Remember that piano
So delightful, unusual
That classic, sensation
Sentimental, confusion
Used to say
I like Chopin
Love me now and again
Rainy days never say goodbye
To desire when we are together
Rainy days growing in your eyes tell me where's my way
Imagine your face
A sunshine, reflection
A vision of blue skies
Forever, distractions
Used to say
I like Chopin
Love me now and again
Rainy days never say goodbye
To desire when we are together
Rainy days growing in your eyes tell me where's my way
Rainy days never say goodbye
To desire when we are together
Rainy days growing in your eyes tell me where's my way
Rainy days never say goodbye
To desire when we are together
Rainy days growing in your eyes tell me where's my way
For more infomation >> Gazebo - I Like Chopin (1983) Videoclip, Music Video, Lyrics Included - Duration: 4:08.-------------------------------------------
Finish More Music - The Power of Community - Duration: 1:28.
For more infomation >> Finish More Music - The Power of Community - Duration: 1:28. -------------------------------------------
Kar Bukete Haso | Arman Alif | Sahriar Rafat | Full Music Video | New Song 2018 - Khulna Music TV - Duration: 4:11.
Kar Bukete Haso | Arman Alif | Sahriar Rafat | Full Music Video | New Song 2018 - Khulna Music TV
Kar Bukete Haso | Arman Alif | Sahriar Rafat | Full Music Video | New Song 2018 - Khulna Music TV
Kar Bukete Haso | Arman Alif | Sahriar Rafat | Full Music Video | New Song 2018 - Khulna Music TV
Kar Bukete Haso | Arman Alif | Sahriar Rafat | Full Music Video | New Song 2018 - Khulna Music TV
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HOW to PLAY YOUR SOULS MUSIC with Oren Harris - Duration: 16:36.
Dijon: What's good fam this is your boy Dijon and this is how to be a motherfucking legend
this is the place to be for inspiration and the realization of your full creative potential.
Each episode are going to be sharing tips and insights to help you unlock the greatness
that is already inside of you.
Okay.
Dijon: All right. We're back with the new episode of How To Be a Motherfucking Legend.
I've got the man Oren Harris sitting in my living room right now we are just catching
up and I was getting to know him a little bit and he's got a wide array of interests
and is a very interesting dude. he's a self-described polymath and I'll let him tell you more about
what he does but for me it wasn't even about that, I've just ran into him several times
and I really enjoy his energy and I really enjoy what he shares on Instagram and he's
an awake dude you can see that when you look at them you can feel that when you're in his
presence. so thanks for being here!
Oren: awesome man, thanks for having me, you had me at how to be motherfucking legend,
I was like alright im in. So thank you, yes, glad to be here.
Dijon: yeah I'm glad to have you. so is there anything you want people to know about what
did you do your offering for we jump in here.
Oren: I love to help people awaken to their true self who they are beyond their name their
form their personality and from that space to express themselves through their God given
gifts and talents their souls music into the world is powerful and profoundly as possible
and to me that's that is your living Legacy. so I I do that through coaching Im a coach
to what I called legendary Souls I'm also speaker I'm an artist, trainer, a mentor all
things in the realm of transformation aimed towards that one objective ,which to me is
lends itself to us creating heaven on Earth.
Dijon: Lovely so I just heard that you also have Legend in your brands.
Oren: yes, legendary Souls.
Dijon: so legend means something specific to me but what does it mean to you being a
legend.
Oren: You know thats an interesting question, in history I think we describe is Legends
and we look at their bodies of work and that is there a legacy, but, legends almost not
a thing it's not a person even a map of the Legend is a symbol, right it's like an idea.
I remember Will Smith one time said I never want to be icon, I want to be an idea. I want
to represent a possibility, so I feel like a legend is someone who is connected to a
Transcendent purpose or Mission or energy that is Transcendence of their self and they
devoted their selves to bringing forth that art or their souls music into former. another
way to say it is Translating that inspiration in those
Visions from like light and energy into bodies of work. whether the art or speaking or music
or leadership or even a housewife and someone who clears that channel and is devoted to
being a steward to that energy beyond anything else and bring for that art to me that's legendary
and and and that's that somebody would call a legend.
Dijon: I would a hundred percent agree with that. the way I think of Legends and my favorite
artist in general are people that make higher vibrations relatable to a mass of people right
and I example I always use is Bob Marley because Bob Marley transcends music any transcends
reggae because the frequency that he carries that everyone can feel and they listen to
his music.
Oren: so he's like and I like that it's part of the definition to because he's also Representing
an idea that's in the souls of many. he's he's being a stand for something that many
people are connected to whether consciously or unconsciously connected to, you know and
so that that's what a hero is like to. it's a it's a voice putting voice putting expression
to something that is is connected as a thread throughout all Humanity that the touches our
souls in our hearts in a way that we recognize even if we don't like Love reggae, which I
do by the way.
Dijon: I hundred percent agree so you know this is a different time than when Bob Marley
was alive and I would imagine what it takes to express yourself and touch people, changes
from time to time. do you have perspective on what's important to bring out your legendary
being at this time?
Oren: Yes, I do you know I'll start with it's a matter of utilizing all of our resources
and acknowledging ourselves as a fully integrated being you know, Body, Mind, heart and spirit
we can say Body Mind heart and soul right and so we have power which is a resource in
each of those parts of ourselves and so I've seen Evolution happening where if you stretch
back far enough you know we were in the Industrial Age right and Industrial Age is very cookie
cutter very mechanistic very one-size-fits-all and even the educational system came out of
an industrial type of Consciousness which is why you know that the typical educational
type of structure is a teacher whose bestowing information we take in information you know
hopefully we apply it or we regurgitate it and actually the Latin root of the word education
is edeuce. its almost hidden in plain sight. Edeuce means to draw out from within it doesn't
mean to put in and spit out. right and so with that type of Consciousness operating
then in order to survive and thrive and create in society, in our culture, in in the marketplace
of life you know they then you just get as good as you can at that. then that gives rise
to the information age which were needy than right now in technology and distribution of
information is making that exponentially greater and so becomes this acid and so then as we
evolve in order to be able to survive and thrive in our business and our family then
it's like knowledge is power information is power he who has the most information in the
proper information ideally is going to be able to set up to win and to be able to survive
and thrive right.
And so what I've noticed happening is that, an age comes forth from the invisible realm
to the visible realm. it comes as an evolutionary impulse and so it actually starts coming way
before it becomes really manifest and definitely before it hits the masses, right and so the
idea of being a legendary Soul or really thriving is to not wait until the masses and everybody's
saying this is important and then because by the time that happens you almost have to
be, you're almost forced to catch up now right and so that's the information age so the next
wave that's coming that, I called the intuition age and I liken it
to an operating system, even like iOS just a playoff Apple for a minute it's like ,it's
like intuitive operating system right in the reason that that's key and it's not even just
a spiritual conversation like intuition were talking about Spirit now which is a huge part
of us what do you call it Spirit or the Divine or God or gut instinct it's like it's most
people agree there's something beyond the intellect, all right. is the reason that's
amplifying itself right now as something that's important to develop for self-awareness and
our self knowledge and build up that operating system is because things are changing faster
than every before and typically speaking when things are at an accelerated pace of change
and we're also because of information and Technology were inundated with information
is throwing us a lot into the unknown which for most people if they're not Adept at being
in the unknown it brings up fear and then when the eGo or the identity that's operating
primarily in mental operating System where we have a certain level of control of our
wisdom in our skill in our strength it it's like we can't keep up with the speed of changed
so then what do we do you know or we're overwhelmed with information take health for example it's
like it seems like there's one thing contradicts another like every other week. so that's only
going to be difficult and put us into a state of overwhelm or survival in direct proportion
to how much we've already tune in to the new age which is the intuition age because intuition
is simple it's like yes no it's his automatic Ninja level sifter I'm just like oh I know
what to do. right so at the center of our being we know who we are we know it's true
we know what specifically Taylor Made best for us and any life moment or any life decision,
that's gangster.
Dijon: that is gangster.
Oren: that is right. I can pause there for a moment so that's where I feel like You know
this even now penetrating into the business culture in the corporate culture even though
they might not be using the word intuition but what they're witnessing is the speed of
the Earth at the speed of change in trying to like hold together an old operating system
that's not extinct right I just think that the hierarchy of command is changing to where
the soul, the heart and intuition is the primary captain and decision maker and then the intellect
in the mind and the body which is part of a resource is like the crew the you know what
I mean it's the one carrying forth, but the the primary operating system in the way we
make our decisions in the way were processing their decisions away were navigating are the
world if we try to do that just on intellectual you know linear knowledge just based on our
own wisdom knowledge and watching like people are getting spun out do you know what mean
which then that's the contrast that is inviting us to go deeper within and one of the things
were finding deeper within Is this 24/7 always on always on time always operating never taking
a vacation internal guidance system that's like this is the best decision for me right
now and therefore the best decision for the whole.
Dijon: A hundred percent agree and that was so eloquently stated I appreciate it, I appreciate
the wisdom and just the right I feel coming out of your presence right now
Oren: for sure my pleasure
Dijon: and it goes back to what I consider to be a legend, it's basically being in touch
with yourself you know in that Industrial Age we were groomed-to-be workers right you
know to be workers and now the most important thing is honoring yourself in the moment regardless
of what seems to be popular are right and that's a hard thing for people to grasp right
because it's like that the diet is a perfect example right like from an intellectual perspective
being a vegan is a very conscious way to live right it's like easy on the planet for instance
but let's say you have type O blood type right then being a vegan not going to work for you
and your body will probably tell you that you know so you have to tune in to what is
best for you.
Oren: totally and going into tuning in another fundamental shift is Is to move from thinking
our way through life to feeling our way through life not instead of thinking but just kind
of changing the chain of command to just feel more think less because a lot of times are
thinking is Tainted is Tainted by our experiences at tainted by you know things that are even
positive like knowledge you know and it was hit-or-miss we may or may not have the best
thinking. You know to equip us for the moment but feeling is this higher intelligence more
specific and more simple simplified so that's the thing about feeling, if this was, you
know when were talking my operating system there was a manual the thing is that you know
there's not a lot of manuals out there on feeling you know most of us were not raised
to like love our feelings and understand them and befriend them and for them to be our allies
and for us to extract information from feeling so we not even been collectively groomed and
educated but I so it's kind of like feelings I'm saying this is a generalization you know
we we might need more into this consciously but feelings like this wild horse. you know
and if we treat it that way then we're going to be in survival with our feelings like trying
to manage their feelings trying to control our feelings trying, to avoid our feelings
and but the feeling is the connection into our heart and into your higher self intent
or intuition.
Dijon: The feeling is the connection into our higher self into our heart and into our
intuition.
Oren: Yes!
Dijon: right on brother, I feel like that, was a good download they only thinking im
thinking of that you just said is that I wanted like sit with a little bit more and in how
to be a motherfuking legend we try to keep it short most of the time so that we can really
absorb the different layers of meaning and flow so I think I'm going to stop it there,
but you got a little taste of Oren's energy and if you want to work with him or connect
with them there many ways to do that. can you tell people how they can connect with
you.
Oren: sure, I'm @Oren Harris on Instagram I post quite regularly and I write quite a
bit on Instagram my website is orenarris.com which is o r e n h a r r i s.com I'm also
Oren Harris on Facebook which I do Facebook lives pretty regularly and they're pretty
high powered high-impact and those are the main places that I am my virtual footprint
is out there in the world.
Dijon: Right on brother I will put those links in the show notes so you guys can click and
find out how to connect with Oren thank you so much for being here it was a pleasure.
Oren: Yea man it was awesome I enjoyed it thank you for having me.
Dijon ; yo that is this week's episode of How To Be A motherfucking Legend. I so appreciate
you being here if you enjoy the energy that we are creating and building share it with
the homies take a screenshot post on your Instagram stories just let people know about
it and if you ever want help going deeper into yourself developing yourself and doing
that with a community and with guidance head on over to programs.howtobeamotherfuckinglegend.com
and we got you. Until next time.
peace.
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Best English Songs 2018 Playlist - Top Music English Popular Songs - Duration: 1:12:04.
Hello friends ! If you like this channel music please like & share, subscribe channel. Thanks you very much !!
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Mario the music box (RPG Maker) กล่องเพลงต้องคำสาป (Part 1) - Duration: 10:01.
For more infomation >> Mario the music box (RPG Maker) กล่องเพลงต้องคำสาป (Part 1) - Duration: 10:01. -------------------------------------------
JYP Entertainment to hold Korean music industry's very first 'songwriter auditions' - Duration: 1:38.
JYP Entertainment has announced that they will be holding songwriter auditions, a move that has previously never been done by a Korean music company
SEE ALSO: The Rose release Ha Joon and Woo Sung's individual MV teasers for 'She's In The Rain' The auditions, which will be held by the company's JYP Publishing section, will be held roughly every six months and will seek out songwriters who have skills in every step of the process, including tracks, melodies, and lyrics
They will also make online auditions available on the 25th of every month via the JYP Publishing homepage
In an official announcement about the auditions, JYP Entertainment has stated that they are focusing specifically on talent and will not be considering level of education, age, or work experience when recruiting
Top picks may also receive prize money for their submissions. The current submission period runs until October 18, where they will be requesting one female idol song and one male idol song from each songwriting hopeful
What do you think about this new form of K-Pop auditions? misc.
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QUESTION CHILDREN- Yellow Magic Carnival/黄色魔法(Music Video) - Duration: 4:11.
For more infomation >> QUESTION CHILDREN- Yellow Magic Carnival/黄色魔法(Music Video) - Duration: 4:11. -------------------------------------------
Crossing Field 'Polish Cover' MUSIC BOX ver. (Sword Art Online Opening) - Duration: 1:41.
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Beyoncé - Save The Hero (Music Video) - Duration: 4:34.
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Where Does Music Begin? - Duration: 1:16.
For more infomation >> Where Does Music Begin? - Duration: 1:16. -------------------------------------------
How Do They Make It?! Music (Mammoth Beat Organ) - Duration: 7:56.
most music today is made in factories like this one this machine is a Dunning
Underwood mammoth beat organ the makers of the machine are also its operators
every piece of music begins with a central driveshaft an operator turns its
speed dial and the beam begins to roll a second operator brings in the first
component I'm connecting to the driveshaft a wheel pumps a pair of
bellows which in turn pump air through two valves an air pipe is attached to
the first valve and the other end is attached to an organ pipe each time the
bellows pumps a note is played a second pipe is attached to the other valve one
end of this pipe is sealed so a reservoir balloon begins to fill with
air a second unit is wheeled in the wind sequencer once our balloon is
sufficiently full the other end of the pipe is attached to the wind sequencer
the pipe plays a continuous note because the balloon reservoir keeps pressure
even when the bellows take in air pegs are added to the wind sequences cans to
determine at what point in the cycle the valves open
an operator chooses for from a selection of LED organ pipes the smaller pipes
play higher notes and the larger pipes play lower notes when the wind sequencer
is offered up to the driveshaft it begins cycling through all the notes
working together our operators now produced the first piece of music for
the day
for the day's second piece alternative components must be mounted drums and
percussion are selected for the newly introduced rhythm unit a beater is
connected for each of these different drums with the beaters being controlled
by a selection of different colored cams plane cams play in 4/4 time Green cams
four divisions of five yellow cams 4 6 8 and red cams four divisions of seven the
turntable is added the gears connect meaning the platter will rotate once for
each cycle of the drive wheel a wheel module is added on to Wichita mola is
placed small wooden shakers are placed inside the tombola to roll around
continuously a special beater is used to create friction on the surface of this
TomTom drum creating a tone the pitch of the snare drum can be altered by sucking
air out of the shell cams can be hot swapped at any moment replacing one
rhythm with another a quick adjustment and the new part is in time with the new
equipment in place the next piece can begin
for the next piece the bellows are returned to the machine this time they
used to inflate a much larger balloon
the rhythmical cams are removed replaced with 2 irregular circles the drums are
reconfigured removing the sticks and adding dangling chains as the wheels
move the chains are angled over the cymbal
the wind sequencer is returned it's placed in position but not connected to
the driveshaft so the operator can select notes manually now fully inflated
the large balloon is brought round and connected to the wind sequencer the pegs
are reconfigured so that all valves can be open at the same time similarly sized
organ pipes create beat frequencies the micro tuning of each pipe can be altered
throughout the piece as the operator plucks the spring roller with a plectrum
the next piece can commence
it's been a long day at the Music Factory but there's still time for one
more piece the bass drum beta is replaced with a harder mallet an
additional spring is attached for greater tension a new set of rhythm cans
are selected and put in place a tambourine arm is attached to the
community a melodica is placed on the air sequencer Foghorn pipes are
connected to the bellows the driveshaft is started at high tempo
and the final piece commences
once the music ends it is checked by the operators for quality before being
distributed on audio cassette or sometimes played live in front of an
audience to find out more about the mammoth beat organ just visit your local
Music Factory
you
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Episode 30: Arranging 1, transcribing vocal music - Duration: 12:16.
This is Maria and this is Hester. Ant together we are the CONSORT COUNSELLORS!
In Episode 28 we mentioned that María
arranged the complete Goldberg Variations by Bach for our quintet Seldom Sene.
There are many reasons why a musician may decide
to arrange a composition for a certain setting.
For us one of the most rewarding is that
by analysing, arranging, working on, and playing the composition yourself
you get to know it much better and enjoy it much more!
Although there are many publications, and arrangements for recorder available online,
it is great to have the possibility to adapt more music yourself.
This will make your ensemble unique!
Therefore, during this season we are going to have a few videos
on how to adapt, transcribe and arrange music for recorder consort.
In this way you can try your favourite repertoire with your own ensemble.
Today we are going to start with how to transcribe vocal music for your recorder consort.
Music originally written for vocal ensemble works really well on recorder consort.
Why is this? There are two main reasons: first of all
First of all, the range of the recorder is very similar to that of the human voice.
That means that the music written for voice usually fits very well.
There are no notes out of range when you play the music on the recorder.
That saves a lot of trouble and 'headaches'!
Secondly, singers and recorder players phrase and breathe in the same way.
This makes most vocal repertoire feel very natural on the recorder.
We can breathe on the same places as the singer would do,
and develop our phrases in the same way. So: natural, natural!
There is an immense wealth of vocal repertoire from all eras and from all corners of the world.
After today you will be able to play through your favourite Renaissance polyphony,
but also through any other vocal repertoire you may like.
What do you think of juicy harmonies of the 19th century?
A tiny little disclaimer: our method of transcription is purely practical.
If you are a professional musician, you may think that we miss out on some important details.
But, please: watch until the end!
Here is the beginning of a beautiful, gorgeous motet
by Tomas Luis de Victoria.
We would like to try this out with our quintet.
The first step is to check if the range of each voice
suits the range of the recorders that we have at our disposal.
We are very lucky because the editor of this choral score already set
the ranges of each voice next to the clefs.
But when you work with an edition where the range is not shown next to the clef,
simply go through the line and check the highest note and the lowest note,
keep track of those, and notate them next to the clef.
The next step is very simple:
we are just going to connect every type of voice
with the corresponding type of recorder, from bottom to top.
"Bassus" means "bass" in Latin. Would this voice fit on the bass recorder, we wonder?
The lowest note of this line is an F and the highest pitch is a B-flat.
Yes! It fits on a bass recorder - beautiful!
The voice that is marked tenor would be sung by a tenor voice,
so let's see if it fits on a tenor recorder.
The lowest note in this part is a low C and the top note is the D a ninth above.
So, this also fits!
There are two voices marked "altus", so "alto" parts. Will these parts fit on an alto recorder?
We think so! Because the lowest note is an F and the highest note is a G.
Actually, the alto parts both have the same range,
and I think they could also fit on a tenor recorder,
because the lowest note, the F, and the highest note, the G, are still within the range of a tenor!
So we can even choose which instrument we play for these voices.
In this motet by Victoria, we chose that the third line (me) plays on a tenor.
We do this because you play in the higher range of the instrument,
so that the voice sounds a little bit more bright
At the same time, the second line is played on an alto,
which is then the only Alto in the ensemble,
so this line gets a little bit of a special sound as well: more unique!
Finally we have a part called "cantus".
Sometimes in editions of Renaissance music you will also see "superius" for the top line.
These are usually parts that are good for soprano.
The lowest note in this voice is the low C
and the highest note is a 9th higher, the middle D - so that perfectly fits!
OK, so we can play this motet by Victoria on a consort of recorders
with a bass recorder, two tenors, an alto and a soprano, and that makes perfect sense!
Yes! But...
We have to be aware as recorder players that our instruments,
which are named soprano, alto, tenor and bass,
actually sound a whole octave higher than the corresponding singer.
So, when we play this motet in the setting that Hester just mentioned,
we are sounding an octave higher than a vocal ensemble.
But this is not a problem at all!
Actually it's really nice to play vocal music an octave higher than the singers would do, because it sounds lovely and angelic...
If you like to play this motet exactly in the same range as a vocal ensemble
with your recorders, you can do it too! But you need to make each instrument twice as big...
That means that the little soprano is going to become a tenor, for the top line...
...the alto that played the second line is going to become a bass...
the tenors turn into a C-bass...
...and the bass recorder becomes a contrabass!
When you try out the music with your ensemble and you have enough instruments
to try both the high option and the low version,
you can see for yourself - and hear for yourself - what the best option is for your ensemble.
To transcribe vocal music correctly and know for sure you're doing it right,
you need to be aware of this octave gap between voices and recorders.
When you work with the practical method we just used,
be especially careful with 'alto' voices
and stick to the following instructions:
When you are reading a part for alto voice and it's notated on G clef with a little 8 underneath,
then you can read on the alto recorder as you are used to.
That means that your lowest fingering, with all the fingers on the instrument,
is the F on the first space of the staff.
When the part for the alto voice is written without an octave sign below the G-clef,
you have to play your voice an octave higher than it's written.
This also means that the lower tone of your instrument is written with three additional lines below the staff.
Same result, different way of reading! Comme ci, comme ça! ¿Qué será sera...?
If you are not particularly interested in understanding exactly
why and how all of these octaves work,
then you can just start working with the practical method we described.
However, if you are interested in understanding how it all works
with the actual pitch of the singers and the pitch of the instruments we use,
we recommend you to download the PDF through the link in the video description below and start analysing.
We hope you will give our method a try, and when you do, we would love to hear the results!
Send us the score or a recording of your transcription
and we will give you a shout out in one of our upcoming episodes!
If you cannot wait to start working on the tips we have given you today,
you're gonna need to find some great choral music to arrange.
A great place to get started is the Choral Public Domain Library, also known as ChoralWiki.
This is a great resource for choral music with compositions from all eras and from all around the world.
Try their advanced search engine or browse through one of their thematic collections:
Christmas music, Easter music, Summer music, Winter music...
Another great page, if you are interested in music from the Spanish Renaissance,
(although they also have more things) is tomasluisdevictoria.org
Here you will find, among other choral music,
the complete works by Morales, Guerrero and Victoria.
See you next time! ¡Adiós amigos! Doeiii!
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Best Nightcore Mix 2018 - Top 20 Nightcore songs - Best gaming music - Duration: 1:07:25.
Thanks for watching my video! Please share my chanel on social sites (Facebook, Google+, Twitter etc ...) so more person could hear and have fun! Thanks for reading and have a great day.
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The Chicken and Cheese Song - Official Music Video (ft. Smaller-Sized Dan and Medium-Sized Joe) - Duration: 1:56.
chicken nuggets are so yummy chicken nuggets are so good
chicken nuggets are so yummy chicken nuggets in my tummy
chicken nuggets are so yummy chicken nuggets are so good
chicken nuggets are so yummy chicken nuggets in my tummy
dip the chicken nuggets in some ketchup
or some mustard salt and pepper makes it taste so goooood
chickfila wasn't open on sunday what should we do
Hey dan its joe I am sad
lets go home and eat some cheese wow this cheese is so good
i should dip some chicken in it these foods are so good together
but remember
chicken nuggets are so yummy chicken nuggets are so good
chicken nuggets are so yummy chicken nuggets in my tummy
chicken nuggets are so yummy chicken nuggets are so good
chicken nuggets are so yummy chicken nuggets in my tummy
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Top Hits 2018 English Songs - Best Music English Songs Ever - Duration: 1:33:42.
Hello friends ! If you like this channel music please like & share, subscribe channel. Thanks you very much !!
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