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How to Get Book Stores to Buy Your Self-Published Book - Duration: 4:09.

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#35 How To CNC Probe #35 / Stationary Probing Cycles and Bit Changing - Duration: 17:48.

So this is what I've been using to probe for some time now. It has an aviation panel mount

socket at the end. And when I required it I would plug it into this aviation panel mount

here. There are two ends. One is bolted onto the aluminium plate, and this is 1.5mm thick

and there's a crocodile clip on the other end. And this relays back to the control board.

This is connected to the ground and this is connected to the signal. And when I wanted

to use it, say for example this was the material I was planning to cut and I'd set my file

up to cut from the top of the material down - and the zero was on the top of the material,

I would take the crocodile clip and hold it onto the bit. I would toggle down a little

bit until the bit was just hovering above the plate, and I would do a G38.2 command

when the probing cycle would stop upon contact. So essentially when the circuit is made the

controller recognises that as being the part at which the probing cycle stops. If I'm on

G38.4 when I press probe I get an alarm and I'm not able to probe. I have to unlock that,

change that back. So here goes. I can feel that is pinching that ever so slightly. And

then I'd write a very simple command - G92 Z1.5 so it set that point there where the

tip of the bit is touching on the aluminium 1.5mm above the zero of the z. Press enter.

I'm just going to scroll up just so you can see the z coordinates here (it's off screen)

so when I press enter that changes to 1.5. I go back to the control tab - raise the spindle

up, I can then take the plate away. So if I press move to origin (move to 0,0,0) the

bit will drop down and rest on the material. Now I had it set to z25 because I actually

use a different method to probe now. So if I press that, it moves up. This is a nice

quick way of probing and something to mention actually since I've re-did my controller I

actually wired in the ground to the spindle so I don't need to use this crocodile clip

anymore - but most people would because they wouldn't mess about with their spindle in

this way. But there is a disadvantage to probing with

this method, and that's if you're changing tools and especially if you are working from

the centre of the material you are milling as you start to cut stuff away, you may not

have your original height to them probe from - so being able to probe from a separate location

and use that as a reference point to come back to your cut actually makes a lot more

sense. And that's why I've added this button here.

If I pull the touch plate out, I plug in this other probe I can show you how this works.

So this is just a button, in the same way that this emergency stop is a button. This

has a normally open section which are removable - this can be screwed on and off, while what

I'm using for the probe is normally closed. What I would say is the top is relatively

flat compared to one of these e-stop button where it's a little bit domed. So you want

to use something that's as flat as possible. And it had crossed my mind to glue some material

on here and mill that flat as well to improve that surface. So there's nothing fancy - these

are quite cheap. They're pretty reliable. When starting up your CNC machine, you should

always home all the axis. This should always be the first thing you do, as it sets the

machine position to zero for the x y and z, which you can then reference your jobs from.

It also means, if form some reason you lose your cutting position – you can home, and

restart our job by finding your origin position from the machine position. Once it's done

that, I can see my machine position is roughly 2.5mm from where the sensors were triggered.

Now I should also mention, I've got loads of macros here that I've been setting up.

Some don't work, such as move around margins. I've never been able to get this to work and

I think that's more to do with the controller. And I've got a G0 probe and bit changing location.

I'm using a G53 command – which stands for Coordinate System Select and will moved

the different axis based on the machine position. So the way I created this macro was to manually

move the bit to the button, write down the m-pos coordinates and complete the code G53

G0 X-8.5 Y-494.5 Z-10.0. If I move the button, I have to re-write this macro.

And if I press this you'll see where the spindle moves. And it's basically going to hover over

this button. Now form here I can do the probe. Now there is a tool probe setting here but

I've never been quite able to get this to work, so I've just wrote something a bit simpler

for me to follow. If I got back to the probe I'll explain how that works. So the first

thing I need to do is go to probe command and change that go G38.4. I then go back to

control tab, and drop the spindle down, just above the button. So I've centred this and

it seems pretty good. I've used it again and again. And from that position I would set

z to 0, and I do that because if you look back at the probe, my probing distance is

-10. I didn't particularly want to start a long probe from the home position on the z

axis because that would take quite some time. And what's happening here, is while the previous

touch plate worked on a normally open connection where the contact of the bit and the plate

closed the circuit, this is the opposite way around. As it says on the command there it

stops on loss of contact. The there's a current being passed through, and when the bit pushes

the button, it opens the circuit and then the probing cycle stops.

So now I

know the point at which the button gets pressed is 73.337mm from the machine zero. This does

vary a little but what I'll do later is perform a repeatability test, to show you

what that variation is over multiple bit probes cycles. Before that I'll go to my macros

– and there I can select either to set the z height by itself or to set the z along with

the X and Y, of what I worked out to be the corner of the wasteboard. So if I click on

that you can see the full command. And I've written a note to myself to remind

me that the wasteboard height must be manually located and inputted if wateboard is re-surfaced.

So each time I made the surface of the wasteboard lower, I need to make sure I find that z height.

And the way I do that is in this case I would pressed Z=0, and move the bit up, move across,

and I would toggle down so that the top of the bit is just cutting into the MDF surface

making sure the bit clears the material that'llelsdjkljflkjlskdfj eventually cut. Now differently from the way

I set the probe and bit changing location, this time I need to look at the work position

and input that into a G10 command. In this instance I'm just moving back to

the probe and bit changing location, conducting another probe cycle and to make my life easier

I'll just press the macro button. But I'll explain what the macro is doing. G10 allows

the user to set tool offset and/or workplace coordinates and/or tool temperatures. I don't

have to worry about temperature as this is for 3d printing. P stands for tool number

– in my case I only have one tool, or if you count me I have two. L stands for the

offset mode and I'm using L20 command - which adjusts the current workplace coordinate offsets

so that the current tool head position has specified coordinates. And then X, Y and Z

are those offset coordinates – which happen to land on my surfaced waste-board roughly

on the bottom right corner. The problem I had is because the probe is

below the surface of the wasteboard, depending on how this is written you don't particularly

want to move the x and y axes first. You want to move the z so that you're clear and there's

less change you will hit your bit against anything. Ok so that seems to have worked,

so now the bit is above the zero of the x and y, and it's 25mm so it should be clear

of any material - I'll mainly be working with things up to 18mm anyway.

While I'm here I'll talk about some of the other macros. I found it quite useful to have

a home for the x and y, and a homing button for the z in case I need to move the bit quickly

away from something. And the other thing was create a warm up spindle macro, which lasts

for four minutes - and it takes the spindle from various speeds for various amounts of

time. That's an M3 G04 (dwell) command - and the p30 stands for the amount of time, and

if your working in a garage and you don't use the machine every day, the spindle can

get cold and the grease inside it can gunk up, and it's a good habit to warm up the spindle

before you do any jobs and that just means you prolong the life of the spindle. It would

be nice if you could create options to have a choice to press something, in case you accidentally

press it - so for example I could press this once and get prompted with a message saying

to you want to operate macro 7 and I would confirm yes, because in a way if you accidentally

click them you may accidentally fling your machine. So I'll just show you this working.

So for this method to work you do need to surface the wasteboard so it's all nice and

even, and that new position can find the wasteboard and cut through your material anywhere across

the area. So now I'm in my cam software. Artcam express.

I keep saying whenever I have a screen shot of this, is that this software does not exist

anymore. You cannot buy it, as it's been bought out by autodesk, and they've essentially taken

the best bits and run it into the ground. So if you do want to use a software where

you're not kinda tight into a subscription cost - I would recommend v carve but I have

of yet to move to that software but it looks pretty good. But essentially what I'm going

to explain is about the next method of setting up your files with the method of probing that

I demonstrated - it should be the same for both software. So I've created a canvas, this

happens to be 600mm square. And if I go to toolpaths, I can set up the thickness of the

material. You can see the material has already been set to 12. And the thing here to point

out is the material z zero, and how this related toie wasetboard height is zero, the material

zero height in the software should be at the bottom. There is an advantage for doing it

this way and that is if I accidentally put down a material thickness that is bigger than

the material I am actually cutting when I go to run my job I will start with the bit

hovering above the material and it would take several passes before it plunges through.

If you work with the probe method I showed previously where the zero is at the top of

the material if you've made a mistake and cut 18mm but placed a 12mm board down you

will eventually cut through your wasteboard. So there's one very practical reason why this

method of probing and setting up your files is advantages. Ok the other thing I forgot

to mention was setting your origin position. So in this window here you can see your canvas

size or material size, and if I click in the centre or different corners the position changes.

For my CNC, the way I've built it, it happens to be the bottom right but depending on how

you prefer to work with your machine and set up your files, you may use a different corner

and if your using the previous method where you set your probe on the top of the material.

I found when I first started building CNC machines, and when I use to use the x carve,

because of the inherent flaws with the machine actually setting your jobs based on the centre

of the material made the error proportional from either side and actually working from

a corner would amplify those errors. But with my machine it's rigid enough and accurate

enough to work from one origin point which is determined by probing from a stationary

tool bit probe. This is going to be a repeatability test.

What I've done is home the machine and moved it over my probe location, I'm going to probe

and then look at the position of the z axis when that is triggered, and then repeat that

to see if there's any variation. I'm just going to rotate the bit around so

the point is on another part of the button - to see if that makes a difference.

So while that's doing that I'm going to say the things I normally say at the end,

beforehand. I'm sure if you're still watching this until now, you must have found it interesting

or you hate me. But either way, a quick note to say that I'm going to follow up this

video with another one about the macros as I've made some changes to what I'm using

and I don't want to reedit this video, so stay tuned for that. And if you have anything

to share about how you run your jobs and do tool changes, do let me know in the comments

as I'm pretty sure they're more than one way to CNC a cat.

Ok so here are some of the output I got. I done 8 cycles. And in fact I did see some

variation but I also did rotate the spindle collet a little bit, and I don't think this

is something I'm going to notice especially along the z axis. The main thing is that I

don't loose steps along the y and x, because that would be a lot more noticeable. For softer

material like acrylic, MDF, wisa and so on, this is absolutely fine. So there you go,

you can make a touch probe with a simple momentary button.

For more infomation >> #35 How To CNC Probe #35 / Stationary Probing Cycles and Bit Changing - Duration: 17:48.

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The Game of Life and How to Play It | Chapter 1 - FULL audiobook - Duration: 15:45.

"The Game of Life And How to Play It." By Florence Scovel Shinn

Chapter 1: The Game

Most people consider life a battle, but it is not a battle, it is

a game. It is a game, however, which cannot be played

successfully without the knowledge of spiritual law, and

the Old and the New Testaments give the rules of the game

with wonderful clearness. Jesus Christ taught that it was

a great game of Giving and Receiving.

"Whatsoever a man soweth that shall he also reap." This

means that whatever man sends out in word or deed, will

return to him; what he gives, he will receive. If he gives hate, he will receive hate; if

he gives love, he will receive love; if he gives criticism,

he will receive criticism; if he lies he will be lied to;

if he cheats he will be cheated. We are taught also, that the imaging

faculty plays a leading part in the game of life.

"Keep thy heart (or imagination) with all diligence, for out

of it are the issues of life." (Prov. 4:23.) This means that what man images, sooner or

later externalizes in his affairs, I know of a man

who feared a certain disease. It was a very rare disease

and difficult to get, but he pictured it continually and read

about it until it manifested in his body, and he died, the victim

of distorted imagination.

So we see, to play successfully the game of life, we must

train the imaging faculty. A person with an imaging faculty

trained to image only good, brings into his life "every

righteous desire of his heart" - health, wealth, love, friends,

perfect self-expression, his highest ideals. The imagination has been called, "The Scissors

of The Mind," and it is ever cutting, cutting, day

by day, the pictures man sees there, and sooner or later

he meets his own creations in his outer world. To train

the imagination successfully, man must understand the workings

of his mind. The Greeks said: "Know Thyself."

There are three departments of the mind, the subconscious,

conscious and superconscious. The subconscious, is

simply power, without direction. It is like steam or

electricity, and it does what it is directed to do; it has no

power of induction. Whatever man feels deeply or images clearly,

is impressed upon the subconscious mind, and carried out

in minutest detail.

For example: a woman I know, when a child, always "made

believe" she was a widow. She "dressed up" in black

clothes and wore a long black veil, and people thought she

was very clever and amusing. She grew up and married a

man with whom she was deeply in love. In a short time he

died and she wore black and a sweeping veil for many

years. The picture of herself as a widow was impressed

upon the subconscious mind, and in due time worked itself

out, regardless of the havoc created. The conscious mind has been called mortal

or carnal mind. It is the human mind and sees life as it appears

to be. It sees death, disaster, sickness, poverty and

limitation of every kind, and it impresses the subconscious.

The superconscious mind is the God Mind within each

man, and is the realm of perfect ideas. In it, is the "perfect pattern" spoken of

by Plato, The Divine Design; for there is a Divine Design

for each person.

"There is a place that you are to fill and no one else can

fill, something you are to do, which no one else can do."

There is a perfect picture of this in the superconscious

mind. It usually flashes across the conscious as an

unattainable ideal - "something too good to be true."

In reality it is man's true destiny (or destination) flashed to

him from the Infinite Intelligence which is within himself.

Many people, however, are in ignorance of their true

destinies and are striving for things and situations which do

not belong to them, and would only bring failure and

dissatisfaction if attained. For example: A woman came to me and asked

me to "speak the word" that she would marry a certain man

with whom she was very much in love. (She called him

A. B.) I replied that this would be a violation of

spiritual law, but that I would speak the word for the right

man, the "divine selection," the man who belonged to her by

divine right. I added, "If A. B. is the right man you can't

lose him, and if he isn't, you will receive his equivalent."

She saw A. B. frequently but no headway was made in their

friendship. One evening she called, and said, "Do you

know, for the last week, A. B. hasn't seemed so wonderful

to me." I replied, "Maybe he is not the divine selection

- another man my be the right one." Soon after that, she

met another man who fell in love with her at once, and who

said she was his ideal. In fact, he said all the things that

she had always wished A. B. would say to her.

She remarked, "It was quite uncanny." She soon returned his love, and lost all interest

in A. B. This shows the law of substitution. A right

idea was substituted for a wrong one, therefore there

was no loss or sacrifice involved.

Jesus Christ said, "Seek ye first the kingdom of God and

his righteousness; and all these things shall be added unto

you," and he said the Kingdom was within man. The Kingdom is the realm of right ideas, or

the divine pattern.

Jesus Christ taught that man's words played a leading part

in the game of life. "By your words ye are justified and by

your words ye are condemned." Many people have brought disaster into their

lives through idle words.

For example: A woman once asked me why her life was

now one of poverty of limitation. Formerly she had a home,

was surrounded by beautiful things and had often tired of

the management of her home, and had said repeatedly, "I'm

sick and tired of things - I wish I lived in a trunk," and she

added: "Today I am living in that trunk." She had spoken

herself into a trunk. The subconscious mind has no sense of

humor and people often joke themselves into unhappy

experiences. For example: A woman who had a great deal

of money, joked continually about "getting ready for

the poorhouse." In a few years she was almost destitute, having

impressed the subconscious mind with a picture of lack

and limitation. Fortunately the law works both ways, and a

situation of lack may be changed to one of plenty.

For example: A woman came to me one hot summer's day

for a "treatment" for prosperity. She was worn out, dejected

and discouraged. She said she possessed just eight dollars

in the world. I said, "Good, we'll bless the eight dollars and

multiply them as Jesus Christ multiplied the loaves and

fishes," for He taught that every man had the power to

bless and to multiply, to heal and to prosper. She said, "What shall I do next?"

I replied, "Follow intuition. Have you a 'hunch' to do

anything, or to go anywhere?" Intuition means, intuition, or

to be taught from within. It is man's unerring guide, and I

will deal more fully with its laws in a following chapter.

The woman replied: "I don't know - I seem to have a

'hunch' to go home; I've just enough money for carfare."

Her home was in a distant city and was one of lack and

limitation, and the reasoning mind (or intellect) would have

said: "Stay in New York and get work and make some

money." I replied, "Then go home - never violate a hunch."

I spoke the following words for her: Infinite Spirit open

the way for great abundance for --. She is an irresistible

magnet for all that belongs to her by divine right." I told

her to repeat it continually also. She left for home

immediately. In calling on a woman one day, she linked up

with an old friend of her family. Through this friend, she received thousands

of dollars in a most miraculous way. She has said to me often,

"Tell people about the woman who came to you with

eight dollars and a hunch."

There is always plenty on man's pathway; but it can only

be brought into manifestation through desire, faith or the

spoken word. Jesus Christ brought out clearly that man

must make the first move. "Ask, and it shall be given you, seek, and

ye shall find, knock, and it shall be opened unto you. (Mat.

7:7). In the scriptures we read:

"Concerning the works of my hands, command ye me."

Infinite Intelligence, God, is ever ready to carry out man's

smallest or greatest demands. Every desire, uttered or unexpressed, is a

demand. We are often startled by having a wish suddenly fulfilled.

For example: One Easter, having seen many beautiful rosetrees

in the florists' windows, I wished I would receive one,

and for an instant saw it mentally being carried in the door.

Easter came, and with it a beautiful rose-tree. I thanked my

friend the following day, and told her it was just what I had

wanted. She replied, "I didn't send you a rose-tree,

I sent you lilies!" "The man had mixed the order, and sent me

a rose-tree simply because I had started the law in action,

and I had to have a rose-tree.

Nothing stands between man and his highest ideals and

every desire of his heart, but doubt and fear. When man can

"wish without worrying," every desire will be instantly

fulfilled. I will explain more fully in a following chapter

the scientific reason for this and fear must be

erased from the consciousness. It is man's only enemy - fear

of lack, fear of failure, fear of sickness, fear of loss and

a feeling of insecurity on some plane. Jesus Christ said:

"Why are ye fearful, oh ye of little faith?" (Mat. 8:26)

So we can see we must substitute faith for fear, for fear is

only inverted faith; it is faith in evil instead of good.

The object of the game of life is to see clearly one's good

and to obliterate all mental pictures of evil. This must be

done by impressing the subconscious mind with a

realization of good. A very brilliant man, who has attained

great success, told me he had suddenly erased all fear from

his consciousness by reading a sign which hung in a room.

He saw printed, in large letters this statement - Why worry,

it will probably never happen." These words were stamped

indelibly upon his subconscious mind, and he has now a

firm conviction that only good can come into his life,

therefore only good can manifest. In the following chapter I will deal with

the different methods of impressing the subconscious mind.

It is man's faithful servant but one must be careful to

give it the right orders. Man has ever a silent listener at

his side - his subconscious mind.

Every thought, every word is impressed upon it and carried

out in amazing detail. It is like a singer making a record on

the sensitive disc of the phonographic plate. Every note and

tone of the singer's voice is registered. If he coughs or

hesitates, it is registered also. So let us break all the old bad

records in the subconscious mind, the records of our lives

which we do not wish to keep, and make new and beautiful

ones. Speak these words aloud, with power and conviction:

"I now smash and demolish (by my spoken word)

every untrue record in my subconscious mind. They

shall return to the dust-heap of their native nothingness,

for they came from my own vain imaginings. I now make my

perfect records through the Christ within - The records

of Health, Wealth, Love and perfect self-Expression."

This is the square of life, The Game completed.

In the following chapters, I will show how man can change

his conditions by changing his words. Any man who does

not know the power of the word, is behind the times.

"Death and Life are in the power of the tongue." (Prov.

18:21.)

For more infomation >> The Game of Life and How to Play It | Chapter 1 - FULL audiobook - Duration: 15:45.

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How To Draw Ariel Full Body Easy Step By Step Disney Princess Cartoon For Kids - Duration: 4:46.

How To Draw Ariel Full Body Easy Step By Step Disney Princess Cartoon For Kids

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How to replace the temperature sensor on a Miele tumble dryer - Duration: 2:07.

Hi I'm Mat from eSpares

In this video i'll show you how to replace a temperature sensor on a Miele tumble dryer.

If your tumble dryer is not heating correctly or it's cutting out during a cycle

then it's likely that the temperature sensor needs to be replaced.

Safety first always disconnect an appliance before carrying out any work

The next thing I need to do is to remove the heater cover at the back of the appliance

using a Torx screwdriver.

With all the screws removed from the heater cover

I can then lift it off and put it to one side

and here we can see the heater, the thermostat

and the temperature sensor that we're going to be replacing.

Now the temperature sensor is held in place by two metal tabs either side

so I'm going to grab a pair of pliers and gently bend those back

meaning I can lift the temperature sensor out

disconnect the electrical connection

grab my new temperature sensor

connect the electrical connection to it

and then pop it back into place

and then very gently refold in those metal tabs.

once there holding the temperature sensor in place

I can now replace the heater cover.

so there we have it

one brand new temperature sensor fitted to this Miele tumble dryer.

Remember spares and accessories for all the appliances

around your home can be found on the eSpares website.

Thanks for watching

For more infomation >> How to replace the temperature sensor on a Miele tumble dryer - Duration: 2:07.

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Custom Fit Wheel Nets: How to Measure Your Tires - Duration: 2:15.

One of the things that we're best known for here at Mac's are our custom-fit

tire nets. We do not take a generic approach like many of the big-box stores

or mail-order outfits do. Each of our nets are crafted to fit your tire

specifically, it makes a world of difference. It's very simple to get these

nets on their way to you, we just simply need two pieces of information.

Number one, the overall height or diameter of your tire. That's very simply

achieved by simply measuring off of the ground or deck of the trailer to the top

of the tire. In this case, 32 inches. The other critical piece of information is

the overall width of the tire and we're talking sidewall to sidewall here folks,

not the tread width. I want sidewall to sidewall because

after all, the net will be dropping down around the carcass of the tire. In the

case of this BFG tire, we're looking at right about 9 inches. And thirdly, we need

the distance, the horizontal distance, between your deck fittings if that's

already in place on the trailer. If that's part of what you're ordering, you

can forget about that necessary step. But if you already have those deck fittings

in place, just simply give us that dimension across the deck. In this case

about 38 inches. That helps us dial in the leg length for that proper fit. If

you have a track based system, like E-track or the Mac's VersaTie track, make

sure that that's running relatively down the center of the tire so that we're not

pulling out an extreme angle either inward or outward. That's all we need.

Diameter the tire, sidewall to sidewall width of the tire and if the fittings

are in place, give us that across the deck dimension. It's just that easy. When

you get that information in hand, give us a call at 800-666-1586.

We'll build the nets, we'll trial fit them on a tire,

and we'll get them to your doorstep.

They'll fit just like socks on a rooster.

For more infomation >> Custom Fit Wheel Nets: How to Measure Your Tires - Duration: 2:15.

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Como Cuidar y Reproducir CÚRCUMA LONGA /FLOR DE ABRIL - Duration: 4:36.

hello friends this time I'm going to talk about care and

reproduction of this plant called turmeric

we are also going to make some bouquets of flowers

with this plant too

turmeric also known as flower of April its scientific name is turmeric

longa this plant has medicinal uses and it is also used as a condiment in

the meals although in this case we are going to talk about its use in gardens

is a herbaceous plant that reproduces per rhizome can reach up to one meter

tall and has long colored leaves green its flower does not exactly come out of

between its leaves but it leaves the floor

this plant gives very well in semi shade and in our country it flowers once a year

Your flower can be cut and used in floral arrangements

in terms of irrigation this plant as a whole rhizome plant tosa is demanding in water

in this case that we have already planted this we will put it in semi-shade and

we're going to water it every day then that this plant is already established

during a month that is already established we can still watering every day

what we have here is a marginata that let's take it for making a bouquet

to cut it from here next time I will show you his

reproduction

these are the leaves of the variegated pilgrim

Well I hope you liked me video do not forget to subscribe to my channel

I like it and share the video in your social networks until next time

For more infomation >> Como Cuidar y Reproducir CÚRCUMA LONGA /FLOR DE ABRIL - Duration: 4:36.

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How to make mythic rank on MTG Arena (Tips plus decks) - Duration: 9:25.

For more infomation >> How to make mythic rank on MTG Arena (Tips plus decks) - Duration: 9:25.

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How to Install WordPress on Windows 10 8.1 7 Using XAMPP - Duration: 10:33.

For more infomation >> How to Install WordPress on Windows 10 8.1 7 Using XAMPP - Duration: 10:33.

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How To Set The Attack Time On Your Vocal Compressor - BehindTheSpeakers.com - Duration: 8:14.

Keep watching to learn a quick and simple way to set the attack time on your vocal compressor.

Hey, this is Jason from Behind The Speakers.

And before we dive in, make sure you grab my free vocal compression cheatsheet by clicking

the link above or in the description below.

So first of all, what is the attack time?

Well this is a parameter that you're going to find on most compressors.

So here's the stock ProTools compressor.

The compressor in your DAW might look slightly different, but chances are you'll find the

same controls - things like ratio, attack, release, threshold.

The attack time's right here, and this parameter basically determines how quickly the compressor

reacts to a sound after it gets too loud.

So all that a compressor is doing essentially is listening to a sound, and as soon as the

sound gets too loud, as soon as it goes above the threshold - which is this control right

here - then the compressor's going to react by turning the sound down.

That's all it's doing.

The attack time is basically telling the compressor how quickly do we want that compressor to

turn things down once that sound gets too loud.

A fast attack is going to tell the compressor as soon as that sound gets above the threshold,

as soon as it gets too loud, we want you to jump in there and turn it down right away.

Don't wait at all.

A slow attack time on the other hand is going to tell the compressor to hang out a little

bit.

We don't want you to pull it down right away, we want you to kind of wait and ease

into it a little bit.

Now this parameter has a very significant impact on sounds.

It can dramatically change the way compression sounds, and it really can be used to shape

and influence the sounds of tracks.

When it comes to vocals in particular, I think of this control as a consonant control knob.

So the consonants on a vocal - the cuh, buh, puh, those initial onsets on the words and

phrases - those are the parts of the vocal performance that are going to be impacted

by this control.

A slow attack time is going to cause the compressor to bring out those consonants, to actually

accentuate them, to make them louder.

A fast attack time on the other hand is going to cause the compressor to turn those consonants

down.

So basically we can use the attack time parameter as a tool to control how much of the consonants

we actually want in the vocal performance.

So let's take a listen here, I have a vocal pulled up.

This is Dylan Owen, a rapper from a track "Everything Gets Old," and first let's

just take a listen to this dry.

♪ Yeah, well everything gets old ♪

♪ Everything gets dusty ♪

♪ Everything gets cold ♪

♪ Until we do it all again ♪

♪ Without the interruptions and - ♪

Okay, so the first thing I want to play for you here is this slow attack track.

So I have a compressor here, and I've set it up with a fairly slow attack time - in

this case 36 milliseconds.

Now you don't want to pay too much attention to these numbers because every compressor

is different, and 36 on this compressor might be like 24 or 12 on another compressor.

So don't copy the numbers, just think in terms of fast or slow.

So I want to flip back and forth between the dry and the slow attack now, and I want you

to see if you can listen out for the consonants in particular.

♪ Yeah, well everything gets old ♪

♪ Everything gets dusty ♪

♪ Everything gets cold ♪

♪ Until we do it all again ♪

♪ Without the interruptions ♪

♪ And no longer can recognize ♪

♪ The houses we grew up in ♪

♪ Yeah, well everything gets old ♪

♪ Everything gets vintage ♪

♪ Everything lets go ♪

♪ Until tomorrow, when we find a better way ♪

♪ To end the century ♪

♪ And suddenly we recognize ♪

♪ The people that we're meant to be ♪

So the thing that really sticks out for me is the beginning of the words and phrases.

He feels like he's kind of punching out the words more.

We hear more of the puh and cuh and buh in those initial impact sounds right on the beginning

of the words.

So take a listen again, and let me see if I can find a specific spot and we can flip

back and forth.

♪ Yeah, well everything gets old ♪

♪ Everything gets dusty ♪

♪ Everything gets cold ♪

♪ Until we do it all again ♪

♪ Without the interruptions ♪

♪ And no longer can recognize ♪

♪ The houses we grew up in ♪

♪ Yeah, well everything gets old ♪

♪ Everything gets vintage ♪

♪ Everything lets go ♪

So right around here you can hear it really clearly.

So I'm going to flip back and forth again, and just take a listen to the initial onsets

of the words, the punchiness in the beginning of the words.

♪ -thing gets vintage ♪

♪ Everything lets go ♪

♪ -thing gets vintage ♪

♪ Everything lets go ♪

♪ -thing gets vintage ♪

♪ Everything lets go ♪

♪ -thing gets vintage ♪

♪ Everything lets go ♪

So you really can hear that that punch is being brought out pretty dramatically.

So that's what slow attack compression will do.

Now the next thing I want to play for you here is fast attack compression.

So you can see here, I have the same compressor set up, and the only thing that I really changed

is the attack time.

So I have a fairly fast attack, and this is actually 250 microseconds, not milliseconds,

so this is below one millisecond.

And now I want to flip back and forth, in this case let's flip back and forth between

the fast attack and the slow attack, and I want you again to listen very closely to the

consonants themselves.

So we'll start with the slow attack and then we'll flip back and forth.

♪ Yeah, well everything gets old ♪

♪ Everything gets dusty ♪

♪ Everything gets cold ♪

♪ Until we do it all again ♪

♪ Without the interruptions ♪

♪ And no longer can recognize ♪

♪ The houses we grew up in ♪

♪ Yeah, well everything gets old ♪

♪ Everything gets vintage ♪

♪ Everything lets go ♪

♪ Until tomorrow, when we find a better way ♪

♪ To end the century ♪

♪ And suddenly we recognize ♪

♪ The people that we're meant to be ♪

Let me try one more time.

♪ Yeah, well everything gets old ♪

♪ Everything gets dusty ♪

♪ Everything gets cold ♪

♪ Until we do it all again ♪

♪ Without the interruptions ♪

♪ And no longer can recognize ♪

♪ The houses we grew up in ♪

So to my ears, the main difference between these is that I'm not hearing as much of

the punchiness on the beginning of the words, and it just sounds like it's much gentler.

There's not as much of that punchy aggressiveness.

So this is what attack time will do when it comes to vocals.

And the real question you want to ask yourself when you're setting the attack time on your

vocal compressor is how much of the consonants do I want to hear?

And listen to the sound of the vocal and ask yourself do I want more consonants - in this

case slow the attack time down - or do I want less consonants?

Maybe I'm hearing too much of that punchiness.

In that case you might want to speed the attack time up.

Now this is somewhat genre dependent because there are certain genres of music where we

want the vocal to sound a bit more aggressive.

We want the vocalist to sound like they're spitting out the words and phrases, things

like rock music or hip hop for example.

So in this case, you might want to lean more on the slow attack.

But if you're mixing like a ballad and the singer is singing very softly, you're probably

not going to want that level of aggressiveness on the vocal.

So obviously it depends on genre, it depends on the specific performance and the track

that you're working on.

But hopefully you should now have a better understanding of what the attack time parameter

actually does when it comes to vocals.

Now again, if you want to dive deeper, I recommend that you download my vocal compression cheatsheet

by clicking the link above or in the description below.

And that'll give you more helpful tips and ideas for compressing vocals so that you can

make your vocals sound professional and really feel confident that you can mix vocals like

a pro.

Now before you go, I want you to leave a comment below this video and let me know - do you

feel more confident now approaching the attack time control on vocal compressors?

Do you feel like you have a sense of what this control actually does now?

I'd love to hear your response, so leave your answer in the comments section below.

And for more mixing videos and tips like these, check out my YouTube channel here or go to

BehindTheSpeakers.com.

For more infomation >> How To Set The Attack Time On Your Vocal Compressor - BehindTheSpeakers.com - Duration: 8:14.

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MEASLES OUTBREAK 2019: Symptoms, How did this Happen and What to do about it! - Duration: 10:07.

So I'm here on vacation and not in my typical office but I wanted to talk a little about

an important subject that we are dealing with as we speak. That's the subject of Measles.

We've had a recent outbreak in the western United States that really needs to be addressed.

Vaccines are one of the most misunderstood and maligned parts of healthcare and today.

We're going talk about what measles is, why you should be worried about it, how we

got in this mess and what you can do about it.

Welcome to Family Med, your medical home for practical and accurate information to help

your family make healthy decisions. I'm Doctor Erik Richardson. My passion is helping

you cut through all the health information clutter on the internet. If that sounds like

the kind of information you or family needs make sure you follow along with us, hit that

subscribe button and share it with your friends. OK so today we are talking about the Measles,

what it is, and why its so important that we vaccinate for this. This is actually kind

of a frustrating thing to have to talk about as a physician. In the year 2000 it was actually

a disease that was declared eradicated in the US by the CDC but unfortunately due to

lack of immunizations we are seeing more and more outbreaks.

Measles is a highly infectious respiratory virus that is spread by cough and sneezing,

in fact it is so infectious that 9 out of 10 people who are exposed to the virus and

not immunized will get it. The virus can live on its own on surfaces for up to two hours.

You start spreading the infection up to 4 days before you even have symptoms.

Now the symptoms of measles are fairly similar to the flu with high fever, cough, runny nose,

and red, watery eyes. Two to three days after these symptoms you may get tiny white spots

inside the mouth called koplik spots. Then three to five days after the initial symptoms,

the red-spotted rash characteristic of measles breaks out, and the fever spikes. The rash

and fever usually subside within a few days. Now if those were the only problems that happened

with measles maybe it wouldn't be as big of a deal but unfortunately measles has a

high risk of complications. Out of 1000 patients who get Measles up to 3 of them will get a

severe pneumonia, swelling in the brain called encephalitis and even death. Unfortunately

the younger the patient is, the higher risk they are of complications. At the time of

filming this with the current outbreak according to news reports from the 35 active cases one

of them is in the hospital for it. Your kids can get really sick from this.

The worst part about measles is that there is no treatment. The only way we have of tackling

this is through vaccination. But the best news about measles is that by appropriate

vaccination, it is up to 99 percent effective in preventing it. That is why in the year

2000 the CDC was able to declare it eradicated from the United States.

Unfortunately right about that time is when a lot of the myths and misinformation started

regarding vaccines and their safety. You see it all started from a man named Andrew

Wakefield a researcher in England who was looking at the possible link between vaccines

and some intestinal issues. They wrote a paper looking at 12 different children where it

was felt that there may be a link between the vaccine and this condition and then subsequent

development of autism. In the paper they didn't actually claim a link between autism however

in subsequent discussions Dr. Wakefield made that claim. Well, once that was released

the media had a heyday with it and the doubt was firmly implanted in the public mind.

Since that time there have been multiple very good, highly scientific studies with thousands

and thousands of participants which not only have shown no link with the MMR vaccine and

autism but they've actually seen the opposite. Several have shown a trend to lower rates

of autism for those who have had the vaccine. Remember the original study had 12 participants,

so compare that to the many years and thousands of participants in the various studies and

hopefully that will help you feel a little more confident in the validity of the studies.

Now here's the most interesting things about all of this controversy. In the subsequent

years as more and more investigation into this has gone on, there have been some disturbing

findings in regards to the conduct of Dr. Wakefield.

The first of which, of course, was his claim that went above and beyond what the study

found. The original study of 12 people did not find that the vaccine caused autism.

The second issues was that he started advocating a single virus vaccine which he felt to be

safer. Well interestingly enough a couple years earlier he had taken out a patent on

just such a vaccine. Third, it was later discovered that at the

time of the study, he was being paid by a lawyer group who were getting ready to sue

vaccine manufacturers. Kind of convenient don't you think?

4th, it was found out even later, after somebody interviewed the families of the children that

were involved in the original study, that he had fabricated much of the data for the

study. So who should you believe? The multiple studies

covering thousands of lives showing no link to autism or a fraudulent doctor who due to

all of this had his medical license taken away in disgrace or other celebrity spokespeople

for this cause? I'm putting the safety of my children on the legitimate studies.

So let's talk about some practical issues regarding the immunization and talk through

some of the common concerns. First of all there is still concern about

some harmful chemicals in immunizations. Many feared that the preservative thimerosal could

be a source. This has been extensively studied and shown not to be the cause. Despite that

evidence, thimerosal is no longer used in childhood immunizations other than in some

brands of the flu vaccine that are in multi dose vials. But good news, even with that,

you can get ones that don't have it in there. 2nd thing to think about.

We get the immunization to protect ourselves but also those around us. You can't get

the immunization unless you are over the age of one, certain people with immunocompromised states

such as HIV or Cancer and pregnant women. Measles in these groups is especially dangerous.

Remember what I said earlier about how infectious measles is. 9 out of 10 people exposed will

get the measles. So please do what you can do to protect those who are unable to get

the vaccine and prevent the spread. 3rd thing we should address is the fear that

maybe I should just wait until my kids are older to get the vaccine. First of all there

is absolutely no evidence that getting immunizations early has any negative effect. Usually, it

it's just the opposite. Remember what we just discussed about how infectious measles or

other diseases are. The younger your child is the harder time they will have dealing

with the disease. It's much easier for a body to deal with an immunization than it

is the disease. 4th thing to think about. I think that vaccines

are somewhat the victim of their own success. There are certain diseases that we just don't

see as health care providers. In the 15 years that I've been practicing medicine I've

never had to see anybody with measles. I see that as a success, however, because of that

many of you also haven't seen it so the fear of these disease have put us in a false

sense of security. Hopefully understanding what this disease can do will help you be

more motivated to protect yourself. 5th thing to think about. I've seen more

and more doctors' offices refusing to see families who do not immunize their children.

This may seem somewhat cruel, but it's important you understand the risk that you put other

people in when you don't immunize . I have little babies and elderly in my clinic every

day and those who have a compromised immune system. I can't put them at risk because

somebody is irresponsible and does not want to immunize their children. Also, just practically

speaking. If I have somebody who comes into my clinic with measel type symptoms, and they

are not immunized, I have to seal off the exam room they were in for at least two hours

and likely most of the rest of the day before they can be used again. Then I have to clean

the whole lobby and any area that they were in all while wearing a special protective

mask. That's a room that I depend on to be able to care for my patients. Do you also

remember what the symptoms of measles are at first? Cough, congestion, fevers.. How

many patients do you think I have come in with those kind of symptoms? Let me tell you,

it's a lot.

There is a lot more that we could discuss regarding measles, immunizations and the importance

of them, but hopefully, this gives you just a taste of why you need to be immunizing yourself

and your children. Hopefully you've been able to gain a better appreciation of how

serious these diseases can be and how easy it is to prevent them. So please, go get your

children immunized. Share this video with your friends and family who may be on the

fence on deciding whether they should. You never know when you can be exposed and you

don't want to suffer the devastating complications that these diseases can bring.

I hope you have found this video to be informative and helpful. If so I urge you to subscribe

right now and hit that notification button so you don't miss our latest content that

we put out. This is key to me being able to be able to produce content like this for you.

So until next time, this is FamilyMed with Dr. Erik Richardson and remember, immunize

your kids and take care of your body because it's the only one you have.

For more infomation >> MEASLES OUTBREAK 2019: Symptoms, How did this Happen and What to do about it! - Duration: 10:07.

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How to Draw a Night Waterscape With the Moon - Duration: 4:28.

Hello my friends and welcome to another Tuesday of tutorial!

I am Leonardo Pereznieto and today I will draw a nightly landscape

which is something one of you requested

I hope you enjoyed it.

We will be working on toned paper, and we begin drawing with a dark gray.

With this we sketch the hills that are far away by the horizon

the top and the bottom

like so

and, more close by, another arm of land that extends onto the water.

Then, up here, the Moon. Notice that it is about at one third

of the page for composition purposes.

We do the outline with a white pencil and then we give it a tone.

Of course the tone is not solid and flat

but rather it has some changes

some areas are lighter than others even with a full Moon.

And we go back to the dark gray which in this case we apply

lightly to fill in the far away hills.

The one in front will be a little bit darker than the one in the back

which goes slightly lighter.

I'm using the same pencil, I'm just applying it with less pressure

with a lighter touch.

While for the closer land I switched to a black pencil

and I apply it with more pressure

and we can actually give it a couple of passes to darken it further

we want it to stand out.

The list of materials that I am using is in the description below the video.

We grab the white pencil again and with little dots we draw the reflections

many reflections, is like sparks in the water!

and then we illuminate slightly the sky with a halo of the Moon

and why not?

let's draw some little clouds!

and remember that as they are also illuminated by the Moon, they should have

in light the side which is closer to it.

These reflections may not be enough let's also draw some waves, some reffection

of the light of the Moon extended on the water.

Here I'm using a light gray because I don't want the intensity of the

white

also to give it the darker areas of the Moon.

I remind you that right after the release of each video I am for one hour

answering all your questions and comments live

this is every Tuesday from 10 a.m. U.S. Central Time,

which is 4 p.m. in the U.K., 5 p.m. in places in Europe such as France,

Germany, Italy, at 7 p.m. in Moscow, and 9:30 p.m. in Delhi, India [laughter]

9:30 p.m?! Why are they half an hour off set compared to everybody else

in the world? please let me know! if somebody is watching from India

please explain.

I find it amazing that we have this community with artists from all over the world!

Please say "hi" in the comments and tell us where are you from.

It`s done!

If you enjoyed it please give it a LIKE! share it to your friends

and subscribe to Fine Art-Tips.

And I will see you on Tuesday ;)

Subtitled by Grethel Trejo

For more infomation >> How to Draw a Night Waterscape With the Moon - Duration: 4:28.

-------------------------------------------

DIY How To Make Play Doh SpongeBob and Patrick Ice Cream Sandwich for Kids(Learn Colors With) - Duration: 10:30.

DIY How To Make Play Doh SpongeBob and Patrick Ice Cream Sandwich for Kids(Learn Colors With)

Pink

You

White

Purple

Black

White

Yeah

Brown

Yellow

Purple

For more infomation >> DIY How To Make Play Doh SpongeBob and Patrick Ice Cream Sandwich for Kids(Learn Colors With) - Duration: 10:30.

-------------------------------------------

#flower How to Make Small Rose Flower with Paper Making Paper Flowers Step by Step | - Duration: 2:47.

watch more videos

plz like , share & subscribe Mangesh Talk

For more infomation >> #flower How to Make Small Rose Flower with Paper Making Paper Flowers Step by Step | - Duration: 2:47.

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How to Hide Your Phone Number on Facebook - Duration: 4:38.

Hey everyone.

I'm Max Dalton, and in this video I'm going to show you how to hide your phone number

on Facebook.

Your phone number is a personal thing that you may not want people to be able to access

without your permission -- even your Facebook friends.

By default, Facebook makes your phone number available to your Facebook friends.

If you don't like the idea of an ex-significant other or someone you've lost touch with over

the years having access to your phone number on Facebook, you can choose to hide your phone

number so that only you can see it.

In this video I'll walk through how to hide your phone number on Facebook using both the

Facebook app for iPhone, iPad and Android devices, and the Facebook.com website.

First, let's walk through how to hide your phone number from Facebook friends using the

Facebook mobile app for iPhone, iPad and Android devices.

Step 1.

Tap to launch the Facebook app on your iPhone, iPad, or Android device.

You'll arrive at your Facebook home screen.

Step 2.

Tap the "Menu" icon in the lower right corner of the screen.

The menu icon features three horizontal lines.

A menu appears.

Step 3.

Tap your profile picture that appears at the top of the screen.

Your profile appears on the screen.

Step 4.

Tap "Edit Profile" on your profile page.

The Edit Profile screen appears.

Step 5.

Scroll down to the bottom of the Edit Profile page to locate Edit Your About Info, and then

tap "Edit Your About Info."

The About screen appears.

Step 6.

Scroll down to find the Contact Info section.

Tap the "Edit" icon to the right of the phone number you want to hide from your Facebook

profile.

The Edit icon looks like a pencil.

The Edit Profile screen appears.

Step 7.

Locate the Mobile Phones section, and then tap the drop-down arrow that appears to the

right of your phone number.

A drop-down menu appears.

Step 8.

Tap "More Options" in the drop-down menu to display all of the options in the menu.

Tap to place a check mark to the right of "Only Me" in the list of options.

The drop-down menu will automatically close, and a padlock icon will now appear next to

the drop-down menu.

Step 9.

Scroll down to the bottom of the Edit Profile screen and then click "Save" to save your

changes.

You'll be returned to the About screen, where you'll now see your changes reflected under

your Facebook phone number.

Now, the only person who will be able to see your phone number on Facebook will be you.

Now let's walk through how to hide your phone number on Facebook using the Facebook.com

website.

Step 1.

Open your web browser, navigate to Facebook.com, and then log in to your Facebook account when

prompted.

You'll land on your Facebook home screen.

Step 2.

Hover your cursor over your account icon and name that appear in the upper left corner

of the screen.

Click the ellipses that appear to the right of your Facebook profile name to open a menu,

and then click "Edit Profile" in the menu.

The Edit Profile screen appears.

Step 3.

Scroll down to the bottom of the Edit Profile screen to the About Info section, and then

click "Edit Your About Info."

The About screen appears.

Step 4.

Click "Contact and Basic Info" in the About menu.

The Facebook information associated with this section appears on the right side of the menu.

Step 5.

Locate the phone number you want to hide in the Contact Information section, and then

hold your cursor over the number to bring up an Edit button in that row.

Click "Edit" to the right of the phone number you want to hide.

New options appear for that phone number.

Step 6.

Click the drop-down arrow to the right of Remove.

A menu appears.

Click "Only Me" in the menu.

The menu will close and the icon next to the menu will change to a padlock.

Step 7.

Click "Save Changes."

Your changes will be saved and you'll be returned to the About screen.

Now, the only person who will be able to see your phone number on Facebook will be you.

Congratulations!

You now know how to hide your phone number on Facebook.

Thanks for watching.

Leave your thoughts and questions in the comments section below.

If you liked what you saw here, click the video link on the right side of the screen

to check out another video, or click the logo on the left side of the screen to subscribe

to this channel to see more great videos like this one.

For more infomation >> How to Hide Your Phone Number on Facebook - Duration: 4:38.

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How Jess Glynne Created 'Thursday' | Billboard | How It Went Down - Duration: 3:10.

- Hey I'm Jess Glynne and this is

how it went down for my song Thursday.

A couple of years ago I was starting

to write my second album.

I arranged a session with Steve Mack,

who I wrote Take me Home with on my first album,

he's quite an emotional in depth kind of songwriter.

So I thought there's only so much time

I could spend with someone like that

'cause they draw a lot out of me.

I'm quite an emotional creature myself.

He gave me a call and was like,

"Ed Sheeran's around, we've been doing a few things

"and he'd love to come to the session.

"How'd you feel?"

And I was like, "yeah, of course, amazing."

And we sat down for like a little minute,

we had some food, had something to drink,

nothing alcoholic, and we just had like this long chat

for like, I don't know, a couple hours just about life.

And we spoke about the highs and lows of being,

I guess, famous and doing the job that we do.

It was really cool 'cause for me as an artist

I don't really work with that many artists

and obviously you never know how it is for someone else

and you feel like you don't whether that's just you.

And so it was really reassuring kind of talking to him

and knowing that, you know, he suffers with the same

insecurities and understand exactly how

the pressure kind of gets to you at times.

And it was just a really nice moment, I guess, for me.

I was going through something, I guess, at the time myself.

And I had all these lyrics on my phone

that I'd written down.

Things that I was dealing with and stuff that I wanted

to talk about and write about.

And we talked about that.

And that's kind of where the idea of Thursday,

I guess, came from.

Those insecurities, those moments of like,

you know, of doubt when you're not wearing make-up

and you have spots or zits, whatever you call them.

And you look tired, or you're in a bad mood,

you're not the idea of perfection and obviously

being in the spotlight you're constantly being judged.

If you're not, you know, smiling and in the best mood

or looking amazing, someones gonna make a comment.

Social media can be the devil sometimes

and can make you judge yourself,

and not for the right reasons.

And so yeah, that's where the emotion

came from for the record.

And I feel like Thursday's a bit irrelevant,

it's not just about not wearing make-up on a Thursday.

I think I was giving an example saying how I won't

wear make-up on a Thursday so I'm just gonna do me.

I'm gonna wear my track suits,

and I'm gonna drink gin, and I'm gonna do all the things

that make me feel good, you know.

And I guess the example resonated pretty well

with Ed and Steve and they're like,

"Let's call it Thursday."

So yeah, that's pretty much how it all came about.

That's how it went down.