Thứ Sáu, 27 tháng 1, 2017

Youtube daily music Jan 27 2017

Official Thalapathy 61 Music Director | Vijay | A R Rahman | Actor Vijay New Movie

Vijay 61 Movie Full Cast and Crew | Actor Vijay | Kajal Agarwal | AR Rahman | Atlee | Thalapathy

After Bairavaa Movie Success Actor Vijay and Atlle Joining Vijay 61.#vijay61 Big Cast & Crew.

Thalapathy 61 movie produced by Sri Thenandal Films casting details of #thalapathy61

#vijay #Jyothika #Samantha #kajalagarwal #Sathyaraj #Vadivelu #Surya #KovaiSarala #Sathyan

Vijay 61 Film Technical Detials #arrahman #atlee

Get Tamil Cinema news latest Kollywood Updates Gossips Subscribe Cinemix

Ilayathalapathy Vijay will be teaming up with Atlee Kumar again. Yes, the hit duo of Theri is collaborating for yet another commercial entertainer, which is presently being referred to as Vijay 61.

Leading production house Sri Thenandal Films is producing the movie and it has announced that the script has been finalised

Official Announcement: Script locked today! #Thalapathy61 @actorvijay @Atlee_dir," it posted on Twitter.

Thanking Vijay for giving him one more opportunity to work with him, Atlee Kumar tweeted,

Once again back with Anna @actorvijay And happy to associate with @ThenandalFilms

For more infomation >> Official Thalapathy 61 Music Director | Vijay | A R Rahman | Actor Vijay New Movie - Duration: 1:29.

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Aaron Shust - You Redeem (Live) - Duration: 3:46.

♪♪♪

♪ POVERTY LOSES ITS GRIP ♪

♪ RACE CAN NO LONGER DIVIDE ♪

♪ WHEREVER YOUR SPIRIT IS ♪

♪ EVERY DARKNESS DIES ♪

♪ FREEDOM IS HERE WITH US ♪

♪ BURDENS WILL FALL LIKE CHAINS ♪

♪ BEAUTY WILL RISE FROM THE DUST ♪

♪ ALL THAT'S LOST WILL BE REGAINED ♪

♪ YOU REDEEM, YOU REDEEM ♪

♪ YOU RESTORE WHAT'S BEEN STOLEN FROM ME ♪

♪ YOU RECLAIM, YOU RELEASE ♪

♪ YOU REBUILD WITH THE WORDS THAT YOU BREATHE ♪

♪ YOU REDEEM ♪

♪ MERCY WILL POUR DOWN LIKE RAIN ♪

♪ JUSTICE WILL COME FOR THE WEAK ♪

♪ LIES THAT WERE MEANT TO DEFAME ♪

♪ WILL BE CRUSHED BY THE TRUTH THAT YOU SPEAK ♪

♪ YOU REDEEM, YOU REDEEM ♪

♪ YOU RESTORE WHAT'S BEEN STOLEN FROM ME ♪

♪ YOU RECLAIM, YOU RELEASE ♪

♪ YOU REBUILD WITH THE WORDS THAT YOU BREATHE ♪

♪ YOU REDEEM ♪

♪ MIRACLES WILL HAPPEN ♪

♪ HEALING WILL COME ♪

♪ THE PLANS OF OUR ENEMY RUINED, UNDONE ♪

♪ MIRACLES WILL HAPPEN ♪

♪ HEALING WILL COME ♪

♪ HERE IN YOUR PRESENCE ♪

♪ LOST IN YOUR LOVE ♪

♪ MIRACLES WILL HAPPEN ♪

♪ HEALING WILL COME ♪

♪ THE PLANS OF OUR ENEMY RUINED, UNDONE ♪

♪ MIRACLES WILL HAPPEN ♪

♪ HEALING WILL COME ♪

♪ WRECKED BY YOUR PRESENCE ♪

♪ I'M LOST IN YOUR LOVE ♪

♪ YOU REDEEM, YOU REDEEM ♪

♪ YOU RESTORE WHAT'S BEEN STOLEN FROM ME ♪

♪ YOU RECLAIM, YOU RELEASE ♪

♪ YOU REBUILD WITH THE WORDS THAT YOU BREATHE ♪

♪ YOU REDEEM, YOU REDEEM ♪

♪ LET YOUR REVIVAL AWAKEN ME ♪

♪ YOU RECLAIM, YOU RELEASE ♪

♪ YOU REBUILD WHAT'S BEEN BROKEN IN ME ♪

♪ YOU REDEEM ♪

♪ YOU REDEEM ♪

♪♪♪

For more infomation >> Aaron Shust - You Redeem (Live) - Duration: 3:46.

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MaaHaa - Na Galli Na Lolli | Official Music Video | Telugu Rap - Duration: 3:32.

E stunt chesi leni poni lolli loki doori Vacchi vegam antha vaadi ninnu nenu rechhakotti

Nuvanna mata kadhu nu matladthunna yasa lone pattu ledhu nalikantha phat naatho

pettukoku nee natthu noru muyyi neeku puccha lone lenidhi nenu roju palukuthanavi

flow ni kuda enduku ekkada eppudu aaputhaano kaipu lo nenu ninnu minchi vaaguthanu

pilla macha, fb macha, chaalu macha nee amma pilla lolli lonvi nuvvu neekem thelsu real hustle

then comes the point where I'd be talking English lines

so I could mess with people messing with my condescending rhymes

I'd be talking clear, talking elevated music illustrated

With my heavy arrogance while you just WAIT , WAIT, WAIT!

While we taking turns at every verse, at every nook and corner

Like we in that place, till we drop in that bass go

Till we drop in that bass go

Talk what I talk and walk what I walk cuz its

Na Galli Na Lolli, Na Galli Na Lolli

Say what you say and do what you do cuz its

Na Galli Na Lolli Na Galli Na Lolli

Talk and I talk and I talk and I (talk)

Na Galli Na Lolli Na Galli Na Lolli

And I keep talking, BLING BLING

Na Galli Na Lolli Na Galli Na Lolli

Kaalam tho paatu na paata lone theda kotti Theen maar lekunda local ga maatladi

Field loki feel icchi meal kuda lekunda Raasi raasi vaagi vaagi naalikantha endipothe

Bhayya neeku enduku intha lolli Hayiga nu mooskoni chesuko nee degree

Tharvatha job, a six figure salary I don't know man, that can't be me

Ninnu nee maatalni dekhentha time ledhu Cuz I got things to do, na lolli nuvvu vinu

Cuz I got things to say and there's no way

I'ma let you pass out till I drop in that bass

Till I drop in that bass

Talk what I talk and walk what I walk cuz its

Na Galli Na Lolli Na Galli Na Lolli

Say what you say and do what you do cuz its

Na Galli Na Lolli Na Galli Na Lolli

Talk and I talk and I talk and I (talk)

Na Galli Na Lolli Na Galli Na Lolli

And I keep talking, BLING BLING

Na Galli Na Lolli Na Galli Na Lolli

For more infomation >> MaaHaa - Na Galli Na Lolli | Official Music Video | Telugu Rap - Duration: 3:32.

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Signs [Charlotte DiLaurentis & Melissa Hastings] - Duration: 3:01.

(We always find our way back to each other)

(So I'm going to tell you the truth)

(And you can do whatever you want with it)

(Maybe nothing)

(Maybe everything)

(Maybe it'll help you)

(Maybe it won't)

Two ravens in the old oak tree

One for you and one for me

Bluebells in the late December

I see signs now all the time

The last time we slept together

There was something that was not there

You never wanted to alarm me

But I'm the one that's drowning now

(Melissa Hastings' little sister)

(Melissa's guilty of plenty)

(But she's not A material)

(If you can't be with one you love)

(All roads lead back to the Black Swan)

(It's a curious subject)

(Whether hatred and love be not the same thing)

(At the bottom)

(How does anybody get together with anybody?)

(Put the funds toward mom's victory party)

(Call me)

(I'm not waiting here forever)

(She stared at me like a cat)

(That bitch has nine lives)

(Maybe the timing was off)

(Do you think they're still upset with me?)

(We picked a name)

(Taylor)

(It works for a boy or a girl)

(I wish we could find a way out of here)

(It's been a long time)

(I figured it out too late)

(But I figured it out)

I could sleep forever these days

Because in my dreams I see you again

But this time fleshed out

Fuller face

In your confirmation dress

It was so like you to visit me

Always worrying about someone else

I see signs now all the time

That you're not dead

You're sleeping

I believe in anything

That brings you back home to me

I see signs now all the time

That you're not dead

You're sleeping

I believe in anything

That brings you back home to me

For more infomation >> Signs [Charlotte DiLaurentis & Melissa Hastings] - Duration: 3:01.

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Musical Rhetoric in Strauss's DON JUAN, Op. 20 - Part I - Duration: 7:49.

MUSICAL RHETORIC IN RICHARD STRAUSS'S DON JUAN, OP. 20 – PART I

To understand the role that dramatic music plays in media one must study earlier musical

forms.

These include the opera and ballet.

The concert overture.

The symphonic poem and its musical offspring, the tone poem.

Also, the incidental music composed to back spoken-word performance in the theatre.

Let's Define Two Terms: #1: Program music – which has nothing to do with computer

software – is defined as music which follows a non-musical program.

The program is often of literary or artistic inspiration, say, a poem, story, or painting.

So the music of those earlier forms had some sort of extra-musical inspiration.

[#2: Rhetoric] A literary term – notice the constructive aspects of the dictionary

definition of "rhetoric."

Let's apply it to a kind of musical composition that conveys an image – think story, poem

or painting – and is effective or persuasive at doing so with music alone; no words uttered.

Those of us in the business of making music for film, television, and some games – media

that tell stories – have much to gain from studying such music.

We begin by looking at the musical rhetoric in Don Juan, a 19th century piece of orchestra

music, by the German composer Richard Strauss.

Don Juan by Strauss is a type of program music called a tone poem.

One music dictionary states that "There are two kinds of program music: that which

is good music regardless of the program, and that which is poor music although it may have

an interesting program."

Well, the four-hundred-year-old legend of Don Juan is certainly "an interesting program"

if history be the judge!

A complete index of everything ever written about this character – books, treatises,

plays, poetry, musical works, and movies – the index alone would fill a huge book.

As to the value of program music, that music dictionary asserts [quote] "There is a certain

weakness inherent in the underlying principle of program music.

Music is basically an art in its own right, and too great a reliance on extraneous associations

is likely to weaken rather than to enhance the artistic value of a composition."

[end of quote] What does this mean?

Some have fanatically taken a stand either for or against the essence of that statement.

Since the 19th century the debate has raged over which type of music is superior: "absolute

music" (which has no outside inspiration) or "program music" which does.

Even today, talented composers of music for film, video games, and other media are sometimes

marginalized and shamed by so-called "purists" of the concert hall, saying that "music

for the screen" is inherently inferior.

Back to Richard Strauss.

We consulted a number of scholarly works for help in researching this topic.

Two books in particular stood as pillars and are referenced in the description box.

First of all, for interpreting Don Juan, the tone poem, there is …

… James Hepokoski's essay "Fiery-Pulsed Libertine or Domestic Hero?

Strauss's Don Juan Reinvestigated."

That piece is published in Richard Strauss: New Perspectives on the Composer and His Work,

Bryan Gilliam, editor.

Its insights on the form and substance of the Strauss work were the launching pad of

this presentation.

To determine the rhetorical use of various orchestra instruments heard in the Don Juan

score – their emotional coloring – Strauss's own revision of Berlioz's Treatise on Instrumentation

provided guidance, with comments by the composer himself, and musical examples.

Form is an Element of music.

It is the organizational outline that sets the structure of a composition.

Form is analogous to an architect's ground plan.

There are simple musical forms, such as rondo (ABACABA), fugue, minuet, scherzo, sonata

and even rondo-sonata.

There are more complex musical structures, such as symphony, concerto, the mass, cantata,

oratorio, also opera and ballet.

In various degrees, all these forms contain dramatic elements that are capable of effectively

communicating feelings associated with a literary "program."

For example, the sonata form – often associated with "absolute" or "pure" music – may

present contrasting or conflicting themes and tonalities.

The themes, like characters in a drama, develop dynamically over time, and are ultimately

reconciled in some way.

The sonata form IS thus a dramatic program.

[mus]

The composer Richard Strauss, born in 1864, in Munich, Germany, began writing music

at the age of eight.

In middle school, Strauss studied composition from age 11 on, under Friedrich Wilhelm Meyer,

the music director at the Ludwigs-Gymnasium.

[mus]

By 1887 Strauss was giving singing lessons to one Pauline, eldest daughter of

Major-General Adolf de Ahna.

Pauline becomes an opera singer, and Strauss and Pauline eventually marry, in 1894

[mus]

In 1888 Strauss had composed his first published tone poem, Don Juan.

Actually, a piece called Macbeth was the first, but due to revisions Macbeth wasn't performed

until 1890, after the first performances of both Don Juan [1889] and another called Tod

und Verklärung [1890].

Like its namesake, Don Juan is a chameleon, its illusory musical form seems to change

throughout the course of the work.

The piece runs on 'wheels within wheels', three discernible super-structures: 1) a Rondo,

2) a Sonata, and 3) a cyclical Symphony of four-movements-in-one.

All three structures unfold at the same time.

It is astounding, when you think about it.

Subsequent installments of this series will ponder which came first in the mind of the

composer: the literary program or the musical design.

We will consider the "musical rhetoric" observed in both program and structure.

Since there are so many non-musical, literary elements associated with Don Juan, does it

necessarily follow that these weaken its musical value?

More to the point: Is the artistic value of music created for film or games somehow inferior

to music for the concert hall, merely because it is made for those media?

Throughout this series we offer a response to that condescending view, held by some,

toward 'media and film music'.

A link to a YouTube performance of Don Juan is in the description box below, so be sure

to listen to the piece before going on.

[mus]

Thank you for watching.

Now, standby for Episode One. [to be continued]

Copyright © Mark Priest 2017

For more infomation >> Musical Rhetoric in Strauss's DON JUAN, Op. 20 - Part I - Duration: 7:49.

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Mikey to the P - Artist Collective Testimonial - Duration: 1:10.

Whaddup, I'm Mike P, this is Emily Nichelson one of the Dirty Deets

we're here at Estate Ultra Bar in Chicago.

We've been with Artist Collective for a few months now.

What's nice is they're taking care of things like social media; Facebook, Twitter, Instagram all of that stuff.

If I need a photo shoot, they help me find somebody, if I need a video, they help me

find somebody.

They help me accomplish just about every task that I need to get accomplished as a musician.

They take what I'm doing with the music, and they try to help me get it into different

avenues so that when I have a show, they can help me boost it.

They're getting more people out to my shows for me.

It's an ultra inexpensive way in order to get back to what you do, focus on your craft.

I've learned that having just that extra person or those extra people to help you get something

done, helps it get done quicker.

But when you have someone else to talk to about it, to also be interested in it, to

be as excited about your project as you are, they help you take that extra step to make

your dream come true, for real.

For more infomation >> Mikey to the P - Artist Collective Testimonial - Duration: 1:10.

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✅ OBS Studio - Scrolling Music Text with Spotify, iTunes, Winamp, Foobar, VLC - Duration: 9:53.

What's up guys, my name is Pete from the

Gaming Careers YouTube channel and today

we've got another OBS studio tutorial and we're

going to be talking about how you can add

scrolling music tickers into your stream.

Now I'm going to be covering how to get

the track and artist name from five

different music players into OBS so if

you're using: Spotify, iTunes, Winamp,

foobar or VLC then those are all covered

in today's guide. Now just before we jump

into the video it's worth mentioning

that on the Gaming Careers YouTube channel

here we have a few other OBS studio

guides and I'd recommend watching two of

them before you watch this if you

haven't already.

The first one which you can click up here is

the OBS settings guide, so that covers

all things like which Twitch server to

stream to, what bitrate, what resolution,

what frame rate, it's really an in detail

guide covering all the different

software options. The second video which

you can now click up here as well, covers

things like adding scenes and sources into

OBS, so things like adding your game, adding

your webcam, adding your overlay and adding

text and you kind of need to know how to

do all of that before we cover what we do

today. If you've finished with all that and you've

got all your settings correct then let's jump

into how to add a music scroller into

OBS studio.

Now in this video I'll be setting up

OBS to track what I am playing with

Spotify but if you're using one of the

other pieces of software like iTunes,

Winamp, foobar or VLC then it's only

one option that needs changing and I'll

be showing you exactly how to do that.

The first thing you want to do is to

head over to the link in the description

for the software called Snip. You want to

be downloading the latest version of the

software which should be the top file in

github, so download that and then unzip

it with your choice of compression

software, I use 7-zip but WinRaR should

work just as well. You want to be

extracting this somewhere that you're

going to remember, because you're going

to need to open this software every time

you want to stream. So I'd recommend

extracting it to your desktop but if you

have a folder with all of your stream

software in it then you can extract it

there as well but just remember where

you've extracted it to. So if we open up

the extracted folder you should see a

program called Snip and when you run

this it should create two new files, one

is a text file called snip, and one is a

JPG file which is called snip_artwork.

Next let's open up the music playing

software that we've chosen, so for me that's

Spotify, but for you it could be iTunes or

Winamp or foobar or VLC. Now it shouldn't

really matter which order you open the

program in, so if you open Snip and then

your music player or your music player

and then Snip, it shouldn't really matter.

But in earlier versions of the software's

development, you did need to open Snip first

so I still recommend opening up

Snip first. I keep a little notepad list

of all the things that I need to check before

I start my stream to Twitch so I just

write in there that I need to open up Snip

before starting to stream. So before we jump

into OBS the first thing we need to do

is look at the Snip software settings.

If you go down to the taskbar and locate

the Snip icon, keep in mind that you

might need to click the little arrow to

expand all the icons that you're running

right now, find the little blue circle

which is Snip, right click it and

there you can select the music

program that you're going to use. So for me

that's Spotify. The next thing we want to

change is the output format, so if you

select "set output format" this will open

up a new window which basically allows

us to customize how Snip is going to write

our Artist, Track and Album name into our

text file. So just to describe how this

works, basically for the track name it

replaces this $$t with the

track name from Spotify, $$a with

the artist name and $$l with the

album name.

It's worth noting here that if you're

using Spotify like me then the album

name actually won't appear in the text

file because Spotify didn't have that

but for other software I think iTunes and

Winamp, both of them will display the

album name as well. So for Spotify, Snip

is going to write the track name, then

the separator, and then the artist name.

That all goes into a text file and then

we use OBS to read that text file. Snip will

then update this text file every time

a song changes in Spotify, or whichever

music program you're using, and then OBS

can also update what it displays on

screen because the text file will have updated too.

So in terms of customizing this, if

you only want to display the track name

and not the artist or the album then you

can just remove anything in the

separator, artist and album boxes and

click Save. However I'm going to hit

defaults here to reset it and then I'm

going to do the track name without the

quotation marks,

I'm going to change the separator to

a dash and I'm going to add two spaces

after the artist name, so that it doesn't

bump up against each other when it

starts scrolling. This is just my

personal preference but I think this is

what looks best in OBS and on my stream.

Feel free to play around with the output

format to get exactly what you want for

your stream here.

OK time to get into OBS now, but the first

thing you need to do is make sure that

you have a song playing in your music

program of choice, so I'm just going to

start something in Spotify and then we

can open up OBS studio. Make sure

that you have the stream preview enabled

and then we'll select the scene that we

want to add the music scroller to. Within

this scene we want to add a text source

so click the plus icon and go to text,

name it whatever you like but I would

recommend calling it "now playing" or

"music scroller" so you don't forget which source

it is. And then we can select the font, font

style and font size. Now just as I covered

in the previous video when we looked at

scenes and sources, if you want to change

the size of your music scroller here, it's

really important that you come back and

edit the font size,

and you don't just drag and resize the

source within OBS, because it starts to

scale really badly and starts to look

really pixelated because obviously it's

text and the font size is what actually does

scale it correctly. Once you're happy

with the font, font style and font size,

the next thing we need to do is to

check the "read from file" box and this

is exactly how we tell OBS where to look

for this text file that Snip is

creating. Click the Browse button and locate

the snip.txt file and this is

located in the same folder that you installed

Snip in. Next thing we need to do is

select the color that we want the text

to be, so for me that is white but

obviously choose the color that suits

your stream layout. Here you can select the

opacity if you wanted to be anything

other than a hundred percent but I'm

going to leave it at 100 for me.

You can also add things like a gradient

if you want your text to be two tone and

you can add a background and opacity if

you want it to sit above a background

which can be quite useful actually if

you don't have an overlay that already

makes the text pop-out. You want the

alignment to be set to left, because

we're going to be having scrolling text

and we need somewhere to align it to and

everything else can be left unchecked.

So now if we look at our preview we should

have the text of the song playing in OBS

and if you go and skip to the next song in

Spotify or whatever program you're using,

you should see the text update within our

preview window. Let's drag it to where we

want the music scroller to be, so for me

that's down at the bottom next to this Spotify

icon. Once we're happy with the position

let's just try skipping a track and

making sure we're still happy with the

left alignment. Okay, looking good.

So the next thing we want to do is to

make our text scroll, what we need to do

for that is right click on the text

source and select Filters.

This will open up a new window showing

our text, if we click the plus button

within the filter window, we can add an

effect filter. We want to choose "scroll"

and I'll leave the filter name as scroll,

just because otherwise anything else

would be quite confusing I think and

here we can set the horizontal speed of

our text scroll, so I'd recommend anything

between 15 and 20, but it's completely up

to you, it can scroll super quick if

that's the design that you want for your

stream. So now we can see we have our

scrolling text, we're nearly there

there's just one more aesthetic

change that I want to make. Currently the

text source will change width based on

the title and artist name length, so if

we swap track to a longer title and longer

artist name, you can see that it overruns

into other parts of our overlay. Basically a

short track name and artist will only

occupy a small amount of screen space,

whereas a long track and artist name will

occupy a much larger amount. To fix this,

what we want to do is edit the filter on

our scrolling text and set a maximum

width that it can occupy. So to jump back

into the filter properties, right

click the text source and select

filters again.

Make sure that you have the scroll

effect filter selected and then check

the box to limit the width and enter

a value for the width that you'd like to

set. So for me that's 350. Now if we go

back to the preview window of OBS, we can

see that no matter which track we have

playing it always occupies the same

amount of space so if there's a short name

it will be repeated. This is why I presonally

recommend having two spaces

after the artist name in Snip. It doesn't

bunch together too much on the longer

artists. And that's it guys I hope you

have now got some scrolling text of your

now playing song from Spotify, iTunes, VLC,

foobar or Winamp that's the last one,

within OBS and your stream looks a

little bit more aesthetic. If you've enjoyed

this video and you've been watching

until now please do give it a thumbs up,

because that does help us grow and if

you haven't yet subscribed to the Gaming

Careers YouTube channel, maybe have a

look around at the kind of videos that

we have, we've got quite a good

collection now and all of them are

helping you get a better stream or a

better YouTube channel for your Gaming

Career, I'll see you in the next video,

Peace

For more infomation >> ✅ OBS Studio - Scrolling Music Text with Spotify, iTunes, Winamp, Foobar, VLC - Duration: 9:53.

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Crash Bandicoot 2 Sewer Levels Synth/Metal Cover | Dacian Grada - Duration: 3:01.

Hi guys, Dacian here.

Thank you for watching and thank you for almost 300 subscribers; thank you so much for the

support!

I just wanted to tell you that I have a new channel, "Dacian Grada Misc"; and you will

find miscellaneous stuff, such as gameplays, tutorials and everything else non-music related.

Stay tuned on Saturday for another special video and a new announcement.

Bye!

For more infomation >> Crash Bandicoot 2 Sewer Levels Synth/Metal Cover | Dacian Grada - Duration: 3:01.

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The Monkey King 3 Movie 2017 In Hindi Dubbed - Hollywood Action movies 2017 - Duration: 1:59:17.

Subscribe Me Friends I am Ayehsa Rj

For more infomation >> The Monkey King 3 Movie 2017 In Hindi Dubbed - Hollywood Action movies 2017 - Duration: 1:59:17.

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DEATH INDUSTRIAL music animation - Visualization of NU METAL music - Duration: 2:07.

Death industrial music animation for you! Nu metal.

Heavy guitar thing with powerful synth effects, like of best representatives of the genre.

Emotional, awesome scare harmony. Really hard metal! Let the fire burning!

It is visualization of symphonic black metal, something like alternative metal.

"Heavy Industrial Anger", composer Victor Ohlsson, death industrial.

Turn off the light and if you like heavy metal -

enjoy this audio animation effects of instrumental music, black metal vj visuals!

Beat-map technology for sludge metal! Processing particular special effects, optical flares of music.

So go on, music animation video of German industrial metal! This is melodic death metal.

Something around death industrial and nu metal.

For more infomation >> DEATH INDUSTRIAL music animation - Visualization of NU METAL music - Duration: 2:07.

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Música maluca (Coreografia) / Crazy music ( choreography) / vocês pediram o Edu ensina. - Duration: 1:10.

For more infomation >> Música maluca (Coreografia) / Crazy music ( choreography) / vocês pediram o Edu ensina. - Duration: 1:10.

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MUSIC VIDEO | 'TOO DEEP' | ft. Ether by Silent Partner | Instrumental - Duration: 3:39.

For more infomation >> MUSIC VIDEO | 'TOO DEEP' | ft. Ether by Silent Partner | Instrumental - Duration: 3:39.

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OBLIQUE - Bhondo (Official Music Video) - Duration: 4:50.

For more infomation >> OBLIQUE - Bhondo (Official Music Video) - Duration: 4:50.

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Telifsiz Korku Müziği (No Copyright Horror Music) - Duration: 4:58.

For more infomation >> Telifsiz Korku Müziği (No Copyright Horror Music) - Duration: 4:58.

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Coldplay @ iHeartRadio Music Festival 2011 - Duration: 15:25.

For more infomation >> Coldplay @ iHeartRadio Music Festival 2011 - Duration: 15:25.

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Technology + Human Touch = A New Way of Creating Music - Duration: 2:27.

I'm Skot Wiedmann, I work here in ECE as a technician and I am an instructor in Art and

Design.

It's called a Hyve Touch Synthesizer.

Started off as a workshop about three years ago.

I developed a soldering kit that people could build at a workshop in a few hours and then

take home a musical instrument that they could play.

It was a way of trying to inspire some interdisciplinary ideas to happen on campus for engineers to

meet musicians and to talk about ways that this project could inspire learning across

those boundaries.

So down here is a piano layout, you might recognize white and black keys.

And up here are the hexagons that that's the harmonic relations.

It actually allows you access higher notes going vertically.

So it's sensitive to how hard you're pressing on the surface.

If you touch lightly, you get a light note, and if you press harder you get louder notes.

And as you move your finger to the right and left on each key, it pushes the sound right and

left.

And so you can get a lot of articulation by subtle movements of your finger in each zone.

One of the things about that moment when people first make it and turn it on and test it,

it's just sort of a really spontaneous response to hear a sound that you're just touching

and it comes alive.

You're really touching the circuitry and you have a really hands-on control over the way

the sound is being generated.

Music and geometry have a mathematical commonality it's a really powerful thing.

It's a way of, I think, of approaching learning about music theory in a less analytical way

and a more of a playful way.

For more infomation >> Technology + Human Touch = A New Way of Creating Music - Duration: 2:27.

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Race Horses - Paradiso, Amsterdam. 12-11-2010 - Duration: 29:02.

For more infomation >> Race Horses - Paradiso, Amsterdam. 12-11-2010 - Duration: 29:02.

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#1 -Vegas-Goin' in 4 it ✔ (Hot Hip Hop- Top 5 unreleased Rap) Top 10 trap charts - Duration: 4:32.

(Chorus) I'm going in for it again

ONLY God can judge me

Yea

Only god can judge me

Don't care about what you think of me

(Chorus) I'm going in for it again.

I can't explain my reasons..

No.....no

but I gotta go

For more infomation >> #1 -Vegas-Goin' in 4 it ✔ (Hot Hip Hop- Top 5 unreleased Rap) Top 10 trap charts - Duration: 4:32.

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Behind the scenes of "I Don't Wanna Live Forever" Music Video - Duration: 1:00.

I've known Zayn for a really long time.

I think his voice is one of those

that is really rare.

And I think he's really special and wonderful

And it's really really amazing to get to work together.

It's amazing when you get to work with people

who you hang out with.

Because the question of 'Will we get along?'

is already answered.

You're like "yeah I get along with Zayn."

"We hang out like it's fine."

For more infomation >> Behind the scenes of "I Don't Wanna Live Forever" Music Video - Duration: 1:00.

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"PARIS" Hard Trap Beat Instrumental 2017 | Free Rap Beat | The Beat Channel - Duration: 4:08.

BUY 1 GET 1 FREE ON YOUNGFOREVERBEATS.COM (UNTAGGED & INSTANT DELIVERY)

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