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Dobre Brothers - On the Real Tho (Official Music Video) - Duration: 2:19.
[Music]
[Music]
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REACT Greeicy Anitta - Jacuzzi (Official Music Video) Reação \ REACTION - Duration: 4:02.
uu wow
Jacuzzi
Hi everyone, it's me and this is Greeica, Anitta - Jacuzzi Reaction
Jacuzzi
Okay WOW Anitta her hair color is great
We can see 2 sexy women here
Okay, our queen of Brazil
The song falls into your ear
These girls are very sexy WOW
Greeica, Anitta are beautiful women and in this music video they look very sexy
I really like the music video
This is really cool
Okay, this song is really cool
it's catchy and the beat is great
The whole looks very good, we can see two beautiful women Greeica, Anitta
Greeica is really a very sexy woman
she t looks beautiful in this music video she is very pretty
Her voice is very nice, she listens to her well
she and Anitta coped very well in this music video, their voices sounded very good together
I like the black hair anitty very much, it looks very good in them
Anitta is our queen of Brazil and is very sexy, in my opinion, is one of the most beautiful women
Anitta is beautiful
Both girls coped well in the music video
They look beautiful and sexy, the song is really very good as well as the music video
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कबूल मेरी विनती होनी चाहिए | Shivani Sharma | Pilkhuwa | PR Music - Duration: 2:34.
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Elvis Marques - Aim (Official Audio) Prod. U-A Music - Duration: 3:18.
Game
Where you headed boy, where's your aim
I do it for the love not the fame
Have my peoples trust, they have faith
I won't let it shatter or let it break, yeah
I swear to God yeah
So cold and i'm still spitting fire
Get me higher, up top to the clouds
Never stop, let me in
Switch my flow, I'm breathing in, yeah
You said that I have changed but
the same damn thing goes for you
You acting oversmart, you dumb, you fool, you'll see it soon
See I told you so, listen to me carefully
Don't play yourself you shouldn't act so busy
I'm over this I don't let it bother me
I make my moves then I watch really carefully
I'm onto bigger things now
Nothing in this world can even change me now
I did what I had to do, I'm never looking back
I'm not a tool, no you can never have me back
Game, where you headed boy where's your aim
I do it for the love, not the fame
Have my peoples trust, they have faith
I won't let it shatter or let it break, yeah
I swear to God, yeah
So cold and I'm still spitting fire
Get me higher, up top to the clouds
Never stop, let me in
Switch my flow I'm breathing in, yeah
What are you waiting for? This thing ain't over
Going too damn fast, oh wait pull over
Welcome to the fast lane your time is over, yeah
It's funny cause I kept a watch
Supposed to keep track of time
Slipped like the sand, right through my fingers
But once upon a time I was fine, nevermind
I kept it G all this while, yeah
I made some sacrifices on my way, yeah
Kept my mouth shut, I had no words to say
But I admit I'm shy, I don't really talk
But when I do, I spit fire from the glock
Standing straight 'o' clock, 9 'o' clock
Watch your time tick tok
Game
Where you headed boy, where's your aim
I do it for the love, not the fame
Have my peoples trust, they have faith
I won't let it shatter or let it break, yeah
I swear to God, yeah
So cold and I'm still spitting fire
Get me higher, up top to the clouds
Never stop, let me in
Switch my flow, I'm breathing in, yeah
I've been going on and on and back and forth
Done with talking, hella actions lotta score
Never gave a damn
Never heard what people said
Step up to the stage about to bring a hurricane
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Str8 Jacket Memories (Official Music Video) - Duration: 4:23.
I REMEMBER NOW
HAHAHAHAHAHAHHAAAAA
PARANOIA TURNS OFF
MY SCHIZOPHRENIA KICKS IN
NARCISSISM TO START HALUCINATING THE END
THE TERROR TAKES HOLD
THE CRAWLING UNDER MY SKIN
THE MAN IN THE MIRROR IS MY ENEMY
I'M JUST A HEARTBEAT
FROM SNAPPING AGAIN
I'M COUNTING DOWN TIL THE CHAOS BEGINS
WHEN THE DUST CLEARS AWAY
I START TO THINK THAT I'M ME AGAIN
ME AGAIN
THEY SAY IT'S JUST NOT SO
NEUROTIC UNDERTOW
SOME DUDE THAT I DON'T KNOW
STICKS THE NEEDLE IN
NOW I'M FLYIN HIGH
CAN'T FIGHT MY WAY BACK DOWN
CAUGHT UP IN ANOTHER PSYCHO MEMORY
BAA BA BEE DAHBEE DAH BEE DAAAH BEE DABBA
DEEP IN MY HEART THERE'S A SPARK IN THE DARK
WHERE IT GLOWS IT TURNS
BLACK!!!
SEEING CHOKE WITH MY HANDS 'ROUND YOUR THROAT AS YOU LIFELESS GO...
BLACK!!!
MENTAL
LOCO
ANTISOCIAL
VIOLENT? OH SO!
BAD ASS MOFO
CIRCUS FREAKSHOW
PLEASE LET ME GO
BOMB UP! TIME BLOW!
WHHOOOAAA!
WHEN THE DUST CLEARS AWAY I START TO THINK THAT I'M FREE AGAIN, FREE AGAIN
THEY SAY IT'S JUST NOT SO
A TICK IN MY BLOODFLOW
SOME CHICK THAT I DON'T KNOW
STICKS THE NEEDLE IN
NOW I'M FLYIN HIGH
CAN'T FIGHT MY WAY BACK DOWN
CAUGHT UP IN ANOTHER PSYCHO MEMORY
OH! I CAN FEEL THE RIDE
COURSIN THROUGH MY BURNIN VEINS
CAUGHT UP IN ANOTHER PSYCHO MEMORY
wooooooobbleeeeeedoooooooo
booobeeeleeebloooobeeedeeeebooobleeebeeleleelelbeeeeevbleoobeooobellelemememembleleleeoooo
wwaaaaaaahhhhhh
PARANOIA TURNS OFF MY SCHIZOPHRENIA KICKS IN
NARCISSISM TO START HALLUCINATING THE END
THE TERROR TAKES HOLD
THE CRAWLING UNDER MY
SKIN....MY....SKIN....MY
I'M JUST A HEARTBEAT FROM SNAPPING AGAIN
I'M COUNTIN DOWN TIL THE CHAOS BEGINS
MENTAL
LOCO
PSYCHOSOCIAL
BOMB UP TIME BLOW
WHOOOOAAAAAA
STR8 JACKET MEMORIES BOUNCING OFF OF THE WALLS INSIDE OF MY MIND
STR8 JACKET MEMORIES BOUNCING....HEY...wait...IS HE REPEATING THIS AGAIN?
(yes....he repeats the same thing over and over again!)
UGH!!!! REALLY?
(I think he is about to pop a blood vessel in his brain!)
(clearly he couldn't think of anything else to write here)
(BORING!!!! I wonder what's on TV right now?)
STR8 JACKET MEMORIES BOUNCING OFF
THE WALLS
SWEET DREAMS.....YOU BASTARD
I REMEMBER NOW
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🎉 Best Russian Music Mix 2018 ✌ Лучшая Русская Клубная Музыка 2018 🎷 Best Club Music #2 - Duration: 1:34:32.
For more infomation >> 🎉 Best Russian Music Mix 2018 ✌ Лучшая Русская Клубная Музыка 2018 🎷 Best Club Music #2 - Duration: 1:34:32. -------------------------------------------
Ozuna, Bad Bunny y CNCO triunfaron en unos Latin American Music Awards que celebraron a las mujeres - Duration: 4:30.
Con un discurso que defendió en todo momento la igualdad de género y el empoderamiento de la mujer latina transcurrió la cuarta entrega de los premios Latin American Music Awards
Una gala que dejó ver las mejores interpretaciones de los artistas latinos, con presentaciones de lujo que avalaron los merecidos premios de quienes no solo defienden la música regional y sus tradiciones culturales, sino que apuestan también por el renacer de ritmos más urbanos
Pitbull durante su exhibición (Chris Pizzello/Invision/AP)) El show musical de lujo que tuvo lugar en el prestigioso teatro Dolby de Hollywood contó con la conducción de cinco talentosas mujeres latinas que destacan en varias ramas del arte y que representaron a generaciones diversas del mundo creativo
A las cantantes Leslie Grace, Becky G y Gloria Trevi les acompañaron las actrices Roselyn Sánchez y Aracely Arámbula
Leslie Grace y Becky G cantaron "Diganle". (Chris Pizzello/Invision/AP)) Como primer ganador de la noche apareció Nacho, quien recibió el premio a Canción Favorita Tropical por su tema "Bailamé"
El cantante venezolano aprovechó la oportunidad para referirse a la caravana de migrantes que por estos días camina rumbo a los EEUU y aseguró: "El 99,9 por ciento de las personas que vienen allí, son buenas personas"
La aseveración pareció llegar casi como en contestación a declaraciones recientes donde importantes personalidades diría creer que venía integrantes de pandillas y personas del Medio Oriente
Daddy Yankee fue reconocido como un ícono de la música latina no solo porque ha desencadenado todo un movimiento dentro y fuera de su país, sino por devenir en auténtico símbolo musical que sobrepasa las generaciones de las últimas tres décadas de reguetón
Acompañado de tres sobrevivientes de cáncer de seno y de la orquesta sinfónica de Puerto Rico, Daddy Yankee interpretó "Yo contra ti", una canción que se erige en grito de guerra que de ahora en adelante guiará a las mujeres que padecen esa terrible enfermedad
Daddy Yankee canta "Yo Contra Ti" (Chris Pizzello/Invision/AP) La banda CNCO rompió récords de premio llevándose los tres galardones para los que estaban nominados: Album Pop Favorito, Grupo Favorito y Artista Pop Favorito
(Chris Pizzello/Invision/AP) Maluma recibió el premio especial "Evolución Extraordinaria" por su energía y carisma para crear identidad desde los temas pegajosos que traspasan fronteras
El joven que en pocos años ha logrado una carrera que inspira a otros a soñar con momentos grandes interpretó "Mala Mia", una canción que en sus inicios resultó un tanto polémica
El colombiano que ha llevado una sonada disputa con las feministas más acérrimas por sus canciones subidas de tonos para con las mujeres, aprovechó la oportunidad para redimir su música y dijo: "que viva la igualdad de género"
Prince Royce y Maluma cantaron "El Clavo" (Chris Pizzello/Invision/AP) Sin dudas, Gloria Trevi protagonizó uno de los momentos más sensibles e importantes de la noche, con una increíble revelación en donde dio a conocer momentos de su vida personal que durante años han sido juzgados por los medios de prensa
Habló de sus años en prisión y sus cicatrices más profundas y dio reveló cómo desde los 15 años fue testigo de violación, acoso y ultraje a su inocencia de niña por parte de personas mayores muy allegadas a ellas, que la engañaran de "la forma más vil"
A continuación, la lista completa de los ganadores por categorías: – Artista del año: Bad Bunny – Nuevo artista del año: Sebastián Yatra – Sencillo del año: Luis Fonsi y Demi Lovato ("Echame la culpa") – Álbum del año: Ozuna ("Odisea") – Artista femenina favorita: Becky H – Artista masculino favorito: Daddy Yankee – Dúo o grupo favorito: CNCO – Dúo o grupo favorito pop: CNCO – Álbum favorito de pop: CNCO ("CNCO") – Canción favorita de pop: Carlos Vives y Sebastián Yatra ("Robarte un beso") – Artista favorito de regional mexicano: Christian Nodal – Álbum favorito de regional mexicano: Christian Nodal ("Me Dejé llevar") – Canción favorita de regional mexicano: Raymix ("Oye Mujer") – Artista favorito de urbano: Ozuna – Álbum favorito de urbano: Ozuna ("Odisea") – Canción favorita de urbano: Becky G y Bad Bunny ("Mayores") – Artista favorito de tropical: Romeo Santos – Álbum favorito de tropical: Victor Manuelle ("25/7") – Canción favorita de tropical: Nacho ("Báilame") – Artista favorito "crossover": Camila Cabello – Vídeo del año: Anitta ("Medicina") – Tour favorito: Luis Miguel – Premios especiales: Premio Icono a Daddy Yankee y Premio Evolución Extraordinaria a Maluma
MÁS SOBRE ESTE TEMA: Ozuna y J Balvin lideran las nominaciones de los Latin American Music Awards La lista completa de los nominados a los Latin American Music Awards 2018
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Attitude | Promotion | Rahul Kumar Kalchhina | Naveen Tomar | Amisha Chauhan | PR Music - Duration: 1:40.
ATTITUDE PROMOTION
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瘋髏 PSYCHO SKULL - 時光相擁 Memories (Official Music Video) - Duration: 4:45.
For more infomation >> 瘋髏 PSYCHO SKULL - 時光相擁 Memories (Official Music Video) - Duration: 4:45. -------------------------------------------
Kalamazoo Lively Arts - Hindu Music and Dance - Duration: 11:52.
(slow Hindu music)
- Here at the Kalamazoo College with Akash, Akeel and Tejus.
Alright, part of the Connecting Chords Music Festival.
You guys are here kinda playing Hindu music today.
So tell me a little bit about Hindu music and its origins.
- So this music is basically the Indian classical music.
It originated a very very long time ago,
and it's been kinda passed on through generations
and we're now playing it.
But, probably originated a couple of thousand years ago.
There are basically two main types
of Indian classical music.
The type that we're gonna be playing today
comes from a southern part of India.
Its called Carnatic classical music
and that is the type of music that's more associated
with the Hindu religion.
But there's also another type of music called
Hindustani music that comes from the northern India.
- Why is it important for you to keep this music alive?
You told me a story a little bit,
I'd love to hear it again.
Where you started out with 10 dates or something
and it just kept increasing.
- Yeah, so it's important for me to continue
to do this music 'cause it's one of the only ways
I can connect with my culture.
Being born and raised in America,
I view myself as an American,
but I still have that Indian identity.
And so, Carnatic music is one of the ways
I can connect with my culture.
I am able to connect with my cousins back home in India,
and all of my relatives by playing Carnatic music.
My grandmother, we don't speak the same language,
so I can't really talk to her or anything,
but I can sing songs that she learned as a kid.
And that's one of the only ways I can connect with her.
So that's a really cool thing.
That 10 concert thing as you were saying,
music is also a way for me to meet
different people in the US.
So I started out accompanying concerts
and I was doing maybe a couple of concerts a year.
And then as I kept meeting more people,
developing more relationships,
the number of concerts I did a year started to increase
and now I play around the Midwest
and I get to meet a lot of
amazing people like Akeel over here.
- Well Acash your brother is Tejus, right?
It must be kind of cool being able to
bring him up in the same way as well, yes?
- Yeah, my brother started learning around the same time
that I did from the same teacher.
So we've been kinda progressing through and it's cool
because now my brother is almost as good as me
in Indian classical music.
So it's good to have someone
to challenge me and keep me going.
- [Kim] Yeah, that's your goal to beat him, right?
To be better.
- Yup.
(Chanting in foreign language music)
- I'm here with Anu.
Thank you so much for talking with me here today.
- Namaste.
- You have a really unique story because a lot of people
start out when they're really little,
but you started out at an older age,
so tell me about that?
- Okay, I started learning bharatanatyam from scratch
at the age of 35.
I have two girls,
I used to take them to bharatanatyam classes.
I used to just sit and watch them learn
and I felt like learning too.
So I asked the teacher,
her name is Vijayalakshmi of Natraj Dance Academy,
it's based in Chicago.
So I asked her if she'll be willing to teach me too
and she was, she said yes and I started learning late 2009
and after five years I did my graduation, so 2015.
It's called Arangetram.
So it's a solo performance for one and a half to two hours.
So I did that when I turned 40.
So after that of giving solo performances everywhere,
so that's how today I'm here.
- So what does the dance do for you?
- So for me this is more of spiritual growth.
Whenever I do, I kinda forget everything
and it makes me connect with the music,
it takes me to the divinity, I feel that.
Through my expressions I would like to connect everybody
and to take them where what I feel.
- Well that's what we were talking about
because it's a recital and what is the name of it?
And tell me, explain what that means.
- Its bharatanatyam, bha-ra-ta.
That means bhara, that is expressions.
Ra, ra means raga, that is the music, the melody
and then ta, tala that is rhythm.
So it's a combination of all that and natyam it's dance.
So this dance is combination of all that
and we express most of through all the songs will be
expressing through our gestures.
- You use your whole body, right?
- Especially in today's performance.
I'll be using lot of gestures like for example
there's a Hindu god called Krishna,
maybe people have seen this maybe?
And then we do, this is Vishnu, the symbol of Vishnu.
And crocodile for example, this is crocodile.
And then this is elephant,
elephant headed goddess, Ganesha.
So this is praising god, this is.
So each and every, this is offering flowers
or something like that.
So this is a door, open it.
So things like that.
Each and every hand movement has meaning in it.
(slow Hindu music)
(fast paced foreign language music)
(audience claps)
- [Announcer] Support for Kalamazoo Lively Arts
is provided by the Irving S. Gilmore Foundation.
Helping to build and enrich
the cultural life of greater Kalamazoo.
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One Day song ft. Relena [Official Music video] - Duration: 3:11.
lal la lal la la lal lala
i can feel more enlight
someday i'm goanna fly away
one day when heaven calls my name
I lay down i close my eyes at night
I can see moon and light
one day i'm goana fly away
one day I see you rise again
I lay down
I close my eyes at night
I can feel more enlight
soothing sound
One day I'm goana fly away
One day when Heaven calls my name
I lay down I close my eyes at night
I can see moon and light
One day I'm goana fly away
One day I see you rise again
I lay down , I close my eyes at night
I can feel more enlight
soothing sound
( Background sound lowered)
One day I'm goana fly away
One day when Heaven calls my name
I lay down, I close my eyes at night
I see moon and light
One day I'm goana fly away
One day I see you rise again
I lay down I close my eyes at night
I can feel more enlight
[Background music lowered]
One Day- FL Studio[Remix]
GREETINGS: God still loves the World [ Absolutely Correct]
BYE! BYE! [ Captions by GODWIN S.M.]
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Lệ Anh Vẫn Rơi ( MSC ) - Sơn Tùng M- TP | Music Channel - Duration: 3:33.
For more infomation >> Lệ Anh Vẫn Rơi ( MSC ) - Sơn Tùng M- TP | Music Channel - Duration: 3:33. -------------------------------------------
Testspiel in Tampere – Reisebericht Music & Media-Kongress (subtitled) - Duration: 32:41.
Good morning from the airport Dusseldorf.
I'm on my way to the music & media congress in Tampere, Finland.
This will be the first time for me being there. You heard about it that it is spectacular.
Finland is about the size of Germany, but has only 5.5 million inhabitants. And it consists of about 90 percent forest area.
Supposedly there live the people with the highest coffee consumption.
I just landed in Helsinki and wait here in a small Finnish café, where strange food and drinks are served.
But I'm open for everything and look forward to the shuttle bus that will take me straight to Tampere.
It's about two hours to drive. From the plane I saw a lot of conifers and I think this conifer overkill will go on then.
I have finally reached the small beautiful cabin in the woods and now I have about 2 minutes to fresh up.
That's not exaggerated, it's actually the truth.
Then the entire delegation meets at the check-in and we'll get programs, festival ribbons and so on. Looks like tonight also 5 bands are playing.
And after this, it looks like tonight also 5 bands are playing.
That was a wonderful first evening. I saw great bands in a small club called Olympia, which is within walking distance of the hotel.
Evening concerts are now held daily in some clubs here.
In the hotel there'll be the panels, discussions, workshops, etc.
I will now go to a discussion titled "Why is indie better?". Sounds kind of good.
Furthermore I learned that the liquor Salmiakki comes from Finland and has a certain cult status here.
It is relatively expensive here, 5 € for a shot.
I got into the situation that I stand a round, paid with a bigger bank note and then waited in vain for change.
But so what.
I have the discussion "Why is indie better" behind me.
It was pretty good, several Indie label representatives from whole Europe participated.
Maybe it had been interesting if one representative from Universal or Sony had joint as well, to break the feel-good atmosphere a little bit.
I mean… if you like it or not: they are part of the business.
It's interesting how indie music developed.
In the Scandinavian countries, subsidies have been playing for a longer time.
In other countries it also happens more and more, also in Germany.
I would like to remember to the the origins of the term „indie".
I do not want to say, that this would still be possible,
but actually I think that there been a time when indie and underground worked synonymously. Indie should actually be between state culture and mainstream,
a position where it is completely independent.
If tax money is included, it is also kind of state culture.
But the market is changing radically. There is also money for the so-called high culture.
The thing is quite right to support the music culture, but at the same time it has a queasy connotation.
I've just been to the quite anecdotal panel of music supervisors,
people who are licensing music for movie productions and so on.
There were people from all over the world. I thought it was pretty cool get an insight
what budgets are possible.
The difference between the US, where it is not uncommon that you have the same budget for a film production of $ 100 million
once again for promotion,
in contrast to German productions, where the promotion often is done by the same production company with somehow small funds is really strong.
When you're working for someone like Paramount, the names are all important.
Then it must be Metallica alone because of their big name, but it often fails because of the money.
There was an interesting working example from Korea, where a song was supposed to be taken by Amy Winehouse.
But in the end they decided on a Miss Lee song that came relatively close to the desired song by Amy Winehouse.
There is often a stratification: trying to hire a well known artist, but at the same time get the licenses of indie artists
that cost only a fraction compared to a mainstream artists.
And if plan A does not work, they use plan B, C or D.
So it's always downhill. In the end, you still try to guarantee a song aesthetic wich is kind of close to your original wish.
I just saw the stage interview with Simon Raymonde,
who founded Bella Union Records in 1997. There are bands like "Exposions in the Sky"
or "Midlake" – which I like a lot – or "Beach House".
It was a nice roundabout to the topic "How do I lead an indie label and what all happens during doing it it".
What I heard more than once here is that a real friendship between artists and those who exploit their music is hardly possible.
This is simply a mined terrain.
He had some interesting anecdotes from the '80s, when he was still active as a musician.
Even in the alternative sector record sales of 100 thousand a week were still possible then.
In 2008, they released the first "Fleet Foxes" record, which was damn well received.
He said back then they had sales of 1 million in Europe
and he suspected if you had released the same record today, you could sell maybe 20 thousand physical recordings of it.
I can't imagine that, it seems to me a bit too negatively thinking.
But anyway, he is the expert.
The third discussion I visited had the modest title "How to build an international career"
and the majors where now represented as well, for example Warner Records.
The room was bursting at the seams, there were a lot of artists on site who bought a ticket to the congress to possibly make contact with the right people.
And that's nice and good, if you were so committed to your cause. On the other hand, it also seems a bit touching,
because the difficult situation becomes so obvious. One hundred people want something from one special person.
However, new discoveries have not been gained from this discussion.
Rather indestructible truths were preached.
"Stay authentic", "Do not pay too much attention to what others say about your art", "Do not just hang around with people who have a monetary interest in your person" …
Yes, this is all right.
Maybe in this discussion the indie people where missing. But so far everything is pretty segregated here:
Indie and major separated.
One thing I found particularly interesting:
The representation of Universal Germany has commented that in recent years so many small urban labels have sprung up from the ground
which have produced hits like "Trettmann" did for example ("Grauer Beton"), which went straight to the charts
Everything in a DIY attitude.
I was surprised that he praised the whole thing and told to do it exactly like this.
His reasoning was, even if it's big, you can still jump on the project as a major and make it even bigger.
That surprised me, because I thought the new developments were a counter-trend that annoyed the majors.
But that's also what the majors are all about. Similar to Grunge,
where the whole genre has turned against the music industry.
The majors then found ways to use, to absorb this criticism and earn money with it.
Looks like that's what makes the majors, that they profit in the end from every situation.
Today is the third day of Music & Media and the whole thing is already pretty much in the bones of the people you realize - in mine too.
The panels this morning were much less busy than yesterday.
A lot of people were celebrating yesterday. Here are some clubs that are located directly at the hotels, maybe 2 minutes away by foot –
till now I discovered 4 of them.
The Lost in Music Festival is running here at the same time – it is kind of a cooperation with the congress.
There are mainly Finnish bands playing there.
Many were very good, one of them I liked most: the band .... I wanted to say "Mudhoney" ... No ... They are called "Mafia Honey".
And besides, I found "Ghost World" outstanding. Here is really good music possible.
As for the panels today, I was in an interview with Michel Lambert who founded Pias.
It was in first case about from the time when the physical market was still big, till streaming, the problems of piracy and so on.
It was more like a little portrait of him.
There was also a strange panel dedicated to innovation, which was not uninteresting. It was about:
"What can one offer, so that the music market is artificially ventilated for a while longer?" At least that's how the question came to me.
I was a bit ashamed of the German contributions.
Instead of being a real part of a discussion the German speak contributions been more used to presented rather concrete dubious examples of innovations.
Like they established that KISS now play a show of 30 minutes for just 100 VIP guests before their actual concert,
who pay an incredible amount of money for it and sell it as a great fan experience ...
The last panel I visited today has completely dealt with the Japanese music market.
There was someone from "Ward Records", not to be confused with "Warp Records". "Ward Records" takes care of the Japanese music market,
signs national acts and licenses all the world famous metal bands.
This works very well, the metal market is absolutely stable in Japan, the fans support their bands directly with the purchase of CDs and records.
That's the way it is all over the world. Metal is just safe and loyal.
Otherwise, I did not know that the streaming market was launched so late in Japan.
In 2015, it started with Apple Music, which still has the largest market share, followed by the launch of Spotify in the next year.
For the national acts, it's still not a big deal.
Although the situation in Japan fell over and the physical music sales account is only 20%,
but the Japanese labels keep their artists back.
The same records are still released in different variants and that works till today somehow.
But it's a rather antiquated concept that is still stuck there.
The development is definitely going on a bit differently, you can be curious what else will happen there.
The casting phenomenon AKB48 was also subject of the panel, one or the other will know it.
You would have to google it, it's too time-consuming to explain that for now and I think it's also a little too stupid.
But anyway. I think if you look at it, you'll see what kind of pop concepts work well in Japan that would not stand a chance here.
I have just arrived in Helsinki where I will spend a three days vacationing,
looking at the city and hoping that I can relax a bit.
Of course that's not so easy after such a sensational event. There was an impressive amount going on in Tampere:
the "Lost in Music" festival, all these panels, conferences and workshops at the Music & Media event,
and last night that award gala (Industry Awards).
It was really courteaus that I was invited just like the people from the music business.
I sat with at a table, also with a few other people from Germany.
I think it's really funny when people come on stage, say something and and you even clap along of course, even though you did not understand a word.
However, I do not think that an artist has indicated that Finland should invest in more nuclear reactors - what they actually do!
I think this is less beautiful.
Quite unlike, for example, the Swedes who decided in the 2000s to get out of nuclear energy at all.
But that is now also on ice again.
Anyway. What I also learned is that the Scandinavian countries should not be shaved over a comb, there are bigger differences than I thought.
But the way music is promoted seems to have parallels.
However, all in all, it is interesting how the Scandinavian countries are focusing their attention on exports,
what makes a completely different culture happen.
Positively I can report that you are always addressed directly in Finnish language, what I like.
Because the feeling that you get conveyed when you get directly communicated with a first contact with another person,
that you are a stranger, is not necessarily a nice one.
It's friendly to be addressed in Finnish first, and usually the conversation continues
in English, and at a pretty good level. You could be really jealous of this competence.
It is well known that English plays a big role here on television. Films are in English
and broadcasters like FOX are broadcasting their normal program and only sending Finnish commercials.
I walk thoughtfully along the coast of Helsinki,
I have fond memories of my time in Tampere, at the same time I am puzzling over the German contributions to this very international event.
Probably it is normal that you look first at such an event in the strange, what's up with your own compatriots.
Germany is not necessarily known for having a flourishing internationalised film and music industry.
In other countries it looks very different.
It was interesting to see, right away, how people from all over the world are sitting together, each guiding the destinies of their domestic industries.
There were highly interesting experiences that were reported.
From the US for example, how certain Netflix broadcasts managed to attract very special artists,
o license certain tracks, which strategies to work on, how to place commissions, how to handle the budget,
how to create freedoms as well as complete failures ...
There were contributions from Korea about the special advertising industry - all at a very high level.
And when it's right back to such rhetorical strong statements they play a really badly resolved trailer
"Oh Boy" the movie is awesome, but the trailer is a disaster ...
And then it says that the trailer was created as a side project by the production company for which no one got paid …
And that actually no one was really paid for the movie …
I don't know for why it is necessary to try to get some compession.
Then the others say „We did not know that it is so hard for you in Germany".
There are also public broadcasters and film foundations involved in such a project, even if it was low budget. But it was concealed.
The big trick of the person in this example was that they wanted to use music by Django. Reinhard, but already in the beginning they recordnized that this is gonna be a suicide mission.
That's why they asked some students from the University of Arts in Berlin if they just wanted to reenact a few things from Reinhardt.
They did it, everybody liked it a lot, they played at the film premiers, did a lot of party and been very happy with the situation.
Of course that sounds like a certain class of project week and it looks like they have a complete different standing in Germany.
I don't know why they are working with this corny sentimentality like "We are so poor".
Of course, that's not how it can go on.
As you can see I got the chance to experience a really authentic Finnish weather. With low-hanging dark clouds and downpours. This trip offers everything about Finland experiences you can only dream of.
In retrospect, I remember in particular the sentence of an American booking agent, who said "Don't be a jerk. Don't work with jerks.".
This sentence contains a lot of truth. I think almost everyone has ever met a very capable artist and thought „Wow! How is possibly that your career has not really started yet, like others who are not nearly as talented as you are?".
It's just that there are other abilities than the creative ones that are missing, which means many paths are blocked. Presumably it is also a problem that many artists think that the eccentric and the airs are part of it, because that's just how pop works.
There are so many characters who have a certain reputation. If you look more closely at Kurt Cobain or Falco or Elvis, you quickly realize that these were people who were still very sociable and cooperative in the beginning and who got changed during their careers by the music business.
But it is also problematic when managers sell themselves as tamers or as psychologists who can work their way into the souls of the artists, which is usually no more than silly coquetry.
But challenging are also artists who have a submissive attitude. The whole casting business has certainly helped this development going on. These shows suggest that there are these influential people and you have to show them how confident you are.
And then the young talents create a simulated self-confidence, which is harmful. In order to get into conversation with influential people, it is probably the last thing that works to say, "Just look how great I am, I'm now directly pitching my project on the spot".
And the poor important person is currently sitting at the breakfast table and has very different worries. In my experience, self-irony and small talk skills are much more important to get into conversation.
At some point then comes the point at which one is asked „So, you are a musician?". Everything is probably everywhere in first case about sympathies.
Little promising is this compulsive, moaning "I'm trying everything, please give me a chance". This is bitter and certainly the wrong way.
I'm on the train to Helsinki airport, on my way back to Germany.
I just had lunch with a couple of people from Music Finland and a company working with them and I've been trying to figure out how this celebration called Music & Media actually gets funded.
It's way too complicated to break that down to a few sentences. There are funds from Tampere, from Finland, from the EU, many private companies are there as well, ticket sales and so on.
I had the feeling that they are very happy when everyone comes out at zero in the end.
But I have to say, it did not seem like that at all. Everything was very elegant, hospitable and generous.
You do not have the feeling that the Finns are treating their music industry the way like it happens with the mother at "Psycho".
Everything is very much alive and you do not have the feeling that the common frustration is at least not recognizable on the surface.
At any rate, there is no public moaning as it happens elsewhere.
I think it's an interesting time for TV (streaming services) and all that. Licensing is a big market.
But the business of producing new music and selling records has fallen a little bit out of time.
In the 2010s the streaming services became big and legal, and it's exciting to think about what kind of situation we'll have in 10 years.
Will there be any alternative to the current concert and record business.
These pseudo innovations, there was again such a German contribution, that they allow to see some bands soundchecks for cash.
Or that one establishes the fifth stage of a VIP ticket, which gives you the possibility to get whatever directly delivered to your chair ...
That's all rubbish.
I think there were always idiots in the music industry and there were always idiots who accept this tomfoolery.
As far as real innovations are concerned, aside from lover projects such as new cassette labels, one can be very excited.
I think that's something the whole world is asking: How will it go on?
Whether streaming alone will ever really make money. One does not know…
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Dear Alice [BLOXY 2018] [Best Original Music Video] [Halloween] - Duration: 1:46.
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Before you say last words that makes me want
to lay you down
I'll kiss
I'll touch
I'll cut
you into pieces
And you'll feel the same
And you'll know my crave
And you'll see that I'm the only one for you
But you don't understand
But you don't feel the same
And I throw you down into where you've come from
You're falling through the cracks of time
Only to remain the same
You're falling down the path you made
You're trapped in twilight
You'll never ever feel the pain
You'll never hear the morning rain
Keep falling, Keep falling, Keep falling down.
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[Dope Music]
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