Youtube daily how Nov 2 2018

Hello, this is Melisse of Rollo Gaming and today I'm going to teach you how to solve a Megaminx puzzle.

The Megaminx is a really elegant and fun puzzle.

It's a dodecahedron which means that it has 12 sides and each of these sides are in the shape of a pentagon.

There are 12 center pieces and each of those are a different color and then there are

30 edge pieces and those have two colors each and then there are 20 corner pieces

and those have 3 colors each.

Solving the Megaminx is super fun, and it's actually one of my favorite puzzles to do.

After you learn today, hopefully it'll be one of your favorites as well.

Ok, here is a scrambled Megaminx and now we can get going with solving the Megaminx.

The first step in solving the Megaminx is to solve the white layer and

Step 1a is solving the white star.

And so what we want to do is we want to put the five white edge pieces around

the white center and when we do this, we actually want to also make sure that these edge pieces align with the center colors below.

So for example, we'll find a white edge piece

and so here's white and purple and what I like to do is first is I like to put this edge piece

as a spoke around the purple center and so I move the piece to bring it

over to the purple center and then here you see the situation where

this piece is inverted and so to

align the purple edge with the purple center

what I like to do is turn this face one more rotation and then turn this face and now you've aligned

the purple edge as a spoke on the purple wheel and then once you do that, you can just simply

rotate this face until it aligns with the white center. And now you have created that link between the white and purple center.

Now we look for another edge piece. And here's one. Here's white with red.

So we bring it around and

align it with the red center and then

rotate that face to align it with the white center and now we've got that link in the right place. Now, we find another white

link and here is white with green.

We're going to bring that around. I like to go around the ribbon here

and now this is attached to the green center. We can rotate that and align it with the white center.

We look for one more here. This one's already aligned with yellow so we can just simply

rotate that into place and then we find the last white piece. Here it is and

this is white with blue. We rotate..we see that here it's flipped

so we rotate one more time and then rotate this face to align it with the blue center and then rotate that into place.

Oh, and I messed up the red one right there. So

one thing with the Megaminx...you have to always be careful that you're not undoing your work. And so

here we go, we've put that back into place.

Okay, so we've created the white star and you can see that its centers are aligned with the centers below.

So that's the first step.

Now we're going to do step 1b

which is to put the white corners around the white star and this will then complete the whole white layer.

So what we do here is we look for the corner pieces that have white on them

and so here's one that has purple and green.

And then what you want to do is you want to bring this around the ribbon and this is what the ribbon is..this

"W" going around, the repeating "W" going around the Megaminx.

So we want to rotate our piece around the ribbon and then get the piece in between the two center colors that match so

we put this piece with green and purple between the purple and green centers

and then once you do that, you're going to do this methodology for placing a white corner.

And this is very similar to what you do when you solve the 3x3 and if you've studied my 3x3 video, this will look very familiar.

So what I like to do here is I look at these two colors and so here's white with green and so the method for

putting the

corner piece is to move away from white and green...the white and green side. Bring down this white and green side,

bring our piece back and then put this into place and now we've placed that corner in the right way.

Now we look for another white corner piece. And here's one, and this one has green and red.

So we're going to move around the ribbon and get in between the green and red centers. And now we have the situation where

white is on the bottom and I actually need white to be either here or here in order to do that corner placement.

So we first have to

flip this piece and so an easy way to do that is move it over one

rotation and then take this face and move this down one rotation and then just swivel this

face until you get your piece back here

in between the green and red centers and now you see we flipped the piece and white is now up

here instead of being on the bottom. And now we can work with it.

Okay, and so we look at these two colors. We see we have green and white.

And so that means I'm going to move away from the green and white side.

I'm going to bring down the green and white side and bring the piece back.

Then I'm going to put it into place and then that corner has been placed. Now we look for another

corner piece. Here's white that has yellow and purple

so let's go around the ribbon and put it between the yellow and purple centers. Again

I've got white on the bottom and I need it to be either here or here

so we're going to do that little trick to flip the piece. We're going to move it to the right.

We're going to rotate this face down and then we're going to swivel this face until our piece comes back

into this spot, and now you see we flipped the piece.

We now got white up on the top here where we need it.

We see that we have yellow and white showing so that means I'm going to move away from the yellow and white side.

I'm going to bring down the yellow and white side. I'm going to bring my piece back and then I'm going to

rotate this into place.

And we place that corner. Now we keep going around the cube. Find another white corner piece. Here's one with blue and red

so we're going to put it in between the blue and red

center pieces.

Again, the white is on the bottom. I need it to be up here

so I'm going to turn this face once to the right, turn this face down and then rotate this face

bringing my piece back into place. I see that I have red and white showing now in the right place so

I'm going to move away from red and white, bring down the red and white side, bring back the piece and then put this into place.

Now let's look for the final corner piece. Here it is..

white with yellow and blue. So we're going to put it between the yellow and blue centers. I've got the white on the bottom

so I need to flip this piece. So I'm going to move to the right,

bring down this face and then swivel this piece back around.

Now I've got white showing up here on the top with blue.

So I'm going to move away from blue and white.

Bring down the blue and white side.

Bring my piece back.

Put this into place and you can see we have completed the first layer...the white layer.

Okay, so now that we've done the first layer...

now we're ready to do the second layer

and so what we're going to do is we're going to flip our Megaminx over and now what we're going to do is we're going to

complete the second layer, which is this layer here. And what we need to do is we need to

insert the edge pieces that will be the links between the centers.

So for example

we need a blue and red link in between this blue and red center and then we need a green...a

red and green edge piece here and so forth.

So we're going to look for the pieces we need so let's say we're looking for the blue and red.

So we look around our Megaminx and we find the blue and red, and here it is. We're going to rotate it

so it's above the blue and red centers and then

turn this face. And what you want to do is you want to turn the face until

it lines up either with the blue center or the red center so it doesn't line up here, but it lines up here.

So now we've got the piece in the appropriate place to work.

And now what we're going to do is this method to get this piece placed here.

We're going to move it away from where we're trying to go.

We're going to bring up... this is the slot we're trying to fill so we're going to bring that up.

We're going to bring our piece back again aligning with the red center.

We're going to bring down this side to restore our white star on the bottom and then we're going to flip it over.

I like to look at it this way. It's easier to see what's going on. And we're going to place this white corner

just the way we did in the previous step.

So we see we have red and white showing so we move away from red and white.

Bring down the red and white side, bring our piece back,

swivel this into place and now you can see we've placed that edge so

now we flip it back over again. And now we look for the next edge piece. We want the red and green edge piece

so we see it's over here on the top here and then

we can rotate this face until it aligns with one of the centers and here it's now aligned with the green center

and then we're going to do that same step again, which is move it away from where we're trying to go, bring up

this slot we're trying to fill,

move our piece back aligning again with the red...I mean with the green center.

Now bring down this this face to restore the white star and

then flip it over and now we're going to do our normal method to place a white

corner piece. So we've got green and white showing so we move away from green and white.

We bring down the green and white side. We move our piece back and then we move this into place and we have placed

this edge

in the right place.

So we flip over again and now we look for our next link we need which is the green and purple. We have it

right here

but we just need to rotate it

so it aligns with the green center. And now we're going to do the same method. We're going to move away from

where we're trying to go which is here. We're going to bring up our slot,

bring back our piece lining again with the green center, bring down the white pieces to restore our white star.

Flip our

Megaminx over and

place this white corner. So we've got white and green showing

so we're going to move away from the white and green side, bring down the white and green side

bring our piece back, put this into place and now we've placed that link.

Now here's a situation where we've got the right color link, but it's flipped. We need to

flip this piece and

so what we're going to have to do is we're actually going to have to just kick it out by

placing the wrong piece there for a second and then we can

replace it back the right way. So what you do is you pretend this is a good piece

but what you're going to move away from where you're trying to go which is here, move this slot up,

bring back this piece which in this case is not the right one but that's okay. Bring down your white pieces to bring them back.

Flip over and you see you're trying to place this blue...this purple and white corner.

So you're going to move away from purple and white,

bring down purple and white side, bring back your piece, bring up your white column.

Okay, so you can see we have we put this piece here temporarily but we've kicked out the purple and yellow piece and then

we go find it. It's over here.

Rotate it into place.

Okay, and so now we've got it aligned with the purple center.

We're going to...we're trying to put it here. So we're gonna move it away from where we're trying to go,

bring up the slot we're trying to fill.

Bring back our piece

so it's aligned with the center. Bring back these white pieces to restore the bottom.

Flip over and now we're going to place the white corner like we normally do but now it's got this little edge piece

aligned with it...the piece next to it.

We see we have purple and white showing so we're going to move away from purple and white,

bring down the purple and white side,

bring up our piece. We now have our nice white column, put it into place and we put that link where it needs to go.

Flip it over. And now we see we need a yellow and blue link, which is right here. It's actually aligned with blue

so we can go ahead and move away from where we're trying to go, bring up the slot

we're trying to fill, bring our piece back restoring the alignment with the blue center, bring down the white

pieces to restore the white star.

Flip it over and then place our blue and white corner so move away from blue and white, bring down the blue and white side,

bring back our piece,

put that into place,

and now we have

completed the second layer. You can see all those links are in place

so that is the second layer.

And now we're ready to do the third layer. And what we're going to do here is we are going to do...

We are going to get this ribbon all completed.

And this ribbon also looks like a repeating "W".

This one it takes...there's two parts to this step. For 3a we're going to make

what I call the happy baby. And so this is a fun step. Here what we're trying to do is

we're going to look at the center color

and so let's say we look at pink and what we want to do is

we're going to think of this as being the baby's belly and

then we're going to flip this over and what we want to do is get a pink face

that's going to go here. And we want two pink arms here.

And then we want to make sure that

these three pieces match the colors that are above so we're going to look for pieces that have red and blue on them

with the pink. So the first thing we're going to do is look for the baby face.

So we're going to look for a piece...the corner piece that has pink,

red and blue. So we flip this back over and we look for that piece. And here it is.

We bring it up to the top and then we rotate it and we see if we can align this pink with the pink

center and so we actually need to turn this

one

rotation this way and now the face is aligned with the belly.

Now we can turn this face to put it in place.

This is where the little baby face is going to go and now we can look for the little pink arms.

So we're going to look for edge pieces that have pink and blue or pink and red. So we look around our

cube - and so here's one. So let's bring it up to the top

and then swivel it over here, and now you can see that

this piece is flipped and we need to have it inverted.

So here's a little trick to flip the piece. Move it over to the right,

bring down this face so now it's aligned with the pink belly. Now bring it up to the top and

so we want to bring the piece up to the top

but you'll notice that we just kicked the little baby face out of position. So we're going to have to correct that first.

So let's move this piece off to the side for a second.

Bring our little baby face back into position.

Bring our little pink arm back. And now we've got everything in the way we need it.

So we need the baby face down below. We need one of the arms up on top

and now we're going to do this algorithm to place the arm.

So we look at this color and we see that we actually need to place this piece over here on the right

so we're going to do this algorithm. We're going to move towards where we're going. So move to the right.

Now we're going to move this little baby face out of the way for a second. So turn this face down.

Now we're going to rotate this face two more times. We're going to go...

actually past this..this is where it ultimately wants to go, but we have to go past that one more crank

so that we can now bring the little baby face back. So we're going to turn this side up

bringing the little baby face back up and now that face is connected to the arm and then we can turn this one rotation and

now we've got our little arm connected to the baby face.

So now we're going to look for the other arm...the other pink arm that has blue on it. So we look around and

we see it's over here. So let's bring it up to the top

and then rotate the top. We see that it's aligned nicely with the pink belly

and now what we can do is place it on this side.

And so now we're going to do the opposite of what we just did on that last step

which is now we're going to move towards where we're going which is on the left.

So turn one rotation on the left. Move the little baby face out of the way for a second so push this down.

Turn this face two more cranks...one, two.

Connect the baby face back up with this arm

like so and then turn this face into place.

And now we have successfully made the happy pink baby with its pink belly, pink face and two

pink arms.

Okay, so now we're going to continue around the Megaminx and we do this very

methodically.

So next we're going to make the bone or the cream baby.

So we need a corner piece that has red and green and here it is.

Let's rotate the top and get that little face aligned with the belly.

Now we can rotate this face putting the baby face in position. And now we're going to look for the two arms.

We want to find the cream piece with red and the cream piece with green. So here's the cream with green.

Bring this over and

now we need to bring it over to the right. So we're going to rotate this to the right.

Bring the little baby face out of the way by turning this down.

Rotate the face twice more..one, two. Bring the baby face back and

then rotate this face into place.

Okay. Now we need to find the other arm. We need the cream with red arm.

So we see it's over here. Bring it up to the top.

Rotate it.

We see that it's aligned with the belly which is good. Now this time we're going to place this on the left side.

So turn this face to the left.

Bring the baby face out of the way by bringing this face down.

Crank the face twice more...one, two. Bring the baby face back.

It's aligned with the arm and then turn this face

to put the baby face back where it needs to go and we have made the cream baby.

So now we continue around the Megaminx and we're going to make the turquoise baby, and we need to find the corner piece that has

green and purple, and it's right here.

We see to put this face aligned with the belly, we need to turn this face as so..so now we've got

that aligned. And now we turn this face to put the baby face in position.

And now we're going to look for the arms.

We need the turquoise with green and the turquoise with purple and here's the turquoise with green. So let's bring this up to the top.

And let's move it

aside for a second. Bring this little baby face back.

Okay, bring this back and now we see we do need to flip this piece. So let's

turn it over to the right,

turn this face

down like this to align with the belly, bring this back up

and then again we have to move it aside for a second so we can bring the baby face back into position.

Bring the piece back.

Okay, so now we've got everything in alignment.

We want to bring this piece over to the left. So turn the face to the left,

bring the baby face down and out of the way.

Turn this face two more time - one, two. Bring back the baby face and then

rotate this into position.

Okay, so now we're going to look for the other arm - the turquoise with purple. Here it is. We'll bring it up to the top.

We need to flip it. So we're going to bring it over to the side. Bring it down, connect with the belly, bring it up top,

move it away for a second. Bring our little baby face back into position

bringing the arm back. Now

we have it up where we need it above the face above the baby face. Now at this time

we want to go to the right. So turn this to the right.

Bring the little baby face out of the way for a second. Turn this face two more times - one, two.

Bring up the baby face.

It's all connected and swivel it into place and we have made the turquoise baby.

So we're now going to make the little orange baby.

And so we need to find the orange corner piece that has purple and yellow and it's actually right here.

So let's rotate

this face,

get this up on the top and

then let's rotate.

You can see if you rotate the top you now bring the orange face

so it's aligned with the orange belly. Now we can bring that into place...the little face is down where it needs to be.

Now we're going to look for the arms that we need and we need

orange and yellow actually, which is right here and we need the orange and purple so why don't we

let's go ahead

well, let's go ahead and place the orange and purple one and that'll kick out this piece because we need to kick this one out.

It's in the wrong place.

So let's bring this up.

We see that this is flipped so we're going to need to align the orange arm with the orange belly. So move it over once.

Bring this face down. Now we've aligned the little arm with the belly.

Bring this up to the top

and now

we can work because we've got the face where it needs to be,

we've got the arm up on the top where we need it. Everything's aligned with the color of the belly.

So we're going to the left. So we're going to turn this face once to the left.

Move the little baby face down and out of the way. We're going to move the lower arm two more cranks - one, two.

And

then bring the little face back

and now we've got the baby face with the arm and let's turn this face to put them where they need to be and

now we need to put this last piece which is the orange and yellow arm. And so we're going to

bring this up to the top where it needs to be. We see we've moved the little baby face out of position

so let's move this arm off to the side for a second.

Bring our little face back down. Bring our arm back into place

and now we've got it aligned like we need it and we're going to the right this time

so turn the face to the right, move the little baby face down and out,

move this little arm two more cranks - one, two. Bring our little baby face back and

then swivel this into place and now we've made the orange baby.

We are going to do the final baby...the lime baby.

And so we need to find a corner piece that has lime, yellow and blue.

So we look around the cube. We see it's over here. So let's bring that up to the top.

Let's see, you know, we have to be careful that we don't mess up

anything so let's bring it up to the top and then let's rotate it out of the way.

And then bring we need to restore this little baby back into the right place.

Okay, and then we can turn this one more rotation getting the lime face aligned with the belly, bring this down

and now we're going to look for the arms. We need the lime with yellow and the lime with blue pieces.

So we look for them and here's the lime with yellow. Let's bring that around

and then let's restore the little baby that we just messed up.

Bring this piece back around. We see that we need to invert this piece so bring it over here,

connect,

bring this up,

bring this over to get it out of the way

and then let's bring...put this baby face back in position

and we also need to bring this baby back in position.

Ok, so now

we bring it back so we're always trying to restore anything that we mess up as we go.

So now here's the lime

arm with yellow. We want that on the left

so we would turn this to the left, bring this out of the way...the baby face, bring it down.

Turn this rotation one more - one, two.

Bring the baby face back.

Bring this into rotation to put it into position.

Then here's the last piece we need - the lime with blue. Bring this up top,

move it away for a second. Bring the baby face back into position,

bring back our little arm. Now we want to bring it over to the right. So turn this once to the right,

bring the baby face out of the way for a second by pushing it down.

Rotate two more cranks - one, two.

Bring up the baby face and

swivel this into place and we have completed the lime baby. And so now we've got

all five babies - the lime, the pink, the cream, the turquoise and the orange.

Ok, now that we've completed all the five babies, we're going to do the next step

for solving the third layer which is to bring...

we need to bring the corner pieces

that are the right colors to complete the ribbon. And so what we're going to do is we're going to find those corner pieces

by looking on the top layer, and what we're going to do is look at corner pieces that do not have gray.

So for example, this piece has gray, so that's not a relevant piece. But this one does not have gray

and so what we're going to do is we're going to rotate it around the cube until it aligns with the colors below.

And so this one's already aligned with the matching colors. Turquoise, purple, orange.

And then what we're going to do is we're going to look at the color on the top.

And we want it to either be this color or this color

and if it was this color we'd have to do an extra step. But because it's the

color of one of these top centers we can now do this algorithm.

And basically what we want to do is we're going to move towards the color that's on the top

so orange is on top, so we're going to move to the orange side.

We're going to bring up this piece. This is the slot we're trying to fill so we're going to bring up our slot.

We're going to bring our piece back filling that slot and then you can see we've got this nice

alignment and we're going to bring that back into place and so we've placed that in the right way.

Now we're going to look again up top looking for a corner with no gray.

Here's one. We're going to rotate this until it aligns with the colors below.

So here is the right place because there's orange, green or lime and yellow. We're going to look at the top color. It's orange

and so that's one of these two colors and so since it's orange, we're going to move towards the orange side.

We're going to bring up our slot we're trying to fill.

We're going to bring our piece back.

We've now got this aligned. We bring this down into place and we've placed that corner.

So then we're going to keep looking around the cube until we find one that doesn't have gray. Here's one.

It's actually over the right spot -

pink, red, cream.

Now this time we see that we have red on top and so that we need to do an extra step because we need it to

either be pink or cream in order to do our next algorithm.

So we're going to do this little trick to invert this piece and it's called this little

algorithm that you can use to move pieces around your cube without messing things up and we use it a lot in

cubing in general and so it's this algorithm called RUR'U'. And so what we're going to do is we're going to

turn the face. So R means we're going to turn the right face clockwise. U means we're going to turn the upper face

clockwise.

R prime means we're going to turn the right face counterclockwise.

U prime means we're going to turn the top

counterclockwise and then you can see we've moved the piece down here. And now we're going to do it one more time.

It's going to bring it back up here, but it's going to be reoriented. So we're going to go

R, U, R prime, U prime.

Okay. So now you can see that our little corner piece now has cream on top and so instead of red and so now we

can do our algorithm where we're going to move it towards the cream side.

We're going to bring up the piece this slot we're trying to fill.

Bring back our piece.

We now have a nice alignment and we put that into place and we've placed that corner.

So

we look around our

third layer and we see that the ribbon is complete and so we have successfully completed the third layer.

So now the next step is going to be to complete the fourth layer, and this is a lot like the second layer

where what we need to do is put the links between each of the centers and

so this time what we're going to do is we're going to again look at the top

but we're going to be looking at these edge pieces and we're looking for edge pieces that don't have gray.

So this one has gray so that's not what we want.

But this one doesn't have gray and so you find a piece ...an edge piece without gray and then you rotate it around to align

with its center color.

And then we look at this other color that's on top.

So we want to place this lime, pink link between the lime and pink centers.

And so you're going to do this algorithm.

You're going to move it away from where you're trying to go which is here. You're going to bring up the slot

we're trying to fill.

Bring our piece back again aligning with the green center. Bring down the side to restore this blue star.

Flip it over and then we're going to place a corner like we normally do so we look at these two colors - blue and green.

So move away from blue and green. Bring down the blue and green side, bring our piece back.

Rotate this into place and we have placed that edge.

Okay, so now were going to look around the the cube again and we see we have

here's a piece without gray - lime and orange so let's align it with the lime center.

We're trying to put it over here by the orange. So we're going to move it away from the orange side, bring up the slot

we're trying to fill,

bring back our piece aligning with the center color,

bring down this side

restoring this

yellow star. Flip it over and then place the corner in our normal method.

So we've got lime and yellow showing so move away from lime and yellow.

Bring down the lime and yellow side.

Bring back our piece, put this into place and we have placed that edge piece.

Okay, so we keep looking around the top and looking for pieces that don't have gray. Here's one. This is cream and pink. So let's

align this with the cream center.

It's got pink on it so we want to bring it over here.

So move it away from the pink side, bring up the slot we're trying to fill,

bring back our piece aligning with the center. Bring down this side restoring that

red star.

Flip it over and

place a corner like you normally would. So we have

cream and red showing. So move away from cream and red, bring down the cream and red side, bring back our piece and

rotate it into place.

Okay,

so we continue looking for

edge pieces without gray. Here's one. This one is turquoise and cream. So let's align it with the turquoise center.

We want to put it over here on the left so we're going to move it away from the left side,

bring up the slot we're trying to fill,

bring back our piece aligning with the center, bring down the side

restoring this green star. Flip it over and place a corner in our normal method.

We've got turquoise and green showing so move it away from the turquoise and green side.

Bring down the turquoise and green side, bring back our piece, bring it up and we have now placed that link.

But what we have is the situation where we've got an inverted piece

and so what you're going to need to do there is kick this piece out by putting some piece there temporarily and

then reposition it. So

we'll just pretend we're placing this link. We're going to move it away,

bring up our slot, bring back our piece, bring this back down,

flip over. We're going to place this corner. It's purple and turquoise.

So move away from purple and turquoise. Bring down our slot, fill it in with this piece. Bring it back up.

Okay. So now we put in this piece - the wrong one temporarily but now our piece that we want is back available.

We're going to align it with the turquoise center.

We see we have orange on the top and so we want to move away from the orange side.

Bring up

the slot we're trying to fill, bring back our piece aligning with the turquoise center, bring down this side to restore our

purple star.

Flip over and we're going to place our corner.

We see that we've got purple and turquoise showing so move away from purple and turquoise.

Bring down the purple and turquoise side. Bring back our piece. Bring up our column and we placed that link.

So looking around the Megaminx, we can see we have solved the fourth layer and all the links are where they need to be.

Okay, now we are on to

the final round which is solving the fifth layer and the fifth layer is the gray layer and

there's four steps to solving the gray layer.

The first one is that we're going to create a gray star.

And so this is similar to what we did in the beginning with the white star where we want to put the

five grey edge pieces around the gray center so that we'll have a star. And so

what we're going to do here is is very analogous to what you do when you solve a 3x3 cube and if you've watched my

3x3 video you would see that this is very analogous to the step where

when you make a yellow cross in a 3x3.

So if you know that method you'll know that when you make the yellow cross you often start with a dot

that becomes an "L" that becomes a line and then it becomes the cross. And so that's the same idea here.

So right now we've got one gray

edge aligned with the gray center.

So that's equivalent to having the dot.

And when you have that what you want to do is you want to put this off to the side

to the left side like so and then you're going to do the same algorithm you would do in the 3x3 which is the

face clock algorithm. You're going to turn the face clockwise like so.

You'll bring up the right side.

You're going to turn the top

clockwise.

You're going to bring down the right side. You're going to swivel the top back

counterclockwise and then you're going to bring down this column and then you look and you see that we now have three

edges

aligned like so and this is equivalent to the "L". So holding it this way with

these three pieces

on the left and upper like this

you can do that same clockface algorithm again. You're going to turn the face

clockwise, bring up the right side, turn the top clockwise,

bring down the right side,

bring back

the top counterclockwise and then bring down

this column

and now you look and you see you've got an arrow and when you've got the arrow

it's equivalent to the line

in the three by three and so you're going to want to have the arrow pointing to the right like so

And you're going to do that same algorithm again with the face clock. You're going to turn the face clockwise.

Bring up the right side.

Swivel the top clockwise. Bring down the right side.

Swivel the top counterclockwise back and then bring down this column and

now you have a gray star. And now we're ready for the next step which is to

align the star and this is sort of like aligning the T in the 3x3 and

here what we want to do is we want to

align

the spokes of the star with the centers and so you can see

we've got the situation where we've got the orange aligned

but this one's not aligned, that's not aligned. The cream is aligned and this one is not aligned. So

taking these two spokes, you're going to want to hold it so that you've got one in front and one

off to the

right like this and then you're going to do this algorithm

that's called the

"sune" algorithm and this is an algorithm that you also use in the 2x2.

And it goes like this. You bring up the right side, you turn the top clockwise,

you bring down the right side, you turn the top

one more turn clockwise,

you bring up the right side,

you turn the top back twice counterclockwise - one, two.

And then you bring down the right side and then you check to see how many of your

spokes are aligned and now we only have one and so when that happens

put that side off to the left and then we're going to do that "sune" algorithm again. Bring up the right,

turn the top once clockwise, bring down the right, turn the top once clockwise,

bring up the right, bring back the top counterclockwise twice - one, two,

bring down the right and then we check and

we now have two aligned - the green lime green and

cream so again

we're going to hold it where we've got the good one in the front and this other good one off to the top right.

We'll do the "sune" algorithm again. Bring up the right,

turn the top once clockwise, bring down the right, turn the top once more clockwise, bring up the right,

bring the top back twice counterclockwise - one, two, bring down the right.

Now we check and we see that we have the situation where you have one good one

one good one here and one good one here

so now we're going to hold it where we've got this good face in front of us and this other good face off to the

left

and we're going to do that "sune" algorithm again. Bring up the right, turn the top once clockwise, bring down the right,

turn the top once clockwise, bring up the right, bring back the top counterclockwise twice - one, two, bring down the right.

And we still have the same situation with these two being good.

So let's try the same algorithm one more time. Bring up the right, turn the top once clockwise, bring down the right,

turn the top once more clockwise, bring up the right, bring back the top counterclockwise twice - one, two,

bring down the right.

And now we check and we see that we actually have all the spokes of the star are aligned with their centers.

So now we're on to the

Step 5c which is

to place the corners and here this is similar to what we do with the 3x3 as well where we try and

first get the right colors on each position and then we worry about orienting them at the end.

So we take a look and we see

that this corner needs to be pink and cream, but it's pink and green so that's not good.

This one needs to be cream and

turquoise and so that's not good. This one is not the right colors.

This one is not and this one

is not either so we have no good corners right now so you can hold it any which way and

we're going to do this algorithm that I call the double algorithm.

And so what we're going to do is bring up the left side and then turn the top clockwise twice - one, two,

bring up the right side and

bring back the top twice counterclockwise -- one, two, bring down the left,

continue rotating the top twice

clockwise - one, two, bring down the right and then rotate the top counterclockwise

twice - one, two to realign the spokes of the star.

Now we check to see if we have any good corners and that's no good. That's no good. That's no good. That's no good

so still none of them are good

so let's hold it the same way and do that double algorithm again. Bring up the left, turn the top clockwise twice - one, two,

bring up the right, bring back the top counterclockwise twice - one, two.

Bring down the left.

Turn the top clockwise twice more - one, two. Bring down the right. Turn the top twice counterclockwise -

one, two aligning the stars.

We check our corners

and we see that this is a good corner we've got

orange and turquoise. That's no good. That's no good. That's no good. That's no good. Okay,

so with one good corner

let's put the good corner in the bottom right like this and we're going to do that double algorithm again.

So bring up the side, the left side,

turn the top clockwise twice - one, two. Bring up the right side,

swivel the top counterclockwise twice - one, two. Bring down the left side,

turn the top clockwise twice - one, two. Bring down the right side, turn the top

counterclockwise twice - one, two

to realign the star. So we look at the colors and we want the colors to match the center pieces

so this is actually the right color. We've got orange and lime matching these two centers.

This one is not the right color.

This one is not either - you got pink but you don't have cream.

This one actually matches - you got cream and turquoise. So that's a good one. And then this one doesn't match.

So we've got two good corners right now - this one and this one. And so then you're going to orient these in a certain way.

So if you have two good corners like this

you'd want to put a good corner down in the bottom right and then a good corner up in the top of the

pentagon and then you're going to do this algorithm that I call the double algorithm. You're going to bring up the left side,

you're going to rotate the top twice clockwise - one, two. You're going to bring up the right side.

You're going to rotate the top back twice. So counterclockwise - one, two.

You're going to bring down the left and

then you're going to rotate the top twice more -

one, two.

And then you're going to bring down the right side and then you're going to swivel the top to realign your star.

So bring it back twice - one, two

counterclockwise and we've realigned the star.

So then you check your corners and see what you have. This one's good.

This one's not. That's not. This is good and that's not. So you've got these two that are good.

And so you're going to again position it so you have a good one down in the bottom right,

good one in the top and we're going to do that same algorithm again. So we're going to bring up the left,

turn the top twice - one, two.

Bring up the right, bring back the top

counterclockwise twice - one, two.

Bring down the left.

Continue turning the top twice clockwise- one, two. Bring down the right side and

then swivel the top twice counterclockwise to align your stars again.

Okay, and then we take a look and we see that this corner is good and this corner is good.

So we're going to continue

with the same algorithm again putting this good corner here, this good corner here.

We're going to do that algorithm again. Bring up the left, turn the top twice.

Bring up the right, bring back the top twice, bring down the left, swivel the top twice more,

bring down the right, swivel the top to align the stars.

Okay, and

so again, let's see, we still have this one's good. This one's good.

So this time we're going to try something different because sometimes

if you keep doing the same pattern you kind of get stuck. So instead of putting it this way this time,

let's try putting it this way. This is another way that can work.

So where you have the good one on the left and a good one on the upper right.

So let's do that same algorithm again. Bring up the left,

turn the top twice - one, two. Bring up the right, turn the top back twice - one, two.

Bring down the left.

Swivel the top twice - one, two. Bring down the right, swivel the top to align the stars.

Okay, so now

we look and we see we have this is a good corner with orange and green. This is a good corner with orange and turquoise.

So now this is good. We've got two that are adjacent to each other and so when that happens you want to hold them

so you've got good ones both on the right side here, so

now we're going to do that same algorithm again. Bring up the left,

turn the top twice - one, two. Bring up the right, turn the top back twice -

one, two. Bring down the left, turn the top twice

clockwise - one, two.

Bring down the right side and swivel the top one, two counterclockwise to align the stars.

And then we check and

we still have

the same situation.

So again

we're going to hold these good ones like so and we're going to do that one more time. Bring up the left, swivel twice,

bring up the right, swivel back twice, bring down the left, swivel the top twice - one, two. Bring down the right,

swivel this.

Okay, and now we look and we have got all the colors matching

their centerpieces. So we got cream and turquoise. We've got turquoise and orange. We got orange and green.

We got green and pink and we got pink and cream.

So now we've got all of our corners in the right place, and now we need to orient them as the last step.

So the last step

is a step to orient these corners, and it's a simple step where we're going to use this algorithm

That's called R'D'RD.

And we're gonna do that over and over again until we place the corners as we need them. And so we're going to look and so

this corner is already perfectly right so we don't need to work with this, but we'll start with this corner.

So we'll put a good corner off to the left here

and we'll start with this corner. We're just going to do this algorithm R prime D prime R D.

Which R prime means we're gonna take the right face and go counterclockwise.

D prime means we're going to take the down side and go

counterclockwise and then "R" means we take the right face clockwise and "D" we take the

down side clockwise.

Okay, and then we're going to do that again.

R prime, D prime, "R", "D" and then we keep doing it - R'D'RD.

R'D'RD

and then every time you complete the sequence you check to see if

this corner is now aligned with this edge.

And so you can see this is now aligned so it's good and now you can rotate this and work on this

cube positioning this corner piece right. So we're again going to do our algorithm again - R'D'RD.

R'D'RD

We take a look and we see this aligned so we can now move that out of the way.

We're going to work on this corner. Do that algorithm again. R'D'RD

R'D'RD

Take a look. This is now aligned so we can move that out of the way.

Work on this one. R'D'RD.

R'D'RD

R'D'RD

R'D'RD

And we look here and we see that this is aligned and we do

two final rotations and we can see that we have solved the Megaminx.

For more infomation >> How to Solve the Megaminx - BEST Tutorial - Guaranteed! - Duration: 49:55.

-------------------------------------------

HOW TO magnify your phone's screen - For Android Devices - Duration: 4:50.

Do you or someone you know have trouble seeing and reading their mobile device?

Well today, I'm going to show you one of the ways to fix that problem by magnifying your whole screen

Hi everyone

Its Carrie from accessible life here to share tips tricks product reviews and more to help

individuals and families live a more accessible life

Make sure to check out our website down below in the description for free principles

But to learn more about us with all that said let's just dive right in and how to magnify the screen on your phone

So here I have a Nexus 6p. This is an Android phone

If you have an Apple device

Make sure to check the description below for

The link to a video where I talk about how to do the same thing on Apple devices

So the first thing you want to do is tap on settings

I have it on the home screen already, but you can always go to your app drawer and find your settings application

so I'm going to tap on settings and

I'm going to scroll down until it says

accessibility

Now once you're in accessibility it may look a little different on each device

But what you want to do is scroll down until you find something called magnifications on certain phones

You'll have to go into a submenu called vision and instead of magnifications

It's called magnification gestures. It just varies between

phones

So let's tap on

magnification and

We're going to hit the first

option which is magnified with triple tap and

There's a toggle on the top right hand corner, and I already have it on because I use it all the time. So

To use this feature. What you want to do is triple tap on the screen with one finger really fast where you want to magnify

so 1 2 3 and

Zooms in to zoom in more what you want to do is put two fingers on the screen and pinch outward

And to zoom out you put two fingers on the screen and pinch in

To move around the screen you use two or more fingers and drag your fingers across the screen to read

Now this is a little bit tedious when you're reading something long

so what you can do is

Triple tap and hold your finger down keep it on the screen and now you can slide it across

the screen like this and

read portions of text and

once you let go

It stays zoomed in to where you let go

To zoom out completely. You just triple tap anywhere on the screen and

You're zoomed out also

Do this you can triple tap and hold while you're zoomed out. So one two three

Hold keep your finger on the screen and slide it around like this

to

zoom in temporarily and read something quickly and

Once you finish you let go and you

zoom right back out

Now that we know how to magnify with triple tap. Let's press the back button

And go back to these options and press the second one, which is magnify with button

There's another toggle switch on the top right corner to turn that on and

What this does is it puts a little icon?

to the right of your recent apps

Icon that looks like a little person and if you tap that it puts a little orange border around the screen

To let you know it's working and you can tap anywhere on the screen and it will magnify

You can pinch out to zoom and you can pitch in to zoom out

You can also move around with two fingers

Do this and to zoom out completely you just hit the icon again and it zooms up

You can also temporarily zoom by

pressing the icon and

Tapping and holding your finger on the screen and then you can slide your finger around and once you let go it zooms

Right back up

Thanks everybody for watching and make sure to hit that like button down below if you or somebody

You know can use this feature and hit the subscribe button

And about to watch more videos to help you live a more accessible life

You

For more infomation >> HOW TO magnify your phone's screen - For Android Devices - Duration: 4:50.

-------------------------------------------

How Life Changes When You're Living Your Life Purpose | INspire 9 - Duration: 7:24.

repeat after me: my life is changing because I AM changing

one thing I've noticed on this journey from traveling this year is that when you decide to

live your life purpose when you decide to take that action that's when things

changed that's when the game really starts that's when everything picks up

and manifests faster and faster one of the biggest things that happens when you

start saying yes to your sole purpose to your karmic agreement to the reason why

you manifested in this physical body as a consciousness as a conscious the light

being as a light worker is that the universe does everything that it can to

80 the universe helps you it throws you so many bonuses it throws you abundance

it throws you all these opportunities like for me today

we just booked our our trip to Bucharest Romania and we're going to be going to

these ancient sites we're going to be going to Bulgaria which has a lot of

power places with it and we're gonna be actually taking some time right now

before we head over to Romania to go to Venice place that I've always wanted to

see that I've always wanted to travel to and I never had that opportunity I never

had that experience until now and when you are on your purpose when you are on

your path remember your path is the path that you

say it will be so if you are saying that the path ahead is hard and arduous guess

what it's going to be that when you say that the path is easy and that you are

always guided no matter what then yes it will be that you have to dictate and

decide as a conscious creator as a powerful manifester what that

purpose is and whether or not that purpose will be hard or whether or not

that purpose will be easy you have to leave it up to a higher power in order

to get the results that you want now this is all well and fine if your

spiritual being and you're thinking to yourself yes I just have to give it up

to the universe but on the other hand we're here in the physical body so we

have physical means we have to pay rent we have to pay bills we have to buy food

we have to on and on and on we have to spend money we have to spend currency we

have to spend exchange we have to spend energy so how do you then go about doing

that how do you go about then taking your their purpose the reason why you're

here and turning that into some type of income stream for yourself so that you

can continue on the journey it's simple document pick one topic

right so let's say for example if you are passionate about consciousness

upload a video every single day if you're watching this video if you

understand English then you already have so many advantages that most people in

the world do not have if you can see this message through your smartphone you

can then upload videos every single day on a topic you can upload videos on

something that you're passionate about so for example if you like to talk about

consciousness upload a video every single day on consciousness if you like

to talk about crystals make a channel for crystals look it's so easy it's so

simple these days to literally pick one topic and just talk about it over and

over and over and just give different valuations you can make lists you can

make videos into lists you can make how-to videos on

spiritual topics you can do anything these days at all you need is your

smartphone my camera it's interesting because I was so pissed off earlier like

just a few minutes ago before recording when my camera just stopped like the

battery died or whatever and I didn't pack another battery and then I thought

to myself like shit like I'm really wanted like the sunlight I wanted to

capture nature etc etc but then I figured to myself you know what it's

gonna be what it has to be for right now and all I can do is do my part and all I

can do is stay committed to what I said I was going to do which was to make one

video a day about life purpose so for you if you have access to a smartphone

if you have access to a device if you can understand English then it's so much

easier you have such an advantage over the other billions of people that are in

this world that don't have that same opportunity so use that to your

advantage use that to gain a following use that to build a base when you start

recording and documenting every single day on one topic you then become the

go-to for that topic and when you become the go-to for that topic people start to

trust you people start to say wow that person she/he they they do this so well

they do this better than anyone else and it comes down to just that documents in

every single day when you live a life of purpose when you live every single day

as if every single date matters time goes so much faster life becomes so much

more enjoyable and magical and life begins to unfold and unravel in ways

that you couldn't even comprehend but all you have to do is take that first

action step all you have to do is hit that first step into the direction that

you want to go to if you say hey universe I am ready I'm ready to live my

life purpose I'm ready to do this I'm ready to be who I said I was going to be

well you take that action and you start doing that that's when things really

start to change and start to unfold for you in such a positive way

and I want to hear from you now what is it that you are doing to live your best

life if you're already on your path if you're already known knowing what your

life purpose is tell me what is that how how has life changed for you what is

life like now than it was before in the past

until next time I love you

For more infomation >> How Life Changes When You're Living Your Life Purpose | INspire 9 - Duration: 7:24.

-------------------------------------------

How to set up a Smart Shopping campaign - Duration: 1:14.

For more infomation >> How to set up a Smart Shopping campaign - Duration: 1:14.

-------------------------------------------

How to Fight Sin - Duration: 3:02.

- So many Christian view God's Commands as a duty

we need to keep.

Like a religious obligation we need to follow

in order to save our skin in eternity.

But deep down inside we really,

we really just wanna live like the rest of the world.

But that is not Christianity.

I put it all on what we've seen today.

That God is love.

Supernatural love.

The Christian is a Child of God.

Born of God.

Who calls God Father.

Knows God as friend.

Believes, trusts in God's supernatural love for him or her.

Which means that when a Christian hears a command from God

he or she knows that command

is driven by love.

He or she knows that this command

comes from a perfectly loving Father,

who always, always, always knows what is best.

So what does the Christian do?

The Christian thanks God for that command.

Like, thank You, for leading me in the way that's best.

Thank You for not hiding that from me.

Like, thank You, thank You, thank You for Your commands.

And the Christian works to obey that command.

Not out of a sense of duty but out of a sense of delight.

- [Audience] Amen.

- That's a very different way to think about commands.

So, just practically, when you hear the command

to sexual purity that is radically different

than what you hear in this world.

You don't think I can't do this.

And you don't think I don't wanna do this.

Why?

Because you know God abides in you.

Jesus is your life.

You can resist this temptation.

And you want to.

Why?

Because you trust that God's ways are so much better

than the ways of this world.

And you believe that true pleasure,

true, real, lasting pleasure is not found

in the ever hollow, always fading,

empty promises of sin.

But in the always good, always faithful Promises of God.

- [Audience] Amen.

(applause) - So see it and see it.

Every single temptation you face do that way.

How do you fight sin?

By focusing on God's love for you.

Like, believing His ways are better.

His love is good.

It gives you desire to obey Him.

So see it now.

We obey God, why?

To earn His love?

No.

We obey God,

because He loves us. - [Audience] Amen.

- And we trust His love for us.

Love drives obedience.

For more infomation >> How to Fight Sin - Duration: 3:02.

-------------------------------------------

Como dibujar Deadpool Kawaii paso a paso. How to draw Kawaii Deadpool step by step - Duration: 2:04.

For more infomation >> Como dibujar Deadpool Kawaii paso a paso. How to draw Kawaii Deadpool step by step - Duration: 2:04.

-------------------------------------------

How To Create A Massive Movement - The Opportunity Switch (Eng & Srb CC) - Duration: 11:22.

For more infomation >> How To Create A Massive Movement - The Opportunity Switch (Eng & Srb CC) - Duration: 11:22.

-------------------------------------------

2. Aria: "See How They Mock Me" (from "The Memoirs of Antonina" Preview Concert) - Duration: 2:06.

See how they mock me

At e'vry turn:

A punishment I did not earn!

I only want what's best for France,

But find myself the victimess of circumstance,

Of circumstance!

M: I must pretend I do not see

The way they taunt and torture me!

I must appear carefree and gay,

And put on such a grand display

While they strip my pride away...

(Oh, were I but permitted to respond as they!

Oh, were I but permitted to respond as they,

Respond as they!)

See how they mock me,

See how they mock me,

See how they mock me

At ev'ry turn!

For more infomation >> 2. Aria: "See How They Mock Me" (from "The Memoirs of Antonina" Preview Concert) - Duration: 2:06.

-------------------------------------------

I Didn't Belong and How I Handled it - Duration: 5:49.

what is up guys it is good to see you my name is Juan Lopez but you can call me

Baboo and if you're new here hey I make videos about living extraordinary and

today I want to talk about finding a sense of belonging I think this is good

to discuss because I think a lot of us deal with this and we feel like we don't

belong I felt this when I was younger or even sometimes now I feel like I just

don't belong anywhere so I think discussing it is a good way to get one

step closer to not feeling that way so let's get started so you feel like you

don't belong I feel like literally me all the time usually when you're in

these positions you feel really negative this is negative or around you and you

just feel like very pessimistic and when I was younger the way that I handled

this was something you probably already know which is to get rid of that

negativity and cut out the people that really aren't helping you nothing is

worse when you're trying to get better but people are just bringing you down so

really truly you have to cut out those negative people and now this is what I

did in high school you know we were younger kids and I even would tell

people like hey you're a piece of trash you really are bringing me down and just

making me feel uncomfortable and feeling like I don't belong here and that's

something I really really hated but hey maybe you're older like me and you're in

college and you're getting a degree and you're trying to you know be a

professional person and get a career maybe you're in that boat just like I am

and even so where I am and what I'm doing there were times where I did feel

uncomfortable and I felt like I didn't belong or I took the wrong career path

but I've taken steps to kind of help me not feel that way anymore

now don't get me wrong I really really like what I do the problem is well in my

mind I'm all about optimizing my happiness and doing what I can to get me

to be my best so if I'm not doing what I'm really really happy about or really

excited I'm not going to get my best and I only

want to get my best I'm all-in or really I don't want to be anything so just

finding that one thing are finding that really important thing to me is

something that I really cherish and maybe you're trying to find that as well

so I think what I did to kind of help me was I used my skills in many different

areas because you know what they say degree doesn't make your career or

whatever and I really took that home like it really hit me hard like I can do

whatever I want as long as I try hard and I have some kind of foundation in

that field and that's exactly what my degrees offer me to do and I'm really

happy about it and I tried different things and I'm

still trying to go into different fields and finding where I belong that's really

what I want I want to find where I fit in where I belong where I'm happy and

where everything just feels good so if you're struggling as well maybe you're

trying to find where you fit in try new things like that try different fields

look into different fields see what you can do don't let a degree determine what

you can or cannot do I hate that and I think that idea that you can only do

this because you have this degree so you're set to do this you're to take

this career path you know I'm not even out of college yet and I've had a good

amount of experiences where I've kind of deviated from the norm and it's

something I take a lot of pride in and if that's something you want to be -

then you can so keep that in mind now listen up this is the most importantly

I'm going to say I need you to pay attention

it's that I am still trying to find where I belong

now I think the biggest problem that people have especially people of my age

is that we don't think critically and we don't question ourselves enough and we

don't reflect in ourselves and ask ourselves if we are where we belong or

if we feel like we belong now if you know me you know that I'm a scientist

I'm getting my physics degree here soon and I'm supposed to think critically

about physical phenomenon well maybe you can be a scientist in

your own way and think about your life and

trying to think critically about how we can push ourselves to be better and

that's the whole point of life really are in at least this to live

extraordinary that's the point of living extraordinary is to push ourselves to be

better and to keep going up this ladder of life just continually growing whether

it be social mental emotional physical just getting better and I think a lot of

us just give up in a way and we don't question ourselves and we just kind of

put ourselves where we think we belong but maybe we can be better and if you're

new here then let me tell you that this channel is all about improving ourselves

and pushing us to be better and always possible so consider subscribing because

I make videos every single week to help you help myself so we can all get better

and learn how to live extraordinary the best way that we can so with that I will

see you next time and actually I think I have a surprise for the next video so I

will see you next time

For more infomation >> I Didn't Belong and How I Handled it - Duration: 5:49.

-------------------------------------------

How to Meal Prep - Duration: 4:22.

For more infomation >> How to Meal Prep - Duration: 4:22.

-------------------------------------------

What is kiln dried lumber and how's it used for new home construction? - Duration: 5:26.

So in this video we talk about kiln dried lumber and how is it part of a new home

construction process. That's starting right now.

Welcome to Homebuyer's School,

brought to you by Brookfield Residential.

Hi everyone I'm Karl Yeh, welcome to another Homebuyer's School video, a

channel where you get the latest strategies tactics and tips from home

buying experts. Remember if this is your first time on this channel and you want to

get the latest strategies from the experts, hit the subscribe button below, hit the

little notification bell so you don't miss anything. So, today I'm joined by

Kurt Gibson, Director of field operations with Brookfield Residential, and the

question we're going to answer today is, what is kiln dried lumber and how is it

part of a new home?

- Well kiln dried lumber is a process you go through to bring lumber from

from the forest to a job site, and often you know—you got a tree and you gotta

cut it down and you've gotta mill it and put it in to process and essentially what

happens is, they basically put it in a large oven and the basically it gets

moisture content removed out of it for most kinds, and the normal range for

moisture content is they want to get it down between 18-19 percent—

again depending on the climate we're in, it'll go up or go down where it's at, but the

idea is to get kiln dried lumber so you have it usable on a worksite.

I think there's some real myths to that. Some of the myths are people think there

is never any twisting, and warping that can occur. I will say that it's very common

that that can happen, but it is to help reduce that. If you took obviously

material right out of the forest, you'd have tremendous warping and twisting.

So it's trying to help reduce that | in a lot of cases.

- So is it any kind of lumber? So when you talk about kiln dried lumber, so it could

be any type of tree that could be used?

Yeah, I mean obviously there's gotta be a more thorough process for if you're using

wood on kitchen cabinet doors or you gotta use it for hardwood flooring—

typically on a hardwood floor or cabinet doors it would be as low as 6 percent

and so you're getting that down a lot more because it's more of a finished

product. It makes a substantial difference on that, and you know when I

mentioned that the 13-19 percent, that is mostly lumber. If you have like I said,

finishing material or cabinets, it's going to be a lot lower than that.

- So when you talk about 13-19 percent, what does that mean?

- It's basically the amount of moisture content, or probably the easiest way to

say is the water content you have in the product, so they're really trying to reduce

it, I mean obviously—like a lot of us— human beings we have a lot of water

and those trees have a lot of water and they're trying to reduce that down.

In a Calgary climate, it'll be very dry and you want to reduce it—

- You want to reduce it a little bit lower? Okay.

- But sometimes people want—like if you got hardwood floors, you want to have a

certain level of moisture because—again it's a living organism even through it's

dry, it's taken out of the tree, you still want to have a moisture content in there

to give it its best health.

- Oh, okay. So let's say for example, if the lumber is going to Vancouver, or let's say

somewhere where it's going to be a little bit more wet, I guess the content—the

water content will be a little bit higher?

- It can be, it can be designed like that for sure. Because obviously, it's like anything

else I mean, wood is like any product, you want to make sure it's comfortable in its

surroundings, and it'll adapt and that sort of thing. And when you're building a

house and you're putting it all together, it does take a while for it to adapt. But

you're right, it depends on the climate. There are certain products like a

hardwood floor in Calgary, you probably don't want to put like a bamboo floor in

because it requires such a high moisture content and it's just—what's gonna

happen is you're gonna get cupping, or you're going to get shrinkage and

cracking on that material so it's not a great product to put in Calgary—where

you know, a regular hardwood floor with maple floors is much better because it's

a harder product.

- And I think the big question here is, does this type of lumber actually

absorb moisture?

- Every wood still absorbs moisture, it always does. It's trying to find the right

balance so that it performs in the right way, I mean that's always the key

that they're trying to get to by having that kiln counter on number that they're

trying to achieve, whether it's a finished product or whether it's a raw lumber

is what they're trying to do to make sure it performs in the right way so—

I mean there's always air content or water content in the air.

- So one last question, I know we in previous videos we talked about

engineered hardwood, does that have anything to do with a kiln dried lumber?

Well engineered hardwood—typically there's a a small top layer that's—still has

a wood. It's not as like—the whole hardwood is typically 3 quarter inch thick

and the engineered hardwood has a small top layer, so it can still be affected

by it, but it's generally not as conducive to the moisture issues because it also

has a manufactured substrate that stops it from warping or cracking and stuff to.

- Perfect, do you have anything else to add?

- No I don't.

- Awesome. Well thank you very much for joining us and we'll catch you next time.

That's another edition of

Homebuyer's School. Tune in next time

for more expert tips and tricks, and visit

homebuyersschool.ca to bring you one

step closer to finding your dream home.

As with everything, it would be great if you

like and share our videos. Also please let

us know if you have any home buying

questions you want us to answer.

For more infomation >> What is kiln dried lumber and how's it used for new home construction? - Duration: 5:26.

-------------------------------------------

हिंदी - What is portfolio management and how to do it - Duration: 7:51.

Hello investors, my name is Sagar and in this video, I'll talk about portfolio management

and at the end, I will also give some tips, so you can apply them in your portfolio

so what is portfolio management? Imagine you have 100 000 Rs and you want to invest them in the stock market

So how should you invest that money ? should you put it all in one stock ?

maybe 2 or 3 stocks ? How should you distribute your capital ? That is what we will talk about today.

Usually when you will ask people about capital allocation they will tell you, just put 2 % in any company

that means 2 000 Rs in any company or maybe 10 % ( 10 000 ) Rs in any company

But there is never a fixed number and I will explain this with an example.

Imagine I take you to a shop and I offer you 10 phones (Lenovo , Apple , Samsung, Oppo )

and you can take 6 phones of any brand. If you want you can take 6 phones of the same brand

So what would you do ? if you like apple as a brand , you will take 6 of that .

but this is not what people do in the stock market. In the stock market, if someone likes Apple, they will take 2

but then give me more of Lenovo , Samsung and oppo

Something similar happens in the stock market. You have 5 000 companies in the market

out of 5 000 companies if you like one company , should you buy a lot of it ? or buy just a little and invest in other companies also

That is why I used this example so I can explain that if you like something , you shouldn't be investing just 2%

you should buy a lot because if you like the company and the price, it will give you great returns

but then how much should we invest ? 5 % of our portfolio or 10 % in one company ?

So in the case of 100 000 Rs , 10 %would be 10 000 Rs. I will show you how I do it.

I decided from the beginning that I will invest in only 4 or 5 companies

So in the case of 100 000 Rs , I will invest 20 000 Rs in each company

But why 20 000. There are 2 main reasons. First, when I like something, I like to invest a lot in it.

Just like the example I told you, if I like Apple I will buy more of it.

So , 20 - 25 % is ok but don't invest 70 or 80 % in one company.

that's simply because there is always risk in the stock market as there are elements which we can't control

So, if we invest in breweries and the Government imposes a new rule, that would affect our company

and that is something out of my control and if the company is very small, it might even close

but I know many people who won't feel comfortable investing 20 - 25 % in one company

many friends of mine just invest 10 % in a single company but that's because they are not comfortable with 4 stocks

if you have 4 stocks in your portfolio and you can't sleep well, then 4 stocks is not ideal for you

because that doesn't suit your personality. If you feel comfortable with 10 or 15 stocks

in that case, you should invest in 10 stocks as that's ideal for you and you don't need to invest like me

but I would suggest everyone not to invest in more than 10 stocks, when you invest in more than 15, the effect is drastic

Imagine we both have 100 000 Rs to invest and I invest 25 000 Rs in one stocks

and you decide to invest 10 000 Rs in the same stock. The stock then doubles so from 20 Rs to 40 Rs

My 25 000 Rs investment doubles to 50 000 Rs but you 10 000 Rs investment doubles to only 20 000

So when nay stock doubles or triples, the more you invest in the company, the better results you will have

that's why I suggest investing more in companies that you like

if you invest just 5 % in any company you like, you will be leaving money on the table

but why am I insisting in buying more in a company you like?

when you see other investors, you will see they invest in very small quantities in a single company

So, if they have 100 000 Rs to invest, they will invest 5 000 Rs in one company. That means they will have around 20 stocks in their portfolio

If you want to over perform them, which everyone wants to do , you can't invest the same way they do

if you want to win the same, you will have to do something different, this can be investing 15 or 20 % in a single company

but there is a small disadvantage. If you make a bad investment decision, let's say 2 out of your 4 decisions are bad

then you will take a big loss, so you need to act very carefully. So if it's your first year in investing

Then don't invest 20 %in a single company , better put only 10 % maximum in a single company

and as you get advanced, you can start concentrating your portfolio

So now you can shift from 10 %in a single company to 15 % then 20 and lastly 25 %

I wouldn't recommend more than 25 %as there are some risks which we can't control directly

There is one last advantage. Imagine you have 100 000 Rs and you are going to invest 25 000 s in a single company, firstly you will be very nervous

as you are making a huge bet but you will also do a detailed analysis on the company

because you know you will invest only in 4 companies and if anything goes wrong, you will have big losses

So you will do a great and detailed research and you will benefit from that indirectly.

For more infomation >> हिंदी - What is portfolio management and how to do it - Duration: 7:51.

-------------------------------------------

How To Make Turkey Stock - Low Sodium Turkey Bone Broth or Stock Recipe - Duration: 6:33.

what's up everybody this is Lyle with no hippie BBQ what I'm be doing in this

video is showing you what to do with your leftover turkey carcass anyway

we're going to be making some leftover turkey stock so the difference between a

stock and a broth is the broth is just gonna be used made by using meat and a

stock is gonna be using both meat and bone so anyway fairly easy thing to put

together I really don't have a specific recipe for this homemade broth is just something

that you kind of throw together anyway just come on in and take a look at these

ingredients for this turkey stock and we'll whip it up now the ingredients we're gonna need obviously

it's a turkey stock so we have a turkey carcass here now there's quite a bit of

meat on this turkey carcass you could you do this method with more meat or

less meat you're gonna be fine either way

as far as your vegetables go this is going to be kind of up to your own

discretion you can eliminate some of these ingredients or you can actually

add more as well and the amounts are gonna vary according to you know what

you have in the house or what your preferences are so what I'm going with

is I have one white onion this pink quarter one red onion quarter I have

three carrots that I just have cut into cubes one Bulb of garlic and I just cut

that garlic in half we left the skin on that and everything I have some celery

and the celery that I have I just have that cut as well I have some parsley and

that's about a quarter of a bunch of parsley I have some rosemary and then we

have some oregano we also have some grapeseed oil any kind of oil will work

and that is going to be our first step so this can be done in the same you know

in the same roasting pan that you have your turkey cooking in well we're just

going to go ahead and hit it with some of this oil and add our carrots

and it looks like I'm throwing it all over the house all right got our carrots

around throw our onions in and our celery and I'm gonna reserve some of

those herbs for later down the road got garlic in I also have bay leaves I

didn't mention that earlier but those are not gonna go in here

yeah first all right that is it so what we have and here is everything except

for our rosemary our oregano parsley and bay leaves those are going to go in

later we're gonna throw this in the oven 425 degrees for about 45 minutes to an

hour this just came out of the oven after being in there for an hour at 425

degrees now we're gonna go ahead and add our herb herbs and you know things along

those lines things that would have burnt up if we would have had those in earlier

now you could put this in a regular pot at this point but I'm just going to go

ahead and leave it in the stand add our water to this

I'm gonna foil this throw it back in the oven and I'm gonna let it sit in the

oven 425 degrees for an hour and a half so this has spent the last 45 minutes in

the oven and I'm just gonna go ahead and remove all the big chunks and pieces out

of this we're gonna strain it after this

you know what that's good enough right there and get this strained out I'm

gonna strain this a couple times this is just gonna be the first time we do it

and that's mainly to remove the rest of these big chunks and we're just pouring

it into a colander so that is our first time straining it I'm gonna go ahead and

get set up for the second time this is a little unconventional seeing as how I am

gonna be using a paper towel to strain it through

I do have cheesecloth but this seems to get things a little bit more pure you

could use a coffee filter as well

alright I'm gonna let that go through I'll finish up straining it and that's

going to be the final product so now we have a strain through our paper towel

all we need to do is pour it into something and take a look at that take a

look at the clarity I have about double that much I'm gonna go ahead and jar

this up I'm not much of a canner so I will be freezing some of this listen

don't let that turkey carcass go to waste

put that to some good use I haven't tasted this yet we haven't added any

salt or anything like that one ingredient that I should have added that

I just now thought about as I spoke about this which may not change things

too much would have been some whole peppercorns

anyway bottoms up yeah it's tasty right there like I said plenty of ideas I have

for this maybe a pot pie I'm not sure but what I am sure of isn't I'm thankful

for you guys Checking out my Leftover thanksgiving turkey Stock Recipe. How to make homemade Broth

For more infomation >> How To Make Turkey Stock - Low Sodium Turkey Bone Broth or Stock Recipe - Duration: 6:33.

-------------------------------------------

How Long Does a Patent Last? | Impression Products v. Lexmark - Duration: 5:20.

Mr. Beat presents

Supreme Court Briefs

Charleston, West Virginia 2010

A company called Impression Products makes money by buying up old printer toner cartridges, refilling them with more toner, and selling them at a much lower price than it'd cost to buy one brand new.

Well, Lexmark, one of the companies that makes those printer toner cartridges, didn't like that so much, as it was, you know, cutting into their profits.

Lexmark sued Impression Products, arguing that by fixing up and reselling its old printer cartridges without their permission, Impression was not respecting the patent Lexmark held on them.

Lexmark said it didn't just own the patent for the product when it first sold- it owned it for future resales, and they thought they deserved some of that profit Impression was getting.

So first, we are talking about United States patent law here, which Article 1, section 8, clause 8 of the Constitution talks about.

"Promote the progress of science and useful arts, by securing for limited times to authors and inventors the exclusive right to their respective writings and discoveries"

But could you be more specific please?

Well it's all spelled out in Title 35 of the U.S. Code, which I'm not going to read to you because that would put you to sleep.

One thing that is important here is what's known as the exhaustion doctrine, which limits how much control someone has over their patent once the final sale is made.

For example, if I make a guitar and sell it to Jim Bob, and Jim Bob later converts that guitar into a boat and resell it as a boat, the exhaustion doctrine applies.

I don't get some of that profit from Jim Bob selling the boat.

Basically, there were two parts to this case.

One, as I mentioned earlier, Impression was reselling the cartridges after it re-filled them with toner, but two, they were also importing cartridges Lexmark had sold in other countries.

The district court said that patent was exhausted, yo.

So Impression could refill those cartridges.

However, it also said that didn't apply to those imported cartridges because there wasn't a law or case that said patent protections ended for stuff sold outside the country.

So both sides appealed.

It ended up in the Federal Circuit of DC.

They voted 10-2 in favor of Lexmark for BOTH parts of the case, using two other federal circuit cases to back up their ruling.

That said, they said buyers generally could do what they want with a patented product after they bought it.

But if patent holders wanted restrictions, they should be respected.

Impression appealed again, and the Supreme Court agreed to look at the case, hearing oral arguments on March 21, 2017.

That wasn't that long ago guys. The newly appointed justice Neil Gorsuch didn't hear arguments, so he did not vote in this one.

In addition to looking at the exhaustion doctrine, the Court revisited a 2013 case called Kirtsaeng v. John Wiley & Sons, in which the Court said the exhaustion doctrine did apply to patents made in other countries.

Impression was hoping that would help their case.

On May 30, 2017, the Court announced its decision. It sided with Impression Products.

For the first part about the exhaustion doctrine, it was unanimous, 8-0.

After a patent holder sold their product, that is it man.

So Lexmark couldn't try to get some of that profit Impression was getting.

Chief Justice John Roberts used the example of a used car dealership to explain why they sided with Impression.

"The (used car) business works because...the shop is free to repair and resell those vehicles.

That smooth flow of commerce would sputter if companies that make the thousands of parts that go into a vehicle could keep their patent rights after the first sale."

For the second part dealing with imported toner cartridges, it was 7-1 in favor of Impression.

The only dissent came from justice RBJ, Ruth Bader Ginsburg, who argued if the item was sold outside of the United States independent of U.S. patent law, it doesn't make sense that the exhaustion doctrine apply to it.

Man...speaking of exhaustion...I'm exhausted.

This was heavy stuff.

Impression Products v. Lexmark was a victory for consumers and a major setback for companies trying to use their patents to attack other companies.

Ultimately, the prices of a lot of stuff, not just printer cartridges, will go down in the future because of this case.

Hey that works out. I like cheap stuff!

Oh, and today, Impression uses their Supreme Court victory to promote their company, on their very cheesy website.

I'll see you for the next Supreme Court case, jury!

Thanks to my very generous Patreon supporter Roux Rinner for suggesting this Supreme Court case.

And I know this may be asking a lot here, but If this video gets at least 2,000 likes within the first 48 hours I will get a tattoo of the Declaration of Independence on my cheek.

Thanks for watching this boring video about printer toner.

And thanks for liking...below.

For more infomation >> How Long Does a Patent Last? | Impression Products v. Lexmark - Duration: 5:20.

-------------------------------------------

How To Kill A Predator: Iron Wolf Contract - Duration: 10:27.

Black Circle Surround you welcome contractor you have been granted access

to the iron wolf contract I am agent Normal and I'll be serving as your

handler for this contract. The target will be a member of the Yautja species

also known as a predator. I have given the target the designation of elite 3.

This is a termination contract you are not to capture Elite 3 or transport it to

any black circle dead-drops whether it be dead or alive. Record

your encounter with Elite 3 on a personal armor camera or a drone and I will

confirm through my own sources if you were successful. With that let us move on

to the action briefing. We will be covering basic Yautja, physiology,

technology and weaponry. Take note contractor knowledge of your enemy can

be the difference between a swift victory and a wasteful death. Yautja are

large averaging seven to eight feet tall and weighing 250 pounds to 350 pounds. We

expect elite 3 is somewhere between these measurements with an estimated

deadlift of 1,500 lb, it is fair to say that even the most average Yautja hunter will be able to overpower the

strongest of humans. Unfortunately for you, Elite 3 is an elite predator and

this will affect its demonstrable physical strength. Please note that the

elites of predator society have demonstrated an increased capacity in

applicable strength, speed and weaponry. Whether this physical dominance

is the result of natural selection advanced training or extremely

proficient biological augmentation is currently unknown. What is known is that

you can expect Elite 3 to bring enough strength to bend steel, lift small

vehicles and kick down reinforced concrete. All predators exude a thick

blanket of pheromones which make them susceptible to detection via pheromone

sensors. Use these to your advantage as stealth is one of the most lethal and

effective strategies employed by the Yautja. Neutralizing it will be

essential. The primary Society of the Yautja has mastered interstellar travel,

the dangers of plasma casting technology and the secrets of light manipulation.

This has enabled even their most common warriors to wield a disturbingly

impressive and varied arsenal of weaponry and tools, most iconic of which

is their cloaking fields. Used in macroscale to hide their ships and

installations, as well as on the microscale to aid their warriors in

hunts, the Yautja have demonstrated an almost casual use of this invisibility

granting technology. Though nearly perfect on their larger constructs, their

cloaking is less effective when applied to objects as small as an individual

hunter due to this, a bizarre air bubble effect

which silhouettes the Yautja's form against its background is commonplace

allowing those with keen eyes to potentially track the Predators

movements even whilst Cloaked. Mind that this should not be relied upon

contractor as there have been rare examples of personal cloaking devices

used by the Predators which avoid this weakness

I recommend reliance on at least three remote sensors

none of which should utilize the visible light spectrum. There have been several

examples of liquid water being used to disable or dampen the invisibility

granted by even the most robust of their personal cloaking devices. Utilize this

to your benefit, however do not be misdirected by their use of cloaking

fields contractor. Yautja can bring extremely potent armaments to any battle,

and as an elite your target will certainly be equipped with the best of

them. We will begin our discussion with blades. The Yautja have made the forging of

advanced alien metals a routine. The unnaturally sharp edges of any blade

crafted by the Yautja, when combined with the strength of their wielders are

sufficient to cut through flesh bone ballistic fiber and even other metals.

they employ these metals within staves inside of self-winding constriction nets

ballistic darts and various thrown disks, all making use of their signature lethal

edge. Despite the wide variance in blade weapon

the Yautja utilize, there is one which is universal among all their warriors.

Held above all other personal weapons are the wrist blades. Though they

themselves are greatly varied in how they deploy, their lengths, and even the

number of blades, observed tradition amongst the elites of hunter society has

revealed to us a standard pattern. Duel bladed, with knives that can extend

anywhere between 6 and 18 inches in length, and being noted as having the

capacity to fire from the wrist in a single shot ballistic strike, the wrist blades

are arguably the most iconic weapons of the Yautja.

But while the Predators are undoubtedly very proud of their gauntlet knives

they are far from the most versatile and lethal of the standard weapons in their

arsenal. That title can only go to the plasma caster. These powerful weapons are

subject to a great amount of variance and we know that they must be earned in

ritual combat, meaning that these weapons are most likely absent from the lower

ranks of the Yorkshire hunters. Expect the target to be armed with one or more

of these devastating weapons. The standard pattern of plasma caster is a

shoulder-mounted cannon fitted to a swiveling platform this platform is

linked into the Predator's bio mask, enabling the hunter to aim the cannon at

anything it is able to orient its head towards. This weapon has proven to be

ruthlessly accurate, capable of taking the heads and limbs off of targets to a

degree that either speaks to the Yautja's marksmanship or the precision of

their targeting computers. Combined with its ability to moderate how much plasma

is used in each discharged from the caster and it

results in a weapon that can be as precise and deadly as a sniper rifle and

as potent and devastating as a ground-to-air missile. The ammunition

of these weapons appears to be finite, but all too often proves more than

sufficient complete to hunt. Some Yautja have demonstrated a willingness to

forego equipping themselves with these weapons, while others have refused to

utilize them, despite the option being open to them. This could be due to some

kind of alien honor code, or it could simply be because of the inherent

dangers of using a plasma caster as a personal weapon. We'll discuss this more

in tactics. Making use of the same technology, but on a far greater scale, is

the predator wrist nuke. Used only in the most severe of circumstances, a predator

may employ this detachable bomb from their left gauntlet. With only a few

adjustments, the bomb can be modified to create an explosion large enough to

completely eradicate 300 city blocks. All predators carry this dangerous weapon, even

the lowliest of their hunters though the use of the device is apparently quite

rare.

the final standard piece of equipment utilized by the Yautja is the bio mask.

Simultaneously a rebreather voice manipulation ,device a recording device,

face protection and containing a potent Suites of personal sensors, the bio mask

is worn by even the lowest of the predators and appears to have a

powerful cultural significance amongst their people. Beyond these pieces of

equipment, the Yautja have demonstrated the use of advanced drones, bestial

hunting companions, and even the use of active nanite technology. But these

variances are less common, tending to side on the exception versus being the rule. Able

to live well past 1000 years, with minds prone to obsessive focus and predisposed

towards violent outcomes, the Yautja make fearsome opponents even for the

ranks of the echelon contractors, which you most likely are not. They are

masters of ambush, Lords of the bladed weapon, and crafty designers of

lethal technologies. But rest assured contractor,

they can be overcome.

This is the end of the iron wolf contract part 1. To proceed to part 2

select the icon at the upper right corner of the screen. The Yautja are

lethal combatants contractor. I strongly recommend you complete the briefing. If

you would like to view other contracts that may catch your interest, feel free

to sift through our channel, and remember to subscribe to connect yourself to all

future Black Circle contract opportunities. your service is greatly

appreciated contractor. I will see you again in part two of the iron wolf

contract. Agent Normal Signing Out.

For more infomation >> How To Kill A Predator: Iron Wolf Contract - Duration: 10:27.

-------------------------------------------

How Hollywood Writers Put Deals Together w/ Edward Ricourt (Now You See Me & Jessica Jones) - Duration: 4:29.

- Edward Ricourt is a writer and producer known

for Now You See Me, Now You See Me 2, both major films.

He also did Marvel's TV series, Jessica Jones, which is

on Netflix, and I had him on the podcast

a little while ago to talk about

how he puts deals together, what his day-to-day looks

like, what is life like for a writer on these major shows,

and here are the takeaways from

my conversation with Edward Ricourt.

If you wanna listen (crinkles)

to the full episode, it's down in the description below.

First we talked about how to keep

your projects going for a long time.

- [Edward] Directors have

it hard, because Louis Leterrier, that did Now You See Me,

the first one, I think he signed

onto the project 2009, 2010, and he was devoted

to doing that movie over the course of three years,

where me as a writer,

I've already written the script,

so I could go on and do other work, and I've done three

or four things during that period

of time,

so I can keep working, but directors,

they're there for the long haul.

- Then we touched on creating original work

versus helping others do better.

- [Edward] It's a mixed bag.

I find that I have the best luck

with my own stuff, but

the more established you get,

the more things that are sent your way.

So, if I'm writing a script, it's just

I think I have an idea, and I'm going

to gamble on myself, but if you wanna be

working in town, you can't be solely a spec scriptwriter.

You wanna do these assignments and stuff.

So, other properties ends up taking most of your time.

- I asked him about how writing projects happen.

- [Edward] What I find, the most common thing is

your agent calls you and says,

"Hey, Producer X is going to do this movie.

"He loves your work.

"He wants to meet with you,"

and you'll have a nice conversation,

and then maybe in two weeks, you'll

come back with a 20-minute, fully fleshed-out vision,

a pitch, of what you want this to be,

and if the producer loves it, he's like,

"Great, I love your vision," then you go

to the studio and do the same process

all over again, but now you have the producer on your side.

That's usually how it happens with projects.

- I noticed he wrote Now You See Me,

but he was just a producer on

Now You See Me 2, just a producer, right?

This is my entire life is being a producer,

but I asked him about that.

What happened with Now You See Me 2?

- [Edward] My decision not to do

Now You See Me 2 is beyond creative,

it's also I didn't wanna be the guy

that did Now You See Me 2, three, four, five, six.

Everybody was offering me magic-themed stories,

and I wanted to just go the other way.

I remember sitting in the room

talking about Now You See Me 2, and I felt

that itch like

I just wanna do something different.

I don't wanna just be the guy that's a one-trick pony.

- I asked him what goes into a pitch

at his level in the business?

- [Edward] If I'm writing a spec script, I think the

script will speak for itself, and I don't have to pitch.

If I want somebody to pay me to write the script,

I'll go in with a pitch. (laughs)

You start off with a regular, "How you doin'?" conversation,

"How's the wife?" and with Now You See Me,

it's like you come in and you talk about the idea of magic.

What is it about it that excites you personally?

You're basically telling the producer,

"Why I am the right fit to write this."

You talk about

the genre it is, the tone, the characters, the story.

- And then Edward talked about

having a personal connection to the project.

- [Edward] Ocean's Eleven nailed the heist genre.

There's been so many great movies,

The Italian Job, that has nailed the heist genre,

so I can't make it about the money.

In my mind, it had to be about something else,

and I grew up in New York, I worked

at the World Trade Center, and I lived down on Wall Street.

I saw all these guys carrying out boxes of their belongings

from Lehman Brothers and all these

banking firms, and I thought that

there was something going on where people were

really down-and-out and losing their homes

that felt like an interesting place to explore.

That was the root of what I wanted the story to be.

It's still there, you gotta pay attention

to it a little more, but it's still

there.

- Thanks for watching the video.

If you want the full (crinkles)

episode, that's down in the description below.

If you want the proposal we used on new-business calls,

that's experiment27.com/proposal.

We've got a whole bunch of other

free stuff down in the description.

I love givin' stuff away for free,

and if you know somebody who would find

value from this video, I would love

if you would share it with them.

It'll make you look good, it'll make me

look good, it'll make Edward look good.

That's great!

It's a win, win, win, and your friend will

maybe even be more successful because

of it, so it's a win, win, win, win.

Just subscribe, I guess.

Subscribe to the channel if you want more of that.

I'm Alex Berman, thanks.

For more infomation >> How Hollywood Writers Put Deals Together w/ Edward Ricourt (Now You See Me & Jessica Jones) - Duration: 4:29.

-------------------------------------------

How to make a bonsai pot at home ปั้นกระถางบอนไซเองที่บ้าน ง่าย ๆ ครับ - Duration: 13:34.

For more infomation >> How to make a bonsai pot at home ปั้นกระถางบอนไซเองที่บ้าน ง่าย ๆ ครับ - Duration: 13:34.

-------------------------------------------

How To Get Rid of Armpit odor And Sweat Permanently - Duration: 3:36.

For more infomation >> How To Get Rid of Armpit odor And Sweat Permanently - Duration: 3:36.

-------------------------------------------

updated free google play gift card codes-free codes- how to get free google play gift card codes - Duration: 3:23.

free google play gift card codes

For more infomation >> updated free google play gift card codes-free codes- how to get free google play gift card codes - Duration: 3:23.

-------------------------------------------

MasterVan - Wynn summoner - Rafinery macro - How to do - Duration: 2:23.

Hi all fans! I am back!

Today the macro to farm in rafinery.... that´´s not for all and dungerous

enjoy!

Follow me, love me, and I love you! :D See you in game

And I have a question for you....

Or maybe 2.....

The 1st one, I have a clan lvl 9 and I would like to do it lvl 11.... Can you join it?

2nd i am looking for a summoner strong that stay with me in macro.... ARE YOU?

contact me in game or with mail! I love you all

Ahhhh i have to sell my old retri r95 +14... Buy it!!! :D

BYEEEEEEEEE