Thứ Hai, 22 tháng 5, 2017

Youtube daily an May 22 2017

A small village somewhere in Luxembourg...

In today's episode we're exploring an abandoned farmhouse...

...that we found in the middle of a modern residential complex.

The farmer who lived here probably was an automotive enthusiast.

...on the property there are several beautiful classic cars.

The characteristic smell of the past and decay is everywhere on the site.

The entering of the buildings here equals a travel back in time.

We met with our local friends again.

This time they showed us an old farmhouse.

The huge property is completely overgrown...

...and the place looks totally insignificant from the outside.

But in the middle of the thicket and very well hidden...

...you can find several buildings like a mill with adjacent residential house and barn.

You can see that this is an old farm right away.

The very first building of the homestead...

...is a stable.

Access was no problem at all.

Every door and window stood open.

Next to the big buildings...

...there were some smaller sheds too.

...for example an old wine cellar.

The highlight of this place might be the collection of vintage cars.

You can find them everywhere on the site.

Altogether there are five cars.

...four of them are in the barn.

Holy crap...

Here's a two-door car, but we couldn't find out the model...

...plus three identically constructed vehicles.

...probably a Vauxhall Cresta PC each.

What did you find?

It's from back then...

It was made here in Luxembourg.

It's a Luxembourgian iron.

Luxembourgian iron...

Dude, these are dream cars...

Yep. - Awesome...

It's the car radio.

From Blaupunkt.

Nice.

Nice...

Is it still working?

This is rad, man.

Too bad that these cars are a tangled mess of scrap.

You can still recognize the remains of the indicator lights.

You've just unbolt the hood.

Does this mechanism still work? - Without any problems.

There're like 20 walnuts inside the glovebox.

Now the question is: Did a man this...

...or did a squirrel or some animal use this as a stash?

Take a look.

Looks like a squirrel did this. The nuts were bit open.

This one is a colossus.

There's plenty of space for a huge engine under the hood.

The glass isn't even broken here. And there are switches for...

..."lights"...

..."demist" and...

..."accs".

Look at the gear shift...

Sweet...

The dashboard looks like it is made of mahogany or something like that.

Here you can see the original color of the car paint.

What's this over here? Can you get it out?

This one? - Yep. - It's an old automobile jack.

Nice.

This is a part of the engine, right? - Yep, the ventilation.

Oh, there's another jack.

These special vehicles...

...the whole furnishings of the residential house...

...and the size of the property witness bygone wealth.

By now everything is mouldered here and decay is ubiquitous.

You can still find many things of everyday life.

...even personal things.

...and a nearly fully equipped kitchen.

What's in the fridge?

I'll tell you.

Something that looks like waffles or biscuits.

And there are some crudités in the crisper drawer.

Looks like fresh and yummy dirt.

Over here there are some roommates too. They're doing the cleaning work.

And in the frozen food compartment...

...there's something special called lasagne.

But it isn't that much left...

Sweet ornaments... Oh, it's a bed!

Just realised that.

It's an upended bed.

It's so nice how it is carved...

With these flowers...

I've just discovered something...

You can barely see it from the house because it's overgrown.

These are old agricultural machineries.

And there's moss everywhere.

I guess it's a plow.

...to aerate the soil.

And over here is the seat.

Over there's the tow coupling.

...and this is the handbrake.

I think so at least.

We don't know how long this site has been abandoned.

It is said that the house was up for sale when the farmer died.

However, no one had been found who wanted to live here.

So this place fell into oblivion and has been decaying ever since.

The future of this site is uncertain.

For more infomation >> TIME STOPPED: Abandoned Farm WITH VINTAGE CARS - Urbex Maison Greiveldinger Lost Places - Duration: 10:12.

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Meet Bashir Ahmad Bhat, an Artisan with Golden Hands| Rafiqa Bano Reports - Duration: 1:36.

When we did Registration as Artisan

There we came to know about National Award

They informed us if you also do good pashmina designs

then you should also apply for it

I then register myself for that in 2005

Thanks to Almighty Allah I had been selected for that

There were competition in same designs also

The design I had chosen were also chosen by others

But mine was awarded

We went to Jaipur

I was there for two days on Workshop

There were more Artists present

We interacted with each other and know about each others work

Initially we had one room only to live in

We do not had big house

We had patience and strive to work hard

Now Almighty Allah has provided us 4 rooms to live in

We are living happily

For more infomation >> Meet Bashir Ahmad Bhat, an Artisan with Golden Hands| Rafiqa Bano Reports - Duration: 1:36.

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Twin peaks 2017 | Twin Peaks, an Old Log Learns Some New Tricks - Duration: 1:26.

For more infomation >> Twin peaks 2017 | Twin Peaks, an Old Log Learns Some New Tricks - Duration: 1:26.

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There Is An Easy And Natural Way To Stop Snoring And Almost Nobody Knows It! - Duration: 1:44.

There Is An Easy And Natural Way To Stop Snoring And Almost Nobody Knows It!

Say Goodbye To Snoring!

Snoring is one of those problems that do not bother the person who does it.

But the person who shares the bed with another who snores does have a really annoying problem.

And this can cause sleepless nights or wake you up in the morning with the feeling of

having rested badly.

Most people who snore most are those who are overweight, drink too much alcohol or those

who have ostriches or broken nasal walls.

Excessive phlegm in the nose or throat of the affected person can also be one of the

causes.

And this is where our trick comes: a home-made anti-fruity juice.

Does the person who snores take the following on a regular basis to see if that makes calm

and calm reign again at night?

What will you need?

2 apples, 2 carrots,

1/4 lemon, 1 fresh ginger root.

Lemon juice has a high content of vitamin C, which helps to reduce nasal fluids and

cleanse the nose.

This helps to relieve the nostrils of excess pressure or pain.

And apples and carrots not only help clean the nose; Also help you sleep well.

How To Prepare It?

Mix all ingredients in a blender and take the resulting juice a few hours before bedtime.

If you notice phases in which you breathe in an interrupted way or you find it difficult

to sleep very often, you should consult your doctor.

While generally snoring is normal and harmless, it can sometimes be a problem that requires

medical attention.

For more infomation >> There Is An Easy And Natural Way To Stop Snoring And Almost Nobody Knows It! - Duration: 1:44.

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LASTRAD i wanna be an engine highly reccommended UK version - Duration: 4:02.

brilliant outtake rare by Nadav Ettlinger

For more infomation >> LASTRAD i wanna be an engine highly reccommended UK version - Duration: 4:02.

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An Ancient Ganesh Vandana in Raag Sohni | Ratnesh Dubey - Duration: 7:26.

GANESH VANDANA COMPOSED BY PANDIT MUKUND KUMAR TRIPATHI IN RAAG SOHNI

For more infomation >> An Ancient Ganesh Vandana in Raag Sohni | Ratnesh Dubey - Duration: 7:26.

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How digital accessibility can support an inclusive and engaging learning experience - Duration: 1:01:58.

>> GILLIAN FIELDING: Good afternoon, everyone, or evening, depending on where you are in

the world.

This is Gillian Fielding here from Blackboard.

Welcome!

The webinar will start in eight minutes.

Do feel free to post in chats if you have any questions or where you have from.

It's quite interesting to see where people are joining us from.

>> GILLIAN FIELDING: Good afternoon, everyone, or evening, depending on where you are in

the world.

This is Gillian Fielding here from Blackboard.

Welcome!

The webinar will start in eat minutes.

Do feel free to post in chat if you have any questions or where you are from.

It's quite interesting to see where people are joining us from.

>> GILLIAN FIELDING: Hello, again, this is Gillian Fielding again from Blackboard just

to say we will be starting in three minutes.

Welcome!

Thank you for joining us.

I see people are joining from all over the world and all different times of the day.

So feel free to put in the chat box what type of institution you're from.

>> GILLIAN FIELDING: Hi, again, this is Gillian Fielding.

I am based in the UK, but you will see in the chat we have people joining from all different

institutions from across the world.

Welcome, everybody!

>> GILLIAN FIELDING: Okay, we currently have 63 people on the call.

We have around 400 registered and may or may not join us in the last minute.

But we'll get going, it's 1:00 here.

Welcome everybody, my name is Gillian Fielding.

I work for Blackboard as a Customer Success Advocate based here in the UK and I will be

chairing today's session.

We have on the call Professor Helen Petrie who is a Professor of Human Computer Interaction

at the University of York.

Alistair McNaught, who is a Subject Specialist in Accessibility and Inclusion for an organization

called Jisc, which works across the higher education sector in the UK to support those

organizations.

And Alistair is based in Bristol in the UK.

And we have Nicolaas Matthijs, who is Blackboard's Ally Product Manager, who is also based in

London.

He is from Belgium, but today he is calling in from California in the states.

We also have some Blackboard staff on the call who will be helping moderate, which is

Natasha Davidson who is Head of Marketing International and she is calling from the

UK today.

And Dominic Gore who is the Manager for our Solutions Engineering and he is in Birmingham.

And Nathan isn't on there, but he may be helping, too, Nathan Copper.

You may also notice that we have closed captions on today's session and Bonnie from A La CARTe

is doing the closed captions.

You can alter the size of those and the fonts.

You have a message at the top asking if you want to see closed captions or not.

So just to run through, I just want to check that people can hear me okay.

Next to your little head and shoulders icon here, at the bottom center of your screen,

you will have an option to the tick, if you hoover over the tick, you will get the options

to show where you are happy or sad.

So if you could use the happy to indicate that you can hear me okay.

And [indiscernible] so I'm just checking if people can hear.

If anybody is having problems and need to troubleshot the audio, if you hoover and then

click on the profile, so that little head and shoulders, again, up there, then you can

get to the audio sessions there.

If you have any questions, can you put them in the chat box?

And the moderators will answer them as we go through.

We will open up for questions at the end of the webinar after the speakers.

And I've also added a link to the technical support and the webpage in case anybody needs

to call them if they encounter problems.

It's looking like everybody's okay and can hear fine.

That's great!

So just to go through a couple of the accessibility feature that is we've got in Collaborate,

you can adjust the captioning.

And you can also zoom into the slides if you need to increase the size of them.

And you will find this view control at the top, left hand side of the screen area, and

then you can zoom in and out.

So you can suit your own personal preferences.

If you are using a screen‑reader, we've got the recommended brands in there that you

can use with your screen‑reader.

If you are using keyboard shortcuts, the standard shortcuts work, but also there's a link to

extra ones as well listed on the website.

So what ‑‑ I mentioned who was going to be speaking already, I've done a quick overview.

In a second I'll be handing over to Helen, actually, who will talk about accessibility

in the learning environment at the University of York.

Following by Alistair McNaught from Jisc will be talking about improve can accessibility

and the learning experience.

After that, Nicolaas will talk about the latest developments.

And then we'll talk the questions and answers.

As I said, feel free to add your questions in the chat as we go through.

The presenters won't be answering at that point, the moderators may do, but we will

also store them when we get to the end we can ask the questions then.

So at this point I'm going to land it over to Helen to do her presentation.

So, Helen, over to you.

>> HELEN PETRIE: Okay, fine, hello, everyone!

It's very nice to be talking to you.

Thank you for the invitation.

I'll just turn on my video for a minute so you can see what I look like.

There we go, you should be able to see me in the corner of your screen, I'm waving to

you now.

It's nice and sunny in Yorkshire as I was saying.

I'll turn off the video now so I don't distract myself.

As Gillian said, I'm the Professor of Human Computer Interaction in the computer science

department at the University of York.

I'm a psychologist by training and I have been working on Assistive Technologies and

access to technology for people with disabilities, including a lot of work on students with disabilities

since the mid‑1990s when I worked at the National Institute for Blind People in London.

And I'm very excited about accessibility for people in life and in learning.

Oops, I've pressed the wrong button there.

I'll get the hang of this.

So I'm actually the Equality Champion of the Computer Science Department at York.

Each department has an Equality Champion, so I champion not only the right of students

with disabilities, but sexual orientation and other things.

And I'm also the chair of the University's eAccessibility forum.

I'm originally from Australia, but I'm now living in the north of England, which people

find strange because it's rains a lot in the north of England, but I love it here.

So what I want to tell you about today ‑‑ oops, sorry, I have moved my slide forward too much.

I'm not used to these buttons yet.

Right, okay.

The importance of eAccessibility, not everyone uses this term, so if you have not seen it

before, the idea of accessibility around digital devices and digital materials.

And one of the things I've found at my own University and many others is that people

have put a lot of money and effort and thought into the physical accessibility of the University,

and I know at York we spent quite a lot of money continually trying to improve the physical

accessibility, and I've got an image there of some beautifully accessible steps which

include a ramp, but strangely, given one of our key objectives at the University is learning

and teaching, the accessibility of particularly the digital learning environment for students

has somewhat lagged behind.

And one of the roles of the eAccessibility forum is to really push for accessibility

of the digital environment.

And I think that's particularly important because on the one hand, when students are

in classrooms, you should be able to understand whether a student is having difficulty accessing

the learning experience.

I know that doesn't always happen, but it should be there in front of you.

But when we move, as we increasingly are moving into digital environments for learning, it

may not be nearly as obvious as to what the barriers are, who is experiencing particular

barriers, and how can we solve them?

And part of the problem is that, I'm afraid, the accessibility at the moment is not an

easy thing to solve.

So the challenges are complex.

At the moment they're not always completely well understood and that's partly because

the technology is constantly changing on us.

I'm still amazing that now my students come to physical classes and they all sit there

with their SmartPhones.

And at first, I was quite upset about this.

I'm thinking, why are they texting on their SmartPhones when they're in class?

And then I actually, actually, they're taking notes.

They have my PowerPoint slides up and they are taking notes on their SmartPhones.

So the world is changing rapidly.

And students have many different needs.

Often the solutions can cover students with different needs and that can be very scary

initially, but we do need to consider that, as Alistair will talk about later, when we

talk about accessibility, it's not a unified thing.

What might be accessible for one person, isn't accessible to another person.

So one of the ways I try and break the problem down in the University learning content, when

I'm talking to people, is to think of the different layers that we need to consider.

Oops, next slide.

Starting kind of from the bottom, we have the hardware or devices that a student might

be learning with or using.

Some students, for example, this is a picture of a one‑handed keyboard for a student who

perhaps only has one hand or can only use one hand, so they bring a particular assistive

device with them.

Students who are blind may have Braille displays that they use.

In the UK, the responsibility for that is now moving from the institution more to the

student to supply and decide about that.

And to some extent, we don't have to worry too much because usually those devices work

well with mainstream technologies, but we do need to be aware that they're there.

Then some students may be using assistive software rather than assistive hardware, so

blind students very typically use screen‑readers, which convert the visual material to audio.

Partially sighted students may be using screen magnification.

Dyslexic students may be using special spell checkers and grammar checkers or software

that highlights word‑by‑word for them when they are reading text.

And I should have mentioned at the beginning, I am dyslexic myself so I have good experience

of those as a user.

Then the middle layer, and this is where Blackboard comes in, but also others, usually now in

Universities and other educational institutions, we use a learning environment, a platform

which needs to be accessible to the students and needs to be kept up‑to‑date.

But then, for me, the really critical point is we have, I think, a thousand Instructors

at the University of York and they are all uploading documents, PowerPoint slide decks,

PDFs, readings, et cetera, et cetera and they need to be accessible to the students.

And that is an endless discussion of how do we ensure that?

And then even within documents, we have particular elements like tables, maps, images, graphs,

diagrams, and there may be accessibility issues, particularly for blind or partially sighted

students in accessing those particular elements.

So we have this multi‑layered system where we have different accessibility challenges

and we need to be monitoring in different ways and persuading different groups of stakeholders

to try to ensure accessibility or improve our accessibility.

So what do we do at the University of York?

I'm very involved a number of activities.

First of all, a small triumph, I feel, is I have just recently persuaded the University

to put the inclusive learning environment, they decided to call it, but this a site code

word for eAccessibility on the agenda for the top University plan for the next three

years.

So it has been agreed that we will work to raise awareness amongst staff of the need

for a truly inclusive learning environment for all students, with the aim of University

providing an exemplary learning ‑‑ exemplary, inclusive and working environment.

I think you can tell I'm dyslexic because I find it very difficult to read carefully

like that.

So that's very encouraging.

And to implement that point in the plan, we are now working on inclusive learning, teaching

and assessment policy.

Other institutions may have policies like that and I would be very interested in hearing

from you and discuss how you have achieved that or trying to achieve that.

Please contact me by my e‑mail address which was at the beginning of my slides.

And then as I mentioned before, I'm chair of the eAccessibility forum, which has Representatives

from all of our faculties and all our support departments, so we have a representative from

exams, we have a representative from the library, and so on and so forth.

And we try and monitor what's happening in the University, promote group practice, inform

and raise awareness, so really all the points which were in that point that's going into

the plan.

So some of the things that we do, we have a leaflet that we provide to all staff at

the University about the importance of eAccessibility and links to resources that are available

for everybody.

So that goes out once a year.

We also do audits of different materials around the University, so at the moment we're doing

an audit of all the different teaching department websites because we've realized that people

have recent ‑‑ fairly recently discovered, I think, that putting up videos of students

talking about how wonderful it is to study archeology or history or whatever or a lecture

talking about their interesting course, these are good marketing materials for departments

and the University policy is that they should be subtitled.

And we are getting about 50/50 whether they are not.

And I'm writing polite letters to heads of departments reminding them of that University

policy.

And we do different audits of different things at different times.

And another thing we're trying to do, again, with some success, but not complete success,

is that when the University procures new software or new computing equipment that will be used

either by staff or by students, that as part of the procurement policy, we do some testing

with students with disabilities to see whether it really is usable by students with disabilities.

And we try and test with three blind students, three partially sighted students, and three

dyslexic students.

And that's because in my research, I've found that if you do that testing, you pick up about

80% of the accessibility problems.

It's not perfect, but it's not too expensive to do.

And it's a good initial test of accessibility.

And obviously, we ask people who are bidding to provide equipment to give us information

about the accessibility of their equipment or their software as well that's part of the

process.

And a final point I didn't put on the slide, I forgot, we have a project about trying to

crowd source with students the description of the images and diagrams in the teaching

materials.

So if a group of students are taking a course and the lecture is providing PowerPoint slides,

for example, which have images, which is almost always the case, we're trying to set up a

system where all the students in that course will describe the images for blind and partially

sighted students in the course.

And we're having mixed success with that as well.

If you would like to know more about that, please contact me.

And finally, I just wanted to end ‑‑ oops, I've gone too far.

Oops.

I've gone back to my other slide.

No, no, I'm not.

Ah.

Last slide here.

I just wanted to end by mentioning that there's a lot of emphasis now on eAccessibility and

accessibility for students, but we should also remember accessibility for staff, particularly

in my instance teaching staff.

So an example I had last year, which it's really about physical accessibility, but it

does relate to teaching with digital materials is I actually organized a conference at the

University and we had a number of speakers who were in wheelchairs and we realized that

the teaching rooms, the podiums where you put your materials and look at your slides

are not wheelchair accessible, they're too high.

So we had to provide a desk, it's not very clear in the photograph, but you can see a

gentleman sitting at the desk, we had to provide a desk specially.

We could pull down the monitor so he could see his PowerPoint slides, but then we had

hearing‑impaired people in the audience and he couldn't use the hearing loop, but

‑‑ because that was up on the podium, so that's the point I'm now raising with the

University that we need to think about accessibility for teaching.

So thank you very much for listening.

And I'm happy to answer any questions later on.

And I now hand back to Gillian.

>> GILLIAN FIELDING: Yes, thank you very much, Helen.

You raised some interesting points there.

We got some questions in the chat.

So thank you, that was really interesting.

And without any further ado, I'm going to hand it over to Alistair now.

>> ALISTAIR McNAUGHT: Hello, good afternoon.

Or good morning, indeed, if you are in another part of the world, or good evening.

Can I check if somebody can pop into the text chat that you can actually hear?

Yeah, that's looking good.

Thank you, Gillian.

And everybody else.

Brilliant!

Okay.

I love optical illusions and one of the things I love most about optical illusions is you

look at something and you look at it one way and suddenly you see something in a completely

different way.

And that paradigm shift that takes place in your head when you are looking at an optical

illusion is really something I find exciting, I find it creative, I find it inspiring and

challenging.

And that's what accessibility should be about.

So we're going to be looking at some optical illusions and we're going to use these in

order to ‑‑ I'm having the same problems that Helen had there, slightly unresponsive

button that I clicked twice because I thought the first one didn't work.

So let's look at some optical illusions.

This is a lovely image.

I really like this image.

I think it's possible from the other side of the Atlantic, but I just love the way you

can look at that and see the houses built at these very odd angles, where, of course,

if you turn your head slightly, you realize it's a very steep hill.

Now with accessibility, we often look at things the wrong way around because we don't see

that bigger picture of the houses in the background.

So a student has a problem accessing content.

They are supported by a disability specialist.

The barrier is overcome.

A ladder has been provided to take them over the obstacles, but was the disability the

problem or was the problem the lack of disability awareness or the lack of confidence in using

digital technologies that would have allowed the disabled learner to be more independent?

Would the student from the problem at all if the tutor had created the resource to meet

basic accessibility practices?

And the irony in education is that we often applaud organizations for the size and the

quality of their ladders, but a big ladder to support a disabled student is actually

the sign of an unresolved wall or unchallenged barrier.

I would suggest we are often rewarding the wrong things.

Perhaps we should be looking at the barriers instead of the ladders.

Why do we focus on ladder makers?

And why do the inspections in the UK in further education of schools?

We have an organization called Ofsted that goes around inspecting organizations, and

so often I have seen a report from Ofsted that commends a school or a college for their

disability support.

And if I then visit that college and have a look at what they're doing, yes, they've

got really good disability support, but they are supporting students over barriers that

need not be there in the first place and nobody had spotted.

If the barriers were smaller, we might not need long ladders.

And on the slide here, some of the barriers to overcome include, you know, making sense

of practicals.

If somebody is trying to juggle their notes and jiggle a test tube out in the field and

it's raining and blowing, trying to make notes, there are all sorts of ways practicals and

fieldwork with create barriers, making sense of lectures or classroom experiences, lecture

notes, making sense of the presentations afterwards, the need for peer support, the accessibility

of the eBooks you use, making understanding of references and reading list, writing assignments,

having the self‑skills for writing and organizing and so forth.

All of these barriers are barriers you can support students with using technology.

Or, you can leave the barriers in place and give them a nice long ladder, which is a lot

more expensive.

So perhaps we reward the wrong things.

But let's look at this optical illusion here.

I think there's often a misconception about accessibility that accessibility is some kind

of fixed point, rather like beauty, you know, is there a fixed definition of beauty?

Just as beauty is in the eye of the beholder, I think there's a sense to which accessibility

is in the eye of the beholder.

If somebody asks the question regarding an exercise or a resource or an activity, is

it accessible?

Then the answer is actually not necessarily straightforward.

It could be, well, it depends who you are.

The optical illusion on the screen is one of these fantastic twisted perspective staircases.

And depending which of these characters you are on the staircase, you may think that you're

at the top of something, you may think you're at the bottom, you may think you are facing

a barrier, you may think it's all downhill and it's very easy.

And we have an important role in education to try to be as mature holistic about accessibility

as we can be because there are genuine issues with education and accessibility.

Education is not just about conveying information.

It's also about engaging.

It's about exciting people.

It's about challenging people.

It's often about entertaining.

And the one, perhaps, interaction rich simulation that you found online and is fantastically

engaging your learning with ADHD may have too many buttons and things going on for their

attention span.

It may be inaccessible for screen‑reader.

You can switch it around, the Braille notes which are fantastic for a blind reader and

give a really good explanation of something are not accessible to anybody else.

So there is this content to accessibility and there are balancing act that is are better

handled by positive alternatives than by rigid policy saying, you can't have that on the

virtual learning environment, you can't have this.

So rigidity is something, I think, we need to be careful of.

However, having said that, the main problems are more often to do with negligent practice

in everyday experiences.

And part of this is accessibility training must be differentiated.

I would have a completely different expectation of an eLearning Manager or an eLearning Technician

than I would of a teacher who is just at the first point of using digital resources and

putting something online.

It would be unrealistic for me to expect somebody who has never uploaded a video before, never

even taken a video, if I then say to them, every frame of that video, or every section

of that video has to be subtitled and synchronized, they will be put off.

So I will only get a little bit of the video.

So you need to give expectations that are appropriate.

With the video, I would say initially because you are getting used to using video, make

sure there's a summary of the key teaching points, the five key teaching points next

to it, so that's not having to subtitle it, it's not even an entire transcript.

It's saying why you need to watch the video, what are the things you must come back with?

And the reason this is important is because if we have unrealistic accessibility expectations,

you end up with less accessible teaching and learning because nobody pays any attention

to the unachievable.

So it's got to be achievable.

Now the next thing I want to look at and the really positive thing about all of this is

that when you get that buy‑in, when you can give the right level of the challenge

to people irrespective of their role, as soon as they see what they can make a contribution

to, you get something apparent which is the spontaneous creation of new opportunities.

When you stare at this set of black squares, you will see gray dots appearing over every

interaction.

Not a single one of them is there, but they are generated by you looking across the image.

Now there's a similar sort of way, when you create a culture of inclusion and you enable

people to not only take responsibility, but also have a sense of creativity about not

just meeting somebody's laws, but actually getting the principle of, let's be inclusive,

let's try experimenting in different ways of teaching and learning, suddenly you find

people inventing things themselves, trying things with students, and you create things

that you never would have created yourself.

Okay, the next point I want to consider is the importance of inclusive digital practice.

We started looking at barriers versus ladders and very clear the barriers are still there.

You know, whatever you do, your students still need to make sense of practicals, make sense

of lectures, of presentations, and so on.

There are certain things that learning is about.

But instead of providing one massive ladder to get over them, we can use technology in

creative and inclusive ways.

And almost all of these have free options to them.

You can use technology in ways to provide lots of little stepping stones.

So the making sense of practicals, you can use videos, you can use feedback clips, so

whenever they hit a barrier straightaway, they can revisit it, look at the video again,

they can pop something back on to a feedback tool like Today's Meeting and get immediate

feedback.

Yeah, you forgot to add the indicator at this stage, whatever it may be.

For every one of these, and these slides are available afterwards, I believe, right, Gillian?

For these barriers there are third party tools that can help you get over the barriers.

If students become more self‑aware and more self‑supporting in terms of their needs,

that is to the benefit of everyone.

And what you'll find is that the benefits accrue not just to your 10% of students with

disabilities, but they will accrue to the other 90% of students who suddenly find they

can be a lot more productive and creative and engaged than they otherwise might have

been.

And then the last slide is just to make it clear that it's not just technology.

Technology can offer us some fantastic affordances, but actually humans are at the heart of accessibility

when it comes to technology because it's humans that have the vision.

Helen talked very clearly about the University of York where so much of the technology solutions

that are taking place are actually driven by an overarching vision.

So much of the technology solution that is are being brought, are being driven by choices

that are informed by accessibility awareness.

And these are all human‑type decisions that people are making.

You can give people training to help their practices become more accessible.

If you skimp on the training, don't expect the practices to change, don't expect people

to structure their Word documents if you have not told them what a fantastic difference

it can make to a reader or any learning.

I am feeling very privileged to be invited here because the things Blackboard has been

making, and Nicolaas will talk about this in a moment, Blackboard with help you with

the inclusive elements of the technology, reducing some of the barriers.

And my organization, if you are in the UK in higher education or further education,

we can help make that accessibility and inclusion part of your strategy, your vision, and your

daily practice.

If you are a Jisc member, we can do that for free using its link that's there.

If you are elsewhere, we can still do it, but it wouldn't be for free.

So I hope you have enjoyed the illusions.

The most important thing of all is that when you look at an illusion and suddenly you get

it, it's actually not a burdensome feeling, it's, wow, this is quite releasing, this is

really fun.

Accessibility can be like that.

It's not a bunch of laws, it's actually a bunch of creative opportunities, and that's

what I love about it.

>> GILLIAN FIELDING: Thank you, Alistair, that was great.

I so agree with your statement that accessibility makes education more accessible for everybody.

And I'm smiling at you saying it's fun because when I use the text to speech facility for

proofreading when I'm tired, you know, it's fun.

I'm relieved I can do that.

So I'm going to hand over to Nicolaas now, who is going to speak for just a moment about

Blackboard and he is the Ally Product Manager.

>> NICOLAAS MATTHIJS: Hi, good morning or good after noon, depending on where you are

calling from.

I have to say I really like the later analogy that Alistair used.

I think I'll be using that myself, it's a really powerful analogy.

Today I'd like to take a few minutes to talk about what we are doing around accessibility

at Blackboard as an Educational Technology company and how we're essentially trying to

partner with institutions around accessibility.

So basically at Blackboard, we're ‑‑ we try to take a three‑part approach towards

accessibility, which starts with making sure that the platforms that we make available

to institutions are as accessible as possible.

Followed by trying to help the institution make the content that's put inside of those

systems, so the content that's created by Instructors, by students, as accessible as

possible.

Added with additional Consulting Services that we can bring in if additional help is

required.

So starting with our platforms and this includes things like ‑‑ this includes our range

of products which is things like Blackboard Learn, things like Blackboard Collaborate,

which is what we are using right now, and many others.

And our commitment there is fairly straightforward.

We are committed to making everything ‑‑ every product that we ship, WCAG 2.0 AA which is

the accessibility guideline compliance.

And we put several processes in place to help ensure this.

That includes things like we have embedded accessibility experts into all of the different

product themes.

We actually have the ability to block new product releases when a particular accessibility

issue has been identified.

And we do independent accessibility audits where an independent third party organization

goes in, evaluates the product, and also produces the associated disability documentation.

And next to the commitment of making the products WCAG 2.0 AA compliant, and I'm happy to say

this is a trend we are seeing without the educational space.

And there are additional accessibility that we are adding to the platforms and we try

to work with a number of institutions and organizations around this as well.

That's the first part of our required approach.

The second part is really looking at, how ‑‑ is the content that people put into

the systems, is that content accessible as well?

And that's really where our Blackboard Ally product comes in.

And so the way in which ‑‑ so Ally is a product that really focuses on trying to

make that digital course content more accessible and it does that by integrating very closely,

very seamlessly into the virtual learning environment, into the Learning Management

System.

And we actually are, and this is also something I'm very excited about, we are making this

available to all of the major Learning Management Systems, including things like Moodle, and

so on.

And the way in which it works, as an Instructor, as you add content or create content in the

LMS, Ally will automatically pick up on it, run it through an accessible checklist, will

run it through a number of different algorithms and will do three main things to make that

content more accessible.

The first thing it will do is it will automatically try to generate a number of what we call more

accessible alternatives to the Instructor's original.

In order to do that, there are things it will generate, like it will generate different

formats.

Things like semantic HTML, an audio version of the content, an electronic Braille version

of the content.

If it's a scanned version, we will automatically OCR it.

We take all of those different formats and make them available to the student within

the Learning Management System, within the context of where that content is being used.

And so in this first part of what Ally does, we try to do as much as we can in an automated

way to provide a more accessible starting point to the student, pretty much in an immediate

way.

And I think it's fair to say some of these formats are for students with specific disabilities,

like the electronic Braille format, but the audio format are much more widely applicable.

It can be used to offer modality and basically enhance the overall learning experience for

the students.

So that's the first part of what Ally does.

The second part of what Ally does, which comes back to the training side that Alistair was

referring to, is Ally will also provide feedback within the content of the LMS, will provide

feedback to the Instructor on how accessible the content is, some of the issues within

the content, as well as detailed guidance to help them improve the accessible of the

original.

So we are really trying to engage with the Instructor and trying to get them make the

original as accessible as possible so we can over time embed some of those best practices

into the Instructor's work flow and try to sort of raise awareness, raise visibility

of some of these issues as well.

And then the last thing Ally does, it will also generate ‑‑ so based on doing this

in its Learning Management System, it will produce an institutional report.

It's difficult to know how you are doing from an accessible point of view just because of

how much content is out there and this institutional report tries to provide some insight into

that and some understanding so you can understand how you are doing, as well as understand where

the problems are, as well as identify what else you can do yourself as an institution

to help further improve things.

So that's the sort of ‑‑ the content side of things.

The last part of what Blackboard offers as well is there's a range of different Consulting

Services that we offer.

So in the case ‑‑ in cases where you, as an institution, need additional help, there

are things that we can do like come in and help define an institutional accessibility

policy, help define an implementation plan for that policy, it can be things like reviewing

the full student digital life cycle all the way from enrollment down to graduation.

There are specific sort of course audits we can do where we can come in and sort of look

at the overall accessibility of the course, look at the pedagogy and create content creation.

So there are a number of options that are available in case any additional help in required.

So that was a very high level, very quick introduction into what we are doing at Blackboard

to try and help with accessibility.

If you want to find out more about this, I think the seventh webinar in today's webinar

series, we'll be covering this in a little more detail.

We will be covering things like, what we are doing in Learn, Collaborate, and so on.

We will provide a deeper introduction into Ally, as well as give you a sense of how it

works, what it looks like, and we'll provide additional options about the consulting ‑‑ some

additional details about the consulting options.

So if that's of interest at all, you should consider joining the seventh webinar which

is taking place at 3:00 PM eastern U.S. time, 8 PM UK time and that's Pacific, noon, I believe.

Thank you.

>> GILLIAN FIELDING: Thank you so much, Nicolaas, that was great and generated some more questions

in the chat.

And Ally, it's worth mentioning, if you interested in seeing it in practice, we are in the process

of organizing a webinar specifically on Ally on Thursday the 22nd of June at 1:00.

An e‑mail will come out and it will go in the newsletter and so on.

So if you are interesting in seeing that, join the demonstration then.

And it is worth mentioning, it is platform diagnostic so you can use it on any LMS.

So let's answer some questions.

Going back to the one that is were in the chat, Helen, when you were speaking, Jessica

asked a question about how do students with disability influence policy and practice at

the University of York?

>> HELEN PETRIE: That's a very good question.

Thank you, Jess.

But we have student representatives on both the eAccessibility forum and on the University

level Disability and Accessibility Committee or working group.

We have students and graduate students on both those committees so students can have

direct input into policy.

That's very important to us, that we include students in the decision‑making process.

Has that answered that question?

>> GILLIAN FIELDING: Well, if there is anything back from Jessica, you can put that in the

chat.

And we will go to another question.

I think you have left the session, but he can go to the board to see the answer or message

him.

Are the students paid?

>> HELEN PETRIE: Yes.

We recruit students and our policy is we try to pay as much as they would earn working

in McDonald's or Starbucks, so we pay, I think currently we pay 13 pounds an hour for their

time, plus endless free coffee and biscuits, so it's not something we expect people to

do for free.

It's real work that has to be taken seriously and is, therefore, paid for.

>> GILLIAN FIELDING: And Jess came back with the following question, asking if you involve

students in the Blackboard practice.

>> HELEN PETRIE: Sorry, could you repeat that question?

>> GILLIAN FIELDING: Sure.

>> HELEN PETRIE: Oh, I see the questions now.

Yes we involve students in reviewing Blackboard.

In the same way.

>> GILLIAN FIELDING: That's good.

And [indiscernible] also had a second part of the question, he is interested in ways

we try and balance the workload and testing against the primary purpose for being there.

So about how much time does it take students to get involved with this?

>> HELEN PETRIE: The time commitment is quite small, so typically we might be doing testing

once every three months and particularly for students with dyslexia, we have quite a number

of students with dyslexia at the University, so we have no trouble finding volunteers to

do that.

For students that are blind, we don't have so many students and we try not to burden

individual students, but it's done on a voluntary basis.

And often students will say, I can't come now because I'm preparing for examples, so

we find other students to do it.

So it's not something we impose on students, we just ask for volunteers and we usually

find volunteers quite easily.

>> GILLIAN FIELDING: Thank you.

That's great.

And I think Denise was next asking a question about you sharing your audit lists.

>> HELEN PETRIE: Yes, I'm very happy to share the audit lists.

I put a message back to Denise in the chat.

I wasn't sure whether she wanted the audit to do with the subtitling that we're doing

or the testing we do with students during procurement.

We actually have the webpage about that second aspect which I can share with people.

>> GILLIAN FIELDING: That would be great.

I've got a question for Alistair now, so perhaps you can share that in the chat.

Sorry, it's not a question for Alistair, it's a question for Nicolaas that Alistair asked

and it's about whether the publishers will be able to use Ally to make their published

content more accessible.

>> NICOLAAS MATTHIJS: That's a great question.

The way in which Ally is being built is in a way that would allow it to be integrated

into several different platforms or workflows at the same time.

We are actively talking to many of the publishers to see how Ally can fit into some of their

processes, whether it can help provide the formats, as well as accessibility checking,

so we can try to bring as much of the work as possible upstream.

So those are conversations we are actively having.

That will probably take some time to come to fruition, but that is definitely part of

where we are trying to go.

>> GILLIAN FIELDING: That's great.

Thank you.

And I have another question, but I can't ‑‑ or I didn't note who it was from, however, this

is to either Helen, Alistair, or Nicolaas, do any of you have any ideas about good inclusive

learning environments?

And it was Jasper, some of the Jasper, does the panel have any ideas about good inclusive

learning environments?

Some of my students enjoy the aspects of flipped classroom, which is very helpful but obviously

others can find it noisy.

Do you have any suggestions on that?

>> ALISTAIR McNAUGHT: Yeah, I think that's a very good point and it's one of the things

I was discussing with some colleagues recently on a European project.

It's about making sure that your inclusive practice attempts to be varied, attempts to

be engaging in different ways to different people at different times.

So I think it's not a question about finding some kind of mythical ideal for accessible

practice in a classroom and then just sticking to the same thing all the time because that

would inevitably benefit others and provide less benefit for others, but I think it's

about what you are doing at the moment, Jasper.

You are trying the flipped classroom, trying different things.

Try flipping the classroom in different ways.

Try using the class time for different activities so it's not all noisy discussion.

You can have quiet discussion or one‑to‑one work, some can be outside and some can be

inside.

The real joy of the accessible teaching practice is that it's constantly stimulating, you trying

different things, and working with the students.

It's ultimately about really good practice and teaching, which brings that variety about.

>> GILLIAN FIELDING: Thanks, Alistair.

And I'm just going to ask the moderators if there are any questions that I've missed.

It's a little hard to keep track of the questions and where we are at.

So Nathan, Dom, or Natasha, are there any other questions that you spotted that I missed?

>> DOMINIC GORE: Gillian, this is Dominic.

Just a couple of questions, one again from Jasper, does the panel have any ideas about

good inclusive learning environments?

Some of my students enjoy the aspects of flipped classroom, which is very helpful but obviously

others can find it noisy.

Do you have any suggestions on that?

>> GILLIAN FIELDING: We actually covered that one, Dom.

Was there another one?

>> DOMINIC GORE: Yes, can you describe what Jisc is doing to break down the barriers and

invoke University design and practices?

>> ALISTAIR McNAUGHT: Yes, the evaluation and side posting service which we have just

started I think has attracted people because to some extent there's [indiscernible] environment.

The changes in the UK, well, England, let's be accurate about that, has put additional

responsibility for institutions making the ladder rather than the one‑on‑one support.

It's recognizing that the old support mechanisms were unsustainable.

But very often the most important thing we do is we help people to join up the bits that

they don't realize need joining up.

So it's talking to library staff to help library staff understand that the eBook offer that

they have could be actually really helpful in terms of dyslexic learners because they

can use text to speech with it, or it can make it easier for accurate copying and pasting

of references, et cetera.

It's about using all kinds of different tools, so if your eLearning team is talking to your

library team and your academic team and your disability support team is aware of the in‑built

accessibility, it's all these little things.

And I think the real success is not giving people a sense of massive things that nobody

can do, but giving people an almost crowd source sensed that accessibility really works

when you have 900 staff in an organization making 900 small changes rather than one or

two people making 900 changes in one go.

>> GILLIAN FIELDING: Thank you for that, Alistair.

We're going to stop the questions there, but we will come back to the ones we haven't answered

either in e‑mail or [indiscernible].

I'm just going to move on to a couple of points I want to cover here at the end.

One of them is the community site that Blackboard has.

I'll mention that in a second.

Just for the last minute, I wanted to highlight there are a couple of accessibility MOOCs

that are starting at the beginning of June.

And this one that's on‑screen at the moment is one by Blackboard in construction with

the [indiscernible] University.

It's aimed at teaching staff.

It starts on the 5th of June, and it's looking at how to make your learning environment more

accessible.

Similarly, we have another one starting on the same date that Blackboard is not involved

with, but we promote it, which is run out of the UK.

It's a European‑funded project that's being organized through Future Learn.

And, again, it looks at exclusive teaching and learning practices.

They are both short, they are both three weeks.

And then this is the community site I just mentioned.

The community site is an area that Blackboard hosts where we have all sorts of discussions

going on on different Blackboard topics and different Blackboard products.

It can be Learn, it could be Collaborate, but we have an accessibility discussion area

in there.

Dom has just posted the link in the chat.

You will need to just log in.

You need a name, e‑mail address for registration and either use the link or there is a search

tool up at the top, right hand side of the screen.

But there are all sorts of discussions going on about accessibility in there.

Of course, [indiscernible] locater.

And I just wanted to highlight the newsletters, particularly this one, the theme is on accessibility.

So if you have not registered for that already, there is a link in chat which will take you

a webpage where you can see the newsletter or you can register for it.

It comes out every month.

It's themed every month on different topics like flipped classrooms or in this case accessibility.

And another thing quickly to point out in the recent newsletter is the accessibility

checklist that is linked in there.

Nice, simple checklist, easy to use.

It has a link to the contrast checker in there.

So easy and a nice resource to share.

And finally, we will be sending out a survey link for you to give us feedback on the webinars.

I mentioned the chat already, but the recording from today's session and the slides will be

shared this afternoon, hopefully, on the public community site.

And if you have questions, we have an e‑mail address there, please contact us.

And the presenters have put theirs in the chat or in the slides as well.

Everyone will be happy to carry on the discussion, whether by e‑mail or through the community

site.

Thank you all for attending.

Thank you particularly Helen, Alistair, and Nicolaas for your time and the great presentations

today.

It was really interesting.

And thank you to all of you for joining.

>> HELEN PETRIE: Thank you very much for inviting us.

It was very interesting.

>> GILLIAN FIELDING: Thank you.

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"Sesli Kitap" Osmanlıca (Kur'an Harfleriyle) Risale-i Nur SÖZLER Yirmibeşinci Söz -10- (Sf: 539-545) - Duration: 18:03.

SECOND LIGHT The Second Light comprises Three Beams.

FIRST BEAM: According to the testimony of thousands of brilliant scholars of rhetoric

and the science of rhetorical style like Zamakhshari, Sakkaki, and 'Abd al-Qahir Jurjani, there is in the

Qur'an of Miraculous Exposition as a whole a pleasant fluency, a superior correctness, a firm mutual solidarity,

and compact proportionateness, powerful co-operation between the sentences and parts, and an elevated

harmony between the verses and their aims. And yet, while there are seven or eight significant factors that might

mar or destroy the harmony, co-operation, and mutual support, and the fluency and correctness,

they do not mar them, indeed, they give strength to the fluency, correctness, and proportionateness.

Only, those causes have exerted an influence to some extent and taken others out of the veil of the order

and fluency.

But just as a number of bumps and excrescences appear on a tree, not to spoil the harmony

of the tree,

but to produce fruit which will be the means for the tree

reaching its adorned perfection and beauty; in just the same way, these factors stick out their knobbly

heads in order to express meanings which will enhance the

Qur'an's fluent word-order.

Thus, although the Perspicuous Qur'an was revealed part by part like stars over twenty years in response

to the circumstances and needs, it possesses such a perfect harmony and displays such

a proportionateness that it is as though it was revealed all at once.

Furthermore, although the circumstances which prompted the Qur'an's revelation were

all different and various, its parts are so mutually supportive that it is as though it was revealed in response

to only one of them. And although the Qur'an came in response to different and repeated questions, it displays the

utmost blending and unity,

as though it was the answer to a single question.

And although the Qur'an came to explain the requirements of numerous diverse events, it displays

such a perfect order that it is as though it explains a single event.

And although the Qur'an was revealed through Divine condescension in styles appropriate to the understanding of the

innumerable people it would address, whose circumstances were different and diverse, it displays such a fine correspondence and

beautiful smoothness of style that it is as though the circumstances were one and the level of

understanding the same; it flows as smoothly as water.

And although the Qur'an addresses numerous classes distant from one another, it possesses such an

ease of exposition, such an eloquence in its word-order, such a clarity in its manner of expression that it is as

though it is addressing a single class.

Even, each class supposes that it alone is being addressed.

And although the Qur'an was revealed in order to guide and lead to various aims,

it possesses such an perfect integrity, such a careful balance, such a fine order that it is as though

the aim was one. Thus, while these are all causes

of confusion, they have been employed in the Qur'an's miraculous manner

of exposition, in its fluency and proportionateness.

For sure, everyone whose heart is without disease, whose mind is sound, whose conscience is not sick, whose taste is unimpaired sees

in the Qur'an's manner of exposition a beautiful smoothness of style, a graceful harmony, a pleasing proportionateness,

a unique eloquence.

All the clear-sighted see that the Qur'an possesses an eye that sees the whole universe

together with its outer and inner aspects clearly before it as though it was

a page; that it turns the page as it wishes, and tells the page's meanings as it wishes.

Several volumes would be necessary if we were to explain the meaning of this First Beam

together with examples, so sufficing with the explanations and proofs of this fact in my Arabic

treatises and inIsharat al-I'jaz, and in the twenty-five Words up to here, I have only pointed out here these

features of the Qur'an in it as whole.

SECOND BEAM This concerns the miraculous qualities in the Qur'an's unique style in the summaries and Most

Beautiful Divine Names, which it shows at the ends of its verses.

REMINDER: There are many verses in this Second Beam.

These are not only examples for the Second Beam, but for all the preceding examples

and Rays. It would be extremely lengthy to explain

them all giving them their due, so for now I am compelled

to be brief and succinct. I have therefore

indicated very concisely all the verses which form examples of this mighty mystery of miraculousness,

and have postponed detailed explanation of them to another time.

Thus, the Qur'an of Miraculous Exposition mostly mentions summaries at the conclusion of its verses

which either contain the Divine Names or their meanings; or refer the verse to the reason in

order to urge it ponder over it; or they comprise a universal rule from among the aims

of the Qur'an in order to corroborate and strengthen the verse.

Thus, in the summaries are certain indications from the Qur'an's exalted wisdom and certain droplets

from the water of life of Divine guidance, and certain sparks from the lightning of the Qur'an's miraculousness.

Now I shall mention briefly only ten of those numerous indications,

and point out a concise meaning of only one of numerous

truths, which are all one example out of many.

Most of these ten indications are found together in compact form in most verses and form a true

embroidery of miraculousness.

Furthermore, most of the verses we give as examples are examples of most of the indications.

We shall point out only one indication for each verse,

and shall just point lightly to the meanings of those verses given as

examples in the preceding Words.

First Quality of Eloquence: With its miraculous exposition, the All-Wise Qur'an lays out,

spreads out before the eyes, the acts and works of the All-Glorious Maker.

Then it extracts the Divine Names from those works and acts, or it proves the basic aims of the Qur'an like the

resurrection of the dead and Divine unity. An example of the first meaning is this:

He it is Who has created for

you all things that are on the earth, then

He turned His will to the heavens and ordered

them as the seven heavens, for He has knowledge of all things.

And an example of the second part:

Have We not made the earth as a resting place

* And the mountains as pegs? * And [have We not]

created you in pairs? * .... until, Verily the Day of Sorting Out is a thing appointed.

In the first verse it describes the Divine works, and sets out the mightiest of them, which testify through their

order and aims to knowledge and power, like the premises of a conclusion, or a momentous aim.

Then it extracts the Name of All-Knowing.

In the second verse, as is explained briefly

in the Third Point of the First Ray in the First Light, it mentions Almighty God's

mighty acts and works, then concludes the resurrection of the dead, which is the Day of Sorting Out.

Second Point of Eloquence: The Qur'an unrolls the woven fabrics of Divine art and displays them

to the human gaze.

Then, in the summaries it passes over the weaving within the Divine Names, or else refers them to the reason.

The first example of these:

Say: who is it that sustains you from the sky and from the

earth? Or who is it that has power over hearing and sight?

And who is it that brings out the living from the dead and the

dead from the living? And who is it that rules and regulate all

affairs? They will say, "God." Say: Will you not then show

piety [to Him]? * This is God, your Sustainer, The Truth.

Thus, at the start it asks: "Who is it that readies the skies and the earth as though

they were two storehouses for your sustenance,

and causes one to produce rain and the other, seeds? Is there anyone other than God Who could make them two subservient storekeepers?

In which case, thanks should be offered to Him alone."

In the second phrase, it asks: "Who is the owner of your eyes and ears, the most precious

of your members?

From which workbench or shop did you obtain them?

It is only your Sustainer that could give you them.

It is He Who creates and raises you, and gave you them.

In which case, there is no Sustainer but He, and the only one fit to be worshipped is He."

In the third phrase, it says: "Who is it that resurrects the dead earth and raises to life hundreds of thousands of

sorts of dead beings?

Who could bring this about apart from the True God and Creator of all the universe?

It is surely He Who brings it about,

He raises them to life.

Since He is Truth, He will not violate rights;

He will send you to a Supreme Tribunal.

He will raise you to life just as He raises to life the earth."

In the fourth phrase, it asks: "Who other than God can administer and regulate this vast

universe with perfect order as though it was a palace or a city?

Since it can be none other than God, the power which administers with extreme ease

the vast universe and all its heavenly bodies is so faultless and infinite it can have no need of partner

or associate, assistance or help.

The One Who directs the vast universe will not leave small creatures to other hands.

That means you will be obliged to say: 'God.'"

Thus, the first and fourth phrases say "God," the second, "Sustainer," and the third, "Truth."

So understand how miraculously apt are the words:

This is God, your Sustainer, The Truth..

It mentions Almighty God's vast disposals, the meaningful weavings of His power.

Then through mentioning the Names of "God," "Sustainer,"

and "Truth,"

it shows the source of those vast disposals of Divine power.

An example of the second: Behold!

In the creation of the heavens and the earth; in the

alternation of the night and the day; in the sailing of the ships

through the oceans for the profit of mankind; in the rain

which God sends down from the skies, and the life He gives

therewith to an earth that is dead; in the beasts of all kinds that He

scatters through the earth; in the disposal of the winds and the clouds subjugated between

the sky and the earth, indeed are signs for people who think.

First this enumerates the manifestations of Divine sovereignty in the creation of the heavens and the earth, which demonstrates

Almighty God's perfect power and the vastness of His dominicality, and testifies to His unity; and the manifestation

of dominicality in the alternation of night and day, and the manifestation of Divine mercy in the

subjugation of the ships in the sea, the most important means of transport in human social life;

and the manifestation of the immensity of Divine power, which sends the water of life to the dead earth from the skies and raises to

life hundreds of thousands of species and makes it like a exhibition of wonders; and the manifestation

of mercy and power in the creation of infinite numbers of different animals on the earth from simple soil;

and the manifestation of wisdom and mercy in the employment of the winds in important duties like assisting in

the pollination and respiration of plants and animals and in the impelling and regulating of them so as to make them suitable to perform those duties;

and the manifestation of dominicality in the subjugation and gathering together of the

clouds, the means of mercy, suspended between the skies and the earth in great strange masses, and dispersing them, as though dispersing an army for rest and

then summoning them back to their duties. Then, in order to urge the mind to ponder over their details and essential truths, it says:Indeed are

signs for people who think. In order to rouse people's

minds with it, it refers it to their faculties of reason.

Third Quality of Eloquence: Sometimes the Qur'an explains Almighty God's acts in detail,

then sums them

up with a summary.

It convinces with the details and commits it to the memory and fixes it there by summarizing it.

For example:

Thus will your Sustainer choose you and teach you the

interpretation of events and perfect His favour to you and to

the posterity of Jacob - even as He perfected it to your fathers

Abraham and Isaac aforetime; indeed, your Sustainer is All-Knowing,

All-Wise.

With this verse, it points out the bounties bestowed on the Prophet Joseph and his forefathers.

It says: "Out of all mankind Divine favour has ennobled you with the rank of prophethood;

tied all the lines of prophethood to your line and made it the chief of all lineages among mankind;

it has made your family a cell of instruction and guidance in the Divine sciences and dominical wisdom, and united in

you through that knowledge and wisdom, prosperous worldly dominion and the eternal happiness

of the hereafter; and it has made you both a mighty ruler of Egypt, and a high prophet,

and a wise guide, and has distinguished you and your forefathers with knowledge and wisdom."

It enumerates these Divine bounties, then it says: Indeed, your Sustainer is All-Knowing, All-Wise.

"His dominicality and wisdom require that He made

manifest in you and your fathers and forefathers the Divine Names of All-Knowing and All-Wise."

Thus, it sums up

those detailed bounties with this summary.

And, for example: O God! Lord of All Dominion, You give power to whom You will. This verse shows

Almighty God's disposals in mankind's social life in such a

way that it ties glory and abasement, poverty and riches

directly to Almighty God's will and wish.

It means, "Even the disposals most dispersed through the levels of multiplicity are through Divine will and determining.

Chance and coincidence cannot interfere."

After making this statement, it mentions the most important matter in man's life, his sustenance.

This verse proves with one or two introductory phrases that man's sustenance is sent

directly from the True Provider's treasury of mercy.

It is like this: "Your sustenance is tied to the earth's life, and the earth's

being raised to life looks to the spring, and the spring is in the hands of

the One Who subjugates the sun and the moon, and alternates the night and the day. In which case, only the One Who

fills the face of the earth with all the fruits can give an apple to someone as true sustenance.

Only He can be his true Provider."

Then it says:And You give sustenance to whom

You please without measure.

It summarizes and proves those detailed acts in this sentence. That is, "The One Who gives you

unlimited sustenance is He Who performs these acts."

For more infomation >> "Sesli Kitap" Osmanlıca (Kur'an Harfleriyle) Risale-i Nur SÖZLER Yirmibeşinci Söz -10- (Sf: 539-545) - Duration: 18:03.

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Verleihung des Siegels "Safety made in Germany" an das Feuerwehr-Magazin - Duration: 1:56.

For more infomation >> Verleihung des Siegels "Safety made in Germany" an das Feuerwehr-Magazin - Duration: 1:56.

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Trồng Cây Phong Thủy Này, Nhà Bạn Sẽ Giàu Lên Trông Thấy, Cả Nhà An Vui - Duration: 5:40.

For more infomation >> Trồng Cây Phong Thủy Này, Nhà Bạn Sẽ Giàu Lên Trông Thấy, Cả Nhà An Vui - Duration: 5:40.

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She's An Angel: Melania Trump Just Made a Miracle Happen for These Sick Kids - Duration: 1:47.

She's An Angel: Melania Trump Just Made a Miracle Happen for These Sick Kids

When it comes to First Ladies, I cant think of a single one better than Melania Trump. The woman is a true saint, and what she did for this group of sick kids yesterday proves it.

These kids were excited when they heard they were gonna get a garden they could hang out in during treatments. Little did they know that Melania Trump herself would be showing up to make it even better.

The First Lady dedicated the new Bunny Mellon Healing garden at the Childrens National Medical Center.

She even sat around and worked with them on some art project. One look and you can see how much these kids instantly fell in love with Melania.

You know, they say that having a positive attitude is a major part of recovering from bad sicknesses. Thanks to the hard work of the doctors and our First Lady, these children seem pretty optimistic.

See, when Obama was President, the media shared stories like this everywhere. Now they act like the Trumps are bad. We gotta get this to everyone we know. Show them why we love Melania Trump.

For more infomation >> She's An Angel: Melania Trump Just Made a Miracle Happen for These Sick Kids - Duration: 1:47.

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Dancehall ||Music Video || Mix 2017 Chris Martin, Alkaline, Popcaan, Busy Signal, Jahmiel, An More - Duration: 1:13:20.

The Hottest In Dancehall An More Stay Up To Date The Madest Bless !!!!!!!

For more infomation >> Dancehall ||Music Video || Mix 2017 Chris Martin, Alkaline, Popcaan, Busy Signal, Jahmiel, An More - Duration: 1:13:20.

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James Hewitt has claimed he did Prince Charles a favour by having an affair with Princess Diana. - Duration: 3:59.

James Hewitt has claimed he did Prince Charles a favour by having an affair with Princess

Diana. He says Charles was well aware of his relationship

with the Princess and felt it distracted attention from his own affair with Camilla Parker Bowles.

In a misguided attempt to revamp his reputation, Hewitt allowed himself to be filmed for a

Channel 4 documentary hawking Diana's love letters in America for �10 million.

In the film, to be screened a week tomorrow, he tells the cameras: "I think Charles was

probably grateful someone was looking after his wife."

He is also seen boasting about his love life with the late Princess.

In one drunken scene Hewitt adds: "We're doing this programme because I'm a complete s***

and we're trying to make me less of a s As he tries unsuccessfully to find a buyer,

he says: "I'd like the letters to go for as much as they could possibly get.

"I don't think it's a particularly immoral course of action to take. I don't think it's

immoral." But asked how he'd feel if someone were trying

to sell his letters he explodes with anger and demands the cameras are turned off: "I'm

not going to discuss it. "I think there's enough of this. I don't want

this to continue, I've had enough." Asked how Princes William and Harry must feel

knowing what he's doing, he spits back: "I wouldn't tell them what to do with their own

private property and I don't expect them to tell me either."

Hewitt's attempts to sell the 64 handwritten letters came to nothing despite the appearance

of his lawyer, Michael Coleman, on the programme reading extracts.

The letters cannot be published after a ruling that the copyright rests with Princess Diana's

estate, although the letters themselves are Hewitt's.

The Spencer family has already threatened legal action to prevent further publication.

But by having Hewitt's lawyer reading them out, Channel 4 hopes to get round the legal

problems. A Channel 4 insider said: "The copyright belongs

to Diana's estate, but the law permits 'reasonable extracts' to be made public where they forward

legitimate debate on the subject. "The question is what constitutes a reasonable

extract. We know that if we push it too far we will risk an injunction."

In extracts already published-Diana refers to a part of Hewitt's physique - which she

called "my friend" - and his dalliances with other women.

The New York branches of Sotheby's and Christie's both declined to handle the sale and Hewitt

turned down an offer of �4 million. Despite his failure in the US, the former

major and his lawyer now plan to turn to an Internet auction site in their efforts to

sell the letters. The former Guards officer has already made

a fortune from his five-year affair with the Princess.

He earned an estimated six-figure sum for co-operating with Anna Pasternak's book Princess

in Love and another �200,000 from newspaper and magazine stories.

In her 1995 Panorama interview, two years before she died in a Paris car crash at the

age of 36, Diana said of Hewitt: "Yes, I adored him.

"Yes, I was in love with him, but I was very let down."

Smoking a pipe in his bath, Hewitt, 45, is shown boasting: "I realised I was a bounder

from an early age. "My father was always one for having an eye

for the women - and his father. "So I reckon it runs in the blood.

"So I'm not going to change and I should be grateful."

thanks for watching. please subscribe my channel.

For more infomation >> James Hewitt has claimed he did Prince Charles a favour by having an affair with Princess Diana. - Duration: 3:59.

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Klinowanie siekiery na trzonku. Securing an axe head with a wedge [ENG SUB] - Duration: 15:28.

Hello! Today i'll show how to secure an axe head to a handle, by using wooden wedges.

First of all we have to check how deep the kerf is, and mark the depth on the wooden wedges.

You have to be careful not to pound the weedge too far or it may split the handle.

If the wedge was to pass the depth of the kerf and forced into the wood, it'll split it just like a splitting maul would.

Mark the depth on the wedges.

In this case i'm gonna be using 3 wooden wedges.

One wedge across and two wedges one after another.

Now it's time to hand the axe head.

If the head was fitted earlier, we just need to put it on and pound on the back of the handle until the axe head settles.

A hammer most suitable for this job would be a wooden one, or maybe a dead-blow hammer.

when the sound gets duller but higher at the time - this means the axe head has settled as deep as it is possible.

Although! you can try to force it down just a little bit by implementing the following method.

How this works is you have to strike the butt of the handle against a hard material, but not too hard so that it won't split or put a dent in it.

The weight of the axe head will force itself onto the handle even more.

Avoid striking with the edges of the butt, unless you want to split it.

Now we are assured that the head settled on the handle.

Next step is to slightly drive the wedges in, just to be sure they'll fit nicely.

If a wedge is too wide, just shave some material off of it.

If it's like a milimeter wide just ignore it since the edges of the eye will carve it to fit eye.

Now we're sure that all of the wedges fit.

Now it's time to drive the wedges in. I suggest smearing them with an adhesive of some sort.

Not only to minimize the friction while driving them in, but also to make sure they won't start popping out once you start using the axe.

You could also apply some BLO on the wedges, this will make them swell up and it actually will secure the wedges.

I decided to apply some pine tar with sand. As you'll see soon, it was a horrible idea.

We have to pull out the wedges in a sensitive way so that we don't break them.

The tar is nice and hot, i'm gonna dip them in it and drive them down the handle.

Pound the wedges in a bit so that they won't fall out.

Trying to melt the tar a bit so that ill be able to drive it in further.

Unfortunately i used too much tar, also it cooled off too quickly and i was forced to remove the wedges.

Now im removing the excess tar from the wedges.

I noticed a part of the wedge bent, so i'm removing it before it breaks completely off.

After removing the excess tar, let's give it one more try.

One method is to slightly tap the wedges in, turn the axe upside down, rest the wedges on a piece of wood or something hard, and tap from the top with a hammer.

I'll try to heat it up a little bit just to ensure the go all the way in.

Unfortunately, the 3 wedges along with the tar resist too much and i wasn't able to drive them all the way in.

So now i'll pound them in one by one.

Try not to do this too fast or too hard or you'll break the wedges and won't be able to drive them in further.

Also, a broken wedge is very hard to get out, especially when glued in. And after it breaks, it'll probably hold the axe head too weak.

The last wedge is a bit narrow, but the wedges hold firmly to the axe handle, so i won't remove them.

Instead of taking out the wedge and making a new one, it's easier just to tap in something inbetween.

The wedges are driven in, leaving maybe a few milimeters of space between the them and the bottom of the kerf.

Let's saw off the protruding wedges flush with the handle.

The existing hole is not that big, we could just treat it along with the rest of exposed wood.

Using a torch, i'll try to remove the tar from the axe head.

It doesn't look pretty, but it's my first time using pine tar for this kind of purpose.

It probably holds better than it looks.

I came to a conclusion that i can't have even a small hole in my axe handle, so i'm tapping in this piece wood.

In order to temper the steel i would have to heat it up to like 200 degrees Celsius at least, or even 300-400*C

The most important part - how does it look like, and how well does it hold.

It's not perfect, but it secures the head nicely.

As an excuse, i have to remind you that the handle was reused. It had a long wooden wedge and some crossing metal wedges - so it was not pretty when i started hanging this axe head.

For more infomation >> Klinowanie siekiery na trzonku. Securing an axe head with a wedge [ENG SUB] - Duration: 15:28.

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What is a Tarnation - Duration: 2:59.

We have the word "tarnation" thanks to societal taboos against saying certain words-

instead substituting in other words that often mean the exact same thing, but for some reason

we find it acceptable to say the one rather than the other…

Humans…

😉

In this case, the pertinent word is "damn," or more precisely the derivative "damnation,"

which gave rise to the euphemism "darnation."

How did the leading 'd' get replaced with a 't'?

In the 18th century in colonial America, the word "tarnal" was often used as a more

acceptable alternative to "eternal," which for a time could itself be used as a form

of profanity- from the full expression "eternal God," not unlike the modern "Jesus Christ!"

when used in this sense.

To clean up the former, "eternal God" got shortened to "eternal."

The aphetic form of this, "ternal," ultimately resulted in "tarnal."

At some point, nobody knows exactly when, someone got the bright idea of combining the

exclamation "tarnal" with "darnation," and the result was "tarnation."

The first documented instance of "tarnation" was in Royall Tyler's 1790 play Contrast,

where the character Jonathan uses it three times (along with the word "tarnal"):

"Why, such a tarnal cross tike you never saw!

You would have counted she had lived upon crab-apples and vinegar for a fortnight.

But what the rattle makes you look so tarnation glum?"

"Tarnation!

That's no laughing matter though."

"Now the Colonel told father and brother,—you must know there are, let me see—there is

Elnathan, Silas, and Barnabas, Tabitha—no, no, she's a she—tarnation, now I have

it—there's Elnathan…"

Another interesting note is that while today "tarnation" is most closely associated

with the South, and particularly cowboys, it was originally a New Englandism that ultimately

spread throughout the new country.

Ever wondered what the symbols used instead of spelling out a swear word explicitly, as

in "F*@k", are named?

In this context, the symbols are known as "grawlixes."

A paper, "The Utility and Ubiquity of Taboo Words" from the Massachusetts College of

Liberal Arts, surveyed the various studies that have been done on swear word rates in

every day English conversation.

They found that based on all the studies done on the subject to date, approximately 0.5%-0.7%

of all spoken words are swear words.

This rate is only slightly less than the rate that English speakers say "we," "us,"

and "our."

For more infomation >> What is a Tarnation - Duration: 2:59.

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The Family Goes To A Water Park | Season 15 Ep. 19 | FAMILY GUY - Duration: 1:02.

[music playing]

[sighs] A water park.

Happy anniversary, Lois.

Everybody meet back here in six hours.

I can't wait to get everyone else's body water in my mouth.

Uh, where's the slide?

Just eat this Starburst.

Wow!

Lemons, oranges, cherries, so beautiful!

[crash]

I don't think that was a Starburst.

I think that may have just been acid.

Would you like to ride the Skittles Rainbow now?

Is it also acid?

My friend, I'm an adult who works at a water park.

If I give you something, it's acid.

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