chris have 12$ in total

But the amount of candies available is still 6

because,

Money cannot increase the resources or production efficiency

It can only increase the spending power

So, the cost of each candy becomes 2$

You can clearly see that increase in the amount

of money raises the price of the goods

This is called inflation

In the late 90s, Zimbabwean Government started printing money without any basis

This resulted in a hyperinflation situation in the country

In the year 2007, the cost of an egg in zimbabwe is around 1 billion zimbabwean dollars

🎵🎵MUSIC🎵🎵

For more infomation >> Why don't countries just print more money? : Explained in 2 minutes - Duration: 2:03.

-------------------------------------------

Ševa i Laky - Je T'aime - Live with English subtitles - Duration: 4:05.

I love you...

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Auliben... All ok...

Snow...

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Eui.... Fine...

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Don't speak too much... I love you...

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Microphone has dropped down... I love you...

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Please...

Load...

Ouuuuu...

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The morning is coming soon...

I love you...

For more infomation >> Ševa i Laky - Je T'aime - Live with English subtitles - Duration: 4:05.

-------------------------------------------

Don't Take Our Word For It - Customer Testimonials - Duration: 2:19.

"Music Playing"

Hi, my name is Leigh Kostiainen from Active School Apps. I'm based in Sydney, Australia.

Hi my name is Greg Blatz. I live in Wabash, Indiana, and that's where we run our businesses out of.

Hi my name is Joe Jason. I'm a life time broadcaster since I was in my teens

Most of my career has been in radio station ownership,

but I joined Far Ahead Apps, who is a reseller of Biz Apps, and

have been doing that for about a year now.

I was developing apps for restaurants many many years ago before you know everybody started seeing the trend.

I saw the trend and so here I am today to launch my own app company with the support of Biz Apps.

I came across BA, and I just really liked the way it was so easy to use,

quick to start, and from there it was love at first sight.

I've tried different platforms prior to coming to Biz Apps

and I could say that the customer service,

the experience, the graphics I mean it's definitely on point. There's no comparison.

Amazing customer service I think is the number one key. I don't feel like I'm alone.

Which is amazing and the platform is incredible.

We live in a small town, so we deal with everybody that's in town.

So we create apps for all all types of businesses.

The business apps platform we're able to provide it a

very reasonable cost where they can also continue to maintain it with the

you know friendly interface, so they can maintain it themselves. So you know really it's just a perfect fit.

I see where the business can go

from two years ago the first

reseller summit in San Francisco, I went from 5 apps to 80 apps

4 sales reps.

Just you know like money, I like helping small businesses.

The thing that I love about selling apps is that

it's probably the only form of media that I've ever run across

where you buy it one time, and it's yours it continues to grow it, it has a life.

So when you're working with another small business owner that doesn't have the big budget like the big guys

You know it's it's really kind of amazing feeling

that you can see you're having an impact on their business and life.

For more infomation >> Don't Take Our Word For It - Customer Testimonials - Duration: 2:19.

-------------------------------------------

5 Compression Mistakes You Don't Know You're Making - BehindTheSpeakers.com - Duration: 14:55.

Hey, this is Jason Moss from BehindTheSpeakers.com, and today we're gonna talk all about compression.

So if you're struggling with compression, don't worry—this video is gonna give you

the clarity and confidence you need to approach it like a pro in your next mix.

Now if you want to dive deeper, I put together a free compression cheatsheet that covers

a lot of tips and tricks and techniques that I haven't covered in this video.

So if you want this free cheatsheet, just click the link in the description below or

in the video and you'll get free instant access.

Let's dive in.

Mistake number one is your attack time is too fast.

Now, the attack time on a compressor is one of the most important parameters you can set,

because it basically determines how much of the initial punch or impact of notes gets

let through that compressor.

So with a fast attack time, what ends up happening is a lot of that energy gets turned down,

so the compressor ends up destroying a lot of the impact and punch of the tracks in your

mix.

And so this can take a track that sounds really punchy and impactful and make it sound flat

and one-dimensional and just kind of lifeless.

So in general, you want to slow down your attack times, and slower attack times usually

work better.

You want to make sure that you're letting enough of that initial energy through the

compressor with a slow attack time, so that you retain a lot of that impact on the front

end of notes that really makes tracks sound larger than life.

So let's jump into my DAW and take a look.

Okay, so I have a song here by Clean Green Music Machine called Better Way, and I want

to show you how different attack times on a vocal compressor can affect the way the

way the vocal sits in the mix.

So let's take a listen to the mix first with the final settings that I used in the mix.

♫ The sun it shines for me ♫ The wind that blows the trees ♫ The waves that blew

the sea ♫ Have so much energy ♫

All right, so let's pull up the vocal compressor on that lead vocal.

And you can see here, the attack time is set fairly slow.

Now this is the 1176 compressor, which is a fairly common vocal compressor.

And the attack knob actually is backwards from the way that most compressors work, so

the slowest setting is all the way to the left and the fastest setting is all the way

to the right.

So something that's worth noting.

So what I did is I went ahead and duplicated this compressor.

And all I did was turn the attack time all the way to its fastest setting.

And I also adjusted the output gain so that there was no difference in level between these

two versions of the compression.

And this way, we can compare the same compression just with a fast attack and a fairly slow

attack, and you can hear the difference within the mix.

So first, let's listen again to the slow attack compression.

And I want you to listen to how the vocal is sitting in the mix.

Does it feel like it's close to you?

Does it feel kind of far away?

And so we'll do that first and then I'm gonna flip back and forth between the fast attack

and the slow attack and just kind of compare the two.

So first, this is the vocal with the slow attack compression.

♫ The sun that shines for me ♫ The wind that blows the trees ♫ The waves that blew

the sea ♫ Have so much energy ♫

And this is fast attack.

♫ The sun that shines for me ♫ The wind that blows the trees ♫ The waves that blew

the sea ♫ Have so much energy ♫

So slow attack again.

♫ The sun that shines for me ♫ The wind that blows the trees ♫ The waves that blew

the sea ♫ Have so much energy ♫

And fast attack.

♫ The sun that shines for me ♫ The wind that blows the trees ♫ The waves that blew

the sea ♫ Have so much energy ♫

So to my ears, with the fast attack compression, the vocal sounds like it takes a step or two

back in the mix.

It doesn't sound as punchy, it doesn't have as much impact.

It feels like it's kind of sitting behind the other instruments in the track.

The fast attack compression is kind of shaving off those transients, the kind of punchy beginning

of the notes that this vocalist is singing.

And so that's causing the vocal to kind of sound like it's a little bit muted.

It just sounds like it's further back in the mix, whereas when we listen to the slow attack

compression, those punchy transients poke through a lot more, and this brings the vocal

forward, and so it feels like it's upfront and close in the track.

Take a listen one more time.

This is the original with slow attack compression.

♫ The sun that shines for me ♫ The wind that blows the trees ♫ The waves that blew

the sea ♫ Have so much energy ♫

And this is with the fast attack again.

♫ The sun that shines for me ♫ The wind that blows the trees ♫ The waves that blew

the sea ♫ Have so much energy ♫

To my ears, I really prefer the sound of that slow attack compression.

The vocal feels like it's much more upfront in the mix.

We can hear it and understand it much more clearly.

And again, a slower attack time is usually gonna give you better results on vocals.

Mistake number two is your release time is set too slow.

Now in general, what you're looking for with compression is you want to set a release time

that allows the compressor to ebb and flow with the natural dynamics of the track that

you're compressing.

So I want to jump into my DAW and show you the effect that different release times can

have on different tracks in your mix.

First, let's take a listen to the full mix with the final processing that I used.

So this is exactly what the finished mix sounded like.

♫ The sun that shines for me ♫ The wind that blows the trees ♫ The waves that blew

the sea ♫ Have so much energy ♫ The sun that shines for me ♫

Cool.

So let's take a closer look at that vocal.

Now on that lead vocal, I have the CLA-76, which is an emulation of a classic compressor

called the 1176.

A lot of people really like it on vocals.

And it just usually does a great job on vocals, so it's a great choice if you're looking for

a vocal compressor.

But if you take a look at this release knob here, the release on the 1176 is opposite

of the way it is on most compressors.

So the fastest release time is actually all the way to the right, whereas the slowest

is all the way to the left.

So if you can see here, I have the release time set pretty much as fast as possible.

And the reason for this is because the performance is moving very quickly, and the words and

phrases are very short and choppy, and so I really wanted this compressor to ebb and

flow with that performance, right.

I wanted it to pull things down when they got too loud, but then get out of the way

very quickly and stop compressing, so that if the next note was quieter, the compressor

wouldn't still be compressing that next note.

So if you take a look at this meter, I'm just gonna play the track again, and take a look

at how this meter is moving here, in kind of, in conjunction with the dynamics of this

vocal performance.

♫ The sun that shines for me ♫ The wind that blows the trees ♫ The waves that blew

the sea ♫ Have so much energy ♫

So you can see the meter is reacting to the dynamics of the performance.

It's not just hanging all the way towards the left the entire time.

It's actually bouncing back and forth to kind of mirror or match the dynamics of that performance.

So what I did was I just duplicated this compressor, and let's actually take a look at both of

these here.

So I'm just gonna enable target mode, and that button here, in case you don't know in

Pro Tools, makes it so that we can have multiple plugin windows open at the same time.

And so what I did here was I just duplicated this compressor, and instead of a super fast

release time, I actually set the release as slow as possible.

And then the only other thing that I did was turn up the output gain a little bit just

to make sure that there's no volume difference between these two, so we can kind of compare

and contrast them.

So I'm just gonna bypass the fast release compression, and then we'll go over to the

slow release and I'm gonna play the track and I want you to take a look at the meter

on this one and notice how different it is from the fast release compression.

♫ The sun that shines for me ♫ The wind that blows the trees ♫ The waves that blew

the sea ♫ Have so much energy ♫

So you can see the meter is kind of hanging out around this negative kind of 10 area,

whereas the meter on this fast release compression is bouncing and kind of ebbing and flowing.

The meter over here is just kind of pegged the whole time, it's not really moving that

much.

Now I want to play this again and next, I want you to listen to the dynamics of the

performance.

So listen to how the vocal is sitting in the mix.

Can you hear all the words evenly?

Are certain words getting lost?

Does it feel kind of even and consistent?

Or does it feel like it's coming kind of in and out of the mix?

So take a listen to this again.

And again, this is with the slow release compression.

♫ The sun that shines for me ♫ The wind that blows the trees ♫ The waves that blew

the sea ♫ Have so much energy ♫ The sun that shines for me ♫ The wind that blows

the trees ♫ The waves that ♫

Okay, so to my ears, it sounds like that vocal is kind of coming in and out.

It doesn't feel like it sits very evenly.

And now let's actually compare that to the fast release compression.

♫ The sun that shines for me ♫ The wind that blows the trees ♫ The waves that blew

the sea ♫ Have so much energy ♫ The sun that shines ♫

So you can hear the vocal is sitting much more evenly.

We can hear all of the words.

They all feel like they're sitting appropriately in the mix.

And that's because again, this compressor is really evening out the dynamics because

really, we want the quieter parts to kind of cut through the compressor and we don't

want that compressor to be turning down the quieter parts.

We just want it to be turning down the stuff that's too loud.

Whereas with this slow release compression, what's actually happening is the entire track

is just getting turned down, so in reality, because the meter is kind of hanging around

negative 10 the whole time, it's the same exact thing as just kind of grabbing this

fader and turning it down 10 dB.

We're not really actually compressing this vocal and controlling the dynamics.

We're just using the compressor as kind of little more than a glorified fader.

So this is not to say that the fastest release time is always gonna be the right setting

for a vocal, but the idea and the concept here is you want the compression to kind of

ebb and flow and kind of respond to the dynamics of the vocal.

Mistake number three is you compress without context.

Now, the goal of the mixing process is really to take all of these tracks that we have in

our session and make them sound good as a single unit.

So what a lot of people end up doing that really leads them in the wrong direction,

is they'll start soloing tracks in their mix and adding a compressor to those individual

tracks.

What ends up happening is that when you solo tracks, you have no context anymore.

So you have no idea how that track fits in with the rest of your mix.

And the truth is, it really doesn't matter what that track sounds like on its own.

The only thing that matters is how it sounds when everything else is playing.

I think a better approach is to avoid the solo button when you're using compression,

and really apply your compression to tracks while everything in the mix is playing at

once.

And really try to tweak your settings and make decisions while you're listening to the

entire mix.

And you'll find that often when you do this, if you were to solo the individual track that

you were compressing, it might not sound that good, but in context, with the rest of the

tracks in your mix, it works.

And really, that's the only thing that matters.

So really avoid the solo button and try to make the majority of your compression decisions

in context.

And I promise you, if you do this, the compression decisions that you make are gonna sound a

whole lot better.

Mistake number four is you use it as a crutch.

Now if your mixes sound kind of flat and one-dimensional and lifeless, there's a good chance that you're

relying on compression too much to achieve the sound that you're looking for.

Now the best mixers know that really compression is just one part of the equation.

The key to get that pro sound and really bring out all the details on the individual tracks

without making things sound lifeless and flat, is that you want to get 80 to 90% of the way

there with compression, and then flip on your automation and use the automation to ride

up a lot of the details and lower level stuff that gets lost and add back in some of those

dynamics that the compression might have taken out.

In conjunction with compression, automation is kind of that missing piece that will allow

you to achieve a lot of that sound that you were looking for without just slamming things

to try to get things kind of flat and even.

Just to give you some context on what this actually looks like, I want to show you an

example of some vocal automation from a recent mix that I did.

So you can see on the screen here, there's just tons of micro rides on that vocal.

And what I did was I went through the track, 10 or 15 seconds at a time, towards the end

of the mix and just rode up all of the words and phrases that got lost and made sure everything

was sitting evenly.

And so this track was already compressed, but by using automation in conjunction with

that compression I was able to achieve a vocal that sounds great, that has dynamics, that

sound like it's full of life.

That's the key here, using compression in conjunction with automation to get to where

you want to be.

And mistake number five is you're making it sound worse.

Now, the goal when we're mixing is not just to make the right mixing decisions, but also

to avoid the wrong ones.

And this is a big deal, because often times throughout the mixing process, we make so

many decisions that actually take us further away from where we want to be, and actually

make tracks sound worse than if we hadn't of done that at all.

So what ends up happening a lot of the time is you add a compressor to a track, you start

tweaking some knobs and changing some settings, and maybe you twist that makeup gain up a

little bit.

And what ends up happening is that makeup gain makes the track sound louder with the

compressor engaged than if you bypass that compressor and just listen to the track before

any compression.

So if you do compare the sound of the compressed track and then the sound of the uncompressed

track, often times you're gonna say, "Wow, the track with this compression sounds a lot

better."

When in reality, you're really just responding to that increase in level, because louder

always sounds better to our ears.

So you want to make sure that you're always setting that makeup gain control properly,

so when you flip that compressor in and out of bypass, there's absolutely no difference

in level between the track before compression and after compression.

So I hope you found this video helpful, and if you avoid these five mistakes, I promise

you, the sound of your mixes is gonna improve by leaps and bounds.

Now if you want to dive deeper, I also put together a free compression cheatsheet with

tips and tricks and techniques for approaching compression on common instruments.

So if you're struggling with compression, this cheatsheet's gonna give you even more

clarity, so you can approach compression with confidence in your next mix.

So to download this free cheatsheet, click the link in the description below or on the

video, and you'll get free instant access.

Anyways, thanks so much for watching.

You can check out more mixing tips at BehindTheSpeakers.com.

Take care.

For more infomation >> 5 Compression Mistakes You Don't Know You're Making - BehindTheSpeakers.com - Duration: 14:55.

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Arkansas won't stop passing laws that make getting an abortion more difficult - Duration: 2:20.

Back in 2009 Arkansas passed a bill that gives the parents of a deceased child

equal rights over how the child's remains are handled.

Well this year the Legislature passed an extension of this law that includes fetal tissue.

So what does this mean?

It means women who seek abortions have to get permission from the biological

father before they can undergo the procedure.

According to the bills primary

sponsor part-time legislator part-time pastor Kim Hammer the bill was only

created to protect the fetuses remains.

The intent of the bill was to separate

the unborn baby from medical waste

But in fact it goes much further than just medical waste.

The tissue disposal mandate doesn't just give the biological father

legal standing to prevent the abortion it requires him to agree before

the woman can go forward.

Meaning if a woman has an abusive partner

a bad breakup or just a one-night stand she will be forced to get the man's

permission before she can get an abortion

oh and of course the law has no exceptions for rape or incest

This bill passed Arkansas House and Senate without

anyone voting against it. It was signed into law at the end of March

If nothing changes the bill is set to go into effect on July 30th

but it's possible that won't happen

the ACLU of Arkansas and the Center for Reproductive Rights filed adjoint

lawsuit against this bill and three other anti-abortion bills that passed in

Arkansas in 2017

The suit argues that the laws impose severe burdens on

women's constitutionally protected right to decide to end a pregnancy.

they're always just trying to come up with ways to

invade a woman's medical privacy and burden her by abortion care.

And it's not just Arkansas trying to restrict access to abortion

According to the Guttmacher Institute, in just the first three months of 2017 lawmakers across

the country introduced 431 measures restricting access to abortion

but lawmakers are still looking for creative loopholes

to keep care away from those who need it

For more infomation >> Arkansas won't stop passing laws that make getting an abortion more difficult - Duration: 2:20.

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This will make sure you won't lose signal in Boston tunnels - Duration: 1:30.

For more infomation >> This will make sure you won't lose signal in Boston tunnels - Duration: 1:30.

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I Can't Show You How Pink This Pink Is - Duration: 3:52.

You're not seeing this pink. Not properly.

This camera can't capture it,

YouTube can't store it,

and your screen can't display it.

I'm in the studio of artist Stuart Semple,

and he's made what he calls the Pinkest Pink.

I've been painting since I was five years old,

and I've seen a lot of pink.

And thousands and thousands of people have used the pink,

and nobody's said they've seen a pinker pink.

This stuff's really pink.

I've created the pinkest pink, the greenest green,

the loveliest blue, and the yellowest yellow.

I've also created the world's most glittery natural glitter

and the mattest blackest art material in the world.

About a year and a half ago, a company called Surrey Nanosystems

announced that they'd created Vantablack,

which was this really awesome blacker-than-the-blackest-black black

but they gave the exclusive rights to an artist called Anish Kapoor to use it,

and that annoyed a lot of artists,

and I got really annoyed as well.

So I put my Pinkest Pink out.

On the web site I put a disclaimer

that you weren't Anish Kapoor, you weren't associated with Anish Kapoor.

A lot of people thought that was quite funny

and a lot of people bought the pink

unfortunately including Anish Kapoor, who managed to get his hands on it

and then he dipped his finger in it

and put it on Instagram that he'd got the pink.

It was sort of great and sort of really frustrating when he did that,

because all of a sudden we were getting thousands and thousands of orders

we ended up staying up for about four weeks making pink paint

and nothing else could happen

and it just took over our whole life.

There are all sorts of complicated and clever ways that computers can store colour,

but by the time this video reaches your screen

it's basically just a series of numbers that say how bright

to make each of the red, green and blue pixels,

the tiny lights that make up your screen.

And unless you've got a really fancy, expensive screen,

those numbers run from 0 to 255 -- which is eight 1s in binary.

0 means turn the pixel off, 255 means as bright as it can go.

That means your screen can show somewhere around 16 million colours.

But that's not every colour.

And it's not this one.

Because if I pointed this camera at the sun, you wouldn't be blinded.

The numbers can't go above 255, I can't make your screen go brighter than 100%.

And if I point it at something extremely dark, the number can't go below 0.

I can't make your screen any darker than if it was turned off.

In the same way, there are colours that are so intense

your screen can't display them, the pixels cannot go red, green or blue enough.

And this is one of them.

There are massive libraries of pigments,

organic ones, inorganic ones, synthetic ones, created ones, natural ones,

and they've been digging them up since day dot.

'Mummy brown' was made out of ground-up mummies.

So there's a huge database of pigments that you can order.

And you can play with them.

I've made mixes of these pigments and binders,

created something, tweaked it, and gone back and got these relationships right.

So it's quite a complicated little potion, actually.

In a few years' time, technology will move on.

It's already possible to buy expensive equipment with a wider colour gamut,

and that might be able to display this pink.

But in the meantime, I can try and simulate what being here is like.

In this shot, this one here, I've digitally adjusted the saturation of this pink

so it's not quite as intense.

Now if I turn it back up...

Imagine that change, but more so.

That's how pink this pink is.

It is ridiculously pink.

Thank you to Stuart Semple and all the team at his workshop:

pull down the description for more about them, their pigments, and this pink.

This is gorgeous!

I cannot get over how luminous this is.

I started out, like, "well, this isn't doing anything, this is just powder"

and then it just goes!

For more infomation >> I Can't Show You How Pink This Pink Is - Duration: 3:52.

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Don't Trust Joe Scarborough's Phony Awakening – He Isn't Leaving The Republican Party - Duration: 4:35.

Last week during an appearance on The Late Show with Stephen Colbert, MSNBC host and

former US Congressman Joe Scarborough announced that he was leaving the Republican Party.

And ever since then, Joe Scarborough has been saying the Republican Party has died, Donald

Trump is destroying the Republican Party.

Donald Trump, Republican Party, bad, bad, bad, bad, bad, that's all we're hearing for

Joe Scarborough these days.

And you know what?

He's absolutely correct to an extent.

Donald Trump is bad for the Republican Party, and he is helping to kill them.

But that's not the only reason Scarborough's leaving the Republican Party.

He believes they've lost their way.

He believes that they have lost their morals and their values.

Well let me tell you something Mr. Scarborough, the Republican Party of today, is absolutely

no different than the Republican Party that you represented as a member of the United

States House of Representatives.

In the 1990s, in case people didn't know, Joe Scarborough served as a member of the

House of Representatives from Florida's first district, happens to be the district that

I live in, and during that time, he was one of the most conservative members of Congress.

Wanted to privatize the Department of Education, the Department of Energy, any department he

could get his hands on, wanted to privatize it, get the federal government out of it,

hand it over to corporations.

Wanted to do away with abortions in the United States, take away a woman's right to choose

completely.

Voted against raising the federal minimum wage to $5.15 an hour, he thought that was

unfair to businesses, having to pay people what, at the time, was thought to be a fair

wage.

Joe Scarborough is what helped put the Republicans on their current path.

For him to come out and say that suddenly they've lost their way, is an absolute lie,

and I don't believe it for a second.

You know why?

Because Joe Scarborough is setting himself up for something bigger.

In the immediate days following his appearance on The Late Show with Stephen Colbert, he

tweeted out a picture of Mika Brzezinski taking a selfie with Bernie Sanders saying, "Oh Mika's

daughters will love this, they're huge Sanders supporters."

That is pandering you idiot, and we're smart enough to understand that.

We know what you're doing, we see what you're doing.

You, based on your voting history and what you have said on your television show, hate

everything that Bernie Sanders and Progressives stand for.

Don't you dare try to pull the wool over our eyes by tweeting out a picture of him and

saying, "Oh Mika's daughters love him."

As if Mika's somehow dragging you to the left.

That's not what's happening.

Joe Scarborough and Mika Brzezinski absolutely helped to create the Donald Trump monster

that we're living with today, and Scarborough himself is personally responsible for putting

the Republicans on the disastrous path that they are on today.

Privatization, tax cuts for the rich, cutting minimum wage, doing away with minimum wage,

that is what the Republicans today believe, and it's what Scarborough believed with the

Republicans in the 1990s.

He has not changed.

You know what's changed?

He wants the ratings from the anti-Trump crowd, and he's trying to draw them in, by saying,

"You know what?

Now I don't like Republicans.

Now I don't like Donald Trump, even though I let him come on my show all the time and

I went to his frigging New Year's Eve party.

I don't like him now."

We're not that dumb.

You spent eight years during the Obama administration going after him, because he was popular.

When George W. Bush started to become unpopular, you started going after him as well, because

you thought it would help your ratings.

And now, claiming to be leaving the Republican Party, tweeting out that selfie of Mika and

Bernie Sanders, are you trying to set yourself up to run on the Democratic ticket for President,

Mr. Scarborough?

It sure as hell seems that way.

But the American public, at least the Democrats and Progressives and Liberals, we're not that

stupid.

We do not buy into your sudden change of heart, because you are the one who gave us the modern

day Republican Party, and it is absolutely no different than what you helped create in

the 1990s.

For more infomation >> Don't Trust Joe Scarborough's Phony Awakening – He Isn't Leaving The Republican Party - Duration: 4:35.

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Issa Rae Can't Speak For All Black People, Sorry - Duration: 6:06.

>> Stephen: WELCOME BACK, EVERYBODY!

FOLKS, MY NEXT GUEST WENT FROM CREATING A YOUTUBE SERIES

ABOUT HER LIFE TO CREATING AN HBO SERIES ABOUT HER LIFE.

PLEASE WELCOME, THE STAR OF "INSECURE," ISSA RAE!

( CHEERS AND APPLAUSE ) ( BAND PLAYING )

HI.

NICE TO MEET YOU.

>> YOU GOT ME THROUGH COLLEGE.

>> Stephen: DID I?

YEAH, I GAVE YOU MY DIPLOMA BUT I NEVER PICKED IT UP.

>> Stephen: YOU CAN CLEAR SOMETHING UP FOR ME.

I HAVE A QUESTION ABOUT YOU.

THAT IS YOU HAD A POPULAR YOUTUBE SERIES CALLED "THE

MISADVENTURES OF AWKWARD BLACK GIRL."

>> YES.

>> Stephen: YOU SEEM LIKE A SELF-POSSESSED AFRICAN-AMERICAN

WOMAN.

WHAT MAKES YOU AN AWKWARD BLACK GIRL?

>> JUST LIFE.

FEELING UNCOMFORTABLE AT ALL TIMES.

I GREW UP IN PREDOMINANTLY WHITE NEIGHBORS AND --

>> Stephen: ME, TOO.

I CAN UNDERSTAND.

>> I'M AFRICAN AND IT WAS ALWAYS A STATE OF TRANSITION.

A LOT OF PEOPLE TRY TO BRIDGE THE GAP, HAVING CONVERSATIONS

WITH WHITE CO-WORKERS, THINGS LIKE THAT, THEY ALWAYS TRY TO

FIND A CONNECTIVE TISSUE WITH US.

I WOULD BE BONDING WITH SOMEONE.

>> Stephen: YOU AND I.

DOESN'T GET ANY WHITER.

>> YOU AND I WERE TALKING.

I THOUGHT WE HAD A MOMENT, AND ALL OF A SUDDEN, YOU WERE LIKE,

AND GIRL!

YOU PUT ON A BLACK ACCENT -- >> Stephen: LET ME ASK YOU A

QUESTION -- GIRL!

>> PLEASE DO NOT DO THAT.

DON'T START SENTENCES WITH, HEY, DO BLACK PEOPLE.

DON'T DO THAT.

>> Reporter: BECAUSE THEY DON'T?

>> I DON'T KNOW.

I DON'T KNOW WHAT OTHER BLACK PEOPLE TO.

I DON'T.

>> Stephen: YOU CAN ASK ME ABOUT WHITE PEOPLE IF YOU WANT.

>> DO WHITE PEOPLE -- >> Stephen: NOPE.

HMM MMM.

( LAUGHTER ) YOU'VE GONE FROM YOUTUBE TO AN

HOBB SHOW.

NOW THAT IT'S A LITTLE BIT OF A HIRING PROFILE BEING ON HOBB.

THEY MARKET YOU, YOU KNOW, THEY WANT YOU NOT TO BE ABLE TO WALK

DOWN THE STREET.

THEY WANT YOU TO BE FAMOUS.

HAS THAT BEEN DIFFERENT FOR YOU GOING OUT THERE BEING SEEN AND

RECOGNIZED EVERYWHERE YOU GO?

>> IT JUST FEELS LIKE I'M POPULAR IN HIGH SCHOOL, IF

ANYTHING.

IT'S NOT REALLY, LIKE I'M NOT REALLY WELL KNOWN.

>> Stephen: AFTER TONIGHT, YOU WILL BE EXTREMELY WELL KNOWN.

>> THANK YOU.

>> Stephen: IT'S OVER.

( APPLAUSE ) IF YOU HAVE ANY VICES, GET THEM

DONE BETWEEN NOW AND THE TIME THE SHOW BROADCASTS.

>> GOOD TO KNOW.

>> Stephen: YEAH.

HELPING MY FRIEND RETURN SOMETHING THAT BLOOMINGDALE'S

AND I WAS STAND BIG THE CASHIER, BEING BORED.

AND THE CASHIER WAS, LIKE, WAIT, WAIT!

I KNOW YOU!

I LOVE YOU SO MUCH!

I LOVE YOUR MUSIC!

I WAS, LIKE, WHO DO YOU THINK I AM?

AND SHE THOUGHT I WAS A BEAUTIFUL RAPPER AND I SAID, NO,

THANK YOU FOR THE COMPLIMENT, SHE'S BEAUTIFUL.

TWO MINUTES LATER, THIS PERSON COMES UP TO ME AND SAYS, YO!

I LOVE YOU SO MUCH!

AND THE CASHIER DIDN'T HEAR THE BEGINNING PART.

SHE SAID, I LOVE YOU SO MUCH, I LOVE YOUR SHOW, CAN I TAKE A

PICTURE WITH YOU?

AND THE CASHIER SAW ME TAKING THE PICTURE AND SAID, PITCH, DID

YOU LIE TO ME?

I SAID, NO, I'M A DIFFERENT PERSON.

I'M SORRY.

( LAUGHTER ) >> Stephen: I GET A LOT OF, I

LOVE YOU, STEVE CARELL.

I'M, LIKE, I'M NOT HIM.

I WISH I WAS.

NOW, THIS IS BASED ON YOUR OWN LIFE, THIS SERIES?

>> IT'S PARTIALLY BASED OFF OF EXPERIENCES AND A LOT OF MY

FRIENDS.

I HONESTLY JUST WANTED TO CREATE SOMETHING I FELT LIKE WAS

RELATABLE AND WAS SOMETHING KIND OF FOR US BANED US.

>> Stephen: WE HAVE A CLIP HERE.

CAN YOU TELL ME WHAT'S HAPPENING IN THIS ONE?

>> SO WE OPENED THE SEASON WITH MY CHARACTER WHO IS ALSO KNOWN

ISSA.

GOING AND ADVENTURING INTO THE DATING WORLD AND FEELING LIKE IT

GETS A BIT REDUNDANT AFTER A WHILE.

>> Stephen: OKAY.

JIM?

>> WHERE ARE YOU FROM?

HONESTLY, DOESN'T MATTER WHAT I SAY BECAUSE THIS ISN'T GOING

ANYWHERE.

>> YEAH.

I'M INTO BURRITOS NOW.

>> HIGH SCHOOL KIDS?

SOUNDS TOUGH.

YOU LIKE WORKING WITH KIDS?

>> HOW'S IT WORKING WITH KIDS.

TO BE HONEST, (BLEEP).

BUT I'M TRASHED, TOO, SO.

>> SO HOW LONG HAVE YOU BEEN UNHINGED?

>> HOW LONG YOU BEEN ON BOOM?

ARE YOU STILL SINGLE?

( APPLAUSE ) >> Stephen: I UNDERSTAND THAT

A MUSIC CONSULTANT OR SUPERVISOR ON YOUR SHOW IS S SOLANGE KNOWLE

>> YES, FOR THE FIRST SEASON.

INCREDIBLE.

>> Stephen: ANY WAY YOU CAN GET ME INVITED TO A PARTY WITH

BEYONCE?

>> I CAN'T EVEN GET INTO A PARTY WITH BEYONCE.

I ALWAYS JUST MISS HER AND IT JUST HAS BEEN DRIVING ME CRAZY.

I WOULD LOVE TO MEET HER.

IT'S CRAZY, EVEN TALKING TO SOLANGE ABOUT, WHEN SHE WAS AN

EMPLOYEE ON THE SHOW, HEARING HER HAVE CASUAL CONVERSATIONS,

YEAH, ME AND MY SISTER -- AND I ZONE OUT IMMEDIATELY BECAUSE

SHE'S TALKING ABOUT BEYONCE, BEYONCE IS HER SISTER!

SO IT GOT VERY CHALLENGING.

>> Stephen: BECAUSE I'LL HOLD THE BABIES OR ANYTHING LIKE THAT

IF SHE NEEDS THE BREAK.

>> HONESTLY, IF YOU'RE BABY SITTING, I'M BABY SITTING, TOO.

>> Stephen: IT'S A DEAL.

SEASON TWO OF "INSECURE" BEGINS THIS SUNDAY ON HBO.

ISSA RAE, EVERYBODY!

For more infomation >> Issa Rae Can't Speak For All Black People, Sorry - Duration: 6:06.

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Decision on Futuristic Inf@ntry Comb@t Vehicle worth $7 5 bn by July end - Duration: 2:42.

For more infomation >> Decision on Futuristic Inf@ntry Comb@t Vehicle worth $7 5 bn by July end - Duration: 2:42.

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Stories The Alaskan Bush People Don't Want You To Hear - Duration: 4:43.

For seven seasons, the Brown family has been charming and perplexing audiences around the

world as the Alaskan Bush People.

But while they tell lots of wild and entertaining tales on their reality show, there are plenty

of secrets they'd rather didn't get out.

Here's a look at some stories the Alaskan Bush people don't want you to hear.

That whole government arson thing

In the opening season of Alaskan Bush People, patriarch Billy Brown made the bold claim

that the government had burned down their home.

But did they?

Normally, when you accuse the government of arson, you should be prepared to prove it.

However, the Browns couldn't, and by the second season, Billy had walked back his claims,

saying only "My cabin burned and I wasn't home.

That's all I can say."

Only Smokey the Bear knows the true story.

How now Browntown?

After leaving their original cabin home, the "Wolf Pack" eventually relocated to their

"Browntown" compound on Chichagof Island.

One thing though: Chichagof Island is actually a popular vacation spot, with the town of

Hoonah boasting "the world's largest and highest zip line," as well as "a museum, local arts

and crafts shops, restaurants and a mid-1930's cannery line display."

It's even a port for cruise ships.

On top of that, Radar Online claims that the Browns don't live in Browntown at all.

Turns out the producers fly them to and from Browntown for filming, with the rest of their

time spent at the Icy Strait Lodge.

Phew, life in the Alaskan bush sure sounds rough!

Dating games

According to a woman named Christina O'Malley and her mother Ramona, Christina was duped

into having phone conversation with Gabe Brown, after she was told that she'd be participating

in an Alaskan dating show.

Ramona claimed that soon after Christina signed up for the dating website AlaskaMen.com, she

was contacted by the Alaskan Bush People producers.

They set up a phone call with Gabe and recorded it for what they claimed was a dating show.

"Hello, is this Christine?"

"This is."

"Hey, this is, uh, Gabriel Brown.

Suzie sent me your profile, uh, the matchmaker?"

Instead, the call was heavily edited and aired in a segment of Alaskan Bush People which

even used a still image of Christina, much to her shock.

Yuck.

Leis and Lies

According to Juneau Empire, Ami's estranged 83-year-old mother "Memaw" Branson traveled

to Alaska to reconcile with her daughter, whom she supposedly hadn't seen in 37 years.

Branson told the newspaper, "I don't like flying, but that's the only way I could

make it to see my daughter.

I want to hug her neck and see my grandchildren.

I just want to see her before I die."

However, the reunion never happened...because the Browns happened to be in Maui on vacation

at the time.

They learned that it's hard to take a secret vacation to Hawaii when you're reality stars

taking pictures with fans for social media.

Whoops!

Accusations later arose that Memaw was just a pawn in a PR stunt orchestrated by Billy

and Ami to generate more buzz for Alaskan Bush People.

If that's true, that's pretty low.

Forbidden bushman love

Bam Bam Brown reportedly stirred some scandal when he started a romantic relationship with

one of the show's producers.

But according to Radar Online, he was actually caught out on a date with crew member Allison

Kagan in New York City, of all places.

The intrigue deepened when when photos of Bam Bam apparently wearing a wedding ring

surfaced in August of 2016, leading to widespread speculation that he and Kagan had secretly

gotten married.

So far, all Bam Bam has revealed is that he found a "city girl" who he says "stirred something

inside me and made my soul wake up."

Who says romance is dead?

Matt blew up his fridge

Unfortunately for show producers, the cameras weren't rolling on what could have been one

of the most extreme Brown family moments of all time.

Eldest son Matt required nine staples in his head after an incident in which he somehow

blew up his refrigerator, sending the door rocketing into his noggin.

Yep.

TMZ reported that for whatever reason, Matt had "filled a mason jar with gunpowder and

cannon fuse, and stored it in his fridge."

Other than the obvious misuse of dangerous explosive materials, it's unclear exactly

why the improvised device went off, but if we had to guess we'd say that fridge couldn't

take one more moment sharing a household with this nutty family...

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