Thứ Tư, 24 tháng 5, 2017

Youtube daily an May 24 2017

This is Bob Bob enjoys some of the

geekier things in life like LARPing

COSplay and board games

Bob has an idea for a board game

Bob thinks it can't be that hard to make

himself so Bob went and got his materials

and disappeared into his little shed

after months of hard grueling work

and a fair few pounds Bob finally

has his finished board game

Bob is very proud of his game So Bob

tried to see if he gets on to buy his game

He tried big game company but they

were unimpressed by Bob's prototype So Bob

tried smaller companies but again they

didn't seem to like Bob's prototype and

so our unyielding hero refuses to give

up Bob tried to sell his game online but

sadly dear Bob didn't realize the

difficulties of selling online and so

again Bob found himself out of luck.

Then things for poor Bob got a little desperate so

after more money and time than dear Bob

would like to admit he finally threw in

the towel and went to see his friend Jim

Bob told Jim all about the processes and

effort he put into his prototype and

that no one was interested but what Bob

didn't know was the Jim at his own board

game design and it just got back from

the UK games Expo where Jim met Steve

the very helpful man from Ivory there

Steve told Jim the wonders of the Ivory

game maker so Jim went away and followed

the great advice he'd got from Steve and

soon Jim had a well-designed solidly

crafted prototype made by Ivory and

because Jim chose to add his game to the

ivory shop Commissions started coming in

by the day so Jim told his good friend

Bob but the wonders of Ivory so Bob went

away following Jim's advice and visited

Ivory with his game design and before

Bob knew it all it's hard work had lead to a

great-looking prototype this time

everywhere he took his game they loved

it and before Bob knew it he was a hit

if only Bob had gone to Ivory first

Ivory innovators and cards and games

For more infomation >> The Game of Bob: An Ivory Game Maker Animation - Duration: 2:17.

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Beer with an Entrepreneur: Justin Butterworth, investor and founder of Snug.co - Duration: 9:15.

I'm having an existential crisis and...

No need to worry.

We're having beer with Justin Butterworth,

founder of Snug and we'll come to that shortly,

ex-founder, do you say that, an ex is it, or founder?

Post-exit entrepreneur .

Oh, ok, that's a new term of Rentahome.

Indeed.

Great stuff, good to have you here.

Great, thanks for having me.

So Justin, let me get this straight.

You are, when you are 38 years old,

you walk out of a building,

carrying 29 million dollars in cash, unmarked bills,

when you exited Rentahome?

Almost.

That's a good day.

Was that something that you had been working towards,

was that like a target you ever had?

With the absolute enthusiasm and naivety of youth,

I thought I could achieve a 20 million dollar sale

in three years. Yeah, yeah.

So it was over time, but over budget thankfully.

Yeah, what was the elevator pitch of Rentahome?

Yeah, so Rentahome was the first business

to create an eCommerce holiday rental website

and it was bringing together a really fragmented market

in holiday rental space.

I'll never forget the first customer,

that booked on Rentahome.

He was this chap from the UK,

who worked on luxury cruise ships,

that would dock in a town for two weeks

and I met him at the apartment, that was booked.

It was the very first booking, 3000 dollars from the UK

Yeah.

and you know, I went with the owner

and we were inside the apartment, he arrives as a guest

and opened the front door and we both looked at each other,

we couldn't believe the internet was sort of, so real,

so reliable, from-- Yeah

like, there was actually someone there.

Yeah, indeed.

Looking back at the rental home business

I had no idea that it would be such a pioneer

and so transformative Yeah

and I think there was no...

no more satisfying moment,

than seeing the Rentahome business,

its logo in the pitch deck

of Airbnb to Sequoia

in 2009 on page 9 of this 12-page pitch deck.

So along this timeline, pre-Rentahome and up until now,

you've been through a thing or two.

When did you ever lose your way?

September 11 came along, we were in the travel business

and of course, when that occurred,

Yeah, was done, yeah.

The phones didn't ring

and the website made no bookings for about 48 hours

and I had to go and check the cables

and see that we actually had a dial tone

and I thought, "Oh no, like this is the end"

and I realized that every year, there was a disaster

and during every disaster,

I doubled down and became a better business

Yeah.

and so I wouldn't say that I relish the dark times,

No.

but in those times, it clears out the weak competitors.

So how is, I mean, the fact that you exited that business

in, I mean, maybe in such a fortunate way,

but just the fact that you exited it,

how has that affected how you now think and operate,

as you start up your new venture?

Yeah, so it's so interesting

that having exited that business,

over what was an 11 to 12-year journey,

the first thing I took out of my shareholder agreement

in forming this current business,

is no clause to exit the business within five years,

which is typical for a VC firm Yeah.

to look for

and it was making a very clear decision and statement

to say I'm committing a good chunk of my life

and a good chunk of my net worth

to solving a problem

and to not driving a business just to exit.

From your personal war chest perspective,

put it that way, Yeah.

are you really putting that much on the line,

I mean, you're not...

Yeah.

you're not gonna be without tacos

you know, at night. Yeah, well look...

What kind of risk are you taking for yourself?

So for example, I sold my house and committed to renting,

because I believe you need to have complete authenticity

with your product or your brand,

whatever industry you're in. Yeah.

I have a small place in Byron Bay

and I rented that out,

so I became a customer within the Snug concept.

Yeah.

A renter, a landlord and a member of a rental community,

so yeah, I think it's more than just balance sheet

commitment, I think it's commitment of mind and heart.

Yeah, yeah.

It's a central marketplace to rent your home,

would that be correct?

Yeah, correct.

It's all about the fit between good people and good property

Yeah.

What we're trying to do is to create a platform,

that allows renters and owners and agents

to come together and find a better fit.

Do you think that we will be moving towards

an environment where we are more likely

to rent a home, than to own it

and therefore being more flexible?

If you walked into a financial advisory firm

and told your advisor that you wanted

to invest in just one equity stock,

they would think you were mad.

If you walk into a real estate agency

and say that you wanna buy one house,

that's 90% of your net wealth,

located in a single property in a single street,

subject to all sorts of external factors

No idea.

with no portfolio diversification, a lot of leverage

and so I think the future model is really long-term rental

with fractional ownership of property,

Yeah.

so that you might own 5% of 20 properties

Yeah.

and rent your own home for the stage of life,

that you're at.

You could say that this development is already happening,

in terms of more and more people rent,

yet that's not really a behavioural change,

because they're just out-priced.

Yeah, correct. Right, right,

so I'm just, yeah, just sort of digging through,

I guess, what's what.

Yeah, so part of the trend

is driven by outrageous price growth,

but I do think that there's a generational trend,

millennials that are reconsidering

the need for consumption and for ownership.

Do you need to own your music collection,

if you can stream?

Do you need to own DVDs?

Do you need to own your car, if you can ride-share

Yeah, yeah. and so forth.

But is it basically a batch, that we will get

as emotionally detached to our home, as we can to our cars?

Potentially.

How much money do you have

in Australian startups,

invested in Australian startups right now?

I just needed to defrag after what was a really big decade

and so I spent the time just really giving back,

just connecting and learning,

so it included going to Burning Man,

attending tech conferences on the West Coast.

Sacrifices.

Big sacrifices.

Investing in 23 startups, you know,

and ploughing a million dollars

back into the Australian ecosystem.

My quickest deals have been a coffee,

30 minutes and 30,000 dollars

Yeah, what is your, normally your first opinion

or guidance to such a business?

What do you look at, what page of the deck

do you spend a couple of extra seconds?

So I start with market size.

Is it a meaningful market size?

Yeah.

It needs to be a billion dollar market.

Yeah.

The second is a validated problem,

that is acute, that's tangible,

that you can talk to customers and know that problem exists.

The third is really understanding the solution,

that that business proposes to bring to market

and getting a sense of whether it's unique, it's patentable

and it's sustainable as a defensive proposition.

So it's market size, it's problem, it's solution

and then I look at the team and I ask myself,

"Are these the right people to bring this solution

to a giant market, that has this problem?"

What's your best versus worst business decision?

Gee, that's a good question.

I think my worst business decision

was to not raise capital

OK, yeah.

and by not

Because it slows you down, or?

Yeah, so I had a lot more of a smaller pie

and to the earlier sort of story I told about Rentahome

appearing in the Airbnb pitch deck,

Yeah.

imagine what'd happen if you put

a hundred million dollars into Rentahome,

Yeah.

10 years before Airbnb.

It's been a great pleasure to chat.

Best of luck to you.

Thanks so much.

Thanks for coming.

For more infomation >> Beer with an Entrepreneur: Justin Butterworth, investor and founder of Snug.co - Duration: 9:15.

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Area of an isosceles triangle - Duration: 4:00.

For more infomation >> Area of an isosceles triangle - Duration: 4:00.

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அக முக திற | Aga Muga Thira - An unlikely super hero short film with english subtitles - Duration: 12:00.

Hey…hey…Kay means, unbeatable..!

You ****. This is a final warning. Stop preaching against my leader.

Kay, please come back.

We need you back, Kay.

Kay is a super hero. We need more like, Kay..!

Kay, we need you.

I don't know who you are dear, but never stop what you do..!

UNLEASH YOUR INNER FACE..!

Veni, (talking to herself) you must look at his eyes today and talk.

Ohh..no…he'll be here in 10 minutes.

Have you seen this person?

Sister…have you see this person?

Who are you, dear? Why are you looking for him?

He's the only person who can fix my problem.

Wow…really? Is he so powerful?

He is a Super Hero

Is it…what's your problem, anyway?

Why, only he can do it? Let me help you.

Last month, in the airport immigration, my dad was detained.

He never did any mistake.

ohh..are you alone?

Where's your mom?

My mom too was taken away by police, 2 weeks ago.

I am Aiysha, but I have no one to support me.

Come here..sit down..relax.

Don't worry, everything will be fine.

Dad, always said. Dream big. I can be an astronaut and go to space.

But now, I have no one in my space.

I don't want my dreams. I don't want this country.

I just need my parents to come back.

Everything will happen, dear. You just be strong.

[train approaching]

No sister. I stopped going to school. My friends too stopped talking to me.

[Train arrives]

Sister. I have to go. [Hands over a pamphlet]. My dog will be alone.

Hey….Aiysha. Stop. Aiysha.

[Veni steps in with frustration]

Let all dreams come true

And quickly, too

Let there be wealth and happiness

And fame in this world

Let the eyes be open

Let one be determined in achieving one's goals

Let the mind be firm..!

Why are you bringing, Bharathi [Great Tamizh poet] in, now?

Just come out directly on me.

Poor guy, Ram. You are making him wait too much.

How many times would you screw up, to just give your acceptance?

what are you talking about?

Don't you know what happened?

A bad dancer will keep cribbing about the stage…

Just shut up.

Already everyone started searching for the masked person.

Everything is a mess.

I pity on Aiysha. We need to help her.

Please, just leave me.

Why do you say so? Are you afraid?

Don't look there.

Look at me and answer.

I know you want to help her.

Yeah, I need to help her.

But, I am not sure, if I can bare one more attack on my life.

I have been quiet all along.

I was not insisting on anything.

But now…

Now, What??

The fear, threatening and issues that you got disappeared, the moment we shifted to this new city.

You should stop getting worried on all these. Why the hell do you need me here, then?

With no strength in heart,

With no true skill,

Teasing is all they do, my dear…

They are warriors just in words.

[Veni screams]

The issue that we have to solve next is…

Ohh..gosh.

NEWS

[Veni, struggles to sleep]

[Veni…crying out of fear]

ohh..what's all this?

wow..super hero..?

[dog barks]

Hey…ohh…

Aiysha…from now on you have 2 friends.

No..i have another one.

Ohh..who?

My own…super hero.

No…you just have 2. Come on.

This girl has so much faith on you.

Not just her. Everyone is.

I've already made the decision.

There's no going back.

I know. I know.

God.. Appear now in person to bestow me,

New life sans ordeal of past Karma,

So that to release me from worldly pains,

To be eternally blissful with Pure Intellect!!!

To be eternally blissful…

Going LIVE now.

3…2…1….GO..!

Did you think, I would be defeated like an inferior soul?

I AM BACK.

Your Kay…from now will be KrishnaVeni.

This is my voice.

This is my reality.

Darkness will fade away with dawn.

Hidden truth will erupt one day.

The issue that we need to resolve, is about a 12 year old girl.

AIYSHA - means, LIVELY.

A brightening soul.

Aiysha - is now a buried truth.

She once, had her lovely little family. Her own dreams…

But, now…?

Subtitles by Kulandhai Selvam Krishnaswamy

For more infomation >> அக முக திற | Aga Muga Thira - An unlikely super hero short film with english subtitles - Duration: 12:00.

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Pembolizumab also known as Keytruda, The FDA just took an entirely new approach to approving a cance - Duration: 2:27.

Pembolizumab (also known as Keytruda), The FDA just took an entirely new approach to

approving a cancer drug The FDA just approved a cancer drug that targets

tumors based on genetic makeup as opposed to tissue type.

On Tuesday, the agency approved pembolizumab (also known as Keytruda) to treat "unresectable

or metastatic, microsatellite instability-high (MSI-H) or mismatch repair deficient (dMMR)

solid tumors."

It's the first time the FDA has approved a cancer drug not based on the tissue type (think:

breast, lung, colon cancer), but based on the types of genes a particular tumor presents.

Most companies develop treatments for specific types of cancer, like lung cancer or melanoma,

and seek approval just for that one kind of tumor at first, before setting up more trials

to see how the drug does in other types of cancer.

Keytruda, a type of cancer immunotherapy, has been approved to treat a number of different

cancers.

Former President Jimmy Carter was treated with the drug in 2015, and later revealed

he was cancer-free.

As researchers look for new approaches for tough-to-treat cancer, many are looking into

the types of genetic mutations found in cancerous tumors.

Scientists have seen genetic patterns across cancer types for years, an idea that gained

notoriety in 2013 with the discovery that endometrial cancer was genetically similar

to forms of ovarian and breast cancer.

One company in particular, called Loxo Oncology is also building drugs that act on those mutations,

so that the type of cancer someone has wouldn't matter so much as the genetic information

gleaned from sequencing the tumor's DNA.

Sequencing tumors has become pretty common, with companies like Foundation Medicine, whose

biopsy test takes a piece of cancer tissue and sequences the tumor's genes, and major

hospitals such as Memorial Sloan Kettering leading the way to integrating the technology

into cancer treatment.

But the uptake still isn't happening as fast as some would like — especially outside

of academic hospitals.

In part, it's because the sequencing can sometimes be an added cost that doesn't quite pay off.

If more drugs get approved based on genetic make-up, that mindset could begin to change.

For more infomation >> Pembolizumab also known as Keytruda, The FDA just took an entirely new approach to approving a cance - Duration: 2:27.

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How to take care of the Ammania sp. Bonsai in an aquarium - Duration: 3:07.

For more infomation >> How to take care of the Ammania sp. Bonsai in an aquarium - Duration: 3:07.

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Dưỡng Trắng Da An Toàn Với Loại Rau Rẻ Bèo, Mà Lại Hiệu Quả Như Thế Này Thì Tại Sao Không Làm Nhỉ? - Duration: 3:09.

For more infomation >> Dưỡng Trắng Da An Toàn Với Loại Rau Rẻ Bèo, Mà Lại Hiệu Quả Như Thế Này Thì Tại Sao Không Làm Nhỉ? - Duration: 3:09.

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A Crowdfund for Developers and Investors - Duration: 3:07.

If you have an opportunity.

Like you are flipping homes you have got a commercial building

you can go to a crowd fund website and you as the

developer you will actually get a Reg D 506C

so you can publicly advertise it.

Remember now?

You understand the terminology right?

An you are going to put the project and you have let's say

two months to close and you're going to

put it on a website and say I will pay

the investors X and I'll do this and do

All PPM.

Investors have signed up on a website

And they will see the deals.

And if they like you deal they will click, fill out the form go through a

third-party company that will verify the

accreditation that they're accredited

and then they will invest.

So you get 10 and 10 and 10 thousand and ten thousand

somebody put 100,000 50,000 and

hopefully you raise enough to be able to

make the deal happen.

You with me on this?

That could be for the developers

- developer sponsors out there.

Investors these people now are some

people have IRA money or little money here and there

and they are wanting to get into the game but they didn't have big

money and they were afraid to put all

the money in one deal - the cannot flip etc.

So they will get on these sites and they'll say I like this one.

They can now put 10,000 in the deal

in Texas 10,000 deal in New York 10,000

deal in New Jersey 10,000 deal in

Florida I know that four thousand fifty

thousand a forty thousand fifty has been

diversified by region and by type of assets.

Is that good for the investors, yes or no?

Is that good for the developer/ sponsors yes or no? Beautiful.

Until you come to the reality of it.

The reality of it is the web sites that have this need

people that are experienced

because for them they don't want any liability to post your deal.

So who gets to post deals?

Experienced developers with deep pockets

who only want to enrich themselves for more and bigger deals faster.

I understand.

So what happens is a thousand people according to them a

thousand people present to them deals

and they take the ones that are the least risk for the website.

So how can I alleviate that?

I said okay I'll create my own website crowdfund.

I have the team I have the whole structure.

I have the IT team

and I know what I'm doing.

And not only do I know the technology, I am a sponsor,

and I am an investor.

So I am everything in this so why don't I set it up right and

I have distribution we have a hundred

thousand students in the database.

No I'm not interested in the whole 100 thousand

Some only attend webinars.

Some only invest I've never seen them.

But I can actually create co-sponsoring

and then we can go and put our deals right on the site that we control

and it gives us all an exposure.

S when you branch out I can say ok you

want to go 2 years from now put the

thing on my website I already know you

and we're co-sponsoring

For more infomation >> A Crowdfund for Developers and Investors - Duration: 3:07.

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Kaikeyi - An alternate view - Duration: 4:11.

Ashwapati was soaked in blood blood of the friend and blood of the foe

the war,had been won But amongst the cries of victory and triumph,

The king hobbled back towards the palace.

Something seemed to trouble him.

Under the trapdoor was a bed of rustly dry leaves,

And on the bed of rustly dry leaves lay the queen in labour.

There was a scream, and then Silence.

Silence,and then a cry.

The last breath of the queen was the first of the princess.

The one born at the victory hour of the kingdom of Keykeya came to be known as Kaikeyi.

Sparks flew, from the clas of lustrous iron, Iron shields and Iron swords!

On one side the future king aged 24 on the other the future bride aged 14!

She grew up amongst seven boys, thinking that she was one,

Not knowing why she was taught to sing and dance while the boys fought it out in the

mud!

And a few years later the palace was filled with music and madness!

People flocked from nations far and Wide, Kings arrived from lands unknown, Kings who

wanted to take the bride home.

And the princess, hair let open,

body laden with metals of beauty and not metals of war,

She asked for the choice of "whether" to marry, and she was given the choice of "whom" to

marry, And so with a garland in her hand,

she walked across the hallway, rejecting king after king,

who stood with their head held high, until she came across a man,

Who was to be the emperor of the land, who looked her in the eye,

as if to say, "We're Equal"

The new queen of Ayodhya, the wife of Dashrath, Would not roam the gardens,

She would not play with flowers.

She would go hunting with the king,She would feed the horses,

She would sharpen the blades of the knives and the swords,

She would lead the army in drills.

The new queen of Ayodhya was not one to be kept in Shackles!

And one day suddenly the war horns blew loud, Armies met, Blood was spilt, Lives were lost.

The king must now go to war, but his charioteer was nowhere to be found!

And at that moment, down the stairs, came a mysterious warrior,

Fully clad in shiny armour and equally shiny hair tied up in a bun!

The queen with fiery eyes took the reins of the horse,

And amongst the cries of men who killed and men who were killed,

Was the cry of a king as arrows pierced him!

And the screech of chariot wheels as arrows jammed it!

The life of the king is the Life of the kingdom and the kingdom, must be saved!

And so the charioteer with shiny armour and equally shiny hair tied up in a bun,Freed

the chariot wheel and bolted towards the chariot gate in the setting sun!

The life of the king was saved!

And so a boon was granted by the king to the warrior,

A boon that would be asked for at a later time!

For more infomation >> Kaikeyi - An alternate view - Duration: 4:11.

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Abschied von unserem so wunderbare Hund♥ ( Bitte Untertitel unten rechts an) - Duration: 1:39.

For more infomation >> Abschied von unserem so wunderbare Hund♥ ( Bitte Untertitel unten rechts an) - Duration: 1:39.

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Video Pertama Di Youtube - Tebak"an - Duration: 0:39.

For more infomation >> Video Pertama Di Youtube - Tebak"an - Duration: 0:39.

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What Happens If You Light an iPhone 6S Firework Bomb - Duration: 1:39.

For more infomation >> What Happens If You Light an iPhone 6S Firework Bomb - Duration: 1:39.

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Measure M: An Overview - Duration: 3:13.

Los Angeles County…

10 million people; all with different places to go.

Metro helps move them with 2,000 buses on 170 routes.

And 105 miles of rail.

And we're building more.

Still, LA residents spend an average of 104 hours a year stuck in traffic.

And with an additional 2.3 million people projected to live in the county in the next

40 years, the demands on the existing transportation network will only increase.

Public transportation took a big step forward on November 8, 2016, when an impressive 71

percent of Los Angeles County voters approved Measure M.

The result?

An additional half-cent sales tax with no sunset and extending a previously approved

half-cent tax set to expire in 2039, to continue in perpetuity.

Among the benefits of Measure M: 40 major transit and highway projects in 40 years.

So what projects do the residents of LA County have to look forward over the next 40 years?

Well, there's the…

(list of projects blend together)

OK, you get the point.

There's a lot to look forward to, and these projects are only one piece of Measure M.

Like funding to enhance bus and rail operations to keep the system running efficiently

and affordably for generations to come.

It will also fund local transportation projects such as street improvements and repairs for

the 88 cities in L.A. County.

Measure M will build new bike and pedestrian connections to create more safe and convenient

"first/mile last mile" connections like biking and walking paths.

New programs will be developed for seniors, students and the disabled to ensure everyone

has access to our transit system.

Sustained funding will keep our system in good repair for the next 100 years through

preventative maintenance and replacement of aging equipment.

Measure M will create 778,000 jobs through construction and programs and have a $133.3

billion economic impact.

The passing of Measure M has elevated Los Angeles County's transportation revolution

to a whole new level.

"My ideal Los Angeles 30 years from now

may look similar to New York City

where people are choosing the train over their cars."

"I think it'll get people -- A) to be outside more

I think outside enjoying the weather and the city we have is great.

Less time on the roads, less congestion, less traffic, I think we all want that."

Thanks to L.A. County voters, we're one step closer to realizing the vision of a transformed,

multi-modal L.A County.

But the work is just beginning...

and we couldn't be more excited.

(chime)

The next stop is...

For more infomation >> Measure M: An Overview - Duration: 3:13.

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Sarah Spath Works in Nuclear because She's an Environmentalist - Duration: 2:43.

I started my engineering career doing energy efficiency work

with solar and wind.

I put up MET towers in fields and went out

and worked on wind farms all across the Midwest.

I decided pretty quickly that wind energy wasn't,

wasn't really going to be what we needed.

And that was definitely my feeling going into it,

was wind power was going to save the world.

I didn't really understand nuclear power very much;

I wasn't comfortable with it.

And so I came to Ginna after that and worked here

and completely changed my opinion on the matter.

People don't understand that people coming to work

in a nuclear power plant aren't just coming to work.

They have the health and safety of the public

as their paramount issue at work.

I believe in this.

And I believe in it not just on an efficiency standpoint,

but on a safety standpoint -

well-trained people that we have working on things,

and the insanely high safety practices,

and the attention to detail.

I believe very strongly that the reason I work

in a nuclear power plant is because I'm an environmentalist.

Mothers for Nuclear is an organization of not only women -

mothers, brothers and others.

Their whole goal is to preserve the Earth

and everything it has to offer.

To ensure that the Earth that our children inherit

is something worth having.

So we go to groups of anti-nukes, and talk to them.

And we sit in their meetings and we go ok -

we absorb their issues and then we challenge them - nicely.

We're trying to bring the human face to it.

Show people's stories.

Make it more obvious it's energy for the people

and it's a much happier, cleaner energy for the people.

I'm a photographer.

My love of the environment and my love of sharing that

with people I think is what prompted my love of photography.

I tend toward wide open spaces.

I think it's because of what I grew up with,

and I find it very beautiful.

Your emotion, your feeling on what you're looking at

is so important. You're sharing your perspective.

Part of why I actually enjoy advocacy is

I get to hear why people think the way they think

and what makes them tick a little bit.

Everybody has their own perspective.

That willingness to learn and to listen

and to consider other people's ideas and feelings

and perspectives is very powerful.

For more infomation >> Sarah Spath Works in Nuclear because She's an Environmentalist - Duration: 2:43.

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How to create an easy wooden DIY planter box - Duration: 5:46.

Hey guys, I am Mr ATC and welcome back to MyATCtv

I was away for a little while, that's because I was working and arranging the garden a little bit to have some extra space for our future projects.

One of the first thing I like work on for spring is the garden

Basically… I am always working in the garden… for me the best place at home is the garden

Sometimes my brain is telling me: Your wife is afraid of spiders, the garden is full of spiders

so you should stay there!

Ah ah ah, oh my! Guess who is getting into an argument tonight?

Hello babe...

And it can be sometimes a difficult task because our garden is full of green and vegetables

so you can imagine all the work we have every year to clean that up…

But after all was done, I've created a complete pallet bench from refurbished wood and thought...

while I am there why not making an extra large garden planter as well to grow more fruits and flowers…

I wanted the design here to be very simple so that the viewers could easily recreate the same with the provided free plan

To have some more instructions feel free to check the blog article in our website.

Here I am making mine out of 4 pieces of lumbers of 2,3m long, 20 cm large and 3 cm thick

but you can use whatever wood you want as you are the boss of your creation

First cut all the side and bottom slats

Then laid your slat on a table

i don't know if you remember but this table is the same one I have used to make the Shou sugi ban wood burning technique

if you want to learn more on that feel free to check the article about it)

Take the measurement for the top and bottom rails, then back to the minor saw

(make sure to always double check that cut before rip them in half on the table saw

Alright so let's assemble this side: mark 3 cm on each side then line up the side pieces and attach

Mark 3 cm from the bottom of the bottom rail then again attach

Now the fun part!!! Time to assemble…

place the top sides up side down and then attach this time with screws

here in order to leave space for water to go out I am only partially closing the bottom part.

As the bottom was already facing up, all I needed to do was placing the slates in place

and Added some black liner to the bottom of planter for weed control

place the top, paint it and that's it.

And here you are with a Nice and DIY wooden planter box.

Simple, beautiful and effective!!!

remember guys.. I will be also adding a free plan for wooden planter in the blog articles

available in different languages so feel free to help yourself….

The learnings here for this project is the attached top side here which I cut too short at 60 cm

and it's giving me the gap as you see here, which isn't a big problem

but I will advise you to make all cuts for the attached top and bottom at 66cm to have a perfect square at the end...

Alright, so the sponsor for the video this week is Gjecharro which is offering some nice designs handmade and unique fashion jewels for you ladies as you can see just right here..

If you want to learn more and see their creations, check the website presentation just here.

And as usual, Mr ATC for another idea of housing!!!!

See you next time and don't forget to share, subscribe and comment below the video...

For more infomation >> How to create an easy wooden DIY planter box - Duration: 5:46.

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How To Sell IF YOU'RE AN INTROVERT, Creative, or Empathetic Person - Duration: 14:51.

so if you've ever felt anxious or

stressed before sales call or worse the

thought of sales at all just completely

terrifies you or turns you off where you

think sales is this dirty sleazy Wall

Street businessman kind of world then

stay tuned for this video because I am

going to shatter that belief and teach

you an approach to sales that will allow

you to sell without being pushy or

aggressive and will almost eliminate all

those nerves you get before the cult as

well I read somewhere that the thing we

put off doing is usually the thing we

need to do the most and I think this

could not be more true for sales

especially for introverts and creative

personality types now I am not confusing

these two there are a lot of introverts

with zero creative ability and there are

a lot of extroverts with creative

ability but within these two groups I

find that there's a lot more

apprehension around sales because your

traditional approach to selling that you

see in the movies is this hard

aggressive extroverted hey ma'am

can I get you a new vacuum cleaner look

at that this new Hoover bubble bubble

does that kind of stuff right and that

is not appealing to someone who is more

empathetic to someone who's more

creative or to someone who's more

introverted but the good news is that

that approach to selling not only is

old-fashioned but it doesn't work and

that there's a much better way to sell

that is going to allow you to be more

relaxed enjoy the sales process help

your clients more and actually not be

terrified of doing it

this is consultative selling and it's

something that I have been teaching for

a couple years now and I want to

introduce you to by the end of this

video you're going to have enough tools

to actually start doing this in your

business and see the difference in your

sales meetings and then from there it's

a topic if you enjoy you can dive deeper

and deeper and become an absolute pro at

all right so what is consultative

selling first things first it does not

involve giving a consultation okay keep

that in mind you are giving no free

advice during this meeting but what

you're doing is you're flipping things

on the script see the traditional

approach is selling do you think about

it you imagine a salesperson doc talk

talk talk talk right the salesperson is

probably talking 80 90 percent of the

time this helpless client is sitting

there being

pitched out wondering what the heck is

going on and whether or not they're

going to fall for these tricks

consultative selling turns that around

and instead of you talking 80 or 90

percent of the time you should sit back

relax and talk for no more than 20% of

the time in fact the target is 10

percent or less of the meeting should be

you speaking so how do you feel this

time well if there's two people in the

meeting guess who does the talking

exactly it's your prospect so what you

want to do is ask really powerful

questions and don't worry I'm going to

share those questions with you in this

video you want to ask really powerful

questions and this will get the prospect

talking and as they get talking you're

able to listen find out more about them

and direct the conversation on a side

note one really cool thing about this is

that if you're talking 80 percent of the

time in the bad way of selling it's very

easy to get nervous right to get caught

up and think oh god I don't know what to

say next and then you keep going and

then it can get really awkward I don't

know if that's happened to you it has

definitely happened to me also on a lot

of dates but in this approach to selling

because you're asking the question

you're asking the questions you are in

charge is your able like if you get

nervous you can go and ask a question

and then sit back and yes listen but

also be thinking about what to do next

and analyzing what's happening so it

allows you to basically have like a big

timeout in the middle of the sales

meeting which is really handy right

another benefit to these questions is

that you're going to learn a lot more

about your client I had someone write in

to me asking me about unhappy clients

basically having too many revisions

where they kept going back and forth

back and forth and that is more than

likely because they weren't following

the sales approach when you follow this

approach to selling you learn so much

about your client that not only could

you marry one of your daughters to them

but you're able to deliver an amazing

project because you actually understand

what they need and what they want so

using this approach I had very very few

revisions in my copywriting business

because it works that well now let's get

into some of the questions you can ask

and I recommend writing these down and

keeping them as sort of a cheat sheet

during your meeting now there are

literally dozens of questions you can

ask

in my group coaching program I have like

a six page document all the different

questions and stages you can go through

but what I want to do here is just cover

the four most important to get you

started

then you can try them out in your next

meeting see if they work for you if they

work for you then maybe you've trust me

a little more and you'll listen to my

next video about this right I want to

keep it simple first because it's all

about practicing and getting started and

then you can keep advancing so the first

question to ask is what is the most

important thing you're trying to

accomplish with this project pause think

about it now you're not asking what the

project is you're not asking you know

what the actual outcome is in terms of

oh I want a website okay you know when

do you want the website done by when do

you want you know you want it on

WordPress or on Squarespace sort of

you're not asking that question you do

ask that at some point in the project as

well but what I mean is you're getting

to their end goal right so is the reason

for having a website to get more

customers is it to act as a customer

website for their existing customers is

it a credibility piece where they don't

even want a website but they think they

need one you're getting to the end goal

of that and that's going to help you

understand really what's important to

them not what you think is important

because you could have a client that

wants a project from you and you assume

it's for you know this reason but it's

actually for this reason and so you end

up either making it way too small or way

too large because you don't actually

understand their overall big picture

goals for it the second question you

should always be asking in your meetings

is what is your number one business goal

for the next six to twelve months this

is going to help you understand their

big picture right what they're actually

doing there's a few benefits to this

first you're going to start to be able

to think about how your project fits in

with all their other goals second you're

going to get to know them better and

show them that you are a big-picture

thinker you're not just there to sort of

do some graphics or do some writing but

you're a business person and you're

thinking about their goals as a whole

third and possibly most important is

you're going to see where you could

perhaps do more work for them right they

might have brought you into one small

project and then you find out about

everything else they're trying to do and

you realize okay I can help you on this

and then

and this and all this other stuff too so

suddenly your $3,000 project they come

to $12,000 project because there's so

much more going on with them one quick

point with it is if you're dealing with

a solopreneur like another freelancer or

consultant or small business anywhere

from you know two to thirty employees if

you're dealing with the owner there's a

very good chance their personal goals

overlap with the business goal so for

example they have a big sales push and

they want to increase their revenue by

20% that year but you find out the

reason really behind that is that her

son is going off to college and she

wants to be able to pay the tuition or

he's going through a divorce and needs

to cough up some more money so getting

to know the personal reasons behind the

business goals is also a good strategy

as well it helps deepen the bond with a

client and also just help you understand

who they are as a person because

ultimately business is relationships so

the third question you should always be

asking is how does this project relate

to your bigger business goals now

sometimes this will seem really obvious

and you might even feel stupid asking it

ignore that it's okay to look stupid

look at me I look like a moron at least

80% of the time of my videos here right

so the reason I say you should ask even

if it seems obvious is it may not always

be obvious and or what I mean is the

obvious thing is not actually what it is

so you might think there's reason X for

the project but it's actually reason why

and you might be proactive and how you

do the project and the different

software you use how you set it up

whatever it is because you made an

assumption and if that turns out to be

wrong a few months into the project that

can be a disaster in terms of revisions

and a disappointed client and all that

stuff so what I found is is always

better to risk looking a little stupid

to risk you know asking a question where

they think oh wait didn't you you know

shouldn't you know that just to

double-check and you can even say that

to them you can say you know I assume

the way this project works in with your

goals is this but I just want to

double-check that with you to make sure

I have everything together because yeah

it's just really important I've had

coaching clients where they went into a

project and they assumed a bunch of

things and then the

became a disaster and you know had to

work backwards and that was obviously

before we covered this question and the

importance of it now we're going to get

to the fourth question that I think you

should be asking in all your meetings

but before we do just think about how

much better a medium would go if you

took this approach if you were asking

these questions right you're sitting

back you're asking a question your

prospect is talking to you they're

sharing you're finding out more and more

about them that's not only of course

making your relationship better but it's

helping you understand what they want

for the project and so you can deliver a

much better project and how much more

relaxing is that if you're saying you

know 50 words 100 words no of course

you're commenting on what they say and

having a dialogue but primarily you're

asking these questions which is so much

better than memorizing some crazy sales

script right work so much better and

it's just a much more enjoyable meeting

again this is primarily a mindset so

these questions I'm giving you are my

golden material they are absolutely

worth writing down and using but the

bigger thing here is the mindset of

thinking how can I learn about my client

what do they really need how can I help

them coming at it from that point of

view rather than how can I sell them

rather than talking to them you ask and

you listen if you didn't have any

questions but you just supplied that

mindset of ask questions listen like a

detective and instead of solving a crime

you're trying to solve how you can most

help your client if you just do that

you're going to notice dramatically

different results in terms of your

business just to give you an

understanding of how effective this can

be when I was having sales meetings I

would have anywhere from 50% or more of

people I would meet with would end up

becoming a client with that as well a

lot of my projects had no revision work

and those that did it was usually one

set of revisions total with that as well

I was never not paid by a client unless

we came to some kind of mutual

understanding which happened I think

twice other than that I was always paid

in full by every client and I contribute

a lot of that to this sort of approach

to selling where it's just such a deeper

connection and understanding with your

client sounds like some kind of sexual

affair a deep heartfelt connection with

your clients

get to know them inside and out really

though that's what you want to be going

for it now let's get to the fourth

question the last question you want to

ask in the meeting and that is why did

you want to meet with me today sounds

obvious right it's not because they told

you what the project is they told you

why they want to do the project but why

they wanted to meet with you and yes

this is a bit of a tricky question here

and I mean tricky in terms of a little

psychological trick because what you're

doing here is you're making them

vocalize why they wanted to meet with

you so they might say you know I was

looking to hire someone and I went to

your website and I really liked you know

what you had to say like you seem like

you know what you're talking about

or they might say well you know my

friend Bob because my examples are

always Bob my friend Bob referred you

and he said that you did amazing work

for him and he got some great results so

I was wondering if you could do the same

with me what you do in this case you

they say this and you go into your sales

pitch right all right let me tell you

why I'm the best I got 10 testimonials

from clients all over the world no you

just say oh thank you well it would be

great to work together is it okay if I

send you a proposal tomorrow that's it

they've sold themselves they have

vocalized why they wanted to meet with

you specifically right so the other

questions are about why they like want

to do the project but not why they want

to do it with you this question gets

them to vocalize why they want to work

with you in particular

therefore they sell themselves on you

you eliminate all that awkward

back-and-forth about you know why they

should hire you like that's the worst

conversation you can ever have if

someone in a like a prospect ever says

to you why should I hire you that is a

bad conversation you can get out of it

alive but I hate those as brutal you're

supposed to sell yourself on the call

and that's not even really the right

strategy is to be selling yourself

anyhow you don't want to get to that and

this question helps you avoid that and

just has the prospect sell themselves so

work this in you can use it at the

beginning of the meeting in theory but I

think it's way more powerful to use at

the end if you use it at the beginning

it kind of just gets them talking about

the project right because they'll assume

that's what you're asking about use it

at the end of the meeting that

they'll get talking about you

specifically now I know there are so

many more moving parts to this in my

group training program we do like a

three-hour unit on it okay so there will

definitely be questions feel free to ask

them in the comments and I will make

follow-up videos there's tons of stuff

that can come up with this but take this

mindset this framework and these four

questions and just try it out and if

you're not yet in business for it with

yourself right you're just kind of

getting started or thinking about it or

you don't have a client to try it out

with try it out on a date try it out

with a friend a friend that you would

like to date even better but really try

this in any conversation and you will

see how dramatically different it is

when you start to ask people kind of

bigger questions right about their goals

what they want to achieve all that sort

of stuff and then just shut up and

listen and see what happens so try this

out in some aspect of your life and let

me know in the comments how it went I

make new videos every Monday Wednesday

and Friday that's a lie I don't make

them then but I post them then and

sometimes on Saturday or Sunday so be

sure to subscribe to the channel Lots

coming up over the next few months about

business marketing sales personal

development managing your moods getting

more done and just making your life as

awesome as it can be for you so

subscribe to the channel I will catch

you in another video soon and thanks for

watching

For more infomation >> How To Sell IF YOU'RE AN INTROVERT, Creative, or Empathetic Person - Duration: 14:51.

-------------------------------------------

TET: "Sweet Cider: An Appledash Romance" [ MLP fanfic readings ] (Romance) (Appledash) - Duration: 11:09.

"Sweet Cider," written by Jabbie.

Colorful leaves fell from the abundance of apple trees as a chilly breeze rushed between

them.

A large line of ponies pulled their scarves tighter while they waited anxiously for their

turn to receive this season's delicious apple cider.

One particularly anxious pegasus fluttered above the crowd and gazed longingly at the

stack of barrels that seemed so hopelessly far away, her dry tongue curling at the thought

of the most delectable, thirst-quenching substance in existence gracing her pallet.

Then, to the young rainbow-maned mare's greatest disappointment, Applejack made an announcement

to the masses.

"That's a wrap everypony!

We're all outta cider for today, so y'all'll just have to come on back tomorrow.

We'll have a fresh batch ready to go first thing in the morning."

Rainbow Dash fluttered into the air and threw her hooves up in detestation.

"Are you kidding me?!"

The disappointed mare fell forcefully onto her back, sending up a small plume of dust

as she crossed her front hooves and pouted.

The rest of the ponies muttered in dissatisfaction as they drooped their ears and slowly staggered

away.

"Aw shucks Rainbow.

I recon you woulda learned your lesson by now.

Why can't you just show up earlier, considerin' just how much you want cider every single

cider season."

Applejack trotted in circles around her pouting friend, then took a seat next to her on the

dirt road.

"I got here as early as I could...

Maybe if you didn't sell a thousand barrels to Pinkie Pie every day then there'd be some

left for me!"

Rainbow grunted and faced away.

"You know, I'm sure Pinkie'd be glad to share if you'd just ask," Applejack winked and stood

up, brushing her coat off with her tail.

"But I know you got your pride.

So get up, stop actin' like a baby, and come with me."

Rainbow reluctantly rose to her hooves and sighed.

"Alright, but make it quick.

I got things to do."

Applejack chuckled and rolled her eyes as she began a slow-trot towards the old apple

barn.

She trotted past Big Macintosh as he was rolling the empty barrels towards the apple cellar,

and gave him a nod of approval and a tip of her hat.

She then gave the front doors of the barn a quick kick, which sent them slowly open.

The deep orange sun cast its soft glow through the spaces between the old, worn planks holding

the structure together.

It illuminated the emptied building with a soft, warm glow.

Rainbow Dash stepped into the barn first as another chilly breeze grazed her back, and

Applejack followed close behind.

"Brr, seems like we're gonna get an early winter this year.

You pegasi know anything about that?"

Applejack widened a questioning eye as she latched the barn door shut.

"Sounds right, I'm not sure though.

I don't usually pay much attention to the plans; they just tell me where to push the

clouds, and I push em," Rainbow Dash explained as she fluffed her wings.

"So are you gonna tell me what this is all about?"

"Sure thing, Sugarcube."

The earth pony grinned and trotted up to a barrel propped up in the corner and tapped

on the lid.

"Grab a mug.

I set this barrel aside just for you."

Rainbow Dash's jaw dropped as she eyed the full barrel of mouth-watering, crave-sating

cider!

In an instant, she dashed over to the barrel, her tongue hanging out as she slammed a mug

beneath the tap.

Applejack raised an eyebrow and filled the cup with a chuckle.

The pegasus held the cup beneath her nostrils, taking in its sweet aroma as her eyes rolled

into the back of her head.

"Oh Sweet Celestia, my prayers have been answered!"

Applejack shook her head and filled her own cup.

"There's plenty more where that came from, so drink up."

Rainbow Dash pressed the cup to her lips, the sensation she'd been anticipating all

year finally within her grasp.

The cup tilted back, and the cider met her tongue, its sweet spice washing over her body

and senses like an explosion of pleasure in her mouth.

With a slight quiver, she swallowed forlornly as the wondrous liquid left her taste buds

behind.

"This is the best feeling life has to offer..."

Rainbow delicately stroked her mug with starry eyes.

"Well I'm glad you like my cider and all.

And Dash, you can come get cider whenever you want.

It's one of the perks of being the cider-maker's best friend, ya know?"

Applejack winked and bumped her friend's shoulder.

"Really?!

You mean... no more lines?!

No more, not getting cider?!

And you're just now telling me this?!"

Rainbow lifted her cup and downed the rest in a single gulp.

Applejack lifted her hooves and smiled sheepishly.

"Heh, yeah I guess so.

Sorry?"

Rainbow glared and held her cup beneath the tap.

"Better late than never I guess..."

Applejack pressed down on the tap and nodded.

"Well I am giving you a lot of cider for free right now, so let's call it even?"

"Yeah yeah."

Rainbow stared into her friend's eyes with a cold gaze for several moments, then broke

into a chuckle.

"Ha, I'm not mad at you.

This is the best day ever!"

Applejack let out a sigh of relief and lifted her mug to Rainbow's.

"Well then here's to a barrel between friends."

The pegasus nodded and bumped cups with her friend.

"Thanks for this, AJ.

I didn't know you cared."

"Aw it's nothin'.

I just hate seein' you so disappointed everyday, and figured it was the least I could do for

a friend in need."

The orange mare flicked her ear and kicked at the ground as she sipped her cider.

Rainbow Dash glanced up at her friend, quickly spotting the subtle blush growing across her

muzzle.

"Uh-huh.

Well that was nice of you.

Kinda weird that you waited all these years do this though, I mean, we have been friends

for a really, really long time now and all.

Is there some other reason you randomly decided to do something super nice?"

"Huh?

No.

No other reason, just being friendly, and neighborly.

That's all."

Applejack smiled wide and nodded rapidly.

"Alright then.

I believe it."

Rainbow fluttered up next to the mare and poured her own cup of cider.

Applejack respectfully glanced away from her friend's flank as it was temptingly close.

Her kindness was short lived as her eyes betrayed her sense of courteousness and drifted along

the perfectly fit pegasus' backside.

The farm-mare closed her eyes and took a deep breath.

"So how've things been lately?"

Rainbow tilted her head away from the barrel and grinned.

"So what, we're making small talk now?

Uh, okay I guess.

You?"

"Yeah, same."

Applejack scoffed and kicked the ground again, a small cloud of dust forming beneath her

hoof.

Rainbow Dash sipped on her cider and awkwardly glanced around the barn.

She slowly trotted around and continually glanced back at her friend, who stayed still,

leaning against the barrel and following Rainbow around the room with her deep green eyes.

"So, why so quiet all of a sudden?"

Rainbow asked, clearing her throat to break the silence.

"What?

Who's quiet?

I'm being normal, you're the quiet one."

Applejack gulped and took a deep breath.

"So maybe I'm bein' a little quiet, is that a problem?"

Rainbow stared in confusion, then scratched her mane.

"Uh, should I go?"

"No!"

Applejack shouted, then turned away as she squeezed her eyes closed.

"I mean, well you can if you want..."

"Sheesh, I just wanna know what's gotten into you."

Rainbow fluttered up next to the embarrassed mare and placed a wing over her back.

Applejack took several more deep breaths and shook her head.

"I'm sorry Rainbow, I didn't mean get all... eh, crazy or whatever you wanna say.

It's nothin' really.

I guess I was just a little nervous about askin' ya to come to barn and whatnot."

"Why would you be?

You seemed pretty cool about the whole thing if you ask me."

Applejack lowered her ears as her cheeks grew hotter.

She looked up into Rainbow Dash's glowing pink eyes as the setting sun sent its beautiful

rays falling in a line across her pretty blue face.

"Well, I guess there really is another reason I brought you here today..."

Applejack lifted her chin and faced her friend with confidence.

"And what would that be?"

Rainbow asked, her eyes locked on Applejack's as she inched closer and closer.

"Oh, nothin' big, just..."

She closed her eyes and leaned forward, her lips brushing against Rainbow's.

The pegasus dropped her half-full cup of cider onto the ground and wrapped her forelegs around

Applejack's neck.

Their lips went from simply touching to interlocking, and the cold autumn air vanished beneath their

warm, loving embrace.

Each mare kept her eyes closed as they shared a moment of passion and mutual affection.

Rainbow Dash's heart skipped a beat as the subtle sweet taste of cider on Applejack's

lips met her tongue.

The orange mare's hot breath escaped her nostrils and washed over Rainbow's cheeks as she parted

her lips a bit more.

Applejack opened her own lips as her friend's tongue flicked between them.

She tilted her head and pressed herself up against the pegasus, causing her to stumble

backwards.

As Rainbow stepped back, her hoof landed in the center of the spilled cider and it slipped

out from beneath her.

Applejack, pressed up against her friend, fell directly on top of her and instantly

lost her footing as she attempted to scramble to her hooves.

"Ouch..."

Each mare fell silent.

A sudden gust of wind shook the barn planks and sent its chill between them.

Rainbow Dash chuckled, and Applejack began to laugh.

Both mares giggled uncontrollably as they slowly helped one another to their hooves.

The slowly dimming sunlight glowed brightly in each mare's eyes and they both let out

a simultaneous, woeful sigh.

"So, is that what this was all about?"

Rainbow asked, her hot cheeks becoming redder as she stared at her friend.

Applejack turned away and scratched beneath her hat, her coy smile drooping with her ears.

"Yeah, pretty much.

Sorry to be so... forward about it."

"Heh, yeah, it's okay..."

Rainbow lowered her ears and scratched at the dirt floor.

Once again, each mare fell silent and avoided eye contact.

The orange sunlight turned dark blue as it fell beneath the horizon and the stars took

the sky.

Another strong gust hit the barn, causing each mare to jump and shiver.

Applejack placed her hat back on her head and nodded towards the door.

"Hey, wanna come inside with me?

We can, uh, talk about stuff."

Rainbow Dash shook her head and trotted up next to her friend, tightly wrapping a wing

over her back and planting a loving peck on her cheek.

"What's to talk about?"

Applejack shrugged and rubbed her muzzle against Rainbow's.

"Well then let's just go inside and do whatever it is you wanna do, Sugarcube."

"Sounds good to me."

The End

"Hello everypony, Snogwritts here!

Hope you enjoyed the reading, if so, be sure to leave a like.

And if you haven't already, subscribe for more readings like this one every Saturday.

Alright, that's it for me, this is Snogwritts, signing out."

Thanks for watching!

For more infomation >> TET: "Sweet Cider: An Appledash Romance" [ MLP fanfic readings ] (Romance) (Appledash) - Duration: 11:09.

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BROOKLYN REACTS TO STREET MAGIC!!! - Duration: 10:15.

For more infomation >> BROOKLYN REACTS TO STREET MAGIC!!! - Duration: 10:15.

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Arrival — Examining an Adaptation - Duration: 13:35.

Hi, I'm Michael.

This is Lessons from the Screenplay.

Pure, thoughtful science fiction is never just about aliens, or other worlds, or exciting

visions of the future.

At it's core, hard sci-fi is about humanity.

Our hopes and fears, principles and behaviors.

The short story by Ted Chiang, "Story of Your Life," is a great example of exactly this

kind of science fiction.

But in order to bring its essence into the cinematic realm,

screenwriter Eric Heisserer had to make several changes to the original story.

And even then, director Denis Villeneuve and editor Joe Walker

had to further tweak the narrative to bring it to life.

So today I want to look at the changes made during the adaptation of the short story.

To examine how experimentation in the editing process

inspired some creative ways to solve common problems.

And see how a story about characters trying to understand an alien species

was designed to let us further understand ourselves.

Let's take a look at Arrival.

"Story of Your Life" by Ted Chiang was published in November of 1998.

It's a moving mixture of discussions about science and determinism,

and the love and loss of a child.

But there were three key elements that needed to be altered for the story to work as a screenplay.

The first I want to talk about is perspective.

The short story is narrated by Louise on the night her child is conceived.

She alternates between memories of her past with the aliens,

and memories of her future with her daughter.

In order to create a more conventional arc for the protagonist,

screenwriter Eric Heisserer decided to reframe the story.

Rather than being told by a Louise who can already look forward and backwards at her life,

Arrival follows Louise as she discovers the gift of the alien language.

Instead of having the flashforwards be a constant throughout the story,

they are introduced at the beginning and then sprinkled throughout the rest of the film

as Louise learns more of the alien language.

Doing this brings the audience further into Louise's perspective.

When she begins seeing flashes of her and her daughter,

we perceive them as memories just as she does.

And it is not until she learns that these are visions of the future

that we understand this as well.

Choosing this perspective for the film ensures a steady flow of reveals for both Louise

and the audience.

The second alteration made to the short story has to do with conflict and tension.

In the short story, the aliens never actually land on earth.

Instead they send down one hundred and twelve "looking glasses,"

which "acted as two-way communication devices, presumably with the ships in orbit."

This would not make for very compelling scenes.

As Eric Heisserer said...

"I can't have them spend a year in a room skyping with some aliens--this is not a film!"

"And the first major change that I pitched to him and that we brought to it was:

they show up at our door."

I'd like to take a moment to give a shout-out to "The Q&A With Jeff Goldsmith."

It's a fantastic podcast where he interviews screenwriters,

and this audio is from one of his interviews.

The link is in the description below, you should definitely check it out.

Anyway, changing the short story so that the aliens actually come down to the planet,

and the characters can interact with them face-to-face,

had a huge impact on the inherent tension of the story.

Suddenly there is an immediate threat.

"Why are they here?"

"Are they dangerous?"

Despite the interactions with the aliens ultimately being safe, their mere presence motivates

most of the conflict in the film.

There is public hysteria.

A few soldiers to attempt to destroy the ship...

[explosion]

And world leaders treat the arrival as an act of aggression.

Having the aliens land on earth created the tension and conflict necessary

to sustain a feature film.

The last alteration I want to discuss involves the manner in which Hannah,

Louise's daughter, dies.

In the short story, Hannah dies at the age of twenty-five in a rock climbing accident.

But in the screenplay Hannah dies from an incurable disease, and at a much younger age,

during her adolescence.

So why make these changes?

The first reason has to do with film being a visual medium.

"Part of it was we needed to make sure the child didn't get old enough..."

"...that we'd have to age up the actress playing Louise."

"Because that gave away everything."

If it was obvious from the beginning that the flashbacks were actually flashforwards,

there would be no reveal at the end of the film.

The second reason has to do with making sure the protagonist's choices matter.

In the short story, Louise's character arc is to realize that the universe is deterministic

and she must learn to embrace the inevitable.

"And I was a bit rebellious about that."

"I'm like, 'Ted, I don't like that.'"

"And I said, 'I think it's more profound for me if she has a choice, if she has free will..."

"...and can change her future..."

"...and yet she chooses to have Hannah."

Louise has to be able to change the future in order for her to choose to have Hannah.

And for this choice to have meaning,

Hannah can't die from something preventable, like a rock climbing accident,

because Louise would just stop her from rock climbing.

So by changing the story so that Hannah dies from a disease,

Louise's character is able choose the love of her child, knowing full-well the loss that

will come as a result of it.

All of these alterations made during the adaptation process

highlight the importance of screenwriting basics.

Being engaged in the protagonist's journey of discovery.

The need for immediate conflict and tension.

And emotional impact through choice.

But in the case of Arrival, the writing process didn't stop with the screenplay.

There are many key differences between the script and the final film.

As Eric Heisserer says, "You know, the third version of a movie is always found in editing."

The editing process for Arrival lasted for six months,

and reading the screenplay, it's obvious that many scenes are missing, or were condensed,

or were tweaked to create the final film.

For example, halfway through the film there is a three minute montage

that is strictly focused on telling the audience information about the aliens.

"Here are some of the many things we don't know about heptapods."

In the screenplay, however, all this information is spread out across several scenes

and various story threads.

There's a scene in which they learn how the heptapods think and write.

This scene was removed from the film,

and the information added as voice over in the montage.

IAN: "Their written language has no forward or backward direction."

"Linguists call this nonlinear orthography."

In the script, Louise uses an analogy to explain this to Colonel Weber,

but in the film this becomes another voice over line.

IAN: "Imagine you wanted to write a sentence with two hands starting from either side."

"You would have to know each word you wanted to use..."

"...as well as how much space they would occupy."

And a scene was removed where Ian draws a picture of the aliens and names them.

Again this dialogue was transferred to the montage narration.

IAN: "Greek."

"Hepta, 'Seven.'"

"Pod, 'Foot.'"

"Seven feet."

"Heptapod."

This shows that sometimes it's better to get all the exposition out at once

if it's otherwise holding back your story.

Another example of creative editing falls into the category of a happy accident.

In the screenplay, there is a story thread that involves Colonel Weber worrying about

Louise's mental state.

It gets to the point where he temporarily takes her off of the project,

and assigns Ian to take over.

This sequence was removed from the final film, again for pacing reasons,

but as the editor explains...

"We took it out, and then we realized there's an essential piece of information in there.."

"...concerning the Sapir-Warf theory."

This is the theory which posits that learning a different language

re-wires how your brain thinks,

which is critical information for understanding what is happening to Louise.

So rather than remove this scene,

they started experimenting with ways of aggressively trimming it,

and in doing so stumbled onto an interesting jump cut.

"We just bashed together some sections of it."

"And, for example, the first cut was from Ian to Ian, a really ugly jump cut."

"Something so overtly wrong—his head is down, his head is up and he's talking."

"And then suddenly, that gives us an idea that we could tell the scene a different way."

They altered the scene to be about the psychological toll the job is having on Louise

by turning it into a dream.

The lines involving her being taken off the project were removed

and a new ending was created with a surprising reveal.

"I'm curious."

"Are you dreaming in their language?"

Rather than her response being directed to Colonel Weber...

LOUISE: "I mean, I've had a few dreams, but I don't..."

...they used visual effects to replace him with a heptapod.

"I don't think that makes me unfit to do this job."

I think this shows the importance of experimentation.

Of not being afraid to shuffle your scenes around

just to see what ideas come from the quote-unquote "wrong" way to do something.

All in all, a lot of the script for Arrival was cut, altered, or re-arranged

to create the final film.

And this was done to keep the focus on Louise and her character's journey.

This is important, because it's largely through her and her struggles that the film explores

what it means to be human.

One of the things that I love about science fiction—when it's done well

—is that it's an introspective genre.

As Ted Chiang, writer of the short story says...

Ted: "To me, science fiction—it's not about special effects..."

"...or giant battles between the forces of good and evil."

"Science fiction is about using speculative scenarios as a lens to examine the human condition."

So how does Arrival accomplish this?

How does it become a lens through which to examine the human condition?

One way is through the design of its scenario.

The very premise of the film involves scientists studying why an alien species is the way it is.

And by asking the question, "how and why do heptapods think non-linearly?"...

...the film is implicitly asking, "how and why do humans think linearly?"

By having the heptapod written language be semasiographic...

IAN: "It conveys meaning. It doesn't represent sound."

...it begs the question, "how come our written language does represent sound?"

When we study an other in an open, objective way, we're simultaneously studying ourselves.

Arrival also examines humanity through the motivations of the protagonist and antagonists.

Louise's expertise in linguistics has taught her

the importance of patience, trust, and communication.

And every choice she makes is in pursuit of these values.

But every conflict she encounters is a manifestation of impatience...

"Trying to learn how to speak and read..."

"That's gotta take longer."

...or fear...

"Look at these people!"

"Most of them don't even have guns."

...or silence.

"Put us on radio silence."

"Do it."

"We received a message from the heptapods--"

"Dammit!"

"We need to be talking to each other."

"You want to talk to them, find out what this means."

And the justifications made by the antagonists are all referenceing human behavior.

HALPERN: "We have to consider the idea our 'visitors' are prodding us to fight among ourselves.."

"...until only one faction prevails."

"There's no evidence of that."

"Sure there is."

"Just grab a history book."

They're afraid of the aliens because they know what humanity is capable of.

The heptapods make no acts of aggression whatsoever.

All the conflict comes from us.

Examining how Arrival was adapted from book-to-screen reveals a lot about the medium of film.

It exposes the the elements of storytelling we expect when we sit down to watch a movie.

And it demonstrates how a story that on the surface is about

trying to communicate with an alien species

can actually be about how we communicate with each other.

As shown by humanity's various reactions to their arrival.

Hey guys!

Michael here, hope you enjoyed the video.

I know a lot of you have been asking for Arrival,

and it was one of my favorite films of last year,

so I was more than happy to do this one.

This video has been brought to you by Squarespace.

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And thank you for watching.

For more infomation >> Arrival — Examining an Adaptation - Duration: 13:35.

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Jim Carrey Once Battled an Audience for 2 Hours - Duration: 3:38.

EVERYBODY HERE HAS PERFORMED STANDUP MANY, MANY TIMES OVER

MANY YEARS AND YOU'VE ALL GOT INCREDIBLE STORIES FROM THOSE

DAYS.

ANDREW, WHAT'S ONE OF YOUR MOST MEMORABLE PERFORMANCES YOU'VE

HAD?

>> PERFORMANCES?

>> James: YEAH.

WELL, I WAS -- I USED TO PERFORM ON A BOAT CALLED THE

QUEEN MARY IN LONG BEACH.

>> James: LONG BEACH!

( CHEERS AND APPLAUSE ) >> YES, THAT'S NOT USUALLY THE

RESPONSE FOR LONG BEACH, BUT YEAH, ON A DOCKED CRUISE SHIP IN

BETWEEN A BURLESQUE SHOW, SO NAKED WOMEN AND A SEE-THROUGH

GINGER MAN AT HALF TIME.

>> James: REALLY?

YEAH, THEY DIDN'T REALLY LOVE ME.

SO ONE TIME A GROUP OF GANG MEMBERS CAME AT ME AND THROUGH

SIGNS AT ME AND THEY SAID, WHAT IS THIS, LAST COMIC STANDING?

I SAID, NO, THEY WOULDN'T LET ME ON THAT SHOW.

THAT'S WHY I'M ON A BOAT IS THAT WHAT ABOUT YOU, AL?

>> I REMEMBER THE HORROR STORIES, THE BAD GIGS.

I HAD AN ENTIRE CROWD GET MACED.

( GASPED ) SOME LADY'S PEPPER SPRAY WENT

OFF IF HER PURSE.

IT WAS LIKE 300 PEOPLE COUGHING.

THE MACE DIDN'T GET UP TO ME, SO I FELT FINE.

I WAS GOING, WHAT'S GOING ON?

WHY IS EVERYBODY COUGHING?

WE GOT MACED!

I SAID, YOU KNOW WHAT IS THIS YOU'RE A CRAPPY AUDIENCE, I'M

GLAD YOU GOT MACED.

I WAS SORT OF HOPING YOU WOULD GET MACED AND IT HAPPENED.

>> James: WHAT A HUGE CAN OF MACE.

WAS IT A GALLON OF MACE?

JIM, IS THIS TRUE -- >> IT WAS A SEXUAL ABUSE

CONVENTION.

( LAUGHTER ) >> James: JIM, IS THIS TRUE?

THERE WAS ONE NIGHT WHERE YOU TOOK UP THE WHOLE EVENING --

>> EVERYBODY'S TIME.

>> James: -- EVERY OTHER COMEDIAN ON THE BILL'S TIME ON

STAGE.

HOW LONG WERE YOU UP FOR?

>> I WAS MESSED UP GOING IN.

I HAD A MESS -- I WATCHED A CONNIE CHUNG INTERVIEW AND I

WENT IN WITH THE EXPRESS VIEW OF GETTING IN A WAR WITH THE CROWD.

I DID.

I STAYED UP TWO HOURS BECAUSE THE HATE WAS COMING IN GIANT

WAVES AND I COULDN'T LOSE THE FIGHT.

SO I STAYED UP UNTIL ABOUT TWO HOURS LATER I SAID I WAS LEAVING

TO A STANDING OVATION.

( LAUGHTER ) THEY LOVED IT.

TAPER JUST, AAAHHH!

LIKE THIS, AND I LEFT THE STAGE AND CRAWLED THROUGH THE CROWD

AND JUMPED UP BEHIND THE PIANO AND BEGAN TO SING, I HATE YOU

ALL, YOU GAVE ME CANCER.

AND THE WHOLE AUDIENCE LEFT EXCEPT FOR FIVE PEOPLE WHO STOOD

AROUND AND SAID, YOU ARE A GOD.

YOU ARE A GOD.

I TOOK THAT COMPLIMENT, GOT BACK IN THE CAR AND DROVE HOME AND

CRIED ALL THE WAY HOME.

>> James: BUT I CAN'T IMAGINE THE OTHER COMEDIANS WHO WERE ON

THE BILL.

>> THEY WERE NOT HAPPY.

>> James: WHAT WAS THEIR REACTION?

>> THAT'S HAPPENED FROM TIME TO TIME.

BUT WE GO TO WAR EVERY ONCE IN A WHILE.

WE'RE A FRIENDLY FAMILY TILL SOMEBODY SNAPS.

>> James: YEAH.

BUT EVERYBODY UNDERSTANDS THAT AS A COMIC.

WHEN SOMEONE'S SNAPPING, ALL THE COMICS ARE AT THE BACK TO HAVE

THE ROOM GOING IT'S HAPPENING!

WE KNEW IT WAS COMING!

>> THIS GUY IS NOTORIOUS FOR THAT KIND OF STUFF.

>> ONE OF MY FAVORITE THINGS.

>> James: YOU DON'T STRIKE ME AS A SNAPPER.

>> OH, HE IS.

>> James: WHY?

IT COMES OUT WHEN I SEE SOMETHING IN THE AUDIENCE THAT

NEED TO BE ADDRESSED, I LOSE IT ON PEOPLE.

PEOPLE OUT WITH THEIR PHONES.

A LOT OF PEOPLE GET DRAGGED TO COMEDY CLUBS THAT DON'T WANT TO

BE THERE IN THE FIRST PLACE.

AND SOME ARE A NIGHTMARE.

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