Youtube daily how Oct 31 2018

how to get the galaxy skin in fortnite | how to get free skins

For more infomation >> how to get the galaxy skin in fortnite | how to get free skins - Duration: 4:56.

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MOVING TO LOS ANGELES - How to Be A Voice Actor - Duration: 5:47.

For more infomation >> MOVING TO LOS ANGELES - How to Be A Voice Actor - Duration: 5:47.

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How To Increase Your Youtube Subscriber 100% Working BLIND RECORD - Duration: 6:34.

For more infomation >> How To Increase Your Youtube Subscriber 100% Working BLIND RECORD - Duration: 6:34.

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HOW TO SWIM BUTTERFLY FAST AND EASILY? BUTTERFLY KICKS. BUTTERFLY LESSON 2 @ Swimmate - Duration: 9:40.

if it doesn't give me much speed. Why should I spend my time perfecting the technique?

Well, It's important

because it greatly affects your body position

which in turn affects your rhythm

these elements combined contribute to your speed

We'll start by doing some dryland exercises

This ankle exercise is effective for improving the flexibility of your feet

You can use a fitness mat to do the exercise comfortably

Get down on your knees and sit on your heels to get into the starting position

During the exercise, feet should stay in the same position as while swimming

meaning that the big toes should stick to each other and the heels should spread apart

The best practice is to keep sitting on the heels

with your arms behind you

and your knees are able to move upwards

Such perfect technique requires months of practice

Most likely, you will feel pain in your feet

when moving the knees upwards

In this case don't move them up to the very end

Move them only to the point at which you start to feel the pain

In this exercise you should always get a little pain, otherwise flexibility won't progress

Slowly on, you will reach great flexibility and your feet movement will be more relaxed and effective

You should do 3 sets with 12 repetitions in each

It is possible that these dryland exercises can cause some pain

However, it is impossible to improve flexibility without feeling a little pain

It is crucial to understand that it's not the kind of pain that you might feel when you are hit

also when you finish doing the exercise, the slight pain should immediately leave

In butterfly, for every one arm stroke, you should perform two kicks

The kick is done by both feet simultaneously

Non-simultaneous or freestyle kicks is a common mistake which many beginners do

In this video I will talk about common mistakes in butterfly swimming and how to avoid and fix them

The first kick starts in the middle of the arm stroke movement

in such a way that the kick is finished at the same time as the arm stroke

Remember that the first kick has less power than the second one

This is because a powerful kick needs a big amplitude from up to down

But the higher you move legs for a kick, the more water resistance you will gain, so your speed will be slower

After an arm stroke you'll have high speed

at this point you need to perform a smooth first kick

so that you gain additional speed and so that the water resistance does not increase

The second kick is done at the moment when the arms are entering the water

You might wonder - why is this kick is stronger?

It's because your speed decreases while you are returning your hands forward

At the moment, when you do the second kick, your speed is already quite low

and you really don't want to lose any more speed

So, you need a bigger amplitude and must do a stronger kick

The knees should be slightly bent before the kick

There is a common mistake when the knees are too bent before the first kick

As a result, the speed decreases and the body sinks into the water

It is very important to combine the wave-like movements of the body with the kick

You can help yourself in keeping up the correct working tempo of the legs by counting the kicks in a series:

one-two

one-two

one-two

Keep in mind that there is a little pause between the two kicks in the series

And a bigger pause between the series themselves

Another common mistake is doing freestyle kicks - the movement of the feet are not simultaneous

If this is something you want to fix, you must always stay focused on keeping your feet together

There is a good way to train this

put an elastic band around your feet so they are stuck together

Remember, this is a good option ONLY if you are confident about your swimming skills

Swimming with an elastic band on your feet may cause an uncomfortable feeling and it may also be dangerous

Be careful!

Also, you might see that some swimmers raise their legs so high

that the legs can be seen above the water – this is not correct

the legs must be fully in the water

The swimmer gains the speed only from the movements in the water

Any body movements above the surface slows you down

To fix this mistake, you should always monitor how you're doing the kicks

try different ways, compare your feelings

and get a friend to watch you!

In my first butterfly lesson, you have practiced the body movements

by doing dolphin kicks with the hands close to the legs

Now, you can train the kicks by using your experience from the previous practice

Keep up the constant working rhythm of the legs

and do the movements with a large amplitude during this exercise

Always double check that the resistance which you feel from the water

as you do the leg movements is not too strong

A difficult but useful technique drill is performing the dolphin kicks in a vertical position

It is not an easy drill, but it shows if your legs are working correctly or not

If your technique is good

then you'll be able to stay for a long time in the vertical position

because the power of your kicks will push you upwards

If the technique is not correct,

then your body will be shaking forwards and backwards quite much

This exercise should be done with smooth movements of the legs- back and forth, without the body shaking

You can also swim side dolphin kicks to practice the smoothness of the movements

I described this exercise on the 1st lesson

In the 1st lesson, I talked about doing dolphin kicks on the back

Then we focused on body movements

Now we're going to focus on kicking

The knees should not appear above the water surface during this exercise

If they do, it's something that you really must fix

The legs should constantly be in the water

Remember how it felt while you were doing the technical drills

Now start swimming with butterfly kicks while looking for the same feeling

There are a few ways to swim while just kicking

The most comfortable and suitable for most people

is when the hands are in front of the body, stretched forward without a kickboard

You can also use flippers for this exercise

Try to achieve the same feeling as when doing the technical drills

The second way to train butterfly kicks is with a kickboard

This is a good practice for those swimmers whose bodies are flexible enough

and who can do smooth body movements

If your body is not so flexible,

I recommend doing the butterfly kicks with yours hands stuck to the side of your body

or with your hands out in front of your body

Swimming with flippers will help beginners to experience the correct sensation of moving through the water

and will help them to practice proper technique

Remember to always control the body movements and the legs while swimming with flippers

Setting up the kicks is our second step of building good butterfly technique

It is crucial to learn to do the kicks correctly in a relaxed manner and only then move forward to the next lesson

In the next video, you will learn how to do an arm stroke

You have probably already seen that obtaining proper butterfly technique can take some time

What do you think? How much time does it usually take? leave your thoughts in the comments!

Like the video and make sure to subscribe to the channel so you don't miss my next video

For more infomation >> HOW TO SWIM BUTTERFLY FAST AND EASILY? BUTTERFLY KICKS. BUTTERFLY LESSON 2 @ Swimmate - Duration: 9:40.

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How to install and set-up the Estimator Pro sample template - Duration: 8:45.

>> Hey and thanks for watching the video.

This is Todd Baginski,

I'm a Microsoft MVP,

and the partner and CTO at Canvas.

In this video, I'm going to show you how to install and

set up the Estimator Pro PowerApp Sample Template.

To install and set up

the Estimator Pro PowerApp Sample Template,

first go to web.powerapps.com like I have here,

and then click on the "Apps" tab.

After you click on the "Apps" tab,

scroll down in the "Make apps like these" section and

locate the Estimator Pro PowerApp Sample Template.

Here you can see it.

Then, you can click "Make this app."

When you click "Make this app", first,

you will pick the form factor of

the app you'd like to create.

You can either create

the mobile version like we see here,

or you can create the tablet version like we see here.

In this video, I'm going to create the tablet version,

so I'm going to click "Make this app."

When you click "Make this app",

you'll be prompted to login again,

and after you do so,

the PowerApps editor will load,

and the PowerApp will download into your editor.

After it's downloaded into the editor,

it will open up in the editor experience,

and the PowerApp will now be ready

to be saved to your environment.

As you can see, that process goes pretty quick.

Next thing you want to do is click "File",

and then, give the app a name, and click "Save."

Click "Save" one more time,

and now the app is saved

inside of your PowerApps environment.

At this point, you're then able to click

the "Share this app" button to share it with

other people in your organization.

To check that the app is working,

come up and click the "Preview" button.

Once you click the "Preview" button,

you should be able to see the app run and see

In-meeting invites from your calendar display right here.

Out of the box,

the Estimator Pro PowerApp Sample Template uses

internal collections to serve up the images

that are displayed on the Products page right here.

These images are set when you download it

inside of the "OnStart" function

right here in the Appointments screen.

This collection called ProductList created by

the ClearCollect function here defines the Title,

ID, ProductName, ProductPrice, ProductDescription,

and finally the Image that represents your product.

If you wish to use this PowerApp and

define their ProductList inside of the PowerApp itself,

all you need to do is edit the values in

here or if you need to add an additional product,

just copy and paste another product

like copying this section and pasting it back in below.

So, that's how you can add the different products

directly inside of the PowerApp itself.

As we come down to the last screen on

the PowerApp and take a look at it here,

it's called Setup PowerApp.

It also describes the steps I just described

here on how to configure

the PowerApp with internal collections.

It walks you through exactly what I just talked about

on how you can create

additional products within the PowerApp.

Now, another way you can go about creating

your products and make it a little

easier to update them

without having to work with the code inside

of the PowerApp is to connect

this PowerApp to a SharePoint list.

To do that, you'd follow these instructions right

here on how to configure

the PowerApp with the SharePoint list.

But before you actually configure

the PowerApp to use the SharePoint list,

you need to make the SharePoint list.

Those instructions are here in

the Setup-Sharepoint screen in the app.

As you can see,

these screens are instructions

instruct you to login to SharePoint,

go to the site collection where you want

the ProductList to be created,

click "Add an app", pick "Custom list."

After you do that,

enter the name ProductList,

and then go to

the upper right corner and

select "Create column" underneath

the Columns header to create the columns that

match the schema you see right here.

When you've done that,

it will look just like this.

So, I followed those exact same instructions here,

and I added in my products,

one through six here inside of my SharePoint list.

You can notice that this SharePoint list is in

my site called PowerAppsFlow,

and the list name is ProductList.

This list matches exactly the name that I specified here.

So, now that I have that done,

if I'd actually like to make this particular

PowerApp talk to my SharePoint list

instead of the internal collections,

I'll follow these steps right here.

So, the first step I'm going to

walk through him right now for you here,

is to go to back to the appointment screen and delete

the ClearCollect function from the OnStart property.

So, here's my appointments screen OnStart,

I said property before I meant function,

here's my ClearCollect function.

I'm going to go ahead and delete that entire piece,

and I'm also going to delete

this extra semicolon right here because if I don't,

this error will still be in the app.

So, there we go.

Now that's gone.

Next, I can return to

my setup SharePoint screen right here,

and look at the rest of the instructions.

The next instruction is go to "View",

"Data sources", and "Add a data source".

Select "SharePoint."

Pick the SharePoint list called ProductList,

and then click "Connect."

Because the name of

the data source ProductList that we get back from

the SharePoint list is

the exact same name as

that collection that we created internally,

that's the only change we need to make to

plumb the app so that it gets

the data from the SharePoint list.

So, I'll do that now.

I'm going to go up to "View", "Data source",

"Add data source", click "New connection" here,

then I'll scroll down and locate SharePoint.

Here it is. Now, I'm

going to connect to the SharePoint list,

so I'm connecting directly

into the cloud for the SharePoint list,

and it's going to come back and show me the list of

SharePoint sites that I have worked with before,

and allow me to locate a SharePoint list here.

If I don't see

that SharePoint site inside of my list here,

you can enter the full URL here.

But here's the one that I'm working with.

So, I'm going to create that one,

and here's my ProductList.

As I mentioned before,

if you don't see it in the list,

just type it in here and click this checkbox.

Then click "Connect."

After you do that,

the connection will be added to your PowerApp, and now,

if you actually go back

to the home screen of your PowerApp,

we can again verify we are not getting our products here.

From the OnStart function,

we can play our PowerApp.

We can pick on an individual estimate.

Go through the Order screen,

and now here are the products that are coming from

my SharePoint list instead of

from inside of the PowerApp itself.

So, that's how you go about setting up

the Estimator Pro PowerApp Sample Template.

We hope this video helps you install it,

and you get a lot out of

this app in your own organization.

If you wish to see more videos about

this app including an end-to-end tour of

all the functionality as well as deep dives that

describes some of the cool things

we did in this PowerApp,

I encourage you to check out the other videos I made.

I look forward to seeing how you extend

this app in your own organization,

and I hope it comes in handy for you.

I'll see you next time. Thanks.

For more infomation >> How to install and set-up the Estimator Pro sample template - Duration: 8:45.

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How to BBQ a lamb leg - Duration: 2:10.

Here's how to roast a leg of lamb

in a covered barbecue over indirect heat.

Start by lighting the burners under one half of the barbecue.

Then coat the lamb with olive oil,

using your hands to rub it all over the skin,

and season with salt and pepper.

To start cooking the lamb,

lay it fat-side down on the lit side of the barbecue.

Close the barbecue and cook for 10 minutes or until well browned.

Then turn over and transfer it to a roasting pan.

Place the lamb in the pan over the unlit side of the barbecue.

Close the barbecue again and cook for about two hours,

rotating halfway through.

If you don't have a covered barbecue, you can use your oven for this.

Just preheat it to 190 degrees Celsius.

When the lamb is cooked to your liking,

remove it from the barbecue, cover with foil

and set aside to rest for about 15 minutes.

This helps to ensure the meat

will be succulent and juicy when you carve it.

While it's resting, whip up a simple salad.

Here's one that's great with lamb.

Take a large bowl and add some salad leaves,

chargrilled asparagus,

cooked sugar snap peas and snow peas,

roasted red capsicums...

..and red onion.

Drizzle with a dressing of olive oil and vinegar.

Then toss it together gently.

To carve the lamb,

start by carving a 'V' piece from the top.

Then continue cutting thin slices at the same angle.

Serve your barbecued lamb

with the salad and chargrilled bread.

That's how you freshen up

the classic Aussie lamb roast,

by cooking it outside on your barbie.

For more barbecue recipes,

head to our 'BBQ season' playlist here.

And to make sure you don't miss out

on any of our videos,

click here to subscribe.

And make sure you hit the bell icon

so you get notified

when there's a new video ready for you.

For more infomation >> How to BBQ a lamb leg - Duration: 2:10.

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How Airlines can Exceed GADSS Standards for Modern Flight Tracking - Duration: 1:31.

GlobalBeacon is a first of its kind product from Aireon and FlightAware.

It's a turnkey compliance solution for the

I-C-A-O Global Aeronautical Distress Safety System, "GADSS," which outlines

"global" from logo reduces (other elements disappear) and becomes the first word in GADSS

universal performance-based flight tracking standards for airlines

GlobalBeacon facilitates communication between aircraft operator and controller

with constant fleet monitoring and automated distress alerts

GADSS requires airlines to track their fleet globally every fifteen minutes during normal

operations.

By twenty twenty one, it will be once-per-minute for aircraft in abnormal situations or distress.

GlobalBeacon makes minute-by-minute tracking possible and provides robust alerting functionality

that exceeds GADSS standards.

TODAY.

GlobalBeacon leverages existing ADS-B technology, giving it a unique advantage over other potential

solutions

because it does not require any new hardware or equipage.

It's also designed to work in conjunction with existing processes and tools,

making it extremely easy to deploy.

With GlobalBeacon, you'll get

Position updates at least once-per-minute.

100% truly global coverage with no gaps over oceans, deserts or polar regions.

Instant distress notifications

GlobalBeacon transcends borders to offer a truly global safety tool for aircraft operators.

Globalbeacon dot aero

For more infomation >> How Airlines can Exceed GADSS Standards for Modern Flight Tracking - Duration: 1:31.

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How will you be voting on Prop 420? - Duration: 2:14.

Of course 418 isn't the only proposition on the ballot. There are a number of others and for Flagstaff residents. In particular,

there are three that address public transportation.

One of those is proposition 420, which if passed will increase the sales tax within city limits,

with the intention of building an overpass to give downtown traffic

another option to avoid being stuck behind a train. NAZ Today's Joey Wright reports.

If you live in Flagstaff, you know the traffic

can be a nightmare especially downtown.

That's what proposition 420 is designed to address, but this is an image of the

Lone Tree railroad overpass. Prop manager of the Flagstaff metropolitan planning organization, David Wessel, says if proposition

420 passes, the city has a lot of work ahead of them. Wessel: "Building a

overpass connecting Butler to Route 66 up and over the railroad tracks at Lone Tree Road."

That's right, if passed you'll be able to go from here

to here without having to worry about this, but it's not going to be cheap. Wessel: "About 73 million dollars.

It's fairly expensive just because you're you're jumping over the railroad tracks." Plus making adjustments to Lone Tree and Route 66

at the new intersection and some purchasing power will be needed to pave the way. Wessel: "Because it's cutting across

properties and not just parallel to properties, like a road widening,

does involve the purchase or acquisition of several key parcels.

There are a handful, I think five homes,

that will be impacted." To pay for the project, the proposition will add a

0.23 percent sales tax on items that already have a sales tax for the next 20 years.

To put it in perspective, that would be a 23 cent tax on a hundred dollar purchase.

Aside from educating the public on the city's proposition, Wessel only has one piece of advice. Wessel: "I just encourage everybody to get out and vote"

Joey Wright, NAZ Today.

To learn more about proposition 420 and all other propositions made by the city of Flagstaff visit FlagstaffElections.org.

For more infomation >> How will you be voting on Prop 420? - Duration: 2:14.

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How to make Gift box - Square, Origami gift box for Kids - Duration: 7:13.

How to make Gift box - Square, Origami gift box for Kids

For more infomation >> How to make Gift box - Square, Origami gift box for Kids - Duration: 7:13.

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NativeCAM How to Install - Duration: 6:17.

1- Download NativeCAM for debian (.deb file)

You can download NativeCAM from the link on the video description

2- Open Synaptic update LinuxCNC,

your debian OS and

install the graphic installer Gdebi

3- Right click on the NativeCAM file, change permissions if needed

4- Now proceed to install NativeCAM with Gdebi

4- Open LinuxCNC manager and select NativeCAM sim configuration

5- Copy and Paste the help instruction on a terminal

...read carefully

I created a sim configuration the demo purposes

6- To embed NativeCAM into your LinuxCNC configuration from the terminal go to your config. folder

cd /home/"user"/linuxcnc/configs/"user config folder"

7- Then copy the NativeCAM command from the instrucions...

Always remember to replace the generic names with your data

ncam -i = "your ini file name" -c = "the valid catalog for your configuration"

Now you have install NativeCAM on LinuxCNC.

Thumbs up for Fern!!!

For more infomation >> NativeCAM How to Install - Duration: 6:17.

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HOW TO: FOUR FILMING ANGLES FOR FREERIDE - Duration: 3:40.

It's pretty nuts how much cameras have shrunk in the last few years and

actually some of them even started to fly.

Today we're gonna be talking about my favorite angles

to capture and share an amazing day in the mountains.

So first of all the P of V angle.

It's a really nice angle to cut a shot and to transition from the main angle.

Right!

One important rule with the POV is to try to vary the angles and vary the shots as much as possible.

The POV is also a great tool to tell a story, so what I do quite often, in a line

is that I'll be riding, I'll be stopping in a crack in the line and I would stick out my helmet

and quickly tell the story.

The aerial angle, this is my favorite and it's been the latest revolution

to being able to take a drone in the mountain for everyday riding.

The aerial angle is really crucial to being able to show the real dimension of a line.

Before drones the only way to shoot aerials was with helicopters.

In our expeditions we've been trying all sorts of different tools and toys to being able to film from the air

and finally the drones have arrived, they've miniaturised a ton

and they make our life so much easier to tell the story

and really show the dimension of the place and of the line

And then there is the Barbie angle, which is the good old school angle,

which you will be filming, sitting in front of your line, with your barbecue going with a big lens

and which will kind of give a big overall impression of the line.

It's totally skippable if you have a drone, but if you don't it's a mandatory angle

And then there is the on slope angle, like when someone is shooting you from inside the line.

This is never going to be you main angle but it's a great way to show reaction from close.

I think it is a great satisfaction to being able to capture all your best moments

and share them with your friends but, hey at the end of the day let's not forget,

to live the actual moment, and I mean for real.

For more infomation >> HOW TO: FOUR FILMING ANGLES FOR FREERIDE - Duration: 3:40.

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LEARN TO BEATMATCH - 03 How to use the Pitchfader - Duration: 3:02.

In this video, I will show you how to Tempo-match two tracks, without the use of the "SYNC" button

It's essential because it gives you greater control over your mix, plus it's also fun to do !

Like I said before, Manual beatmatching is still an important skill that all DJs SHOULD LEARN

because one day, maybe hitting "Sync" will not work as expected.

Especially if you plan to play more funky music than regular beats.

Just talk about music and speed.

The unit used to measure the speed of a song (also called Tempo) is the BPM.

BPM means Beats Per Minute, so when the BPM is high, the song is fast.

Each music genre has it's own BPM range.

For example, Hip-Hop is around 90 BPM,

POP ROCK is around 100 BPM,

HOUSE around 120 BPM,

and finally DUBSTEP 140 BPM.

In general, to make the beatmatching process easier, DJs are trying to choose music in

the same kind of genre, and within 5% of BPM distance.

My advice, to train your ears, is to begin with House music because the rhythm is more

easy to feel.

Let's go into our demo library and load 2 demo songs: House Loop1 in Deck number 1

and House Loop 2 in Deck number 2

You can see that DJUCED has automatically calculated the BPM of these songs.

Deck one is 120 BPM and Deck 2: 124

So, How do we match tempos without using the SYNC button?

Well, that's what the Pitch Faders are for!

The Pitch faders let you speed up or slow down a track

Pushing it up, slows down the track,

Pushing it down speeds it up!

Putting the Pitch fader in the middle position will play the track at its original speed.

You can see the speed changing in real time on the DJUCED interface :

the tempo value is changing right here, and the waveform expands or contracts

Let's hit play on the Left Deck. If I want to Tempo-match the 2 tracks,

I need to slow down Deck 2's speed

from 124 to 120 BPM

So I need to move the Pitchfader UP.

If you use a controller with the BEATMATCH GUIDE feature, you can see that little red arrow

telling me to move the slider up until I reach the good position.

When I catch the right value, the red arrows turn on for one second, then switch off.

It allows you to match BPMs between songs without looking at your computer!

It's a great function to train your ears.

And Voila! You can now see that both songs have the same

BPM, so the same speed.

In the next video, we'll learn how to beat match with the jog wheels

Now, it's your turn!

For more infomation >> LEARN TO BEATMATCH - 03 How to use the Pitchfader - Duration: 3:02.

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LEARN TO BEATMATCH - 02 How to count the Beats - Duration: 1:57.

In this Video, we will learn together how to count the music like a DJ

As you probably know, the time in music is not measured in minutes and seconds, but in

Bars and Beats

Most of the Music you'll play, as a DJ, is 4/4 Time.

4/4 time is the classic notation to say Four Beats in One BAR of Music

DJs have a simple method to count music : it's the 4 Bar counting trick.

To do this exercise, you can go into your Song Library in DJUCED, select "Demo songs"

then drag the HOUSE LOOP 1

into the Deck One, like this.

Then, hit the play button on your controller and count like this :

1-2-3-4 / 2-2-3-4 /3-2-3-4 / 4-2-3-4 / 1-2-3-4… and so on.

So, why did I do this?

I have counted 4 Bars, and each Bar has 4 beats in it.

The reason I count like this is that something generally happens on THE ONE

THE ONE is the first beat of the first Bar.

This is where, as a DJ, I generally Put a CUE point, to start my track from the ONE.

When you play your track, hitting the CUE Button returns you to the CUE point you set.

It stops the playback, so you are ready to drop your track on the FIRST BEAT.

In DJUCED, you can see the CUE marker as an ORANGE TRIANGLE under the waveform.

If you want to change the position of your CUE point, just move to another position on

the playhead, and hit the CUE button when the song is stopped.

Now, You know how to count music like a DJ and how to put a CUE point on the first beat!

Don't forget that training your ear to count and feel the beats is something really important,

my advice is to do the same exercise every time you are listening to music.

Now, it's your turn!

For more infomation >> LEARN TO BEATMATCH - 02 How to count the Beats - Duration: 1:57.

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How to create a maze on scratch - Duration: 7:58.

just starting music up.

First off, you need to search scratch.mit.edu in your browser

Now we need to click on create to start creating!

Stupid flash.

now go to costumes and create the player

Now create the maze (im gonna take a while so maybe skip)

just making it more confusing!

New song!

FINALLY TIME FOR SCRIPT!

Go to Events and get the "when flag clicked" block!

Go to Control and get the "Forever" block!

Now get two "If <=> then" blocks!

now go to Sensing and get two "Key [Space] pressed?" blocks!

Set one to "Up arrow" and the other to "Right arrow"

Put them in the If blocks.

Go to motion and get a "change x by (10)" block and a "change y by (10)" block

Remember the order i put them in!!

and maybe change them to four like this

Duplicate the If keys like this (and drag them into the forever block!)

set these to -4

run the script and press the arrow keys!

drag the player to the start.

Get one more If <=> then Block and put it in the forever block (getting more lazy)

Go to motion and get a glide 1 secs block

get the if touching color block from sensing

in motion get the go to x # y # block

if you want label the start and end

press the arrows to navigate thru the maze

thanks for watching! please subscribe!

For more infomation >> How to create a maze on scratch - Duration: 7:58.

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[New]How To Get Free Xbox Codes 2018 or Xbox Gift Cards For Free - Duration: 2:51.

[New]How To Get Free Xbox Codes 2018 or Xbox Gift Cards For Free

For more infomation >> [New]How To Get Free Xbox Codes 2018 or Xbox Gift Cards For Free - Duration: 2:51.

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How to prep toddlers natural hair for swimming - Duration: 4:39.

For more infomation >> How to prep toddlers natural hair for swimming - Duration: 4:39.

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মালিকানা পরিবর্তন || Name Transfer Process of Bike in Brta D|| how to transfer ownership of a bike - Duration: 5:40.

welcome to my channel

For more infomation >> মালিকানা পরিবর্তন || Name Transfer Process of Bike in Brta D|| how to transfer ownership of a bike - Duration: 5:40.

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Las Vegas Inspirational Story - And How A Magician's Life Was Changed - Duration: 6:32.

Today I'm gonna tell you the story that both encourages me and kicks my behind

at the same time. And it's the story that when I tell it, I have trouble not

tearing up, so hopefully today I could get through it

without getting all emotional.

"Me and the Magic Man went for a long drive."

Hey it's a great day to be alive, my name is Derek Selinger, welcome to

Magic Inspired, it's the channel that's really built on this one idea. That there's

magic all around us and we just need to notice it. And today is the very first

episode of "Stories from the Road".

And today's 'Story from the Road' comes from Las Vegas, Nevada.

I was performing in Las Vegas many years ago now, and was in kind of a variety

show. Performing in Las Vegas is a bit of a strange experience, but I went into the

show and I gave it my all. Now my act, at the end of it, I want my audience to

really have this sensation of joy. I mean that's really what I'm trying to create.

At the end of my act is this feeling of celebration and joy, and I'm

pretty confident that most of my audiences feel that way. But this day,

performing in Las Vegas, they weren't having it. They weren't

digging me. I don't know why, I just felt a lot like nobody gets me. You know, I got

to the end of the act, and it was a polite applause and I went off, but it

wasn't kind of what I wanted to create, and what I was used to. Bottom line, is I

felt kind of rotten and I went to my dressing room and I changed pretty quickly

and got dressed and exited the theatre. And I got into the elevator and I began

to go up to my room. The elevator stopped at a floor and a very tall gentleman got

in with his son who was equally as tall, a young man I'd say 17, 16 somewhere in

there. As we started going up, this gentleman kind of looked over at me and

said 'hey, you were just in the show weren't you?'

And I kind of glanced up and I said, 'yes sir, yes I was'.

And he said 'oh you were amazing. We

loved it, it was so fantastic you know loved your act it was awesome'. That of

course warmed my heart a little bit, and then this is what kicked my butt.

And that I carry with me on on a daily basis really as I continue to

work as a performer, and as a communicator, and a filmmaker, and all

these things. His son turned to me and said in very,

very broken speech, the young man clearly had a severe

learning disability, perhaps other things going on with him, what was clear is it

was very difficult for him to form words and it wasn't stuttering, it was...there

was something else, but he to the best of his ability expressed to me that

I was his favorite part of the show. And I remember leaving the elevator in

complete shock, going to my room and completely losing

it. And why is that. I think it was both an encouraging moment, and extremely

humbling moment for me as an entertainer. You see, we're all trying to impress the

masses, right...we're all trying to get people to go 'hey you're great, you do a

great job' because we inherently know that that's what we need in order to

progress in our careers. Whether you're a performer or you're involved in a company

doing a task we need people to notice and recognize that we're good at what we

do, and when we're not recognized it bums us out because we really feel like we

can't progress in our careers and down the path we want to progress. And that

gets tied into our egos pretty darn quickly. Again, especially if you're a

performer. And when this young man said those words to me it did two things. The

first is it made me realize that if I do my job well and connect just with one

person it's worth it. It's all worth it. Honestly I look back at that show even

though in my mind I know that the audience didn't respond to me the way I

wanted to, it's one of the best shows I've ever performed because of that

moment in that elevator, and what that young man said.

The audience of one. And I always have that in my mind. And if you're a performer, if

you're an artist, whatever you do, remembering that idea

'the audience of one'...that if you make an impact in just one person's world today

that's worth it. That's awesome. And that humbled me in that way. And then

the second thing it did is it encouraged me. We don't know the impact we have in

other people's worlds in a positive way when we're living out our

gifts and our abilities and our callings in this world. We really don't know.

I mean how many people have I not interacted with in my life that I may

have had an impact on. It really has caused me to look at all that I do in my

career ever since that day with a real sense of focus, that now I can make an

impact in somebody's world.

Now that's our very first Story from the

Road, we're gonna be telling one story a month and some of them are a little bit

ridiculous, some are quite funny, but this one I wanted to start with because it's

really, really important to me, to my heart. I carry it close to my consciousness

to remind me about why I do what I do, and it just motivates me this

story. So it's the first story I wanted to share with you. I hope that you might

continue down this journey with us, please remember to subscribe to the

channel so that you can get updated and you know you could be on top of all the

content that we release. Also if you like this video, hit the like button that

would mean a lot to me. Don't forget to let me know about

the Easter egg that I dropped early on, if you don't know what that is about,

watch this video first, or next. Watch this video next to hear all about

this channel, and we'll see you next time.

Live bright, love big.

For more infomation >> Las Vegas Inspirational Story - And How A Magician's Life Was Changed - Duration: 6:32.

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Directing Distance - How SSSS Gridman Speaks With Space - Duration: 6:38.

Hello & Welcome - To Replay Value

Good direction is hard to define, and I think that's in large part because the word has

been sanded down to the point where it doesn't really mean anything and is just another generic

line to put in a criticism or analysis.

So let's take a quick second and actually rediscover the meaning here: Direction is

the execution of how the concept is conveyed in the narrative.

There's a huge variety in the scope here, it can be as macro as how the themes are carried

from premise to conclusion, to the specific details in one shot - from how the score is

used in one scene, to how a character's journey is reflected through the color palette

over the course of the show.

Direction is NOT the words spoken by the character but the tone with which they are spoken, it

is NOT the specifics of plot details but the way those details are given life on screen.

The Direction is the Vision - It's what makes a sequence designed to make you consider

the majesty of the forest more engaging than a generic table-top conversation constructed

only to vomit exposition.

Eventually I'll make a video going through commonly used terms in analysis and criticism

so that we - as a community here on Replay Value - have a shared understanding of what

certain words mean.

But until then, I'll keep on using my intros to define words before quickly switching gears

to the topic at hand - and would you look at the time it's SSSS Gridman.

Quadruple S Gridman has been getting a lot of attention for…reasons…but not just

for those assets but also for its solid understanding of framing shots, subtle details and explosive

fight scenes.

And hey would you look at that, it has good direction - scenes are generally well composed

and strung together, and even when it does something weird that I'm not a particular

fan of, it's at least trying something new which I can appreciate.

I've chosen a particular scene from Episode 4 from SSSS Gridman because I think it highlights

why having clear direction is important for a scene, and how we can convey a concept beyond

just dialogue - but also through shot composition, sound design, setting and pacing.

The opening 3 minutes of Gridman's fourth episode take the plot element of Akane's

goal in the opening scene, and utilizes that to show character relationships, what Rikka

desires and our character's personalities all without necessitating being told anything,

but rather by showing it.

Our opening shot is Akane bouncing her foot in irritation - which we can put together

because of the anxious nature of this action and the way the line is being delivered -

This continues until the alien being begins to speak which brings Akane to stopping her

bounce - either the alien's presence is calming for her or she's refocusing that

energy elsewhere.

Here there is a wide shot to reconfirm that Akane's room is still littered with trash

bags and kaiju figures while establishing that Akane wants to confirm Gridman's identity

through dialogue - this is where she's refocused that frustrated energy from earlier - before

we bounce to the title card.

The title card has the sound of cicadas, which primes us for the cut to Rikka's hot summer

day, visually represented by the heat distortion and bright sun lines.

Rikka stands alone at the bus station, before Akane arrives, causing Rikka to take out her

earbuds.

The two stand together by the station - and from this far away position it would look

as though they're close, but it isn't until we get a closer perspective that we

see that this closeness is an illusion, they're pretty far apart in the construction of these

two shots, they're even the window frame splitting the two in this shot.

Sure enough, Rikka mentions that it's been awhile since they talked like this - which

Akane says she didn't realize.

As they grab their seats, Rikka is surprised that Akane walks past her - we see in this

shot that she made room for Akane to sit next to her.

This mini-sequence makes it clear that although Rikka wants to have a closer relationship

with Akane, Akane doesn't seem particularly interested in Rikka's attempt at reaching

out - illustrated through Akane creating space between her and Rikka and using her phone

instead of continuing the conversation.

The two sit in silence for a bit, and again we get this illusion of them being close from

afar.

The windows are empty because of the sunlight so the bus becomes isolated from the world,

and I like the framing here because it highlights the solitary position that Rikka is currently

in, Akane is really underplayed in the shot due to the bars and the shadows.

Akane gets to the whole reason why she's there by asking why Rikka's been talking

with Yuta so much - but she's continues to be entirely disinterested in Rikka - not

even bothering to make eye-contact, and ignoring her brush-off attempt.

These are two characters who are alone even when together, as the shots are designed to

isolate them.

Even though Rikka looks back to Akane and we can even see her phone in this shot, it

is clear that this desire for closeness is one-sided, as the tight close-up of Akane

shows no change in her eye-line.

The following pause really highlights how alone Rikka is -

- 7 seconds before being brokenup by the bus stop announcement.

It takes 17 seconds for the conversation to continue - with the first new shot in the

sequence to change up the flow.

Akane is now leaning forward engaging with Rikka as this happens, the phone is put away

and the two look close again.

She can't get the answer she wants without fulfilling Rikka's desire for a return to

their close relationship - and this carries over to the group date later, which Rikka

only goes on because Akane says she's going.

We aren't explicitly told that Rikka wants to be closer with Akane until later, but the

direction in this scene makes it clear far before we reach that point - and more importantly,

we can feel the distance between these two characters through the shot composition, the

timing of the sequence, and the settings utilized between the bus stop and the bus itself.

There's a lot of really great small details packed into this episode - from Rikka's

icon being her and her friends to highlight how much she values relationships, to Akane

taking her bag causing Rikka's to fall over, mimicking how Rikka now no longer desires

to be in this group date.

One of my favorites is the not so subtle EVA reference in the elevator - this is something

very satisfying about holding on a shot like that, letting the irritation of Akane wash

over the scene.

It's too early to say whether Gridman will stay at this level of form - certainly it'll

remained a discussed show if only because Trigger and Rikka - but for now Gridman is

a blast to watch and a great example of how good direction can convey the essence of a

concept through every aspect of it's production.

Hope you enjoyed.