Thứ Năm, 24 tháng 8, 2017

Youtube daily channel Aug 24 2017

hi guys today I'm talked about the future of this channel but yes walking

and yes I finally got a a microphone

I'm going to start doing top ten videos or top five something like that

I will do on topics such as games and other stuff I just put It down in the comment section

I will look through the comment sections and choose the best topic

I will mainly do video games because I love video game seriously I have a problem I'll might do

a few commentary and if you guys want me to if

my script is long enough

strippers wrong enough because I when I was about to step for 10 minutes or more

I don't know progress the trip I'm very good at with clerk for giving up since I

will have gameplay and other top 10 another subset won't have gameplay visit

I think top 10 videos you have actual gameplay and the gameplays will be pitch

this and whatnot be really living it up battlefield what destiny our destiny too

painful sue also Forza last but not least give them a future baby micro I'm

not really sure instead of on the villains the bootleg

of the riches stop swap both already top to top 10 games stop centered stop by

central stop tag thread the thing pops s videos or just not sure you guys heard

it up because he deleted this channel and share any channels no longer active

and you delete this channel savvy I also do day this day on a near call game of

the yet also just also do store commentaries and if you guys want me to

if you if you guys wants to do it and if you guys are worried about the gameplay

any great shots wrote a clip

Oh

Oh

Oh

see I mix good montages on a crappy podcast from

Jo Jo ed knows the first top 10 para squirming it's coming soon like in the

next week or so there is a whole besides it the Jordans it is the video makes me

want to drink bleach steadily bowling bring us daughter bleach and I'm just

kidding don't do that please use your bleach to clean your clothes or just

don't use it to yourself okay and thanks we go see you yeah Oh

sometimes I see you and Bosh

For more infomation >> Welcome to my channel - Duration: 5:26.

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Welcome to this stupid channel/ Channel Trailer - Duration: 0:24.

hi welcome to the channel

i am bts trash

i will upload dumb videos about nothing

pls like and subscribe or i will eat u

i am just a person looking for a better life

bye i like bleach and bts

i suck at making videos

i hope you enjoyed this crap video

like or whatever

bye

For more infomation >> Welcome to this stupid channel/ Channel Trailer - Duration: 0:24.

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PLANTOIZE CHANNEL TRAILER - Duration: 1:49.

be shuar 2 skrubskrib & slam de notifikatiun bell 4 noo videos evry 1,000 yeers

For more infomation >> PLANTOIZE CHANNEL TRAILER - Duration: 1:49.

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Góa Phụ Nhí Tập 203 Trailer || BEN CHANNEL - Duration: 3:44.

For more infomation >> Góa Phụ Nhí Tập 203 Trailer || BEN CHANNEL - Duration: 3:44.

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Channel Intro - Duration: 0:05.

(God left me unfinished)

For more infomation >> Channel Intro - Duration: 0:05.

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Best Channel Trailer Ever!!! - Duration: 4:46.

.... Ur Freaking SLEDGE!!!!

Any day now!!!

Congrats you figured out how to use ur hammer!!!

D*** he clutched it.

He Thought he could hide. :)

For more infomation >> Best Channel Trailer Ever!!! - Duration: 4:46.

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Channel Trailer Ranu Soni - Duration: 0:36.

hello dear,

and I am a mom

who loves exploring new places

and trying my hand

crafts and DIY projects

For me travelling and crafting

both works as a therapy

rejuvenating and energizing

be part of my journey

and show some love

by subscribing to my channel.

For more infomation >> Channel Trailer Ranu Soni - Duration: 0:36.

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with a friend go check his channel out it is called split anger - Duration: 2:00.

there I wish I my cameras pointing at that I really wish that was hilarious

somebody please by the way split anger here work what

rage I don't know that was a no video um hey he was a light ly Sayville um thing

doesn't even work you just turn on blah blah blah it doesn't jerk blah well you

get a walkie stick dude I have a I have a camera I'm not afraid to use it

I killed him oh no he was just knocked out Oh Fred no when we end the video no

okay okay guys look Jared you and it I'm gonna go floor

For more infomation >> with a friend go check his channel out it is called split anger - Duration: 2:00.

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Jon Snow: MacTaggart Lecture at Edinburgh TV Festival 2017 - Duration: 50:33.

Down the years I've found myself in some pretty curious situations, but nothing quite

like this: standing before the heart and soul of our industry, the creative forces, producers,

directors, owners, managers, editors, employees, the elite, the life force that has even — at

times — rendered what we do the envy of the world.

For myself, in the immortal words of my Game of Thrones namesake: 'I know nothing'.

But I guess I have experienced a lot.

When I was doing the research for the lecture I was thinking back to what I'd done over the years

and I had to consult Google.

I was appalled to discover, that that other fellow with the same spelling

had hogged the first 50 entries, where once I was supreme.

Winter sure has come for that bastard!

I may have experienced a lot but I manage nothing, I direct nothing.

I am a journalist, I'm a reporter, and I really am honoured indeed

to have been asked to give this MacTaggart lecture.

Yet I address you on the heels of two years that have been an object lesson that we all

know nothing.

The explosion of digital media has filled neither the void left by the decimation of

the local newspaper industry, nor connected us any more effectively with 'the left behind',

the disadvantaged, the excluded.

Never have we been more accessible to the public nor in some ways more disconnected

from the lives of others.

Over this past year, we — me included — mostly London-based media pundits, pollsters and

so-called experts have got it wrong.

The Brexit referendum: we got that wrong.

Trump defying completely more so-called experts, pundits and journalists alike.

Theresa May's strange General Election – predicted to get a majority of 60 - 70: we got that

wrong too.

She was forced to do a deal with the DUP, in order to stay in power, while thousands

of people at Glastonbury Festival chanted 'Oh, Jeremy Corbyn!'

Oh, Glastonbury.

Like they say about the 60s, if you remember it… you just weren't there.

Then came the terrible events of the 14th June.

The Grenfell Tower disaster taught me a harrowing lesson that I thought I had already learned,

but perhaps forgotten.

We'd better accept it.

We'd better accept it that we are all in this together; all of us in this room are

by definition, part of the elite.

Yet I believe that we have, by the nature of our business, an obligation to be aware

of, connect with, and understand the lives, concerns, and needs of those who are not.

In short, I believe we are in breach of that obligation – that in increasingly fractured

Britain, we are comfortably with the elite, with little awareness, contact, or connection

with those not of the elite.

It's what I want to explore with you today – and how we can begin to remedy it.

It's about exclusion, it's about disconnection, it's about alienation — but it's also

about diversity, and the digital age and why it renders the time in which we live both

the most challenging and difficult, yet potentially the most exciting of any age in the modern

media's history.

The completely man-made Grenfell disaster has proved beyond all other things how little

we know, and how dangerous the disconnect is.

On that morning of the 14th of June in the middle of one of the very wealthiest boroughs

in one of the richest cities in the world, a fire engulfed the twenty-four storey Grenfell

Tower.

Even now we do not know the true number who died.

The authorities say at least 80 people perished, the surviving residents say many more.

When journalists woke that terrible morning and googled 'Grenfell Tower', they found

a blog published eight months before.

It raged at the Tenant Management Organisation and highlighted the dangers of the building

and the disconnect between the tenants and the landlord.

A chronicle of death foretold not by any journalist but in a blog by the leader of the action

group for those who lived in the tower.

Where are the once strong local papers that used to exist and served to inform national

journalists?

Gone.

Yet the Grenfell residents' story was out there, published online and shocking in its

accuracy.

It was hidden in plain sight, but we had stopped looking.

The disconnect complete.

I will argue that our connectivity - life on Google, Facebook, Twitter, and more - has

so far failed to combat modern society's widening disconnection.

Grenfell Tower is a wounding centerpiece of my talk today, and I'll return there amid

my two main themes.

Firstly, that in the age where everyone is a publisher, public service broadcast journalism

has never been more vital.

Secondly, humanity needs to match the dramatic growth of social media with a rebirth of social mobility.

But before I can talk more to you about it, let me begin at the beginning.

I did not grow up with an ambition to be a journalist.

I have to admit that I didn't need to gravitate to the elite – I was born into it!

My father was a Bishop.

He went to Winchester College; his father before him to Eton.

Indeed, in 1885, he, my Grandfather, General Sir Thomas D'Oyly Snow, went to the Relief

of Khartoum and retrieved a piece of the step upon which General Gordon died, only to lose

it when in 1940, the Luftwaffa blitzed his home to pieces.

If I had a flair for the trade of journalism, I think I can detect having first displayed

it at the age of nine.

At the time my father was the headmaster of a public school in Sussex.

One Sunday, standing at the back of the school chapel during evensong I noticed an old, unhappy

looking man in an oversized great-coat, standing at the other end of the pew.

I asked my Mother who he was.

'I'll get your father to tell you', she said.

The next Sunday my father introduced me to the old man.

'Jon', said my father, 'This is Harold MacMillan, he is the Prime Minister'.

Macmillan chimed in 'Do you know what a Prime Minister is young man?'

'Are you married to the Queen?", I ventured.

'No, no' he chortled – I'm a Conservative politician and I run the country'.

With that, he left the Chapel, boarded his chauffeured Humber Super Snipe and purred

off to Birch Grove, his gorgeous country house on the edge of our village.

I left my first Prime Ministerial encounter with no lasting thought of becoming a journalist;

after all I had no idea what one was.

Rather I thought, with a car like that, a house like that, a greatcoat like that…

I'd rather like to be a Conservative politician.

I never trained to be a journalist.

My training was in life - at eighteen, Voluntary Service Overseas in Uganda.

I had never been on a plane.

I had never been out of Europe.

It was a shock to end up for a year in a secondary school in the bush, on the banks of the Nile,

fifty miles North of Lake Victoria.

The nearest Post Box was fifteen miles away down a murum track.

Fifteen miles on a British Council supplied bicycle, sometimes ridden through dust, sometimes

slithering through the consequences of the wet season, usually to find a blue Aerogram

from Mummy, and nothing more.

I came back from Uganda fired with an enthusiasm for Africa, for liberation - very much focused

on South Africa and Mandela.

I pitched up at Liverpool University.

I read Law.

My first long summer vacation, I teamed up with twenty-five others and was one of two

drivers on a thirty-seater bus to Banares University on the Ganges in India.

It was a kind of cultural exchange.

We took a drama and a four-part close harmony Beatle band, in which I sang bass.

"Hey Jude, don't be afraid - take a sad song, and make it better…"

Oh the 1960s.

Oh, Glastonbury!

On the way there, I fell in love with Iran - a country I have reported on persistently

from the revolution onwards.

And which to this day in my view, the world and America in particular misunderstand at

its peril.

I still had no inkling of journalism, but unbeknownst to me I was piecing together a

world I would one day come back to report.

Eighteen months after Uganda, in my second year at Liverpool University and still lit

up by having lived in Africa, I joined a protest demanding that the university dis-invest from

its extensive holdings in South Africa.

Some many hundreds of us occupied the university's administrative block.

I was no revolutionary, and didn't belong to any of the available Trot or Marxist groups.

To my family I was just an embarrassment.

Inevitably the Long Vacation brought an end to the six week sit-in.

I and nine others were kicked out for bringing the university into disrepute.

I never went back.

Until, four years or so ago: when, under new leadership, the university apologised and

gave me an Honorary Doctorate in the subject I never graduated in – Law.

Four decades on and I still know nothing.

Back in 1970, having struggled so hard ever to get in to University, suddenly jobless

and degreeless, I was in deep trouble.

If I had wanted to become a staff journalist, now I would have needed a Masters degree,

a series of unpaid internships, and a place to stay in the London area without any guarantee

of it working out.

Barriers to entry into this highly competitive industry, largely on the basis of background

rather than merit.

It's a central cause of our disconnect.

On 16th of November 1966 when I was at Scarborough Tech, still trying to get a couple more A

levels, the BBC had screened Ken Loach's brilliant, devastating "Cathy Come Home"

– It was shown in the Wednesday Play slot.

The play charted the descent of a young couple from a fulfilling employed life to one in

which Cathy was rendered homeless and destitute and her children were taken away from her.

And here I must pause for a moment, because one of Ken Loach's co-conspirators in a

sense, was the producer director, Jimmy MacTaggart.

Because whilst it was Tony Garnett who commissioned Ken to make 'Cathy Come Home', both Ken

and Tony testify to the reality that it was Jimmy MacTaggart who created within the BBC

what they both call 'the capacity to allow' — one of the most precious freedoms any

media leader can create.

Without Jimmy MacTaggart, and the Wednesday Play strand that he devised, Cathy would probably

never have been permitted.

Tony Garnett describes MacTaggart as the finest man he ever knew, and Ken Loach adds that

MacTaggart was a man who personified the BBC at that time, indeed the very best of public

service broadcasting.

I am very proud indeed to be speaking in Jimmy MacTaggart's name.

Even twenty two years later a Radio Times readers' poll declared Cathy Come Home the

best television drama ever; a TV industry poll back in 2000 voted it the one of the

best television programmes ever made.

The reaction to the film watched by 12 million people, coincided with the foundation of the

housing charity Shelter, with which as a student I inevitably became keenly involved.

After my Liverpool shenanigans I finally did find a job, at 22, as the Director of New

Horizon - a small day centre for homeless and vulnerable teenagers in London's Soho.

At some point in my subsequent years on the board of New Horizon, Bob Hoskins visited.

(That's me at the back, the funny looking one.)

And when I worked there full-time I really intended to stay for six months, and ended

up staying three and a half years.

The need was massive, and at first we were just three youth workers.

Family breakdown, drugs, alcohol and above all, homelessness were rife.

At night in theatre doorways, against heating ducts and gratings, there were bundles of

sleeping youthful humanity strewn around the streets of central London.

The emotional impact on we who could provide so little was immense.

By my third year at New Horizon, the Centre had also, in a small way, became a kind of

resource for the national media, albeit prompted by local journalists, anxious to report on

homelessness.

I found myself interviewed, even making an appearance on the David Frost show - an edition

of the Frost Report on Drugs.

Indeed I even found I was better at talking about what we did than actually doing it.

But it was to be a place with which I was to remain involved and which would inform

my journalistic life for the next 45 years.

Last year I stepped down as Chair of the New Horizon, by now supporting a team of 34 youth

workers dealing with some 4,000 young people a year.

Last month, the new leader of Kensington and Chelsea Borough Council admitted that she

had never been up one of the residential towers that her administration was responsible for,

despite at the same time being in charge of children and families.

Understandably it caused something of a stir, and then I wondered how many of us has ever

been up a local authority housing tower block?

I admit that only as a youth worker during my time at New Horizon had I ever been up

one — never as a journalist.

Jan was a young single mother who drifted in and out of New Horizon.

We had managed to help house her in a tower block in Hackney.

She called me one night from a phone box.

In slurred tones, she informed me that she had abandoned both her baby and the flat.

She was stoned somewhere in the West End.

Jan was only sixteen.

The baby was just six weeks old.

Mother and child had fallen through the gaps in social provision and we were unable to

make up for their failings.

I hurtled across London to the tower and made it up the many floors to her flat.

The door was unlocked, the flat was in chaos.

The baby was screaming.

I made up a feed, and carried her down to my Mini.

At 3.00am I arrived at the Maternity Unit at UCH, the very hospital where she had been

born.

'Sorry sir there's only one way babies come in here and this isn't it.

We can't help'.

Eventually, at 5.30 am, Camden social services took the baby off me.

Despite our best endeavours, Jan, the baby's Mum, died two months later from a heroin and

barbiturates overdose.

I wonder to this day what eventually became of her child.

I thought about her and about Jan as I stood below the smoking remains of Grenfell Tower.

And I thought about the gulf between us all.

Amid the demonstrations around lower part of the building after the fire there were

cries of "Where were you?

Why didn't you come here before?"

Why didn't any of us see the Grenfell action blog?

Why didn't we know?

Why didn't we have contact?

Why didn't we enable the residents of Grenfell Tower, and indeed the other hundreds of towers

like it around Britain, to find pathways to talk to us and for us to expose their stories?

In that moment I felt both disconnected and frustrated.

I felt on the wrong side of the terrible divide that exists in present day society and in

which we are all in this hall, major players.

We can accuse the political classes for their failures, and we do.

But we are guilty of them ourselves.

We are too far removed from those who lived their lives in Grenfell and who, across the

country, now live on, amid combustible cladding, the lack of sprinklers, the absence of centralised

fire alarms and more, revealed by the Grenfell Tower.

How much time had we devoted to social housing in this year since the EU referendum, when

day after day we found ourselves filling the airwaves with negotiating positions of Theresa

May, Boris Johnson, David Davis (the Brexit Bulldog), Jeremy Corbyn and the rest, before

serious negotiations had even begun?

Not just Brexit, consuming the airwaves with so much political flatulence.

Stuff which we know from viewing figures, whether you are pro or anti-Brexit, bore and

frustrate the viewer.

And I haven't even mentioned the antics of Trump yet.

Sapping airtime that could have and should have been devoted to subjects nearer the hearts

of those who watch.

We have learned that lesson this year.

I am still haunted too by my own link with what happened at Grenfell Tower.

On the 20th April this year, I was involved with Bill Gates in judging a schools debate,

a competition in London.

It was the final of a countrywide championship organised by the charity Debate Mate.

That's an organisation that does fantastic work democratising that skill so often associated

with the elite – public speaking.

I was there to judge the best floor speech.

I had little difficulty in deciding.

The winner, Firdows Kedir, a remarkably poised hijab-wearing twelve-year-old from West London.

She was confident.

She used language beautifully.

Bill Gates grasped her hand and gave her the award.

On the 19th of June, a mere two months later, reporting from Grenfell, I spotted a picture

of Firdows on a 'missing' poster.

She and her entire family of five are believed to have been incinerated together on the 22nd

floor of Grenfell Tower.

Two weeks ago it was confirmed that remnants of Firdows and her father had indeed been

found, in their flat, and that their identities had been confirmed using DNA.

Firdows had been described as "the most intelligent, wise and eloquent girl."

I was fortunate to witness that first hand and since then I often think 'what might

have she become'?

What were her life chances, once she'd been picked out in this way?

Could she have prevailed over the fractures in our society and succeeded?

Britain is not alone in this - our organic links within our own society are badly broken.

In part because the echelons from which our media is drawn do not for the most part fully

reflect the population, amongst whom we live and to whom we seek to transmit information

and ideas.

Grenfell speaks to us all about our own lack of diversity, and capacity to reach into the

swathes of Western society with whom we have no connection.

Like my fellow journalists, I have spent many hours around Grenfell.

I have come to know a number of the survivors, and I speak to them regularly by phone or email.

So casually written off as nameless migrants, scroungers, illegals, and the rest.

Actually, and it should be no shock to us, the tower was full of talent.

Not least the wonderful and talented Khadija Saye, who died with her mother, on the verge

of a major breakthrough as an artist.

Or community leaders like Eddie Dafarn, who survived the inferno, but who wrote that warning

blog on October 20th 2016.

We the media report the lack of diversity in other walks of life, but our own record

is nothing like good enough.

The Sutton Trust has revealed this year that just under 80% of top editors were educated

at private schools or grammar schools.

Compare that with the 88% of the British public now in comprehensives.

It's why I want to urge everyone and anyone in this room with the power to do it: give

individuals who work with and for you the space to do something, anything, in the wider

community we are here to communicate with.

Some of us do plenty of this already but others do very little in this regard.

It is one fertile route to discovering lives and issues about which we might never learn.

We have to widen both our contact with, and awareness of, those people who live outside

and beyond our elite.

Our elite is narrow and deep, but the throng of those who have borne the brunt of austerity

and not shared in the lives we have experienced is wide and even deeper.

We can as a country no longer allow ourselves to be so ignorant of the lives of others,

or the conditions of people who lived in Grenfell Tower.

It should no longer be possible to live in ignorance of the very present danger in which

the residents of several hundred UK tower blocks are still living.

That and the revelation of the utter waywardness of one of the richest councils in Britain

provoked a shock to us all.

Our Queen showed more humanity than her Royal Borough.

This is a scandal that speaks to all of us, and we in the media need to respond.

We as an industry must widen our intake.

I was delighted to discover that the Television Festival itself has blazed a trail in this

regard with 'The Network' and 'Ones to Watch' schemes aimed at developing both

entry-level and established talent, and as you noticed, some of them are here.

90 fully funded places each year targeted at rendering the television we make reflect

more the people who watch it.

The cost of the festival pass that we pay ensures the schemes remain free and accessible

to all, including year-round events and training.

It's a start – it's up to us in this hall to see that the potential exists for

those on the Network Scheme to go on to fully funded apprenticeships – positions that

have the potential to significantly diversify our workforces and hence the programmes we

bring to the screen.

Seek them out.

They have to potential to help transform what we do.

A young journalist of ours is present in this room, from the very town where my father was

a Bishop, Whitby.

He joined us last year.

Jack Parkes was the first person in his family ever to go to university.

He funded his place at City University only through a full scholarship.

At the age of 23, this very year, he voiced his first report for Channel 4 News.

He was reporting unemployment and disengagement in the community of his birth.

He provided that local pathway for them to speak to him that might have eluded one of

us.

He found them all through Facebook groups; a digital means of accessing communities that

might otherwise have been closed.

I'm proud to say that Jack, along with documentary maker Hannah Livingston, is one of the first

people to be given the Steve Hewlett Development Award today – another new initiative from

this Festival.

Congratulations, Jack.

The truth is, we all need to build on this.

Everyone needs to ask, 'can we do more?

Can we expand these slender gateways?'

It's in your hands.

It's not the whole answer of course but we need to open our organisations to the unconventional,

the different, the diverse.

The dividends have the potential, for example, eventually to help to ensure Grenfell's

agony does not go unaddressed.

I have no desire to find myself at another disaster in another area of social housing

that we never knew existed, where people are shouting: 'Why weren't you here before?'

I do not dream of the wars and pestilence that I have reported.

But when it came to Grenfell Tower, I was haunted.

And I still am.

I woke every morning possessed by the enormity of it, and of its implications.

Has our glorious welfare state – founded by a Labour Prime Minister and extended by

that Conservative Prime Minister Macmillan – come to this?

On August 2nd I reported from Salford, just one part of the UK enduring 29 tower blocks

sporting the same combustible cladding as Grenfell.

But it wasn't that which drew us there.

It was the wider issues surrounding social housing.

I anchored the programme from the Ordsall area.

Once this was the scene of severe deprivation and considerable crime and was regarded as

a sink estate.

It's been regenerated!

Affordable homes, private estates now dominate Ordsall.

Of the fifty Ordsall pubs, two are left.

Virtually all the old inhabitants are gone.

The few that are left live around the ironically named 'Welcome Inn' pub.

Our programme illustrated the extent to which the new community is fractured.

The incomers never come to the pub and have no interaction with those who live around

it.

Is this the future?

Is regeneration short for gentrification?

How many of us ever seriously thought about the swathes of communities that depended upon

council housing?

What's happened to lives lived at the bottom end of our society?

Who cares?

Well, if we are broadcasting for all, we in this room must.

The flaring walls, the burnt out husk, the resilience and diversity of the survivors

have come together as a wake-up call to the true state of divided Britain.

These are some of the most challenging times many of us have ever worked through.

In three months this year in the UK alone, 4 major incidents, 115 people dead, scores

injured.

And that's before we get to the international developments.

Who could ever have forecast that we would find ourselves wrestling to report, to disentangle,

and to make sense of both Trump and Brexit at one and the same time?

Are they both about the economic consequences of the financial crisis of 2008, or do they

speak to us of the global divisions between wealth and poverty?

Every day we are forced to consider some incremental moment and place it in the firmament of the

way we live.

I believe that both Brexit and Trump have commonalities which we need to understand

and address.

Come with me to a sports hall in North Carolina.

We are in the America we seldom visit, amongst the Americans we do not know well.

Our comfort zones are Boston, New York DC, Chicago, LA, San Francisco - east and west

coasts and a few bits in between.

But this is small town middle America — largely unintegrated, few people spend much time out

of state — yet through the media, new and old, that they absorb, they see the other

America in which they appear to have little share.

They are resentful.

They are alienated.

Their Facebook feeds are a parallel universe, repeating the chants of 'Lock Her Up'

that shocked many of us who attended these rallies.

Trump arises, familiar for firing people on TV's 'Apprentice' show.

Boy do these alienated people want people fired - politicians in particular.

Trump is not a politician but a game show star.

At one moment in this sports hall, he herds the twenty or so journalists, me included,

into a corner at the back, and then finger jabbing at us, he shouts 'Bad people, the

worst people in the world!'

The crowd whoop with a mixture of derision and joy.

I doubt they'd ever considered whether you and I are the worst people in the world before.

But they enjoyed the moment expressing both joy and rage.

I wondered whether they, like the residents of Grenfell, had ever had much contact with

the media.

As in Britain, in the United States the local newspaper, local journalism has all but died.

The America we never visit, the Americans that we do not know - the alienated and the

left out, elected Donald Trump their President.

What they make of it now – well we don't really know because they reside in the America

we never visit.

The forgotten voices, not unheard, but ignored.

The similarities with Grenfell are stark.

Are we, the media, the worst people in the world?

Is Donald Trump making America great again?

Is Britain being made great by Brexit again?

In both cases, the challenges of truths and lies render tackling either Trump or Brexit

hugely challenging.

And whilst fingers will most inevitably be pointed at the political classes, both Trump

and Brexit overwhelmed the media's ability to call out the lies of those both sides of

the debate.

Part of the problem with Trump is that he is the first American to be both President

and publisher.

Brexit is infinitely more complex - it has been far harder.

What is balance, when the issue as defined by the referendum result splits the country

down the middle?

When the issues represented such a tangle of truths, lies, over-simplifications, and

immense complexities?

Two years ago the idea that Britain would face the prospect of leaving the EU was remote.

However it all turns out, we the media, have little cause to celebrate the role we have

played.

We should have been far more robust with both the truths and the lies.

In any case did we ever know any more than we now know the politicians knew – which

was precious little?

How well did we represent the arguments?

It's been a ghastly period in which empty vessels and overloaded egos have been allowed

to wallow about the stage, too often unchallenged.

We are in an age when everyone from Trump downwards is a publisher; where in every given

year more photos, more information, is published than in any decade of the 20th century.

Never since the rise of the printing press have two companies held such a monopoly over

the world's information.

Never have such organisations taken so little responsibility for it either.

Oh no, I'm not talking about Murdoch and Dacre.

It's Facebook and Google to whom I refer.

In the past we've had the guarantee of reach through our number four on the TV remote.

That was the beauty of public service broadcasting.

Now we have our four million Facebook fans.

They are hard earned, but our reach is vulnerable to the whims of one man, Mark Zuckerberg.

He says he cares about news, but does he really?

Or does he care about keeping people on Facebook?

Many news organisations including our own, have asked too few questions about the apparent

miracle of Facebook's reach.

For us at Channel 4 News, it has been invaluable in helping us to deliver our remit – to

reach young viewers, to innovate, and to get attention for some of the world's most important

stories.

But the other side of the issue – the dark, cancerous side – Facebook enabled the story:

"Pope endorses Trump for President".

That engaged more than a million people during the US Elections.

That same algorithm that prioritised many amazing reports of ours, also prioritised

fakery on a massive scale.

Facebook has a moral duty to prioritise veracity over virality.

It is fundamental to our democracy.

Facebook's lack of activity in this regard could prove a vast threat to democracy.

Facebook's principles are seldom explained in detail and can change overnight at Mr Zuckerberg's

whim.

Still, there are many ways in which technology has changed both how we consume and how we

gather the news for the better.

No more: 'Sorry mate we can't do that - No satellite.

No dish.

We can't get the film processed in time.'

We are liberated from the technical constraints of the past.

There is virtually no place in the world we cannot reach and transmit instantly from.

How amazing that you can lash eight mobile phone SIM cards together and transmit perfect

picture and sound — instantly!

When I first reported from Iran during the revolution in 1979, it was on film.

Imagine the joy of being live in Iran last May, for Rouhani's re-election as President:

picture perfect in Qom, as forty-one million people voted, however restricted the contest.

Trump bellowing from the other side of the Gulf, off-loading $110 billion dollars of

weaponry to the Saudis.

One day, perhaps, our ability, our capacity to report will outwit the lies and deceits

in international affairs too.

For our own kind of domestic divisions are writ large across the world too.

Nowhere more glaringly than in the crucible of faith and hatred in the Middle East.

But there are dark clouds from other sources at home threatening us too.

The Law Commission is consulting on a new espionage bill.

It follows on from the Snooper's Charter which enables the police to access private

communications data without judicial oversight.

It's now proposed effectively to criminalise journalists, and their sources, treating us

like spies.

It suggests anyone publishing or broadcasting leaked government information could land in

jail for up to 14 years.

Economic and financial data fall within this 'national security' legislation, thus

impacting upon our ability to report - for example - leaked Brexit deals.

No wonder in recent years that the World Press Freedom Index finds UK journalists are now

less free to hold power to account than those working in South Africa, Chile, or Ghana.

When it comes to the threats from within the digital universe, let's start with the good

news.

There's no doubt we have been a beneficiary.

Two and a half years ago Channel 4 News' TV audience was three quarters of a million

a night.

Maybe a total of five or six million a week.

Two and a half years ago, we had five and a half million viewings on Facebook per month.

Since the beginning of last year we have had over three billion viewings on Facebook — and

yes, what constitutes a 'view' is still a subject of some controversy.

But in that year they were the highest for any broadcast news provider in Europe; a substantial

chunk of them in America, tens of millions of viewings in California alone.

Facebook viewings aren't some kind of paradise, but they do enter us upon a stage the scale

of which we never dreamt we would ever reach.

We were among the first to pioneer captioned news clips specifically designed to be consumed

on a smartphone.

It's proved a leader in the market.

The clips normally run for some ninety seconds, sometimes two minutes.

The uptake by 16–34 year olds has been vast.

The subjects aren't skateboarding dogs, but the most serious stories of our times:

Syria, Brexit, Trump, acid attacks, civil rights, Grenfell.

But now the bad news: While the reach of Facebook video exceeds that of conventional broadcasting,

the revenue provided doesn't even come close.

And Facebook themselves have provided publishers with the most nominal of sums and certainly

not the rate for the job.

Rather than simply trying to take down the fakery, there has to be an incentive for Facebook

to pay the rate for high quality news and encourage the development of a global bedrock

of truths rooted in their offer to the quarter of the world's online audience that consume

them, and use them.

Indeed when you read Zuckerberg's manifesto for the future he seems to think Facebook

will invent and establish quality journalism.

There is no need, Mr Zuckerberg.

It already exists, independent of Facebook.

In fact, the duopoly of Facebook and Google has decimated the market in digital revenue

that many hoped would sustain quality journalism for years to come.

Now we all need to work together and find another way of supporting it, before it's

too late.

The much mourned Liz MacKean was amongst a number of remarkable reporters on Panorama,

Dispatches, Newsnight and more, who have provided and proved the point.

This country has the best TV output in the world, and some of you here are responsible

for that.

Ipsos Mori sampled 1,500 people this July.

It's encouraging that they found 88% of UK adults stated that they trust at least

one of the UK broadcasters' news programmes and that among regular viewers of Channel

4 News, 89% state they trust Channel 4 News.

In a world of social media echo chambers, never has this trust been more important,

more vital.

We must all work to protect it at all costs.

In 2005, Channel 4 News blazed a trail by installing FactCheck, the first regular source

of political fact-checking.

This award-winning team, which recently recruited not a journalist, but a high-flyer from Her

Majesty's Treasury, accesses and exposes misleading claims from people in power, to

running its own lie-debunking service — combating fake news that is cannibalising the value

and confidence of news brands.

Earlier this year a YouGov survey for Channel 4 revealed only 4% of people can actually

distinguish between fake news from truth.

This is what we're up against.

Take our Syrian freelance camerawoman: the remarkable, multiple award-winning and recently

Emmy-nominated Waad Al-Kateab and her series for Channel 4 News simply titled "Inside

Aleppo".

It exposed the horrors of the largely ignored Syrian conflict.

The Syrian war is the most photographed, recorded, streamed in human history.

And yet, rarely since the Second World War have the parties involved proceeded with such

obvious impunity.

Madaya was a town with a wi-fi connection and no food.

Every bomb that hit Aleppo was broadcast online.

We are connected to it and yet feel distant from it.

There is so much footage coming out of Syria that it's hard to make sense of it any more.

It's frequently de-contextualised and often distrusted.

Never has it been more watched and less understood.

A war that lasted longer than the Second World War in our modern age is no closer to ending

today than it was when it started.

Yet Waad's films have received almost half a billion views online to date, and thanks

to social media, her searing footage continues to spread faster and further than ever before.

Never have we been more able to fulfil our public service remit more effectively.

Never have more people seen our journalism, in Britain and around the world.

And never has what we do mattered more.

Never has Channel 4 News had a bigger audience; much of it young, much of it across the globe

on Facebook - but never has it been more relevant.

Hats off to the courageous Conservative politicians who set up Channel 4 in the first place, and

hats off to the courage of Conservative politicians who despite ideological sympathies turned

their backs on privatising Channel 4 television 3 decades later.

For just when we thought that public service broadcasting was facing the hangman, its true

age is dawning.

Channel 4 doesn't cost the taxpayer a penny.

Its advertising revenue goes straight back into making programmes.

There are many difficulties along the way.

Not least, as I have already stressed, the virtual collapse of local journalism.

This has two disastrous consequences.

It limits the chances of local journalists coming into our industry, reducing the diversity

that such entries used to bring.

It also cuts the input from outlying parts of the country that local journalists used

to bring.

It also means that the UK, unfed by local journalists becomes ever more dependent upon

reporting what's going on at the centre, eschewing what is happening away from it.

The absence of local reporting is merely intensifying what's happening.

Could things have turned out differently had a local reporter been aware of Eddie Daffarn

and his blog at Grenfell Tower, and seeped his warnings of danger and devastation out

into the media mainstream before it was too late?

Before, the council meetings would have been covered by two reporters from local papers.

Their bumper revenue streams have long since vanished; the classifieds have gone online

even before the advent of Google and Facebook.

Here the social networks have simply exacerbated what happened already.

This country needs bringing together as never before, and based on what we've witnessed

over the past year, it remains to be seen if Brexit will be the unifier.

Part of the capacity to do it, we have in our hands.

We must reach out, connect and empower.

The resources that we have at our disposal have never been so much needed in peacetime

before.

To adapt an old wartime slogan: 'Our country needs us'.

Not us the elite, but us diverse, expansive forces.

Inevitably, monetising of all this is the great issue hanging over everything I have

talked about today.

We have to look at the new players in this digital age.

Facebook needs to pay more taxes; Google needs to pay more taxes, the rest too.

The digital media, the duopolies, have to pay more to carry professional journalism.

It cannot be beyond the bounds of human understanding to come up with a way of ensuring that these

mega-entities have to pay to play.

Facebook feasts on our products and pays all but nothing for them.

This cannot last.

Governments, the EU and others have to play an even bigger part in forcing them to pay.

I'm a fan of Facebook — it's great, it's terrific — but I'm not a fan of

playing fast and loose with the products that we in this room generate at great expense.

But this is the challenge for us all here.

Yes, we embrace and revel in the digital age.

But no, we cannot let the massive power of its barons devour our local and national sources

of information.

There are two possibilities: we could end up in a vicious circle, with ever more extreme

and partisan sources of information reinforcing people's prejudices, and an ever more vitriolic

news feed where it is only the reliable dissemination of local news that dies, but national news

too.

Or we could make a real effort to provide news literacy, to create a society as concerned

with what it reads and views as with what it eats.

For every Waad al-Kateab, there is a video spreading conspiracy theories on the war in

Syria.

For every Grenfell Action Blog we find, there are many more we don't.

We have seen what can happen when people shout and we still don't hear them.

That's why it will take the effort of every single one of us – the producers, the journalists,

the platforms, the politicians and the public – to reconnect our disconnected world.

We owe it to the memory of twelve-year-old Firdows Kedir and so very many more.

I'd like to believe that if she had not passed away, well, we would have one day heard

her voice from a stage such as this.

We must turn this pipe dream into a reality for the very many others like her out there.

Well, 44 years ago a young chap walked out of a day centre to pursue a career in journalism.

Four decades in which we have travelled from the typewriter to the iPad, from film to smart

card, from three hours to record a transmissible image to 3 nano-seconds.

It's a privilege to be in the midst of a revolution that can yet deliver liberation,

but which if wrongly addressed can lead to a terrible tyranny of untruth.

I'm an optimist.

I have to be otherwise I would never have dared give this MacTaggart lecture.

If we in this room, can bind together, with our colleagues and yes even our rivals across

the world, we can prevail in the pursuit of truth.

I shall go on doing what I do as long as they let me, and I know that very many of you will

do the same.

It's the worst and best of times to be on deck… but it still has all the potential

to prove to be the Golden Age.

Let's seize it!

For more infomation >> Jon Snow: MacTaggart Lecture at Edinburgh TV Festival 2017 - Duration: 50:33.

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Welcome to our Vlog Channel | Jules Furness Vlogs - Duration: 1:52.

Hi I'm Jules and if you are from my main channel then thank you for popping over

and if you are new then Hi! nice to meet you this is my weekly vlogging channel and

if you aren't keand on clickbait and you like real family life then this is

probably the channel for you I am a mum of one little boy Josh who

is three after infertility and we ended up not needing biology in the end

and we're now trying for IVF again for sibling so I guess I should tell

you about us so you know if you want to stay here me and my husband both work

full-time I work as a video editor and I'm also a sponsored vlogger

over on channel mum and I'm a vegetarian my boys aren't so when we cook we do

a bit of both we like to try and eat and do as healthy as possible but also realistic

that we like the odd packet of crisps we like to try and make adventures and try

to be spontaneous in a family life and try to teach our son the important

things that we think are in life like love, family, friendship and doing any

experience that is thrown our way we live in England in pretty much the

countryside in Ipswich in Suffolk my weekly vlog is every Sunday sometimes

there will be a raw day in the life or something in between and I have videos

over on my main channel which I will link down below and up here. I post there every

Thursday I like to share the highs and the lows here quite exciting having this

new vlog channel now because hopefully I can get to know you as you pop up and so

hit the red subscribe button down below and the bell icon and tell me three

things about yourself in the comments below and I will pop back and yeah I'm

looking forward to getting to know you guys thank you and bye bye

For more infomation >> Welcome to our Vlog Channel | Jules Furness Vlogs - Duration: 1:52.

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How to GROW Your YouTube Channel! Tips & Tricks to Get Subscribers! (2017) - Duration: 1:32.

What's up guys and welcome back to a new video on my channel

So today's video is going to be a video everyone has been asking me to do which is how to grow

on YouTube

So guys before we start don't forget to leave a like and subscribe and let's aim for 100

likes :D

So one of the most important tips to grow on YouTube is to try to upload as much as

you can

because the more you upload the more known you will get so

if you are a small youtuber I recommend you to upload daily

So the second way to grow on YouTube is to make friends on other social medias like twitter

snapchat Instagram

Because you can share with them your videos and your channels too so you both will help

each other gain subscribers and views

The third way to grow on YouTube is to upload mvideos based on stuff that are tending on

YouTube

Because that's what will be searched a lot because it's trending so it can help you gaIn

a little more Views and subs

So the fourth way to grow on YouTube is to try and find the time that your subscribers

are most active at

So that's when you will upload and also try setting a time where you will upload on every

time you upload so people are ready for the video

So yeah guys we have come to the end of the video hope you have enjoyed this video

And if you want me to create more videos like this be sure to leave a like and subscribe

if you are new and peace out

For more infomation >> How to GROW Your YouTube Channel! Tips & Tricks to Get Subscribers! (2017) - Duration: 1:32.

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Fire Truck Toy Factory | Car Cartoons | Kids Channel Video For Children Collection | Baby Vehicle - Duration: 33:50.

Fire Truck Toy Factory

For more infomation >> Fire Truck Toy Factory | Car Cartoons | Kids Channel Video For Children Collection | Baby Vehicle - Duration: 33:50.

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Little Red Car | Cartoons For Kids | Kids Channel For Babies | Funny Cartoon | Superheroes | Nursery - Duration: 1:01:32.

Watch the school bus go

It's yellow yellow See the beautiful kids

Say hello hello

Watch the school bus go It's yellow yellow

See the beautiful kids Say hello hello

Watch the garbage truck It is black black black

Put your rubbish quick quick In it's back In it's back

Watch the garbage truck It is black black black

Put your rubbish quick quick In it's back In it's back

See the fire truck ahead It's red red red

See the water spread From it's head head head

See the fire truck ahead It's red red red

See the water spread From it's head head head

Ambulance on your right It's white white white

What a wonderful sight So bright bright bright

Ambulance on your right It's white white white

What a wonderful sight So bright bright bright

See the police car new It's blue blue blue

Running out on the streets Find a clue clue clue

See the police car new It's blue blue blue

Running out on the streets Find a clue clue clue

Racing car have you seen It's green green green

Zooming so very fast Like a teenage queen

Racing car have you seen It's green green green

Zooming so very fast Like a teenage queen

It's the colors cars song Sing along sing slong

It's the colors cars song Sing it all day long

It's the colors cars song Sing along sing along

It's the colors cars song Sing it all day long

For more infomation >> Little Red Car | Cartoons For Kids | Kids Channel For Babies | Funny Cartoon | Superheroes | Nursery - Duration: 1:01:32.

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Bí Mật Người Thừa Kế Tập 33 Trailer || BEN CHANNEL - Duration: 2:00.

For more infomation >> Bí Mật Người Thừa Kế Tập 33 Trailer || BEN CHANNEL - Duration: 2:00.

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Learn colors with Motu Patlu and Lion for children [Youtube Channel For Kids] - Duration: 2:23.

Learn colors with Motu Patlu and Lion for children [Youtube Channel For Kids]

For more infomation >> Learn colors with Motu Patlu and Lion for children [Youtube Channel For Kids] - Duration: 2:23.

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결혼 앞둔 배우 송중기가 물었다 "제가 상남자인가요?" | #김정숙 Channel - Duration: 22:04.

For more infomation >> 결혼 앞둔 배우 송중기가 물었다 "제가 상남자인가요?" | #김정숙 Channel - Duration: 22:04.

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Channel EDM Music: Nhạc EDM hay nhất căng nhất quả đất - Duration: 4:12.

For more infomation >> Channel EDM Music: Nhạc EDM hay nhất căng nhất quả đất - Duration: 4:12.

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GoT stars Sophie Turner and Maisie Williams channel Ned Stark performing Baby Got Back - Duration: 2:05.

Game of Thrones stars Maisie Williams and Sophie Turner get on a nostalgic kick during their episode of Carpool Karaoke: The Series which debuts Tuesday on Apple Music, quoting lyrics from Sir Mix-A-Lots Babys Got Back as their shows late Ned Stark.

And wh‭ile neither Sophie, 21, who plays Sansa Stark, or Maisie, 20, plays Arya Stark, had been born when the song had been released in 1992, the on-screen sisters did a brilliant job of deadpanning lines in the style of the late lord of Winterfell, played by Sean Bean.

Oh my God, Becky, look at her butt, said the blonde beauty Turner, spurring Williams to riff on her words with equal humor and enthusiasm. Williams added, O-M-G Becky, look at her butt! What the f--- is going on with her butt!.

The co-stars continued playing on anothers words, bursting out into laughter as they clearly fed off one another.

Earlier in the segment, Williams introduced the hilarious bit in telling Turner, Im gonna give you a little sentence, right. And then you gotta say it, like you was in Game of Thrones!.

Turner kicked off in reciting a line from 1994s The Lion King: Hakuna Matata - what a wonderful phrase; Hakuna Matata - aint no passing craze.

The young starlets filmed the segment earlier this year when they attended the South by Southwest festival in Austin, Texas this past March.

In a previous teaser for the appearance, the ladies of Winterfell delivered an emotional performance of Justin Biebers Sorry and Miley Cyrus Wrecking Ball, with Sophie in particular looking tortured during her heartfelt delivery on the latter.

The actresses then took a break from warbling to pay a surprise visit to a Game Of Thrones exhibit. They are the most loyal fans in the world and I think we should go and surprise them, Sophie announces.

The pair then hide beneath a fur blanket beside a frozen body amid a snowy replica of the North, before leaping out on unsuspecting fans yelling, Winter is coming!.

The Apple series is a spin-off from James Cordens massively-popular segment from the Late Late Show.

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