Chủ Nhật, 28 tháng 10, 2018

Youtube daily an Oct 28 2018

Tell me about the words I wronged

I'll count the worth I once found

And tell me how I never belonged

I'll bury the silver in the ground

The elephant's gone to clean your wounds

Maybe it'll find all those paper rooms

I'm bidding your colours are not too grey

With all of my monochrome world pay

I'm drinking my lemonade

Reminiscing on the masquerade

Cold Star, Shine Bright

Go far, Goodnight...

For more infomation >> Cold Star - an original (CC) - Duration: 1:51.

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VIETNAMESE FOOD #85 | STREET FOOD "AN VAT" VAN KIEP - Duration: 3:37.

SUBSCRIBE TO SEE MORE VIETNAMESE FOODS! MANY THANKS ❤

For more infomation >> VIETNAMESE FOOD #85 | STREET FOOD "AN VAT" VAN KIEP - Duration: 3:37.

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Was treibt Brandstifter an? | Zur Sache Baden-Württemberg! - Duration: 6:18.

For more infomation >> Was treibt Brandstifter an? | Zur Sache Baden-Württemberg! - Duration: 6:18.

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How an Opera Singer Uses Fashion Technology: Michelle Minke - Duration: 1:32.

Michelle Minke is a Calgary based soprano who utilizes fashion technology to enhance her performances.

Trained at the Royal Academy of Music in London, England: Michelle performed in opera houses across the world before returning to her hometown of Calgary.

In her Carmen Remix video Michelle collaborated with designer Olga Sem to create an illuminated dress

Her backup dancer also wore a light-up bodysuit complete with LED hoops.

Olga Sem is known for her innovative masks and fantastical costumes.

For her performance at the 2018 MakeFashion gala

Michelle commissioned Olga and Lumen Couture designer Chelsea Klukas to create a show-stopping illuminated accessory set.

The headdress and necklace are inspired by illuminated crystals.

Lumen Couture has also extended the runway concept to ready-to-wear quartz jewelry that is available for purchase.

As wearable technology becomes more accessible we can expect to see more performers utilize lighting technology into their performances.

For more infomation >> How an Opera Singer Uses Fashion Technology: Michelle Minke - Duration: 1:32.

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a green screen video since I don't have an animation ready. - Duration: 0:14.

sit

dance

kick

wow wee

grön bön män

whoops

wow wee. yoga

For more infomation >> a green screen video since I don't have an animation ready. - Duration: 0:14.

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Ungerecht behandelt? Supertalent-Kandidatin geht Dieter an! - Duration: 3:13.

For more infomation >> Ungerecht behandelt? Supertalent-Kandidatin geht Dieter an! - Duration: 3:13.

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Herzogin Meghan: Bei diesem Lachanfall fließen Tränen , All you need is love! An diesem Abend - Duration: 11:15.

For more infomation >> Herzogin Meghan: Bei diesem Lachanfall fließen Tränen , All you need is love! An diesem Abend - Duration: 11:15.

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JE GAGNE 1 AN DE COMPLÉMENTS ALIMENTAIRES | SFN 2018 - Duration: 6:36.

Hi guys welcome on the JDV's channel

Today we're in Scotland in Glasgow

pour le salon du SFN 2018

We've been invite by VXS

and it's a clothes brand with who I'm working with on instagram since few months

We will try to film you the max that we can and we hope that you will like it

just to make sure that you understand the hole video

I just want to give you some more informations

at the SFN there was a stand of protein

with a free reactivity game

where you just have to hit the buttons fast as possible to get a bigger score

but you have to know that every hour

the bigger score won a bag of protein and a shaker

and the biggest score of the weekend won a full year of protein

I think that you can understand everything now, so enjoy the video !

first try

hour winner

next morning

score to beat : 92

For more infomation >> JE GAGNE 1 AN DE COMPLÉMENTS ALIMENTAIRES | SFN 2018 - Duration: 6:36.

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An Anxious World: Children – Part 2 - Duration: 28:33.

*

I use this when I'm stressed or something. There's a charm hidden inside,

and it's right there, and it's a little fish.

And this... I got it for my birthday, and it used to have eyes and a mouth,

but then it rubbed off, and it's a lion.

Copyright Able 2018

What does anxiety mean to you?

It's like when you have emotions about what's going on around you.

Yeah, absolutely. Emotions. We have lots of emotions about what's going on around us, eh?

And you get, like, really nervous and you're worried about what's gonna happen.

OK, nervous and worried.

And when you have butterflies in your stomach and you feel, like, really scared to do something.

OK, yeah, sometimes you do feel it physically. Yeah, you get anxious about it.

Yep. When you're presenting.

Like, if you're doing a speech or something.

So, when you're practising it at home in front of your parents,

not quite so anxious, but then— CHILDREN: No.

And then what happens when you get out in front of the class? Butterflies go everywhere.

(LAUGHS) They just burst out. It's like bubbles up inside you.

Even thinking about it can— Yeah.

I try not to think about it until I'm doing it.

Right, cos even thinking about it can, sorta, build up that anxiousness and that nervousness.

Yeah. Yeah, just kinda think you're in your own little bubble.

Yeah. Everyone's invisible.

And that's what we see a lot in the literature is that overthinking — word that you said.

Anxiety is sometimes about not being able to turn off that problem solving,

so you just keep trying to problem-solve and keep trying to problem-solve.

And sometimes you can't solve the problem. Cos words go all through your mind.

You're just like, 'Oh no, what's gonna happen? What's gonna— Are they gonna laugh

'if I'm gonna go and do this or this or this.' Yeah, yeah, yeah.

And then you just kinda gotta clear your mind and just think you're alone.

Mm-hm. Just think everyone's invisible. Right, yeah, that's your strategy?

No one will make fun of you. Right. Yeah.

So feeling anxious is often about reaching out to our friends and our loved ones and our family.

It just helps you to stop feeling alone, eh. ALL: Yeah.

Sometimes anxiousness is just about feeling alone.

Anxiety is, like, more about how it's yourself, but as soon as you tell somebody your problem,

it, like, the weight comes off your shoulders a bit. ALL: Yeah.

And it doesn't feel as bad. Hmm.

When you— Cos usually it's like writing. When you say it out loud, you find your mistakes.

So if you say your problem, you might think, 'Oh, no, it's not actually that bad.'

Or, 'Oh, yeah, there is a solution.' Yes, OK.

Right, so what's the rules?

Um, we need to...

The children go first. What? Yeah. Yes.

I don't— I need to set out the wild cards. The what?

Children always come first.

They're completely opposite. We've got two kids. Mieke is—

She's 8. ...an 8-year-old now. Yeah.

Just had her eighth birthday. Yeah.

And Alex who's 6.

And they're complete opposites.

Which is fantastic, so...

Alex is pretty outgoing and easy, and... Yeah.

Just whatever comes, happens. He's cruisy as you like.

Mieke's not. Mieke's pretty anxious.

Yeah, she's a perfectionist, but she also... Yeah.

Will give up too early, so that's not a good mix. (LAUGHS)

She'll try something once, and when it doesn't go perfect...

Yeah, and then she gets pretty upset at herself that she hasn't done it, and she worries,

and that's when the hair-pulling comes out.

READS: 'How many sides does an octagon have?'

What's an octa— Oh. A shape.

Eight. Well done. Good job. Nailed it.

You got it right. I thought— At first I thought it was six, but, no, it's a bigger number,

so I just— Yeah, well done. So you just did that.

Mieke started pulling her hair before she was 2.

She started going bald on one side, and I sorta thought,

'Oh, that's a bit strange. She wasn't bald before.'

And I watched her, and she'd sit and she'd use her fingers, and she'd just wrap them and rip

and wrap and rip, and there'd be hair all over her pillow. You could hear the ripping.

It was that bad. Oh, it was awful.

There was— Doesn't seem to be a trigger, like a straight timeline of something,

but she did have quite a traumatic start to life,

and then she was quite sick as a baby.

And looking back, it was so obvious why. Yeah.

She had so many— Well, there was the earthquake obviously. She was born— Three weeks.

She was the harbinger of the earthquake almost. Not quite but—

She was 3 weeks old when the earthquakes happened. And I was put to sleep to have her.

(SIREN HOWLS)

That was a bit of a stressful time,

and then she was diagnosed with failure to thrive.

She got pneumonia, and then we had the second earthquakes,

and then in that time we lost our house and I lost my job.

(SIREN HOWLS)

That's where, clearly, things were very stressed. Like it took—

Mieke and I were in the city centre next to the CTV building.

I remember standing in the middle of the road holding her, thinking my baby's covered in dust,

and there shouldn't be this dust, and what am I supposed to do now?

And there was just clouds and screaming and sirens and noises.

And it took us eight hours to get to Stephen.

There was a lot of people who helped us, which was really amazing.

And had gone home to our house, but had had to wade through liquefaction to get Mieke's medication.

It was waist-deep just getting back to the old house.

Welcome to life, Mieke.

The expression often used is 'build a lifetime in the first 1000 days.'

Your brain will take what it experiences in the first 1000 days

as a good indication of what your life's likely to be like for the rest of your lifespan

and give you a brain ready for a lifetime full of what you experienced in the first 1000 days.

Now, we see that especially in Christchurch, and that's understandable

that we'd have a higher percentage because of the earthquake,

and if you understand the first 1000 days and how you're adapting to that environment,

if you were born just after the earthquake, you've been adapting to a trauma environment.

That's why Scandinavian countries put— spend all their taxes in the first 1000 days.

It's why they pay the parent to stay at home in the first— 80% of their salary

to stay at home in the first year.

It's not just a warm, fluffy thing about babies. They build less prisons; they have less suicide;

they actually ultimately spend less money by investing more money in the first 1000 days.

(SIREN HOWLS)

(PEOPLE YELL)

And looking back now, I'm like, 'Oh my goodness, there was so much that happened to her in the first...

'1000 days of her life that...' Especially, yeah.

Surprised that she functions at all to be fair.

I'd had a car accident, and it was quite bad, and I was, um...

There was lots of court and police and things, and so she saw that, and she worried for a long time.

When she started school, I wouldn't pick her up.

(SCREAMS)

In that time, I got made redundant and there was lots going on.

So it was probably a really stressful time for us. Yeah.

Let alone being a 6-month-old baby who was already sick and seeing specialists.

It's a bit difficult trying to be a normal family in those times. Yeah.

But even outside of Christchurch, we have more anxious children, and I think that is because...

You know, and it's speculation now as to why we have more anxious children,

but I think a huge part of it has got to be a lack of— we lost an at-home parent.

You know, when you look at risk and resilience factors — resiliency factors are the things

that are gonna make your child turn out well.

We're making pancakes for breakfast. So quickly you make pancakes?

OK, what do we need for this? Water. Milk!

'Mil-kuh'?

We had a fatal flaw in...

I think cos the thing I always wanted to be was a dad,

so, yeah, whanau time is really important to me.

I think cos once you've got a strong family unit, then wherever you are, no matter how spread out you are,

and no matter how far apart you are, they essentially know you're there in an instant

for each other emotionally, and that's really what it's about, hmm.

But I really enjoy the times when I get all the kids together.

And the moko together at the same time.

Little bit— Little bit gluggy.

To describe my dad in one word — I'd probably say different.

I think, sort of, growing up, everyone said,

'Oh, you're like your dad. You guys are quite similar,'

but then I'm sorta like the rugby player, sort of, what you think of,

and Dad's very much the drama, sort of, person.

And I guess you sorta correlates that over to work as well.

If you've ever seen him go talk, he's always quite expressive.

...and be introduced to the topic.

So, I spent, like, 14 years working as a child counsellor, working with kids in therapeutic settings,

and that was mainly kids with extreme behaviour and kids that had experienced trauma.

It was the 1990s, and a lot of the information about the brain had started to come through

really thick and fast in the 1990s. That's what that first talk was about with the first 1000 days.

What we learned in the 1990s is that the human brain is genetically and biologically designed

to interact with the environment in the first 1000 days of its existence

to see what sort of brain it's gonna need for the rest of its life.

Down here, I think we've got attached to your hoverboard.

My family feed my mahi because, in lots of ways, my family are my mahi.

You know, like nurturing and how to bring the best out of children and how to reach potential

and, even as a counsellor, conflict resolution. Like, all of that is in the family,

so I think because I had children young, I think I'd become—

I started practically and then added the theory and the academic research,

cos I was already— You know, a teenage— I was a dad when I started my university studies.

I think my children have been a huge part of my journey, because they've kept it real for me the whole time.

It's always been about, 'Well, what does that mean in real life?'

And I think that's a lot of what my job is now is taking that complex academic stuff and saying,

'Well, what does this mean in real life?'

I think a lot of that's down to my children and that practical experience.

Well done! Yay!

(SPEAKS MAORI)

Oh, ka pai! (LAUGHS)

(SPEAKS MAORI)

I like reading a lot, and there's lots of books down there. Um...

My bed's very comfy.

And we only painted—

We only moved into my house last year, in January.

We're gonna do some baking. How do I do it?

Well, there's the instructions just over here. We're gonna start with the flour anyway.

Control over her food, that's a big one. Yeah, definitely.

Especially as she's gotten older, she's realised that she can control food and just choose not to eat.

That's her control in life. If she feels out of control in everything else, she will control her diet.

Like, her favourite food is rice, and then she likes vegetables and whatnot.

But as soon as you make fried rice and mix it together, nah. She won't touch it.

That's out of her control. She doesn't like... Cos she wants them separate.

So she can control what to eat. It's really quite bizarre.

She's very, um— She like— When she chooses what to eat,

it will be if she's in that phase of using that to feel better about herself,

it will be bread, rice, pasta — anything white — and it can't be—

Noodles. Yeah, anything with flavouring, she won't touch.

I just don't want to make an issue with food, so we've tried really hard not to,

and I really hope as a teenager that she knows food is for fuel,

to help her grow and to help her learn

and not to control how you feel about your body.

Mix it all up. It looks like manure.

I guess, we don't know any different, do we?

I can see different with Alex. (CHUCKLES) Yeah, we can, but...

Raising her, there is no difference. She's Mieke. She's always been... slightly anxious,

and you just— I guess that changes our parenting style maybe.

I'm a little bit more mindful of it in regards to what I say to her,

and if she is having a tantrum, I give her a few minutes,

and then I find the best approach is to just sit down and have a Daddy-Mieke talk,

and we just sit down, talk about how she's feeling, and that often gets the job done.

Doesn't it? Yeah, whereas as she won't talk to me.

She needs a lot more time if it's me around. Yeah.

And I'm not sure why.

She will eventually talk to me, but she prefers to speak to you when she's feeling...

Yeah. Like that.

Just have a cuddle and a big hug and just have a yarn about how she feels and what we can do to, you know,

make her feel better and...

It's not ice cream. Yeah. (LAUGHS)

But more things along the lines of, you know, just— Time.

Letting— Reading a book or 'let's go outside and ride your bike for a bit'.

That's it. Well done. Hot!

Done. Look at that. Well done. Yum!

(PEACEFUL MUSIC)

It's hugely important to me. Te Reo Pakeha is also hugely important to me.

They're two aspects of my life that make up who I am,

so it's easy to facilitate Te Reo Pakeha because that's the dominate culture.

So I suppose Te Reo Maori is important to me because I want my children to grow up

in a world where that culture and that language is thriving,

where we have the diversity of multiple languages and multiple perspectives,

because I know through that diversity is where you really get human creativity

and original human thought, and that's the way of the future, really.

I'd love to take everyone into a marae-based kaupapa.

I'd like to see all of my work mould into one and that everybody gets this, um...

Because I think what's good for Maori is good for everybody,

so, yeah, I'd love to be in a Maori environment that is a holistic environment

that's about doing what education was meant to do in the first place —

helping people to reach their full potential,

and I think marae is a perfectly suited place for doing that.

Whenever people ask me, 'Oh, so why do you do this job? What is it that drives you?'

And I try to articulate it, and it just comes out sounding really cheesy and corny,

and really the truth was because most of the social workers I dealt with when I was a foster kid myself,

I thought, 'Oh, you've got no clue what to do, and it'd be so easy to come in and do it better yourself.'

So I sort of— That was a big part of the driving force, so...

Most people of this generation, especially in New Zealand and Australia,

don't fully appreciate that what that means is

'how brainy you are right now is not just driven by the genes or the whakapapa that you inherited'.

That might make up around a 50%...

In children that come from loving, secure environments where they were indulged and held in what Maori call

the ahuru mowai, that, you know, little paradise. (CHUCKLES)

Then that keeps the child's survival brain so calm because they're so, you know, looked after.

That gives them a biology or the biological information from the environment

to bring all of brain number four, this frontal cortex, online,

the brain that allows us to focus our attention, have empathy, higher intelligence — all the good stuff.

Is it easy to spot when a child is having trouble with anxiety?

No, that's not that easy to spot. It's usually their parents that's the expert on that, basically,

because they're the expert on that child. They're the one that lives with them day in, day out.

They've got an understanding of what's typical and what's now bordering into not so typical.

Often times, actually, the child just verbalises it,

and they will be telling you, 'I don't wanna do that. That scares me. That gives me a sore tummy.'

The constantly worrying and over-preparing of things,

being really adverse to any type of risk-taking, any type of new situation.

Hmm, repetitive behaviours.

We're always looking for a cluster of things, so it's very hard to just, sort of,

give a tick-box list for, you know— a tick-box list for what is anxiety.

It's about a cluster of behaviours, and it's about the subjective experience of the child,

and it's about what the parents are reporting to us.

We had to prepare Mieke this morning.

We just told her we were going out. She had a lot of questions about where we were going

and what we were doing. We just said, 'We're going to the gardens.'

She kept repeating the same question over and over. We just, kind of, said, 'We've already answered.'

And we came out— Getting to the car were a few tears.

She wasn't sure about how she felt today coming out because she wanted to stay at home and read,

and we just said, 'No, we're going out to have some fun,

and if we have a really nice time, we can get an ice cream on the way home.'

That, sort of, calmed her enough to get in the car.

WHINES: No. No.

Mieke, let's go for a walk. Let's follow this path.

No. Come on. Take my hand. No, I'm not going.

Go on, Mieke. No. Mieke.

What are you worried about?

If we stay at home, Mieke feels really comfortable, and that's her comfort zone,

so by taking her out, we give her the chance to get out of her comfort zone

and not, sort of, get her stuck in a rut.

If we just stayed at home all the time, then we do have to go out,

it would be a lot harder than it was getting out today to come to the gardens, where we go quite often.

It's just a little bit— Yeah, we don't want her to be stuck in the same place,

cos she'd just stay at home in bed all day.

Well, not in bed, but in her room, in her safe space.

Oh, we're not bringing it home, though, all right. I'm going back down.

Mieke, jump out of the garden please.

How are you feeling today? Um...

Don't really know. Just felt nervous and anxious.

And how does it make your body feel? Hmm, a little bit jumpy and want to go home.

What we get with her is in public, she is able to function.

She knows that you don't have a meltdown, and it's—

People will look at her if she's pulling her hair out, so she tries really hard,

and she'll hold it all in, and she'll behave appropriately

until we're out of, sort of, the sight of people she doesn't know,

so once we're back in the car, once we're at home is where we'll get those behaviours.

Last night, she was pulling her hair out, and actually it's shorter in the front today

because she's pulled all the front bits and ripped her fringe even more,

so it's when she's back in her safe space that we get those behaviours.

So no one would know that there's something up with her.

She is able to function as a person.

Living through the Christchurch earthquake and living in Christchurch

and seeing the ramifications of that and the increased anxiety.

Seeing the anxiety and those statistics and people being concerned about it.

I am pleased that it's being brought to people's awareness,

and I'm pleased that we're seeing the pioneering things,

like we're seeing at Waimairi primary school — and they're not the only ones doing that.

They're just the ones we happen to, you know, film at.

There's an increasing number of primary schools that are focusing on disposition,

dispositional learning, emotional intelligence — really, really well.

So it's exciting. We just need to do more.

Grab a toy!

Grab it!

We wanted to focus on developing students' dispositions towards learning

because that is what they're working on before they come to us.

So New Zealand has a world-leading early childhood curriculum called Te Whariki.

And it's recently been revised, but it's been around for a long time,

and it still has international study groups coming from overseas to look at how it works

in a New Zealand context.

And it's groundbreaking and really special because it was developed by child development experts

rather than a panel of interested... people.

It had— It's got sound neuroscience, sound child development underpinnings.

And it is mainly about giving children a wonderful disposition towards learning.

'Yeah, I can do that.'

'This is for me.' 'Yep, learning, I'm all over it.'

Which is what's needed for future success.

So all we're trying to do is implement what research tells us

about these little brains that walk in the door.

More and more now schools are focusing on pastoral care,

but I think we've got a long way to go, so, yeah,

I think our exam system that we currently have

that puts our teenagers under constant stress the whole year —

I think when I went to school, there were two periods of stress, mid-year exams and end-of-year exams.

Under the current system, that level of stress is maintained throughout the whole year,

so I think it's a perfect storm, but I don't think New Zealand manages well.

I think our focus — very clearly what the research would support me with —

is that the— our focus on only literacy and numeracy and cognitive intelligence in early childhood

is probably the major contributor to our anxiety as a teenager.

(INDISTINCT CONVERSATION)

At that age, children should be playing. They should be learning to love life.

They should be learning to love themselves. They should be learning to problem solve.

That's what forms the basis. And the literature calls it social-emotional aspects.

So most early childhood curriculums in the world are social-emotional curriculums,

because they're aimed at your limbic system. The frontal cortex, the brain on top of that,

that you generally sort of move into around 7 — that's when it's centre stage —

that's got reading and writing and repetitive patterns and logic

and all the stuff that we think of as adults as being intelligent,

but you don't get a more intelligent child by doing that early.

But we have a culture in New Zealand that says, 'Get those kids ready for school.

'Sit down, literacy, numeracy, "What colour's this?" You know, "What number comes after that?"

That limits children's creativity. It limits their emotional intelligence,

and it makes them more vulnerable to anxiety and depression as teenagers.

You're actually building from Te Whariki...

a sense of belonging,

a sense of well-being,

a sense of exploration,

communication and contribution.

So they are...

ways of being which actually help you learn and function,

and they're what's built at early childhood before you get into the content,

before you hit the content, you've actually got to get the disposition towards it.

This isn't a magic land of no anxiety — particularly post quake.

But we have reductions in the number of 5-year-olds wanting to run home during their first few weeks,

which is something that happens in all schools, but it's been brought right down.

(CHILDREN CHATTER)

Have a think before you name one great thing that happened to you today,

either that you did for yourselves or you did for a friend.

Don't need to tell me. Have a think in your own head.

A great thing that helped your learning.

Here we have a mantra of we're only gonna work on the things that we can change.

We can't actually change society's rise in anxiety, but what we can do

is make careful study of how children and adults react when anxious

and learn to deescalate, to calm, and it doesn't have to be, like,

the whole programme design, which I've talked about. It's a big part of it is preventative,

so if we can design a way of transitioning to primary school

that is all about reducing anxiety, which in turn raises learning,

cos the brain cannot learn when it's anxious.

Then we're addressing that.

And then we've got a whole range of other microinterventions

that are just informed by what we know about anxiety for those children who still remain anxious.

We've learned new and different ways of deescalating anxiety-filled situations.

We've learned about trigger points. We've learned about reading children.

We've learned about the physiological manifestation of anxiety

and how we can turn that around in kids and actually use that as a positive.

We've even got a school dog here, who's part of the deliberate strategy of being a place

that actually can deal with anxiety in a really humane way.

I would hate to think that the message that parents get

is you need play-based learning at 7, until 7 and then bang.

Actually, 7 to 8 should be like a transition time.

But then by most children by the time they're 8 are more into a more cognitive learning base,

so we can do repetitive patterns, reading and writing, because it's building on that disposition,

not doing it instead of a disposition.

Show us some fabulous gymnastics. OK.

The other thing that was great was finding that one thing that she was good at and wanted to excel at.

We tried ballet first when she was little, and she gave up on that pretty quickly,

but then we went to normal gymnastics, yeah.

But she's always had a bit of rhythm, and when we found rhythmic gymnastics — that's a mouthful.

And her coach, yeah. And her coach. Her coach is like—

She was fantastic. Yeah, she's so good with her. She doesn't put up with anything.

She's like, 'Actually, you can do this.'

She was strict, but she also understood when, you know, Mieke—

not coming from, but... how was Mieke was.

So Mieke's not learning gymnastics to learn gymnastics;

she's doing it to get that confidence. She's doing it to get that— those life skills.

It's not cheap. (CHUCKLES) But it's worth every penny,

because just seeing a change in her has been— made a world of difference,

not just for her, but for me, you know.

It's been one of the key things is seeing that change.

And when you get to know her, she is pretty awesome. It's just taking the time to get to know her

and gaining her trust, and once you have that, she's actually pretty cool.

(LAUGHS)

I hope that she realises that she's pretty awesome and she doesn't have to be like everybody else

and it's OK to be her, and she doesn't need to worry cos she's got us.

Yeah. Yeah, and just to know that it doesn't matter if you fail at something.

It doesn't matter if you can't do it on your first go. Just keep trying.

Just keep trying, and I believe we're enabling her to do that, so she's getting there.

Hopefully. We just want her to be happy.

I do believe there's a long road ahead, though.

I'm so proud of what she's already achieved, and she's only 8, so... Yeah.

As long as she's happy. Especially compared to where she was four years ago. So proud.

(UPBEAT MUSIC)

(CLAPS) Good job. Well done. You nailed it.

Nailed it!

ALL: Love yourself!

Captions were made with the support of NZ On Air.

Copyright Able 2018

Attitude was made with funding from New Zealand on Air.

Tickets are now on sale for the 2018 Attitude Awards.

This premier event shines a spotlight on the achievements of people who live with disability.

Go to attitudeawards.org for information about the event.

For more infomation >> An Anxious World: Children – Part 2 - Duration: 28:33.

-------------------------------------------

Thịnh Đường Huyễn Dạ l An Oriental Odyssey 2018 - Tập 3 (Vietsub) - Duration: 38:18.

For more infomation >> Thịnh Đường Huyễn Dạ l An Oriental Odyssey 2018 - Tập 3 (Vietsub) - Duration: 38:18.

-------------------------------------------

Why Putin runs for president as an independent candidate(Valeriy Pyakin 25.12.2017) - Duration: 2:59.

Presenter: Good evening, Valeriy Viktorovich.

Valeriy Pyakin: Good evening.

Presenter: Good evening, dear viewers, radio listeners and guests in the studio. Today is December 25, 2017

And we will begin today with a question related to the campaign that has already begun.

The question is: "Valeriy Viktorovich, why did Vladimir Vladimirovich Putin go for these elections as a self-nominated person, and not from the United Russia party?"

Valeriy Pyakin: Actually,this is the most optimal and logical step in terms of nomination.

That is, it's time to become

to become a representative of entire society.

If you recall the movement of Putin, [then he was related to the parties], "Unity", "United Russia".

And what is "United Russia"? "United Russia" has included other parties: Luzhkov's "Fatherland", Shaimiev's " Entire Russia".

There is a constant unification, consolidation of entire society.

And now a logical step is taken - Vladimir Vladimirovich Putin will be nominated as a representative of entire society, and not from any political structure.

[There is] further unification and consolidation. Everything is fair here.

Presenter: Another question. Just recently, news came out that Putin

does not plan to participate in the meeting of the initiative group on his nomination for president.

Valeriy Pyakin: Absolutely right decision. Imagine, there will be a lot of initiative groups.

He comes to someone, but he cannot come to others.

No, all initiative groups should be on equal terms. They are nominating Putin.

He does not distinguish someone by his presence, [showing] that these are more "equal" than all the others. Correct solution.

For more infomation >> Why Putin runs for president as an independent candidate(Valeriy Pyakin 25.12.2017) - Duration: 2:59.

-------------------------------------------

Is There Really . . . An Angel Army? - Duration: 28:31.

[PASTOR MICHAEL NOVOTNY]

Do angels actually exist?

Are they actually

spiritual beings who watch

over the people of God?

Or are they just myths and

legends made up by people

looking for comfort and

hope?

Pastor Mark Jeske's going

to dive deep into that

topic coming up next on

Time of Grace.

[MUSIC]

[PASTOR MARK JESKE]

Does the tooth

fairy visit your house?

Yeah?

Raise your hand if the

tooth fairy has made an

appearance, say, in the

last 10 years or so?

I'm expecting to see the

kindergarten kids pretty

much dialed into this.

Yep, that's a yes; the

tooth fairy has appeared.

When I was a kid, the

tooth fairy paid a dime

[Audience: Laughter].

I found out to my shock

that because of inflation,

the tooth fairy now

required a buck [Audience:

Laughter] and so, my

children were instructed

if they believed in the

tooth fairy, they had to

put their tooth in an

envelope and tuck it under

the pillow.

And sure enough, the next

morning there would be a

dollar and the tooth would

be gone.

So in their - when their

first teeth started coming

out, they believed pretty

vigorously in the tooth

fairy.

Their faith began to

wobble a little bit when

once or twice the tooth

fairy forgot to show up

[Audience: Laughter] and

suddenly doubts began to

creep in.

And the oldest, and most

skeptical of our children,

as he was about ready to

lose the last of his baby

teeth, just said, "I don't

believe in the tooth

fairy," and I said, "Okay.

That's okay with me; don't

put your tooth there.

Guess you don't need a

buck." And then you could

see the wheels turning in

his head and I said, "Do

you believe in the tooth

fairy?"

and he said, "Yes."

[Audience: Laughter]

Not because he

believed in the

tooth fairy but because he

wanted a dollar.

[Pastor and Audience:

Laughter] Do you believe

in the tooth fairy?

Are there tooth fairies?

Are there leprechauns?

Are there goblins?

Are there zombies?

Hmm.

Is Superman real?

Is there really a Batman

somewhere?

Are there mermaids?

There's all kinds of

fictional, mystical,

literary invented

creatures partly are human

or, you know, wondrous,

mystical spirit critters

that fill the pages of

stories and movies but you

know, we don't really

believe in all that stuff.

Is there really an Easter

bunny?

You may tell that to the

three year olds on Easter

morning when they're

looking for some chocolate

and sure enough, there's a

basket with a little bunny

inside and it's fun to

play games with that, you

know, but there comes a

point when you say, "Well,

this is a gift from us to

you." You may have Santa

Clause adventures at your

house and that's all a lot

of fun, isn't it, but then

there comes the time when

you have the talk.

Are there really angels?

Are angels just mythical

creatures like griffins

and centaurs?

Sort of the stuff of

literature but they're

really inventions, they're

imaginary, just like

leprechauns are imaginary

and gremlins are

imaginary?

Are there really ghosts?

Or are angels sort of like

ghost stories; just kind

of a fun thing to talk

about but when you really

shine the light of truth

on it, it just kind of

evaporates like a mist?

The only way you're ever

going to know for sure is

to go to the one source of

information about heavenly

things that will never let

you down, that will never

lie to you, and that is

God's holy word.

And I'd like to invite you

to ponder an extraordinary

story with me today; a

story that talks about the

angels not as a literary

device or not as a symbol

for something else, but

creatures with their own

existence - in some ways

like you; in some ways

totally not like you at

all.

And I'd like to invite you

to take your Bible or you

could also check out your

- the program for today

has the Scripture text

printed for you.

I'd like to read a few

words with you from Isaiah

6, the way that the

chapter begins.

Isaiah's message is a long

one and it's been compiled

over a number of years.

He didn't just deliver

this whole thing all in a

blast.

This is sort of various

episodes that were

collected and all put

together.

The first part of Isaiah's

book is mostly some pretty

hard news.

It's called the book of

judgment and it basically

is a hurting love story

from God to the people of

Israel wondering why they

blow him off so easily and

ignore him and suffer

through all of the

hardships and punishments

that come when you

disrespect and ignore and

disobey God and they don't

change though.

God basically says, "Do

you like being beaten in

the head?

Do you like blows?

Do you like your wounds?

What is it with you and

pain?

I'm not - do I need a

bigger and bigger two by

four?

What are you not getting?

I just cannot understand

you." In fact, this is one

of - Isaiah is one of the

stories in Scripture that

kind of makes me thing

that in some ways, you

know, God doesn't get

everything he wants.

If I would ask most of

you, "Does God get

everything he wants?

Does his word make

everything happen

instantly?"

and you would have all

said, "Yes, of course."

And I'd say, "Well, but

think about it.

There's something that God

doesn't get that he wants

and that's the hearts of

every man, woman, and

child on the face of the

earth." I'm delighted that

he has yours but there are

an awful lot of people

whose hearts he does not

have.

He longs for it but he

will not take it or seize

it or compel you.

He tries to win you over

so that you give him your

love because love that is

not given isn't love at

all, is it?

And so, he waits.

Sometimes with discipline

the way a loving father

will discipline a child

that he's really trying to

communicate with.

Sometimes by spoiling them

rotten and pampering them

and giving them stuff.

He works it both ways but

the goal is always to win

your heart to love him

back for all the love that

he has first given to you.

Now in the middle of this

kind of hard message from

Isaiah, we have an

interlude with a scene of

what the throne of God

looks like and it's -

Isaiah begins by saying,

"It was the year that King

Uzziah died." Okay, you

all know that year, right?

What was the year King

Uzziah died?

Everybody knows that,

right?

[Audience: Laughter] You

were going to say 739

B.C., and I would say,

"Absolutely right!

How did you know that?"

[Audience: Laughter] It's

common knowledge, right?

739 B.C.

The nation of Judah was

still holding together

pretty well but its twin

sister to the north was

nearing the edge of

collapse; they were on

their second last king and

enjoying their last little

decade of independence

before collapse set in in

the 720s and they would

cease to exist as a

nation.

Isaiah had a lot of hard

things that he had to say

so this was not an easy

time.

There was trouble between

the northern nation of

Israel and God and yet, in

heaven, all is serene.

"I saw the Lord seated on

a throne high and exalted

and the train of his robe

filled the temple." Now

this is picture language;

this is vision language.

So these things have

significance that comes

from the symbols; we don't

necessarily have to take

everything literally.

"Above him were seraphs,"

seraphim.

You know what those are?

The seraphim are one of

the ranks of angels.

Angels are like the

military.

In fact, the Bible often

calls angels the host of

God or the army of God and

just like our army here in

our country, there is a

command structure and

there are midlevel

officers and then there

are the enlisted men and

women.

The seraphim and their

cousins, the cherubim, are

the top ranks.

This is the general staff.

The cherubim is a Hebrew

word that generally works

best if you just take it

right out of Hebrew

because nobody's exactly

sure how that word is

derived.

But the cherubim are at

the top of the command

structure.

The New Testament calls

them the archangels.

Michael, the supreme

leader, the commander of

the angel armies, is one

of the archangels.

The seraphim are - that

word comes from the Hebrew

word "to burn." They're

the burning ones; the fire

angels.

And I wonder if it's

because of their weaponry.

See, they use light sabers

[Audience: Laughter].

There's a picture of one -

yeah, you can see it right

above the screen over

there if you squint.

It doesn't have lights on

it bright enough perhaps

for you to see but there

is a light saber that that

angel's holding, guarding

and keeping people out of

the Garden of Eden;

keeping them out of

paradise.

It's a sign of judgment

and it might just be that

that's a little allusion.

These are the weapon

carrying angels; these are

the tough ones.

They're the burning, the

angels of fire, the

seraphim.

And yet, at this moment,

we are seeing them not in

military mode, they're in

worship mode.

And let's look at what

they're doing.

"They had six wings." This

is symbolic, of course;

angels don't need wings to

get around but imagine

that they did.

Two of them, "they covered

their faces" because they

wanted to show respect and

humility in the brightness

of the throne room of God.

It's as though we would

come before God and we

would like kneel down and

put our face down.

In the ancient near east,

the way you showed respect

to a ruler is to make your

face low and so the

angels, even though

they're hovering, wanted

to show respect and so

they used their wings to

shield their faces.

"With two they covered

their feet," same reason,

and "with two they were

flying.

And they were calling to

one another: 'Holy, holy,

holy is the Lord Almighty;

the whole earth is full of

his glory.'" And they made

such a racket at the sound

of their voices that the

doorposts and thresholds

shook and the temple was

filled with smoke.

Isaiah was terrified.

I'm going to stop here,

but you really need to

read the rest of this

story maybe later today.

Isaiah was terrified of

what he was seeing.

He thought he was so

unworthy he'd be sizzled;

that these burning angels

were maybe going to sizzle

him or maybe use their

fiery swords, their light

sabers, and just dice him

up like he was being

chopped up for a salad.

He was terrified he would

be killed being that close

to the holy throne room of

God.

And the angels though,

ceremonially, used the

altar of worship, which is

not an altar like the one

behind me, which is a

great, big, beautiful

wooden thing.

The altars in those days

were animals that were

consumed and this

represents the burning

pit, the gigantic like

barbeque pit in front of

the temple in Jerusalem

where the sacrifices of

animals were brought and

the smoke would rise.

That is where sins were

paid for so it's as though

he took some of that fire

and it was a cleansing

fire; it was a purging

fire and touched the coal

on his mouth.

And it didn't burn the

skin off his lips; it, in

fact, ceremonially showed

him that through what

happens on the altar of

the Lamb of God, people's

sins are forgiven.

But I'd like to just

ponder with you what we

just heard about what the

angels are really like.

Do you believe in angels?

I think you should.

I think it would be a

really good idea.

First of all, they're

really powerful.

When they set up their

worship, it wasn't just

humming a little tune.

Such veracity shook the

foundations, the very

foundations, of heaven

itself.

They poured out their

praises of glory and

holiness to the Lord.

Secondly, they're holy.

They are the ones who have

survived their own

testing.

They are the ones who said

no to Satan.

Unlike the human race,

which was all sunk with

Adam and Eve's defection,

these are the angels who

said no to Satan's

deception.

These are the angels who

stayed angels and did not

become the demons of hell.

And heaven is now their

permanent home.

These are angels who are

servants.

The book of Hebrews, at

the end of chapter one,

says that the angels are

ministers of God; they're

servants of God looking

after us.

They're working for God

but they're also working

for us.

And although it seems like

they outrank us, they're

holier than we are,

they're more powerful than

we are, they move at the

speed of heaven, they move

at the speed of spirit,

whatever that speed may

be, if you can measure it

with physics.

They have no problem

getting back and forth

between the dimensions of

heaven and earth.

They go back and forth,

Scripture tells us.

They are our protectors.

If it were not for the

angels, Satan, who would

just love to destroy and

trash not only our souls

but our bodies too, and so

the angels are like God's

hands of protection around

us; setting limits to the

harm that is allowed to

come into our lives.

And only what God allows

is able to happen to us.

If we saw even one-tenth

of the trouble that could

come upon us without that

angelic protection, our

jaws would hit the floor.

Someday, perhaps, we'll

get to meet them.

Jesus told his disciples

especially children have

angels; their angels who

are assigned personal

duty.

What Christian parent has

not just beamed reading

that passage; knowing that

their children whom every

mother - especially the

moms - worry about and

fret about, "Are my kids

safe?

Are my kids safe?"

can exhale now because

your children have an

angel, a personal angel,

who watches over them.

Jesus said so; don't take

my word for it.

You can trust what Jesus

said.

So angels exist, you

better believe it.

They are holy, they are

powerful, they are fast,

they are humble, and they

are worshipful.

And in fact, the book of

Revelations says that

we'll be joining them soon

because we get to join in

their praises when we get

to heaven.

In the meantime, we join

our praises to them kind

of at a distance.

You know, there's all

kinds of challenges to you

to know how really, where do I

get my faith from?

What do I really believe

in?

Where does my faith come

from?

And it's one of the great

gifts that God has given

to you to give you a

source of information, to

give you certainty, so

that you don't have to

guess.

You've ever seen Peter

Pan?

Yes?

Movie or the play?

You know, if you - J.M.

Barrie wrote this

wonderful book.

Some of you perhaps read

the book; it's really a

sweet children's story and

grownups like it too,

actually.

Movies have come out and

cartoons are great fun.

There even was - you know,

you might have seen Hook,

which is a takeoff from

the Peter Pan story.

But in the theater, they

always do kind of a cute

little thing to engage the

audience.

Now if you've seen the

play, you know what I'm

going to tell you right

now because there is a

moment about near towards

the end of the play when

Tinkerbell, the little

fairy, gets really sick

because the Lost Boys were

growing up and they didn't

believe in her anymore and

she starts faltering and

her little wings stop

beating and she kind of

lies down on the stage and

Peter Pan goes to the

audience and says, "Help!

Don't let Tink die!

Please, help me!"

And then everybody thinks,

"And do what?

What are we supposed to

do?"

He says, "Do you believe

in fairies?

Every time somebody stops

believing in fairies, a

fairy dies somewhere." And

all the little kids go,

"No!"

and they go, "Tink!

Tinkerbell!"

and Peter Pan says, "Do

you believe in fairies?

If you believe in fairies,

clap!"

and then first

tentatively, and then a

little more intensely,

people start clapping and

then there's a huge roar

that goes up from the

audience when it works and

Tinkerbell kind of gets

back up and gets going

again.

I'd like to encourage you

to claim everything God

has said in his word about

the incredible value that

his angels bring to you.

They are working it every

day to make your life

better and the fact that

you have not been allowed

to see them doesn't mean

they don't exist.

You can't see electricity

either but you don't doubt

its existence because you

see its effect.

You don't doubt gravity.

You don't ever even worry

about it but you don't

doubt it because your feet

stay stuck to the ground

every day.

It's an invisible force

that has a great effect on

your life.

The angels, in the same

way, God assures you

though you may not be able

to see them yet, you soon

will when your eyeballs

get upgraded to be able to

perceive the spirit world.

For now, we accept them by

faith.

The angels are God's

ministers and servants,

providing protection and

guidance for you.

They are God's executives

carrying out his will.

They are God's deputies,

deputy sheriffs, who are

going to round up all

unbelievers on the Day of

Judgment and the seraphims

then are going to whip out

their light sabers and

they are going to visibly

to be seen with their

burning power and they

will truly be the burning

angels.

The angels who come for

you are not going to hurt

you.

Scripture says they will

lift you up.

The angels on Judgment Day

are going to be your Uber

ride to get you up off the

ground because God is

going to remake the planet

and once again join heaven

to earth and even better

than the Garden of Eden,

place you down - when he

sets you, when the angels

set you back down on the

ground - you will truly be

in a paradise where heaven

and earth are now together

forever.

Those are God's promises

to you.

So do you believe in

angels?

[Audience: Yes] If you

believe in angels, clap

with me.

[Audience: Clapping]

Amen.

[MUSIC]

[PASTOR MICHAEL NOVOTNY]

Your grandma's

cross-stitch sweater

probably lied to you.

If your grandma had a

sweater like my grandma

had, about 16 of them,

there were those little

cute baby angels, a little

bit overweight with the

wings growing out of their

back.

Yeah, but Pastor Jeske

told us angels aren't

anything like that.

They're like a military

force; they're powerful.

And they protect us from

things that would

otherwise hurt us.

And so, we don't think

angels are cute; we think

they are incredibly

fearful, wonderful, and a

gift to the church of God.

Let's remember that and

sleep with peace, with

comfort, and with hope.

I'll be back with you in a

moment to pray.

[PROMOTION] Starting this

January, longtime viewers

of Time of Grace will have

a chance to meet a whole

new place - the church

that I love and serve, The

Core, in Appleton,

Wisconsin.

Now things might look a

little bit different here

at our church but we know

that so many things are

not going to change.

The timeless truths that

we love and appreciate

will continue to be our

message and that's where

you come in.

We need generous

supporters like you to

help us reach our $125,000

goal.

By your continual gifts,

your prayers and your

support, you can help

God's grace reach brand

new people in my community

and, we pray, throughout

our nation.

People like Valerie, from

Texas.

Valerie says, "Time of

Grace has helped me become

more spiritually mature

than I could ever have

thought.

Although I still struggle

a lot, I use Time of Grace

to replenish my faith,

strength, and get my back

on track." To thank you

for your gift, we would

love to send you our

insightful and encouraging

book, "Angels," because

everyone loves a mystery,

by Pastor Jon Enter and

Pastor Mark Jeske.

So call the number on your

screen and start making an

impact today and may God

bless you.

[MUSIC]

Just this past

week, I got to meet an

incredible couple who has

been blessed by the

messages of Time of Grace

for many years.

It turns out years ago,

they just stumbled across

the program on the

television set.

The wife was captivated;

she called her husband

into the room and now for

years, Pastor Jeske has

been bringing more Jesus

and more grace and more

hope into their lives.

And I thought about that

story and realized that it

couldn't have happened

without people like you;

people who pray for God's

word to spread throughout

our nation.

People who give generously

so we can spread God's

word throughout our

nation.

So on behalf of Time of

Grace, thank you.

On behalf of this man and

his wife, thank you.

On behalf of all the

people who learn a little

bit more about Jesus week

after week and especially

about his unconditional

love, his grace, thank

you.

Let's join our hearts and

pray.

Dear God, We thank you

today for angels.

I can't wrap my mind

around exactly how you

direct them and how they

serve us but you have made

us a promise that angels

are ministering spirits

sent to serve Christians;

those who will inherit

salvation.

For all the danger they

keep us from, God, we

thank you.

For all the evil spiritual

forces that they keep away

so that we're not led into

temptation, we thank you.

We thank you, God, for

every bit of your grand

plan - both the things

that we see and the ones

that we don't.

We believe that you are

the creator of the visible

and the invisible so thank

you for being God.

Thank you for being in

control.

And most importantly,

thank you for loving us as

much as you do.

We pray all these things

in our Savior Jesus' name,

Amen.

With Time of Grace, I'm

Pastor Mike Novotny and it

all starts now.

[PROMOTION] "The truth of

God's word is truth and

yet the way in which you

can share it can be done

in a wide variety of

ways." "We've taken a

modern style but we have

tried to embrace every

page of the Bible and

every topic that people

are dealing with." "Our

church, we use screens and

we use technology but The

Core's use of technology

is far more advanced with

triple-wide graphics and

some of the different

elements that they

incorporate with videos

and the things that are

produced behind the

scenes.

It just blows my mind." "I

even look back at Martin

Luther, was using

technology, used the

printing press.

I mean, I think if he had

the tools we have today,

he would have been

utilizing all them, too.

"You know, technology is a

double-edged sword; we

think about that a lot.

We don't want people to be

so dependent on a screen,

a new image, that they

can't actually read their

Bible, which is a real

danger.

But we've also - you know,

that old adage a picture

is worth a thousand words?

Like, I could try to tell

you about what Israel's

like but if I can show you

a picture that I took like

that, that sticks with

people." "Some people are

visual learners, some

people are auditory

learners, ah, some people

need both to connect the

dots.

And ah, so the visual

piece is really huge,

especially, I think, with

the younger generation in

our world today.

Whether we like it or not,

what engages them are

visual things and so if

you can utilize visual to

engage a 12 year old, to

engage an 18 year old, the

Y gen audience of today's

world isn't going away.

That's who they are,

that's what they've grown

up with, and there's a

part of their brain that

connects the dots maybe

better when visuals are a

part of it." "I think the

retention of the message

stays a lot longer by

using the graphics cause

we have members of the

church that still talk

about sermons from three

years ago just because the

graphics part of the

message has stuck with

them." "The things we've

seen on the screen have

been incredible.

Good Friday, when we went

into the temple, it was

across the three screens

and it felt like you were

in the temple.

You know, you read those

parts in the Bible all the

time but to be in it was

unbelievable.

So yeah, absolutely; we

learn a ton from the

technology here.

"In general, studies will

tell you, you know, you

can see something but if

you speak it or you hear

it, the more senses that

you can combine, the

better our brains remember

that.

And so, that's a lot of

what we do is we - I want

people to hear the word as

I read it, but I want them

to see it, I want them to

write it in their programs

as they're going.

And my hope is that if I

can engage the brain that

much when it's Tuesday,

you're not going to forget

about God's powerful word

that you heard on Sunday.

"We hope we're not just

jumping on some like

cultural thing because we

think it's cool but this

is actually a great way

for the way that God

designed our brains to

learn and retain

information.

And what better

information than what

we're putting on the

screen?"

"It isn't a show.

It's not - it's not just

music and lights and that

atmosphere.

It's people, real people

that are struggling,

people that maybe don't

have anywhere else to go,

that are growing in their

faith, that are, you know,

recommitting themselves to

Jesus.

This is a - this is a,

this is a real church and

I don't know how to better

say it than that." "That's

the amazing thing about

our Core family is that it

is important for us to do

what we can to reach

people with the news of

Jesus.

And if Time of Grace is a

way that we can do that

and our facility and our,

you know, technology -

everything that we have

here - if that can be used

to impact the kingdom on a

greater scale, people are

overwhelmingly for it."

[MUSIC]

[ANNOUNCER] The

preceding program was

sponsored by the friends

and partners of Time of

Grace.

For more infomation >> Is There Really . . . An Angel Army? - Duration: 28:31.

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Remaking Suspiria: An Homage to a Feeling - Duration: 13:51.

Luca Guadagnino is following up Call Me By Your Name

with a project that's deeply personal to him,

and one that made Quentin Tarantino cry,

a remake of one of the most legendary horror films of all time -

Dario Argento's Suspiria.

"Bad luck isn't brought by broken mirrors, but by broken minds."

Released in 1977,

the stylized fairy tale-nightmare follows Suzy Bannion,

an American ballet student who attends a dance academy in Germany,

only to discover it's a front for a coven of witches.

[whispers] "Suzy, do you know anything about witches?"

So in honor of the new Suspiria's release,

we're going to look at what made Dario Argento's 1977 film so mesmerizing,

and how Guadagnino's non-traditional remake

is an homage to the feeling the original Suspiria gave him—

a feeling that would profoundly impact his directorial style.

"The illicitness of it, and the incredible freedom of Dario,

were really empowering me, very much."

Before we go on, we want to tell you a little

about this video's sponsor: MUBI.

MUBI is a curated film streaming service with a twist.

You get thirty films per month, a new film every day.

It's a hand-picked selection of movie gems from around the world.

We're huge fans of MUBI here at ScreenPrism,

so click the link here in our description below

to get a full month of MUBI for free.

"Skepticism is the natural reaction of evil nowadays.

And magic is ever present.

Which means that magic is everywhere, and all over the world, it's a recognized

fact."

By the way,

if you notice that dialogue from the original seems out of sync,

that's because during filming, everyone spoke their own native languages,

and it was all dubbed into English later.

Argento began his filmmaking career working in the tradition of Giallo:

A horror-film sub-genre that peaked in popularity in 1970s Italy.

The term Giallo, which translates to "Yellow" in English,

stems from a line of pulp mystery novels with yellow covers

that were published in Italy starting in 1929.

The archetypal giallo film combines elements from detective fiction with:

bloody, drawn out murder sequences,

opulent visuals, jarring soundscapes, and, typically, a female lead.

Suspiria was very much born out of giallo —

everything is over the top —

but instead of being strictly fiction, it has supernatural subject matter,

so it builds on and transcends the genre.

Suspiria is the first film in Argento's Three Mothers trilogy,

about a trio of malevolent witches

with the power to manipulate events around the world.

This concept came from Thomas de Quincey's Suspiria de profundis,

an 1845 collection of psychological fantasy essays

influenced by the author's visions on opium.

Argento and his screenwriter and partner at the time, Daria Nicolodi,

wanted a tone of perverted innocence,

so they studied stories of the European occult

and watched Disney fairy tales like Snow White and the Seven Dwarfs

and Alice in Wonderland.

"It all seems so absurd, so fantastic."

Suspiria isn't to be watched but experienced:

it's an acid trip in a haunted mansion,

a beautiful nightmare that you don't want to wake up from.

plot and character development are of little importance.

"Do not be concerned - it's nothing."

What makes the film so captivating is the feeling it gives viewers—

"I know.

But I have a strange feeling that somebody already told me about it.

Or something similar.

I can't—"

Guadagnino spoke of the corporeal fear it gave him.

Suspiria showed Guadagnino how movies could

"Upset somebody in a beautiful way."

As a director, this inspired him to follow Argento's lead

to make films that viewers experience through the body

instead of just through the mind or emotions.

The language of Suspiria is primarily visual.

We might not learn much about Suzy from what she has to say,

"a lot of strange things are happening."

but we feel how she feels when she's scared,

when she knows something's not right.

The visuals—

from the movement of the camera, to the lighting and color palette,

to the mise-en-scene—

work in tandem to overwhelm the viewers and transport us to another world.

Argento and cinematographer, Luciano Tovoli, took a dramatic, experimental approach

to give the film the look of a dark fairy tale.

They opted for a palette of bold, primary colors:

the artificiality of the light representing the presence of the supernatural.

Tovoli achieved this by shining strong lights

through makeshift screens made of colored velvets and tissue paper,

which he placed uncomfortably close to the actors' faces.

To produce a color scheme reminiscent of Snow White,

the film was processed in three-strip Technicolor, an old-fashioned technique

that gave The Wizard of Oz its vibrant, cartoonish colors.

The production design was heavily influenced by expressionist paintings and films.

So we see geometric shapes, textured backgrounds,

and architecture of odd proportions.

The ceilings in the academy, for instance,

are so high that they nearly swallow the dancers wandering below,

suggesting the girls' vulnerability in this environment.

And the camera is constantly in motion—

it's as if the viewer is floating through someone else's dream.

Murder sequences are shot from "impossible" angles,

making us feel like helpless onlookers to the victims' fates.

Like the film's visuals,

the score by Goblin plays both atmospheric and symbolic roles,

even from the opening scene.

As Suzy walks toward the airport exit,

eerie music stops and starts as the door opens and closes—

building a tension that makes it feel like Suzy,

and by extension, the viewer,

are being pulled into an alluring nightmare.

When it was announced that Luca Guadagnino was remaking Suspiria,

he was met with skepticism from die hard fans of the original.

How could someone attempt to recreate such a singular film—

the realization of Argento's directorial vision?

Luckily, this wasn't Guadagnino's goal.

He's called the new Suspiria a "cover version":

He's paying homage to the experience he had

watching Suspiria as a 14-year-old.

"I always wanted to make horror films, I am a big, big scholar of horror films.

That's what I really, really want.

I want to be a horror movie director.

Yeah!"

The 2018 Suspiria is an entirely different film

that conjures a different type of feeling,

but like its predecessor, it gets under your skin and leaves a mark.

"A piece about rebirths.

The inevitable pull that they exert,

and our efforts to escape them."

The new Suspiria has the same basic premise:

a young and seemingly naive Suzy travels to Germany to study at a dance academy—

but this time, it's located in a divided Berlin

instead of Freiburg.

The year is 1977, when the original film was released.

Outside of the academy's walls, the militant group The Red Army Faction

is engaged in bombings and shootouts with the local government

in a period of violent activity that would become known as "The German Autumn."

This historical context informs the movie's themes, visuals, and plot.

"Mirroring the story of Suzy Bannion and Madame Blanc,

and these couple witches,

with the hatred, and the violence, and the division

that was in the reality of the times and in the place."

Argento and Nicolodi's screenplay had a thin, gory plot,

classic of gothic horrors,

but David Kajganich's screenplay has much more narrative depth.

The story barely resembles its source material, only nods to it.

Structured in six acts and an epilogue, layered with symbolism and side plots,

the new Suspiria is an hour longer than the original.

And it explores the medium of dance much more.

"When you dance the dance of another, you make yourself in the image of its creator."

The movement of the dancers plays a key role in the process of witchcraft;

the dancers even perform along the points of a pentagram

duct-taped to the floor.

The choreography was influenced by Pina Bausch and Martha Graham,

resulting in a style of dance that, as Madame Blanc says,

is about breaking the prettiness in things.

And -- fittingly for a remake -- there's a thematic tension

between the old way and the new way of doing things.

The feelings of trauma, shame and oppression that permeated the German Autumn

served as the influence for the film's visuals.

The end result is a depressive blend of earth tones:

muted grays, greens, and browns.

The production and costume designers took a naturalistic approach,

working with props and intricately-patterned fabrics

to make the film feel like an artifact from 1977 Germany

as opposed to a period piece.

Needless to say,

the aesthetic mottos of these two Suspirias differ dramatically:

Argento's was a "more is more" attitude—

an assault on the senses.

"You wanted to kill Helena Marcos.

[chuckles deviously]

Hell is behind that door."

Guadagnino's is a quiet and restrained approach,

conjuring a feeling that slowly burns under the viewers' skin.

The only moments in Suspiria that visually recall Argento's

over-the-top giallo sensibilities, occur in Suzy's nightmare sequences—

rendered with fractured camerawork and disturbing imagery.

Watching one of these dreams unravel is like dealing with a repressed memory

that surfaces with a vengeance.

And as quickly as the memory began, it ends,

and we return to the muffled imagery of mundanity.

But we don't forget what we've seen.

Radiohead's Thom Yorke produced songs for the score,

and he took a fittingly understated approach, creating haunting, introspective melodies.

Yorke was a fan of the original soundtrack by Goblin,

and he borrowed their technique of repeating motifs to build dread.

"There's a way of repeating in music, which can hypnotize,

and I kept thinking it was a form of making spells."

The old and new versions of Suspiria exist in different worlds,

but their makers share a common directorial philosophy.

The original Suspiria opened Guadagnino's eyes

to what cinema could do,

and inspired him to take an Argento-esque approach as a director:

valuing boldness and collaboration, creating films to be experienced from within,

and deliberately using style and technical knowledge

to put viewers in a particular mind-body state.

In Argento's case, this was a deep, bodily fear

provoked by horrifying sequences that are too beautiful to look away from.

In Guadagnino's,

it's a burden to carry and memories to repress,

wrapped in a realistic historical moment.

By remaking Suspiria,

Guadagnino was essentially saying thank you to a film

that continues to impact his work as a director.

His Suspiria offers a fruitful model for filmmakers who want to pay tribute

to the directors and films that made them:

it tells us -- don't try to remake the past,

but offer your own perspective for the future.

"We've gotta get rid of that bitch of the American girl!

Vanish!

Vanish!

Make her disappear!

Understand?"

Hi guys, this is Grace,

the newest member of the ScreenPrism team.

And today, I want to talk to you a bout one of our favorite places to watch movies:

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right now on MUBI is Horrific October,

MUBI's annual spotlight on horror.

This year's slate features genre greats like:

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For more infomation >> Remaking Suspiria: An Homage to a Feeling - Duration: 13:51.

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He Was Going To Drive Past This Duffel Bag In The Desert, But Then It Began To Do Something Strange - Duration: 2:23.

When a passing driver spotted a blue bag by the side of the road in the Californian desert, he made a shocking discovery.

After first thinking that he shouldn't stop, as rubbish in the desert is "all too common,"

something about the bag made him decide to hit the brakes and investigate.

Subscribe Fokus

He soon realized he'd come across something that wasn't meant to be found.

Inside the zipped duffle bag was a little dog that was happy for the fresh air. The driver

then handed the dog over to the Victor

Valley Animal Protective League – the V.V.A.P.L. – an animal shelter located in Apple Valley.

"Fortunately, the dog was found before suffering any harm, saving him from a horrific death," read a post on the shelter's Facebook page. "We named the sweet boy Duff, and he's now in a forever home thanks to a good Samaritan."

The shelter has no idea how long Duff was inside the bag or who put him there in the first place.

Fortunately, the dog is now doing well. It's staggering to think how cruel humans can be,

but luckily for Duff the right person was driving past at just the right time.

On social media, people reacted with indignation to news of Duff's mistreatment.

Mandie Kearns wrote, "I would to love to zip that sorry excuse for a human in a bag in the desert for a few hours. WHAT A MONSTER."

Susan Knaack Curry added, "What in the heck is seriously wrong with people today!!! Karma to whoever the evil doer is! Praise be to the one who saved him."

The Californian shelter, located just east of Los Angeles

has been caring for homeless animals for more than half a century now. It strives to find new homes for around 150 animals each month.

For more infomation >> He Was Going To Drive Past This Duffel Bag In The Desert, But Then It Began To Do Something Strange - Duration: 2:23.

-------------------------------------------

We Tried An Iconic California Burger In Napa - Duration: 10:11.

For more infomation >> We Tried An Iconic California Burger In Napa - Duration: 10:11.

-------------------------------------------

Clint Watts: You Can Be Mentally Disturbed And Pursue Violence For An Ideology | AM Joy | MSNBC - Duration: 10:05.

For more infomation >> Clint Watts: You Can Be Mentally Disturbed And Pursue Violence For An Ideology | AM Joy | MSNBC - Duration: 10:05.

-------------------------------------------

►Ich KLEBE ein ***** an die TÜR !!! 😱😮😱 [vlog deutsch] Filipvlogs - Duration: 5:04.

For more infomation >> ►Ich KLEBE ein ***** an die TÜR !!! 😱😮😱 [vlog deutsch] Filipvlogs - Duration: 5:04.

-------------------------------------------

Meghan Markle pregnant: The Duchess of Sussex stuns in an affordable ASOS dress on royal tour of New - Duration: 2:53.

 Meghan Markle and Prince Harry have landed in New Zealand for the final leg of their first royal tour together

 During their tour so far, Meghan – who is expecting her first child in spring 2019 – has been pulling out all the stops in the fashion department, wearing everything from red-carpet dresses to trainers

 Now the pair are in New Zealand, the Duchess of Sussex has been spotted wearing a very affordable black dress from ASOS

 Here's how you can get the look. Top Stories Meghan Markle's maternity style revealed as the Duchess of Sussex debuts baby bump The secret royal hack Meghan Markle and Kate Middleton share to make their legs look longer  Arriving in New Zealand, Meghan wore a black ASOS maternity dress, which is priced at just £28 online

 The sleek dress has a scoop collar, zip back and is designed to skim over your baby bump

 ASOS has designed the dress as a "less is more look", which Meghan took on board by pairing her ASOS pick with black heels from Sarah Flint

   However, Meghan added a splash of designer to her look with a £430 trench coat by New Zealand designer Karen Walker, which she embellished with a poppy on the lapel

  Most Popular Gabby Allen feels SORRY for Roxanne Pallett over Ryan Thomas punch claims The Real Housewives of Cheshire's Tanya Bardsley's FEAR for daughter Gabriella Cheryl is 'ready for love' as she gears up to release Liam Payne track  She also styled the outfit with a £2,255 pair of citrine and diamond earrings from Maison Birks

 Meghan and Harry were greeted by New Zealand's Prime Minister Jacinta Arden, where the group posed for photos

 The pair then attended a welcoming ceremony where they observed the traditional haka dance and rubbed noses with Māori elders

Top Stories Meghan Markle thanks Australia and Invictus Games family supporting Prince Harry The Duchess of Sussex oozes Hollywood glamour as she stuns in green Antonio Berardi dress Meghan Markle goes smart-casual in Scanlan Theodore for the Invictus Games

For more infomation >> Meghan Markle pregnant: The Duchess of Sussex stuns in an affordable ASOS dress on royal tour of New - Duration: 2:53.

-------------------------------------------

Meghan erinnert sich an Hochzeits-Tiara-Auswahl mit Queen - Duration: 3:00.

Meghan erinnert sich an Hochzeits-Tiara-Auswahl mit Queen

Seit Mai ist die ehemalige Schauspielerin Meghan Markle (37) Teil der britischen Königsfamilie.

Mit ihrer Hochzeit mit Prinz Harry (34) wurde sie zur Herzogin von Sussex.

Für den großen Tag durfte sich die Braut natürlich auch eine Tiara aussuchen und entschied sich für das Queen Mary Diamond Bandeau aus dem Jahr 1932.

Bei der Auswahl half ihr keine Geringere als Queen Elizabeth II. (92) höchstpersönlich.

Jetzt erinnerte sich Meghan an die besondere Zusammenarbeit.

Die britische Königin lud ihre Schwiegerenkelin damals gemeinsam mit Prinz Harry in den Buckingham Palace ein, um zusammen die Tiara-Schätze zu begutachten und anzuprobieren.

Der royale Rotschopf wusste somit am Tag der Hochzeit zumindest schon, welche Tiara seine Liebste tragen würde.

"Harry und ich trafen ihre Hoheit im Buckingham Palace, um eine der Optionen auszuwählen und es war ein unglaublich surrealer Tag, wie man sich vorstellen kann",

sagte die 37-Jährige laut Daily Mail in Bezug auf eine neue Ausstellung auf Schloss Windsor.

Dort werden die Hochzeits-Outfits von Harry und Meghan gerade gezeigt.

Für die Tiara von Queen Mary, im deutschen Sprachraum als Maria von Teck bekannt, entschied sich die Ex-Suits-Darstellerin schließlich, wegen ihres klaren Designs aus Platin und Diamanten:

"Sie war einfach perfekt, weil sie so rein und klar wirkt.

etwas, das unfassbar zeitlos, aber trotzdem auch modern ist".

Queen Mary war die Großmutter väterlicherseits von Elizabeth II.

For more infomation >> Meghan erinnert sich an Hochzeits-Tiara-Auswahl mit Queen - Duration: 3:00.

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10 Things I HATE About Being an Entrepreneur, after a Decade as an Entrepreneur - Duration: 8:56.

10 Things I Hate About Being an Entrepreneur,after a Decade as an Entrepreneur

I started my first business when I was a boy of 15 and for the first time, I fell in love

with the concept of creating a product or service and make money doing so.

At 21, I went fully into the business world and here I am today, wondering, "Does it

really worth it?"

I would say YES, if I consider the freedom and the cash but like everything, there are

things I just don't like about being an entrepreneur.

In this video, I'll be sharing with you 10 things I hate about running a business

and I hope some of these points prepare you to become a better entrepreneur.

If you're new here, consider subscribing so that you won't miss other interesting

videos like this.

No. 1 Launching a product no one wants

About six months ago, I and one of my friends were crazy about a new concept.

We thought we've discovered another great business idea that would make us a lot of

money.

We worked nights and days and made a lot of sacrifices to meet up with our launch date

only for us to arrive at that day and be disappointed.

But maybe there was something we didn't get right.

Let's change few things and run few more ads.

Unhc!

Nobody wanted out product.

If you've been an entrepreneur for any reasonable period of time, you must have experienced

this more than a few times.

I've experienced this again and again, creating a product you think the whole world would

love only to discover that your mother-in-law is your only customer, writing a book you

think your entire country would read only to see that your best friends are the only

ones who care Hahaha…

I hate this.

But what is the way out of this?

There's no permanent solution but some precautions are;

Don't create a product based on what you think or what others tell you.

Create product or service based on people's behavior.

People will buy more of what they are already buying and they will always buy the better

version of what they have bought before.

No. 2 Having no certainty

I woke up last July to the news that later led to the loss of one of our business'

assets.

This single situation led to the loss of over 50% of our company's income.

If I were an employee, I could tell you how much I earn a year but I'm sorry, I can't

tell you how much I would make next year because I don't have any guarantee about what happens

to my business.

This is tougher than you can imagine.

What's the way out?

Always be ready.

Life as an entrepreneur is similar to that of a soldier.

You can die or become a general.Hahahahaha….

N0. 3 Managing being envied by others

As an entrepreneur, because you have some level of freedom that most people may never

have, it's usual to see them envying you.

Because you may have more cash than other people, this can lead to jealousy.

How do you cope with this?

I've not actually figure it out.

If you have, I'll love to hear your opinion in the comment.

No. 4 Having to fire people

I love people and usually hate to hurt others but as an entrepreneur, unfortunately, you

hire and fire people all the time.

This is painful and I hate it but there seems to be nothing I can do about it.

No. 5 Losing a business when you least expect

Remember Nokia, Yahoo!

Or Blackberry.

Those were some of the biggest companies of the world yet they crumbled.

You may think you know the reason why these companies failed and blame anyone for their

failure but when you start running your own company, you'll see how tough it is to keep

on being relevant in a world that changes every second.

How I wish I could have my business forever!

Unfortunately, anything can happen any time and I hate this.

What's the way out?

Be prepared to keep on learning and changing, this way, you can always stay relevant and

if for any reason you lose a business, fight back and move on.

No. 6 Having to become difficult

The longer I stay in the business world, the tougher I become which I really wish I don't

have to.

But you ever see a gentle entrepreneur?

Maybe he's pretending, hahahaha…

Like seriously, entrepreneurship is as tough as war.

You deal with people every day and many of them simply want to sell you.

You have competitors who want your business dead.

You have employees who want to steal from you.

Being tough, unfortunately is the only way to build anything significant.

No. 7 Having to worry about others

If I have a job, the only thing I would worry about is my paychecks and well-being.

Having a business put more responsibilities on you.

Now you have to think and sometimes worry about your team and employees.

How would you ensure they get paid at the appropriate time?

How would you ensure that the company grows so that they could be paid better?

How would you ensure that the company doesn't fail, not just because of you, but because

of other lives that depend on it?

I hate this because it adds to the day-day worries every human has.

No. 8 Keeping records and details

I hate details and records.

I wish they are not important, but when you start a company and there are only few people

to do a million things and you have the responsibility to pay attention to some details and keep

records, if you were like me, you'll hate that.

No. 9 Not knowing the day or dates

This is very funny but true.

While in school, I usually know what the day and date is.

These days, I rarely know the difference between Saturdays and Mondays or whether today is

5th of the month or 25th.

This is not as bad as other points in this video yet, it's funny, what do you think?

No. 10 People thinking you always have money

Fe months ago when my business had a problem, I received a message from one of my friends

who needed some money and I politely explained to him that I was so broke that I was owning

my employees.

I thought such simple explanation would do until few days later I got another text from

him, asking for money with some other appeals.

People usually think that because you're an entrepreneur, you always have money while

this is not true.

Everyone gets broke sometimes but entrepreneurs would not be believed when they tell others

that they are broke.

What can anyone do about this?

I don't know.

If you have some ideas, kindly share them in the comment.

In summary, do we make this video to discourage you from being an entrepreneur?

Never!

If anything, it's to prepare your mind for the entrepreneurial journey.

This video was made to show you that there's other side of entrepreneurship.

There are tough times and tough decisions.

You'll encounter hard people and hard situations.

You'll have to do some things you hate just because that's the only way

You may have to get through.

In all, don't do evil and it shall be well with you.

Thank you very much for watching our video.

We'll like to give you another interesting video for you to enjoy next but before then,

our team will be very happy if you can like this video and share it with your friends

on social media.

If you're new here, don't forget to subscribe so you won't miss other interesting videos

like this.

Look at your screen now to see two other videos we handpicked for you to enjoy next.

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